Quotulatiousness

January 31, 2026

A new homily from Saint Hillary

Filed under: Media, Politics, USA — Tags: , , , , , — Nicholas @ 04:00

Chris Bray fondly remembers how the late Michael Kelly pin-pointed the moral character of Hillary Clinton very early in the first Bill Clinton term, where he named her “Saint Hillary”. She’s back in her bully pulpit again:

It’s a moral lecture on the true meaning of Christianity from Hilly Rodham Clinton, from Saint Hillary. All credit to Michael Kelly: Mrs. Clinton is still struggling with words. This is as dull a performance of narrative ineptitude as a human thing could possibly manage without actually turning into Tom Nichols:

    That compassion is weak and cruelty is strong has become an article of MAGA faith. Trump and his allies believe that the more inhumane the treatment, the more likely it is to spread fear. That’s the goal of surging heavily armed federal forces into blue states such as Minnesota and Maine — street theater of the most dangerous kind. Other recent presidents, including Joe Biden, Barack Obama, George W. Bush, and Bill Clinton, managed to deport millions of undocumented immigrants without turning American cities into battlegrounds or making a show of keeping children in cages.

    “The cruelty is the point,” as The Atlantic‘s Adam Serwer memorably put it during Trump’s first term. The savagery is a feature, not a bug. By contrast, as Serwer noted recently in these pages, the people of Minnesota have responded with an approach you could call “‘neighborism’ — a commitment to protecting the people around you, no matter who they are or where they came from”. To my ears, that’s as Christian a value as it gets.

First you notice the complete failure to land the facts, like the one about the way Barack Obama deported lots of people, but he didn’t make a show of keeping children in cages. The Obama administration built the cages, and this isn’t obscure. Similarly, and obviously, all those other presidents didn’t turn American cities into battlegrounds because no one fought against deportation during their terms. Nor have the Trump administration’s ICE operations turned “American cities” into battlegrounds. Dallas isn’t. Miami isn’t. The cities that are battlegrounds are cities where organized left-wing activism has manufactured a series of battles. Does Hillary Clinton notice that some cities are battlegrounds, but many cities are not? She most assuredly does not. It doesn’t help her to notice that, so her mind omits it. More box wine, and then more typing.

But since we’re talking about an argument made by Hillary Clinton, never mind about mere facts. Start with the fact that these are back-to-back paragraphs. First paragraph, assurance that previous administrations “managed to deport millions of undocumented immigrants”. Next paragraph, depiction of resistance to deportation as “a commitment to protecting the people around you, no matter who they are or where they came from”. How does one square a depiction of Clinton-era mass deportations as reasonable behavior with the placement of organized resistance to deportation under the umbrella of “neighborism”, real Christianity, and more specifically how does Hillary Clinton explain how she squares those opposing things? Short answer: She doesn’t even notice she’s done this. She doesn’t know there’s anything to square. She’s making word-sounds. She has no idea what any of it means.

Several decades ago, Michael Kelly told us that Hillary Clinton didn’t hear herself at all. And I still miss Michael Kelly. Hillary speaks, but she doesn’t listen. She half-absorbs events and the lives of other people, and coughs out a kind of instinctive Reader’s Digest annotated version, but mangles all the details as efficiently as bad AI. I could go on about this at great length, showing paragraph by paragraph how she misrepresents and misunderstands everything she discusses. Her discussions of toxic empathy and the ordo amoris show with great plainness that she doesn’t have the foggiest idea what the most basic outline of the discussion might be. But “the message of the preacher” persists, rising out of the least appropriate messenger you could ever ask for an essay on moral decency.

You have to give her credit. It can’t be easy to play a vampire for four straight decades.

Only one comment, Mr. Bray: she’s not playing.

Update, 2 February: Welcome, Instapundit readers! Have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.

La trahison des comédiens (The treason of the comedians)

Filed under: Britain, Media, Politics — Tags: , , , , , — Nicholas @ 03:00

In the above-the-fold portion of this post, Andrew Doyle points out that it’s the comedians who should be leading the charge to ridicule the excesses of the powerful, yet they shrink from their cultural duties and avoid offending those who most need to be taunted:

Holly Valance is an unlikely satirist. Yet the pop singer’s latest track, “Kiss Kiss (XX) My Arse”, takes aim directly at the pretence that human beings can change sex, and that a man need only declare himself a woman for it to be true. Upon its release the song immediately reached the top of the iTunes bestsellers chart, only to be swiftly deleted by Apple Music. Valance had committed the cardinal sin of ridiculing the establishment.

The song is based on Valance’s 2002 number one hit “Kiss Kiss”, now reworked with new lyrics for Pauline Hanson’s animated satire A Super Progressive Movie. This is the song’s opening verse:

    They say that I’m a he but I’m a she,
    Cos I gotta V and not a D,
    And I don’t care what people say,
    I’ll never be a him or them or they.

Unsubtle? Perhaps. But let’s not forget that its target is the least subtle ideology that has ever been birthed. This is satirical mimesis; the essence of parody. For Apple Music to delete the track (only to reinstate it after multiple news outlets drew attention to the deletion) surely proves Hannah Arendt’s point that the “greatest enemy of authority” is “contempt, and the surest way to undermine it is laughter”.

It is an indictment of the state of the comedy industry that pop singers are left to do the work of comedians. Television panel shows are now bland affairs thanks to the sheer lack of courage on display. The woke movement represents one of the most authoritarian, intolerant and illiberal developments in the recent western world. It demands conformity, peddles fantasy at the expense of truth, and punishes freethinkers. And yet most of today’s comedians are eager to prop it up rather than see it tumble.

They are called “regime comedians” for good reason. They have willingly turned themselves into cheerleaders for the powerful, bolstering those who have bullishly set the agenda, or – as the satirist Chris Morris once put it – “doing some kind of exotic display for the court”. It is a great shame that so many of Morris’s former collaborators now fall squarely into this category.

To put this cowardice into perspective, consider the example of the satirical magazine Charlie Hebdo. Just one year before he was gunned down by Islamic terrorists, the cartoonist and editor-in-chief Stéphane Charbonnier (known as “Charb”), was profiled in Le Monde. Was he not worried, the interviewer asked, about possible reprisals for drawing cartoons of Mohammed? For his answer, he paraphrased the Mexican revolutionary Emiliano Zapata: “I would rather die standing than live on my knees”.

If a man like Charb refused to back down from criticising an oppressive ideology – in spite of the death threats he received on a daily basis – why is it that so many of our comedians are too afraid to tackle the woke? These activists may talk tough online, but in real life they are about as intimidating as a sea sponge. While the impulse to preserve a mainstream career is understandable, it does suggest a lack of genuine vocation if that means ignoring the target that is most in need of skewering.

January 30, 2026

“… now that the legend is fully established, good luck trying to convince people of the facts”

Filed under: History, Media, Politics, USA — Tags: , , , , — Nicholas @ 03:00

On Substack, The Scuttlebutt looks at an iconic photo, a sculpture based on the photo, and shows that the line from The Man Who Shot Liberty Valance is still quite true: “When Legend becomes Fact, print the Legend”

In an old black and white John Wayne, Jimmy Stewart movie called The Man Who Shot Liberty Valance, a newspaper man tells the hero of the piece “When Legend becomes Fact, print the Legend”. Meaning; tell the people what you want them to know, even if it’s not true. We’re going to talk about that today; but first, Get in out of the cold damn it! Seven degrees is cold even by my standards. Grab a cup of coffee, or cocoa, tea if you must, pollute it as you will, and have a seat, Dinner is Chili, please remember the tip jar where we collect for the mess. Let’s begin!

I referred to the picture above last week, though I didn’t include it. I’m going to include it now, because of something that a reader and good friend of some four decades sent me, in regard to it. See, she lives in Birmingham, where there is a statue commemorating this event, titled Foot Soldier. This is it:

Notice any differences from the photo of the event? Yeah, the cop is the one grabbing the kid, and the dog is threatening, the kid is defiant, and the cop looks like they pulled him out of a Soviet or Nazi recruiting poster. (The article I will reference also calls out the fact that the kid in the sculpture has emphasized black racial features. The kid it happened to, is so Anglo in feature he could be a white guy in “blackface”. Oh and the kid in real life is every bit as big as the cop.) Those are just the initial things, there’s more, but I’ve made my point.

Yeah, you in the back, with the purple hair and the septum ring? What’s that? “But that’s art” you say? “Putting artistic license on the sculpture is reasonable” you say?

Well, Ma’am? I think you’re a Ma’am? Yes, it is. It’s propaganda, but “Art” is allowed to be propaganda, and in fact most art is just that. From the formal paintings of Kings and Heads of State, to Andy Warhol’s stuff, images are altered to make a point. Maybe to emphasize a chin that’s pretty weak in the real guy, making him look “tougher” or putting more jewelry on the woman than the family owns to make them look richer … Most art that isn’t just “an exercise for the student” has some sort of statement. (Note, I consider “still life with fruit”, and such things to be an exercise, teaching proportion and play with light.) Political caricatures are the ultimate expression of this point, and that cop is a political caricature.

Ah, but here’s the thing. While the “art” is reasonably a political statement, the news story, and the photograph are supposed to be news, and we have been told that “News is facts, not Op-ed”.

Well, we all know that lately, that’s just not so, but here’s the thing: It never was!

It’s not that the Media is lying to you today, it’s that the media has NEVER told the truth. It’s just that by the time the truth comes out, usually, it’s decades later, and no one cares.

But you SHOULD care. Take this event enshrined in legend (Remember that quote “print the legend”?) There’s a gentleman named Malcom Gladwell. He does a podcast called Revisionist History. The transcript of the relevant show is HERE as done by Emily Maina. The whole piece is really well done, and worth your time, but it’s about twenty minutes worth of reading, so I’m pulling out a couple of points to help make my point.

Mr. Gladwell was invited by the widow of the cop, to learn, as the late Great Paul Harvey used to put it, “The Rest of the Story”. This drove him to track down the artist that did the sculpture, the actual kid that was involved, friends of the cop in question, caused him to listen to the interviews done when the statue was commemorated, and so on. It seems the legend is far different from the truth. The kid in the picture wasn’t even part of the damn protest. He was a lookie-loo who had skipped school to come see “the great man” Martin Luther King.

The protests had at this point been going on for months. Constantly getting bigger, constantly drawing more spectators. The cops, specifically “the Birmingham Chief of Police, a troglodyte named Bull Connor”, in the words of Gladwell, have been tasked with keeping the spectators separated from the protesters. There was, after all, a legitimate fear that someone in the spectators might just be a Klansman, and might be aiming to take out some of MLK’s folks.

Well, that gets harder and harder to do, and the protester numbers keep growing, the spectators keep growing, until finally, Conner decides to use the K9 units to keep the peace. This is all a part of “the plan”. The protestors are trying to get the cops to do something that can be blown up and make international headlines. Finally, they succeeded.

The third of May, 1963. A photographer, Bill Hudson, gets a picture of a kid with a cop dog on him. White officer, black victim, mean dog. That’s what the narrative is. The New York Times runs it, three columns above the fold, and makes up a story to go along with it. The trouble is, no one talked to the cop, or to the kid.

The cop was Richard Middleton, his last gig had been escorting black kids to school, to keep them from being killed by whites. He’s been assigned now, to keep the separation line between the protesters and the populace. The kid’s name is Walter Gadsden, according to the person that interviewed him at the dedication of the statue, he’s now “a grumpy old man still wedded to some of the oldest and most awkward of Black prejudices”. She sees him as Stockholmed basically.

Walter, he sees himself as a dumb kid who skipped school, went where he wasn’t supposed to, and damn near got bit by a K9 because of it. Middleton was trying to pull the dog off, you can see it in the photo, if you actually look. But that’s not the legend, and the media prints “the legend”. The artist admits:

    Well, I saw that the boy was being about 6’4, the officer was maybe 5’10, 5’9. And I said, “This is a movement about power”. So I made the little boy younger and smaller, and the officer taller and stronger. The arm of the law is so strong, that’s why his arm is almost, like, straight. And the dog is more like a wolf than a real dog. Because if I’m a little boy, that’s what I would see. I would see like this superman hovering over me, putting this big old giant monster of a dog in my groin area, in my private area. And so, that’s what I envisioned when I first saw the photograph.

Of course, the artist is a black man. He continues: “So he’s almost like a blind officer. He doesn’t even see the kid, because he’s so far beyond that. ‘Killed this nigger. Attack this nigger.’ He saw past the reality of this is a hu-, innocent chi-, human child, a human being, that’s why he was wearing blind people glasses like that.”

Well, it’s art, the artist wasn’t there, never talked to anyone involved, and he told the story he wanted to tell. OK, that’s what art does. The trouble is, that’s also what the news media did.

And they got away with it, until July 6 2017, which is when the article in question came out. Actually, they are still getting away with it, because now that the legend is fully established, good luck trying to convince people of the facts.

January 29, 2026

“The meme works because Amelia has perfectly normal, mainstream opinions”

Filed under: Britain, Government, Humour, Liberty, Media, Politics — Tags: , , , , , , — Nicholas @ 03:00

On the social media site formerly known as Twitter, The Little Platoon responds to a lamestream media report on the Amelia phenomenon:

This story was quite funny enough before it got noticed by the rickety old goblin creatures of the mainstream media.

Amelia is not a “purple-haired AI goth girl”, she is a government-created videogame character designed to teach kids that “liking the national flag” and “attending protests where that flag might be seen” makes you a potential terrorist.

That really was the extent of it. The game she comes from is extremely non-specific about the content you’ve been radicalised by. At no point do you think, “yes, I can see why this was terrorist behaviour”.

The actual storyline is not a million miles away from Winston Smith and Julia in Nineteen Eighty-Four.

So the effect is: you have this totally normal opinion that most people have? You’ve been seduced by Amelia and now the Hijabi Hero (IRONY) at Prevent is going to send you to jail.

Amelia hasn’t been “hijacked by the far-right”, she’s just a textbook example of Death of the Author.

The government wanted to have her demonstrate the dangers of online radicalisation. But because this is the British government, they made it seem cool, justified, and you’ll probably get a hot goth girlfriend out of it.

The meme works because Amelia has perfectly normal, mainstream opinions.

She can say “I like pork sausages and dogs”, like roughly 98% of British people, and this will send a certain sort of person — the government, the Anti-Extremism Lead at Generic NGO — into a full-on panic attack.

It’s about the disconnect between the values of the government and those of the people they govern. The joke is that Amelia could ever be considered “Far Right”.

(Ironically, the interviewee in this clip is just as AI-coded as the actual AI clip they play. He’d probably require fewer tokens to generate.)

Meme coins remain extremely cringe, however.

At The Hungarian Conservative, Joakim Scheffer discusses the reaction of the caught-flat-footed mainstream media as their attempts to downplay Amelia’s impact serve to increase interest and attention:

British outlets The Guardian and LBC published strikingly similar articles about Amelia in recent days, both concluding that the purple-haired goth girl, who stands against mass migration and in favour of traditional British values and culture, is, in fact, racist and fuels hatred.

The Guardian introduces Amelia as a girl “who proudly carries a mini Union flag and appears to have a penchant for racism“, before lamenting the “plethora of increasingly sophisticated AI-generated iterations” of her, including “real-life” encounters between Amelia and movie characters, “accompanied by racist language and far-right messaging”.

Since her “birth”, Amelia has indeed become increasingly popular. From an average of around 500 posts a day when she was first introduced, the figure rose to roughly 10,000 daily posts starting on 15 January, when the meme broke through to international audiences. Amelia has since reached the highest levels of the right-wing internet ecosystem, even being reposted by Elon Musk himself.

Starship Troopers: Service Isn’t The Point

Filed under: Books, Government, Media, Politics, USA — Tags: , , , , — Nicholas @ 02:00

Feral Historian
Published 5 Sept 2025

There’s a long-running argument over whether Heinlein’s book describes military service as the exclusive path to citizenship, or if “federal service” is a much broader basket of enfranchisement. While a close read of the book makes it unquestionably clear which is correct, it misses the greater point. Heinlein was writing about the role of civic virtue in the stability of a republic, his citizenship-through-service framing is the literary conceit for discussing that larger question.

For a more detailed examination of the nature of Federal Service, I recommend James Gifford’s essay on the subject: https://www.nitrosyncretic.com/rah/ft…

00:00 Intro
00:45 What is Federal Service?
02:18 An Exploration of Enfranchisement
03:13 Expanded Universe
05:38 But Why?
06:59 Starside R&D
09:07 “Unreasonable Facsimile”
10:54 Filtering Civic Virtue
(more…)

January 28, 2026

Update your NewSpeak dictionaries: “digital twin”

Filed under: Media, Technology — Tags: , , — Nicholas @ 03:00

On his Substack, William M Briggs introduces us to a new coat of paint and fresh marketing polish to encourage us to feel so much more comfortable with clankers:

Cracker Barrel infamously tried changing their homey friendly warm and folksy logo to a stripped down dull almost monotone cool version. To remain “current”. They also, reports say, redid the insides of restaurants to emulate modern real estate Soviet-inspired ideas of stripping all detail and turning everything monotonous shades of suicide-inducing gray. They thought this would increase business.

Scientists, grown weary with their dull old ways, and wanting to stay hip — do they still say hip? — decided to redesign their logo, too, as it were. Only they didn’t make the same mistake Crack Barrel did. Instead of hiring some ridiculously over-priced longhoused consulting firm, they asked computer scientists to do the redesign.

Brilliant!

Computer scientists are the firm that brought us neural nets, machine learning, genetic algorithms, and, yes, artificial intelligence, which they cleverly capitalized as “AI”. What’s fantastic is all these evocative names represent the same thing! Models (basically non-linear regressions with some hard coded rules thrown in).

Used to be computer guys would trot out a new name only after they sensed the old one had lost its shine. But “AI” has not. The bubble daily swells. It still tickles imaginations. Which means computer guys hit upon a real innovation: they invented a new name while the current one still shines.

Digital Twin.

What is a Digital Twin? It is, like every new name invented by computer scientists, a model. Only now AI “creates” or “builds” the model. In other words, a Digital Twin is a model of a model.

Where might we find Digital Twins? Here’s some happy-talk hype examples.

Siemens:

    Outperform your competition with a comprehensive Digital Twin

    Leverage the comprehensive Digital Twin to design, simulate, and optimize products, machines, production, and entire plants in the digital world before taking action in the real world. This helps manufacturers to tackle industry’s biggest challenges: mastering complexity, speeding up processes, and improving sustainability overall.

IBM:

    What is a digital twin?

    A digital twin is a virtual representation of a physical object or system that uses real-time data to accurately reflect its real-world counterpart’s behavior, performance and conditions.

McKinsey:

    What is digital-twin technology?

    A digital twin is a digital replica of a physical object, person, system, or process, contextualized in a digital version of its environment. Digital twins can help many kinds of organizations simulate real situations and their outcomes, ultimately allowing them to make better decisions.

In other words, models. But how tediously banal is models? Try and sell a model. IBM: “Let us build a model of your system, which might provide useful predictions.” Doesn’t sing. Doesn’t entice. Doesn’t scream premium price. Try this instead: “Be the first to adopt our AI-designed Digital Twin which gives AI insights.” Now you can charge real money.

Digital Twin reeks of excitement. So much so, you just know academics will be getting in on it.

QotD: 21st century generation gap

Filed under: Media, Quotations — Tags: , , — Nicholas @ 01:00

I am Gen X, which means that a whole generation separates me from Gen Z, the youth generation of today. Gen Z grew up in a world that was networked to the hilt, where everything was already on the internet, and where the “meatspace” had already begun to lose its central role in human socialization. This is a generation that has grown up facing electronic screens, to the point where eye contact is in retreat when Gen Zers actually do encounter real humans in person. Their understanding of media, and more importantly, media consumption, is very different than mine. I like to make the joke (and it’s not really a joke as it has happened to me several times) that if you ask someone from Gen Z to explain something to you in a simple fashion, they won’t respond with a one or two line description, but will instead send you a link to a 4 hour podcast that kinda-sorta touches on the subject. Gen Z is the first truly online generation.

Niccolo Soldo, “Saturday Commentary and Review #197”, Fisted by Foucault, 2025-10-25.

January 27, 2026

Minneapolis – protest, insurrection, or massive distraction?

Filed under: Government, Media, Politics, USA — Tags: , , , , , , , — Nicholas @ 04:00

On the social media site formerly known as Twitter, Eric Schwalm talks about the organized nature of the Minneapolis protests and points out how much work it takes to set up and run:

“No Kings, No ICE” protest on Hennepin Avenue in Minneapolis, Minnesota on 23 January, 2026.
Photo by Myotus via Wikimedia Commons.

As a former Special Forces Warrant Officer with multiple rotations running counterinsurgency ops — both hunting insurgents and trying to separate them from sympathetic populations — I’ve seen organized resistance up close. From Anbar to Helmand, the pattern is familiar: spotters, cutouts, dead drops (or modern equivalents), disciplined comms, role specialization, and a willingness to absorb casualties while bleeding the stronger force slowly.

What’s unfolding in Minneapolis right now isn’t “protest”. It’s low-level insurgency infrastructure, built by people who’ve clearly studied the playbook.

Signal groups at 1,000-member cap per zone. Dedicated roles: mobile chasers, plate checkers logging vehicle data into shared databases, 24/7 dispatch nodes vectoring assets, SALUTE-style reporting (Size, Activity, Location, Unit, Time, Equipment) on suspected federal vehicles. Daily chat rotations and timed deletions to frustrate forensic recovery. Vetting processes for new joiners. Mutual aid from sympathetic locals (teachers providing cover, possible PD tip-offs on license plate lookups). Home-base coordination points. Rapid escalation from observation to physical obstruction — or worse.

This isn’t spontaneous outrage. This is C2 (command and control) with redundancy, OPSEC hygiene, and task organization that would make a SF team sergeant nod in recognition. Replace “ICE agents” with “occupying coalition forces” and the structure maps almost 1:1 to early-stage urban cells we hunted in the mid-2000s.

The most sobering part? It’s domestic. Funded, trained (somewhere), and directed by people who live in the same country they’re trying to paralyze law enforcement in. When your own citizens build and operate this level of parallel intelligence and rapid-response network against federal officers — complete with doxxing, vehicle pursuits, and harassment that’s already turned lethal — you’re no longer dealing with civil disobedience. You’re facing a distributed resistance that’s learned the lessons of successful insurgencies: stay below the kinetic threshold most of the time, force over-reaction when possible, maintain popular support through narrative, and never present a single center of gravity.

I spent years training partner forces to dismantle exactly this kind of apparatus. Now pieces of it are standing up in American cities, enabled by elements of local government and civil society. That should keep every thinking American awake at night.

Not because I want escalation. But because history shows these things don’t de-escalate on their own once the infrastructure exists and the cadre believe they’re winning the information war.

We either recognize what we’re actually looking at — or we pretend it’s still just “activism” until the structures harden and spread.

Your call, America. But from where I sit, this isn’t January 2026 politics anymore. It’s phase one of something we’ve spent decades trying to keep off our own soil.

On his Substack, Glenn Reynolds points out that the “protests” are serving to distract attention away from state and local officials’ role in enabling massive fraud rings in Minnesota which reportedly scored billions of federal dollars for phantom organizations:

This image depicts a similar action by the Trusts at the turn of the last century. (Library of Congress).

The squid was frightened, so we got the ink: Increasingly violent “protests”-cum-riots explicitly aimed at blocking ICE operations with the stated goal of forcing federal authorities out of Minnesota entirely, while generating maximum media attention.

These are not spontaneous uprisings of the aggrieved, but organized actions featuring out-of-state actors and organizations, detailed training programs for demonstrators, and large amounts of intentionally murky funding from organizations like Indivisible, George Soros’ Open Society Foundations and others.

They’re coordinating their anti-ICE operations — identifying, chasing and blocking agents to keep them from arresting illegal-immigrant criminals — through highly organized chat groups on Signal, a secure communications platform, Fox News reported.

And Minnesota government officials are proudly touting their involvement in this coordination.

Sen. Bernie Sanders made much of Lt. Gov. Peggy Flanagan’s role in a fundraising email this weekend, praising her for “playing a key role in mobilizing grassroots opposition to Trumpism”.

That’s making these often violent, deliberately obstructive demonstrations look less like a civil rights sit-in and more like a government-backed insurrection.

Tragically, this aggressive and confrontational strategy has produced martyrs who can now be exploited for political purposes.

“Two things can be true at the same time,” Fox News’ Asra Nomani posted Monday.

The death of Alex Pretti, the armed demonstrator who got into a fatal tussle with ICE agents Saturday, “is a real and devastating tragedy, and there are several investigations appropriately occurring into the circumstances behind his killing”.

But also, “A far-left organizing network put Pretti in harm’s way and then turned him into a martyr … to sow the perception of chaos in America”.

Whatever investigators determine about how Pretti’s death unfolded, the fact remains that a cynical and corrupt political machine has fostered for its own purposes a situation that’s dangerous for its own supporters, and for the political future of our nation.

Amelia was not created by the “extreme right”

Filed under: Britain, Government, Liberty, Media, Politics — Tags: , , , , , , — Nicholas @ 03:00

On the social media site formerly known as Twitter, A View From Yorkshire points out that the media coverage of the Amelia phenomenon often leaves the audience with the impression that Amelia was created by some far right extremists, which clearly isn’t true:

Let’s nuke the myth properly.

Amelia was not “created by the far-right”.
She was created by the British state, funded by taxpayers, in a government-approved anti-extremism game for teenagers.

Her crime?
Questioning mass migration.
Talking about British values.
Suggesting borders, culture and continuity might matter.

In other words: centre-right, mainstream opinions held by millions of normal people.

The media response?
SCREAMING, CRYING, THROWING UP:
“FAR-RIGHT!”
“RACISM!”
“DISINFORMATION!”

Even the game’s own creators admit the game does not say questioning mass migration is wrong — yet journalists still foam at the mouth like Pavlov’s interns because the spell didn’t work.

Here’s the truth they hate:

Amelia didn’t get radicalised.
She got recognised.

People saw a perfect accidental parody of how the establishment treats ordinary dissent:
If you question orthodoxy, you’re not wrong — you’re dangerous.
If you wave a Union Jack, you’re not patriotic — you’re extreme.
If you ask questions, you need monitoring.

So people did what the internet always does when power looks stupid:
They laughed.
They memed.
They stripped the moral panic naked.

Now we’re told there’s a “highly coordinated hate network” behind it all.
Sure. Or maybe — stay with me —
people are done being lectured by institutions that despise them.

A cartoon goth girl didn’t expose extremism.
She exposed how fragile the narrative really is.

If a meme breaks your ideology,
your ideology was already on life support.

The Amelia memes do seem to be getting under the skin of certain members of the government:

Amelia is a girl of many talents:

Epochalypse
Published 24 Jan 2026

An absolutely beautiful song covered by Amelia ❤️

A UK anti-extremism educational game called Pathways, faced significant public and media backlash.

The game, developed by SOUK in coordination with the Hull City Council and East Riding of Yorkshire Council, was designed to educate students about the dangers of online radicalization.

How the Game Backfired

Antagonist’s Popularity: The game’s primary antagonist, a teenage girl with purple hair named Amelia who held nationalist views, was intended as a cautionary figure. However, she was ironically embraced by some online communities and became a viral meme, with users finding her “goth baddie” design and character more interesting and relatable than the non-binary protagonist, Charlie.

Criticism of Content: The game was widely criticized by media outlets, including The Telegraph and The Spectator, as “clumsy” and “overtly manipulative”. Critics argued that the game effectively suppressed free speech by suggesting characters who questioned immigration policies should be reported under the UK government’s “Prevent” counter-terrorism strategy.

Portrayal of “Research”: The game’s narrative structure suggested that “researching” information online could be harmful, as it might lead to “intaking a lot of harmful, ideological messages”, which also drew criticism.

Ultimately, the attempt to create an effective anti-extremism tool had the opposite effect in many online circles, with its intended villain becoming an ironic symbol for anti-illegal immigration sentiment.

#amelia #pathways #memes #patriotism

Kimberly Steele disgrees with the characterization of Amelia as a “tulpa” (which I think I first saw advanced by John Carter at Postcards From Barsoom) and argues that she’s actually an “egregore” instead:

Amelia crossing paths with Harry Potter and the gang, very appropriate for this essay

In rides fantasy Amelia to the rescue, a digital Joan of Arc to galvanize the lumpen male proletariat into action against leftist groupthink oppression. Her flame burns hotter than the tradwife because she is not a deferential, docile, opinionless mirage waiting for her man to do all the the heavy lifting. Instead of modeling crusty tropes from the 1950s in a housedress, she mouths off to Mohammed in a miniskirt. She champions sensible norms that middle aged people like me took for granted back in the day. She is an advocate of schoolgirls being able to walk down the streets of Liverpool without being acid attacked or drug into fenced areas to be assaulted. She suggests Britain is for the British and that it should not be handed over to the same hordes that have been trying to overrun it since before the Middle Ages. She suggests that men on all sides rise up and outgrow Puer Aeternis — to the invaders, she insists that they cease their infantile dependence routines and go back and fight for their own country on their own soil. To the white native islanders, she suggests they grow a set and defend their nation while it still stands. Nothing that Amelia wants or espouses is extreme. She is a middle-of-the-road pundit who could run for office on a moderate platform (or what used to be considered moderate in my day before everything in the middle was categorized as far-right) and win. She’s not exactly Hitler, no matter what the leftie pearl clutchers claim.

If only she was real. Amelia has been called a tulpa, which is a Buddhist term for a thoughtform that is forced into existence and made to do tasks, much like a Jewish golem without the clay and awkwardness. I don’t think Amelia is a tulpa. She is nobody’s bitch and she was not created on purpose. Instead, Amelia is an egregore. Imagine your old school mascot was a giant, anthropomorphized tiger. Perhaps there was a person who dressed up as a big, striped cat for games every now and then. Now imagine that your mascot became extremely popular across the world and every sports team adopted him as their mascot too. Now imagine that your big tiger began appearing randomly in the nightly dreams of people who were very into sports, and then after a few years, non-sports fans. Tiger fan fiction was inspired by the egregore. Tons of giant tiger merch was sold both at games and in regular stores. Imagine if chick lit writers wrote ghastly bestiality porn about the giant tiger, and entire genres of tiger man erotica bubbled up online. You would begin to think perhaps there was consciousness behind the tiger man image, and if you did think such odd things, traditional occultists would take your side of the conspiracy theory.

An egregore is a shared image that gains its own consciousness. Any given novel’s character is essentially alive, gaining his/her/it’s own consciousness, ego, and world. […]

Amelia says what men cannot say, and it is good because she does it in a way that is unsquelchable and eternal. She is bad because she is yet another symptom of provisional living. On the plus side, she makes toxic liberal women super mad because unlike a real girl, they cannot tear her down or cast her out of the longhouse/take her ability to make a living away in order to force her compliance. She highlights all of their shortcomings without having to try, and that is why she will have much hate projected upon her. Their evil eyes gaze into the digital mirror. This force may be enough for them to completely self-destruct, given enough time and distance.

There are some men who see Amelia as some kind of savior. If you are one of them, let me assure you she is not going to save anyone any more than Pepe the Frog. If you want to save and be saved, please go outside. Be with the sky and the trees, and don’t feel you have to pick up a fishing pole, soccer ball, or a toolbox to be out there. When you do come back inside, instead of turning on the dopamine drip and immersing yourself in the antics of fantasy girlfriends or dreaming about invading Haiti, please use the internet to learn manly skills. My husband, whose father was largely absent before he divorced my husband’s mother when my husband was 12, taught himself nearly all of his considerable skills via books and the internet. If you are a visual learner, the internet holds a treasure trove of knowledge. For those would be warriors who are not currently serving or who will never serve in the armed forces, please go out and defend real girls on the streets from the monsters, creeps, and traffickers who make it impossible to feel safe as a female. Where are the men willing to watch the streets and to at least threaten various immigrant scum with retribution for their terrible behavior? Where are the volunteer neighborhood patrols that ensure women and children can walk to and from school without being harassed? In the stranger danger/Satanic Panic 80s, we had a thing called Neighborhood Watch where you would put a blue star in your window so any little kid who felt threatened could knock on the door and find a safe house. Where are the blue stars? Where are the boys with baseball bats? Go out there and defend your country. Do it for Amelia.

Update, 28 January: Welcome, Instapundit readers! Have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.

January 26, 2026

King Donald the First

Filed under: Government, History, Media, Politics, USA — Tags: , , , , — Nicholas @ 03:00

His most rabid fans liked to call him the God-Emperor, but Andrew Sullivan sees him much more as a modern King George III:

King George III in his Coronation robes.
Oil painting by Allan Ramsay (1713-1784) circa 1761-1762. From the Royal Collection (RCIN 405307) via Wikimedia Commons.

It is where lies and truth are entirely interchangeable; where the rule of law has already been replaced by the rule of one man; where the Congress has abdicated its core responsibilities and become a Greek chorus; where national policy is merely the sum of the whims and delusions of one man; and where every constitutional check on arbitrary power, especially the Supreme Court, is AWOL. In that abyss, even an attempt to explain events through the usual rubric of covering a liberal democracy is absurd. Because that rubric is irrelevant.

And so the wheels spin.

The only honest way to describe what is in front of our noses is that we now live in an elected monarchy with a manic king whose mental faculties are slipping fast. After 250 years, we appear to have elected the modern equivalent of King George III, and are busy dismantling the constitution Americans built to constrain him.

The situation is not irrecoverable — the forms of democracy remain even if they are functionally dead. We have centuries of democratic practice to fall back on. But every moment the logic of the abyss holds, the possibility of returning to democracy attenuates. Tyranny corrupts everything and everyone — fast. David Brooks returns to the ancients today to understand where we are:

    As the disease of tyranny progresses, citizens may eventually lose the habits of democracy — the art of persuasion and compromise, interpersonal trust, an intolerance for corruption, the spirit of freedom, the ethic of moderation. “It is easier to crush men’s spirits and their enthusiasm than to revive them,” Tacitus wrote. “Indeed, there comes over us an attachment to the very enforced inactivity, and the idleness hated at first is finally loved.”

Forty percent of the country still backs the tyrant. Forty percent watch this and cheer.

Let us briefly review what they are cheering. For the first time since the Second World War, the president of the United States declared last week that we no longer support the notion of national sovereignty or collective security, and reserve the right to invade and occupy other sovereign countries — even close allies — to extract their resources. Quite a Rubicon. His chief adviser declared international law a dead letter:

    [W]e live in a world, in the real world … that is governed by strength, that is governed by force, that is governed by power. These are the iron laws of the world since the beginning of time.

To put it bluntly, this was the argument of King George III. It was the justification for the British Empire, and, more hideously, for the Nazi and Soviet occupations of Europe. It’s a rejection of the principle that literally created the United States.

And yet this mad king threw this founding principle away because he believes a) we deserve Greenland as reparations for World War II, b) because Russia and China would invade otherwise, c) because rare earths are there — even though they are buried under a mile of ice — and d) because he didn’t win the Nobel Prize. Insane.

This staggering concession to evil — which cannot be withdrawn — robs us of any case against Russia’s invasion of Ukraine or China’s threat to Taiwan. It legitimizes war by major powers for conquest everywhere. It endangers the entire system of collective security that has kept the peace for nearly 80 years. Why? And for what? Because the king was on a high.

That’s where we are.

How Al Stewart struck gold, the folk boom and a flat-share with Paul Simon

Filed under: Britain, History, Media — Tags: , , , — Nicholas @ 02:00

Word In Your Ear
Published 20 Dec 2024

The 17 year-old Al Stewart played electric guitar in a dance band in Bournemouth in 1963. When he borrowed an acoustic and sang “Masters Of War” in the break, he heard the sweet sound of applause. The next night he played three Dylan songs and sensed which way the wind was blowing. He talks here about moving to London, playing at Bunjies and becoming the compere at Les Cousins as his now 60-year career began to lift off. And about his Farewell Tour which kicks off in the UK in October 2025, a combination of songs and story-telling coloured by two great heroes, Peter Ustinov and Alistair Cooke.

This cracking exchange steers by way of Bert Jansch, Bob Dylan, Helen of Troy, Stalin, Hitler and the Battle of Moscow, the Weeley Festival of 1971, the three songs he always plays, the young Cat Stevens and what he told Paul Simon he should do with the just-composed “Homeward Bound”.

QotD: Twitter isn’t life … it’s far more important than that

Filed under: Media, Politics, Quotations, USA — Tags: , , , , , — Nicholas @ 01:00

[Progressives] did it in two stages. First, they convinced us that process and outcome are the same thing … and when the chips are down, process is better than outcome. Everyone knows the old saying “Those who can’t do, teach”. It was originally coined to make fun of this tendency, but look how that worked out. At the conceptual level, the Left wins because they make moral arguments, but at the practical level, how do they win?

Because they talk. Constantly. They never, ever shut up. Most Leftists in my life — and in yours too, I guarantee — never do anything. We all know that the Left take zero interest in their communities. They don’t donate to charity. Let’s say one of those late April blizzards hits and their driveway is snowed in. While everyone else is breaking out the shovels one last time, the Leftist’s natural impulse is to jump on Twitter and start petitioning Congress for some giant, trillion-dollar snow removal bill. It has to have set-asides for Diversity quotas, of course, and isn’t the word “removal” triggering? And so forth, until the snow melts. Hey, problem solved!

I’m kidding, but I’m not joking. Leftists are process people par excellence. Even Stalin won that way, 99% of the time — even though he could have had the entire Politburo shot with a snap of his fingers, he got his way by grinding them down, meeting after meeting after endless meeting. Yes, eventually someone has to actually do something, but that someone isn’t going to be them; it’ll be some toady somewhere, who is only working as hard as he has to in order to get promoted up the totem pole, so that he’s the one in meeting after endless meeting, forever discussing, never doing.

This reaches its apotheosis (apocolocyntosis!) in Twitter, and do you see what I mean? For the Left, tweeting about something is exactly the same as, if not better than, actually doing anything about it. Look around: we’re about to get into WWIII because of this. And speaking of missiles flying, we’ve all remarked on the Left’s signature “fire and forget” policy approach. To them, words are magic — healthcare, for instance, is now Affordable. How can it not be? It says “Affordable Care Act“, right there in the title! Don’t start in with your facts and figures, please — it’s Affordable, damn it! What part of “Affordable Care Act” don’t you understand?

He who talks the loudest and longest, therefore, is the purest.

Combine that with the second step for maximum effect: Emotional incontinence. Just as talking is the same as (better than!) doing, so emotion equals competence. She who feeeeeeels the strongest about an issue wins. This, too, has been obvious for a long time, so much so that Jonah Goldberg, of all people, had a good bit on it back when he was still somewhat convincingly playing a conservative. He joked about how stupid it was to be preoccupied with caring in practical life. Who would you rather have cut that tumor out, your best buddy — who really, really, really cares — or a brain surgeon? Even an utterly dispassionate one, to whom you are nothing more than a slab of meat?

Again, and always: see Twitter. Maximum talk, maximum hysteria, always. I’m belaboring this because in our tabloid-culture society, the identification is complete: The all-talk hysteric is the brahmin; screaming about how much you care just IS morality. Never mind that your caring affects nothing in the best case scenario; worst case it ends up killing people (e.g. the Blue Checkmarks tweeting us into WWIII).

Severian, “Intro to The Way“, Founding Questions, 2022-04-17.

January 25, 2026

Mythologizing Australia’s “noble savages”

Filed under: Australia, History, Media, Politics — Tags: , , , , , — Nicholas @ 05:00

On Substack, Celina101 provides examples of Australian Aborigine behaviour vastly at odds with the progressive belief in the “noble savage” myths:

For decades a rosy and romanticised narrative has prevailed: pre-contact Aboriginal Australia was a utopian paradise, and British colonists the only villains. Yet, the historical record painstakingly chronicled by scholars like William D. Rubinstein and Keith Windschuttle, tells a far more complex, often brutal story. This article examines how politically charged revisionism has whitewashed practices such as infanticide, cannibalism and endemic violence in traditional Aboriginal societies. It also warns that distorting history for ideology does a disservice to all Australians, especially Anglo-Australians who have been bludgeoned over the head with it.

The Noble Savage in Modern Narrative

Many contemporary accounts frame Aboriginals as the ultimate “noble savages”, a peaceful, egalitarian people living in harmony with nature until the arrival of the cruel evil British colonists. Textbooks, media and some activists repeatedly emphasise colonial wrongs while glossing over pre-contact realities. But historians like William D. Rubinstein challenge this rosy picture. Rubinstein bluntly notes that, in contrast to other civilisations that underwent the Neolithic agricultural revolution, Aboriginal society “failed … to advance in nearly all significant areas of the economy and technology” for 65,000 years. In his words, pre-contact Aboriginal life was “65,000 years of murderous, barbaric savagery“. This harsh summary confronts the myth head-on: it implies that life before colonisation was not idyllic, but marked by entrenched violence and brutality.

The danger of the noble-savage myth, Rubinstein argues, is that it inverts history. By idealising and practically lying [about] Aboriginal society, modern narratives often cast settlers as uniquely evil. In one essay he warns that contemporary inquiries (like Victoria’s Yoorrook Commission) are “defined to ascribe all blame to the impact of colonialism, rather than the persisting deficiencies in traditional Aboriginal society“. Ignoring those “gross, often horrifying, shortcomings” in Aboriginal culture, Rubinstein says, can only produce “findings written in the ink of obfuscation and deception“. In short, to truly understand Australia’s past we must examine it dispassionately, acknowledging human failings on all sides, not just one.

Documented Brutalities in Pre-Contact Society

Early observers and anthropologists left abundant evidence that some pre-colonial Aboriginal practices were brutal by modern standards. The selective amnesia about these practices in progressive narratives is striking. For example, infanticide (the intentional killing of newborns) was a widespread means of population control in traditional Aboriginal tribes. University of Michigan anthropologist Aram Yengoyan estimated that infanticide “could have been as high as 40% to 50% of all births … In actuality [it] probably ranged from 15% to 30% of all births“. In practice, this meant large numbers of healthy babies, especially girls, were deliberately killed to cope with limited resources. Babies up to a few years old who fell ill or were deemed surplus were often strangled or left to die. This grim truth is rarely mentioned in schools or media today. According to Rubinstein, it was “ubiquitous” in Australia prior to Western influence.

Several anthropological accounts describe cannibalism of infants and small children in some regions. For instance, an 19th-century observer on the northern coast reported: “Cannibalism is practised by all natives on the north coast … Only children of tender age – up to about two years old, are considered fit subjects for food, and if they fall ill are often strangled by the old men, cooked, and eaten… Parents eat their own children … young and old, [all] partake of it.” (In this passage, even adults were implicated in rare cases: two lost Europeans were reportedly killed and eaten by a tribe in 1874.) Such accounts are shocking, yet they were recorded by colonial-era missionaries and explorers. Today’s activists tend to dismiss or deny them entirely.

Why does Microsoft treat its users so badly? Because it can

Filed under: Business, Media, Technology — Tags: , , , — Nicholas @ 03:00

On the social media site formerly known as Twitter, ESR considers the situation most Microsoft users find themselves in these days:

Between the forced updates, the spyware, the adware, OneDrive constantly attempting to suck up all your data, and infinite dark-pattern subscription traps, I’m gathering that many Windows users are now nostalgic for the days when the shit only seemed to be up to their ankles rather than lapping at their nostrils.

The information asymmetry of closed-source software inevitably fucks the user over. I know, I know, I sound like a broken record. I’ve been banging on about this for going on 30 years now and even I get tired of my own rant sometimes.

That’s not why I’m posting today. Instead I want to publicly contemplate an unobvious question: just why is Microsoft treating its users so badly?

“Because it can” is not really a responsive answer. Corporations don’t do evil things because they like being evil, they only do evil things because they think they’re profit-maximizing.

So I understand about the dark-pattern subscription stuff and the adware. That’s slimy, but it’s revenue capture. There’s at least a cold-blooded trade-off you can imagine some product planner making between revenue line-go-up now and pissing off people who won’t be customers later.

But what is Microsoft maximizing by doing things that drive users away from it without any revenue capture? What model of reality, or failure of decision making, do you have to have to think it’s a good idea to push forced updates with work-interrupting reboots that can’t be blocked or delayed by the user?

It would have been trivial to have a pop-up that says: An update is available. Do it now, or defer it until ? The fact that that didn’t happen can’t be ascribed to revenue-line-go-up fever. These are two different kinds of ugly.

And that second kind makes me think that there’s nobody left in product management at Microsoft with the ability and authority to veto bad ideas because they will anger the users.

It looks to me like nobody over there is thinking strategically about customer retention anymore. By the time you get to the point where nobody squashes forced-update reboots, nobody can seriously raise the question of whether adware is going to drive away so many users that Windows market share will tank and take all that lovely subscription revenue with it.

This is where I point out, with weary inevitability, that it’s going to get worse before it gets even worse. With nobody keeping an eye on the long game and user retention, the petty money grabs will only accelerate. Microsoft will keep flogging that donkey until it dies.

The irony here is that if Microsoft were an efficient maximizer of long-term profit they would be doing less of the shitty enraging crap that they are now.

How much less depends on how good their judgment is. You can be actively trying to keep a critical mass of your user base happy enough not to bail out and still fail. But at least Microsoft would be trying. Right now, there’s damn little evidence that they are.

January 24, 2026

Modern biochemistry through a trio of Nora Ephron movies

Filed under: Health, Media, USA — Tags: , , , , — Nicholas @ 04:00

Not being a movie fan, I was only vaguely aware of the author Nora Ephron’s work being turned into movies, but Unbekoming uses three of them (When Harry Met Sally, Sleepless in Seattle, and You’ve Got Mail) to help illustrate one of the major reasons why so many relationships go sour:

I think this shows stills from Nora Ephron romantic comedies.

The films show what was delivered. But neither fully explains why the delivery was so effective — why millions of women watched these films repeatedly, quoted them to friends, absorbed their vocabulary of magic and clockwork as though it described something they already knew.

The films resonated because they did describe something these women already knew. They just misnamed its source.

The Altered Audience

By the time When Harry Met Sally appeared in 1989, hormonal contraception had been widely available for nearly three decades. The women watching Ephron’s films in theaters — women in their twenties and thirties, the target demographic — were largely women who had been on the pill since adolescence. Many had never experienced an adult month with their natural hormonal cycles intact.

This matters because the pill doesn’t merely prevent pregnancy. It alters brain chemistry, affects mood, suppresses libido, and — most remarkably — changes who women are attracted to.

Research has documented that women on hormonal contraception prefer different types of men than women who are cycling naturally. The pill disrupts the normal attraction toward genetic diversity, causing women to prefer men with similar immune markers rather than complementary ones. Women who meet their partners while on the pill often experience a dramatic shift in attraction when they stop taking it. The man who felt right becomes somehow wrong. The spark disappears. The relationship that seemed stable reveals itself as empty.

The films gave this experience a name: settling. They told women that the absence of “magic” meant they were with the wrong partner — not that they were chemically disconnected from their own desire.

The Misnamed Feeling

Consider what a woman on hormonal contraception might actually be experiencing:

Suppressed libido — the pill is documented to reduce sexual desire, sometimes dramatically. A woman with chemically suppressed desire might experience her stable relationship as passionless, as “clockwork”, without recognizing that the suppression is pharmaceutical rather than relational.

Altered mood — studies show significantly elevated rates of depression and anxiety among pill users. A woman experiencing low-grade, chemically-induced depression might feel that something essential is missing from her life, that she’s “settling”, that the right partner would make her feel alive again.

Disrupted attraction — if the pill alters who women are attracted to, then a woman who chose her partner while on hormonal contraception may genuinely feel reduced attraction to him. The films told her this meant he was the wrong partner. The chemistry told a different story.

Ephron’s films offered a romantic explanation for what was partly a pharmaceutical experience. The vocabulary of “magic” versus “clockwork”, of transformation versus settling, gave women language for feelings they couldn’t otherwise explain. Of course the stable partner feels insufficient. Of course you’re still searching. Of course something is missing. The films validated the dissatisfaction and pointed toward a romantic solution: find the right partner, and the feeling will resolve.

But if the dissatisfaction was partly chemical — induced by years of synthetic hormones disrupting natural mood, desire, and attraction — then finding the right partner couldn’t resolve it. The search would continue indefinitely, the “magic” always receding, the next partner eventually revealing himself as another disappointment.

The Perfect Delivery Mechanism

This is why the films worked so well as cultural programming. They didn’t need to persuade women to feel dissatisfied; the pill had already accomplished that. They only needed to provide a framework that directed that dissatisfaction toward romantic optimization rather than pharmaceutical questioning.

A woman who felt disconnected from her partner, experienced low desire, struggled with mood, and sensed that something fundamental was missing had two possible interpretations:

  1. Something is wrong with this relationship — I need to find someone who makes me feel alive
  2. Something is wrong with my body — I need to understand what these hormones are doing to me

The films relentlessly promoted the first interpretation. They never acknowledged the second. They couldn’t — the entire romantic comedy structure depends on the premise that the right partner resolves the longing. If the longing is chemical, the genre collapses.

So millions of women absorbed the lesson: the problem is the partner, not the pill. Keep searching. The magic is out there. When you find him, you’ll know.

And they searched, and the years passed, and the window narrowed, and many of them discovered too late that what they were searching for couldn’t be found in another person — because what they had lost was connection to themselves.

Update: Fixed missing URL.

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