Forgotten Weapons
Published 11 Feb 2026Francis Bannerman is really the father of the modern military surplus industry, and in many ways a father of gun collecting as we know it today. Before Bannerman, “gun collecting” was generally something for the wealthy and revolved around fancy and bespoke guns. It was not about have representative pieces of normal arms, it was about having the fancy and exclusive things. Bannerman changed that by offering all manner of ordinary surplus at affordable prices to anyone who was interested. In addition to complete guns and other equipment, Bannerman also dealt in huge numbers of bits and pieces, and sometimes assembled them into various odd hybrid guns for sale, which we still see occasionally today …
Sample Bannerman catalog (1903):
https://archive.org/details/francis-b…
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June 28, 2026
Bannerman, the Father of Gun Collecting: Tales from the Golden Age of Surplus
May 20, 2026
QotD: “Gilded Age” Robber Barons didn’t have access to what even working-class Americans have now
Where Marx really went wrong was — and I know this sounds flip, but I’m as serious as cancer — being born in 1818. He lived his entire miserable life in a world where “labor” really was a physical thing. The richest robber baron of the Gilded Age lived a far different life, materially, than the poorest serf-in-all-but-name working in his factories …
… but the robber baron knew he needed the serfs. Their relationship was purely dialectical. Without his factory hands, no robber baron. And in a strange but very real way, the higher up the food chain your Gilded Age robber baron went, the more he was dependent on his serfs for his lifestyle. J.P. Morgan is usually credited as being the first guy to become a Robber Baron purely through finance. Carnegie, Rockefeller, all those guys had most of their wealth in financial instruments, of course, but those financial instruments rested on control of a physical product — Carnegie Steel, Standard Oil.
I’m probably being unfair to Jay Cooke, the Michael Milken of his day, but since more people have heard of J.P. Morgan let’s roll with it. Even though Morgan’s wealth was entirely on paper — he was nothing but a securities trader — his lifestyle utterly depended on a battalion of servants. In a very real way, you yourself, right now, live much better than J.P. Morgan did in his heyday. And not just because you have aspirin, antibiotics, and air conditioning, three taken-for-granted things ol’ J.P. would’ve given half his kingdom for. But because you have more time. If you’re hungry, you can open the fridge or the microwave and have all the food you need in a matter of minutes.
J.P. couldn’t. J.P. had to deploy an army of servants every time he wanted a snack, and those servants were constrained by things like “availability of ice” and “when is the fishmonger at his stall”. You’re hungry at 2am, you jump in your car and get some Taco Bell. It takes ten minutes. J.P.’s hungry at 2am and it’s tough titty, J.P., your ass is going hungry. Because even though you’re the richest man in the world and have legions of manservants at your beck and call, Taco Bell just isn’t there. Even if someone had had the brilliant idea to create a Gilded Age Taco Bell, it still would’ve taken hours:
Wake up the manservant. Wake up the groom and stableboy. Hell, wake up the horse, then saddle the horse, ride to the drive thru window … which in this case means “the house of the guy who runs Gilded Age Taco Bell”. At which point he has to fire up the oven, start pounding the tortillas, send his own legion of valets and stableboys and whatnot out to get the refried beans …
And that’s the other thing, J.P. — you’d best not pull that shit too often, because those people know where you live. Not only do they know where you live, they live with you. Literally under the same roof. You want to sleep easy? You’d best not beat the servants too often, buddy.
There’s only so much “class consciousness” one can develop in that world. Oh yeah, J.P. thought of himself as one of the Masters of the Universe, there’s no denying that. But J.P. lived in what was still a brutally physical world, in a way we PoMo people really can’t grasp. If you can’t imagine what it would take to get some Gilded Age Taco Bell, maybe geography will do the trick. Ever seen Gangs of New York? Even if you haven’t, you’ve probably heard the name “Five Points”. The worst slum in America in the 19th century, and 19th century American slums were world class …
That was right down the street from Wall Street. Literally. I am not in any way joking, and if I’m exaggerating a little for effect when I say “J.P. could’ve hit Five Points with a five iron from his swanky digs on Central Park West”, I promise you I’m not exaggerating much. You can look it up for yourself. The main reason the Union rushed troops straight from the Gettysburg battlefield, and no-shit shelled parts of the city with gunboats, during the Draft Riots was because Five Points (et al) was right fucking there, and they might’ve gotten it into their heads to lynch a few Masters of the Universe. Rich man’s war, poor man’s fight, right? Let’s see how you like it, you bankster bastards …
The PoMo “information economy” removes all that. The other day I joked about colleges like Bennington and Goucher. I cracked some jokes, yeah, but I wasn’t really joking. Those places aren’t for us. Wall Street is still a physical location, but it might as well be on the dark side of the moon for all any of us have access to it. J.P. couldn’t beat the servants too hard, or too often. The modern equivalent of J.P. isn’t even aware that he has servants. He just clicks on a website, and stuff appears at his door. Like magic. Hell, it IS magic for all he knows, and he surely doesn’t care, because all that shit is his by right. He went to Bennington, after all. He has achieved full class consciousness.
All of which suggests, of course, that while Marx was wrong about the end state — the State will not, in fact, wither away — he might well have been right about the solution to the “contradictions of capitalism”, if you follow me. And if that makes me some kind of godless pinko Commie subversive, well … I’ve been called worse by better.
Anybody got the lyrics to La Marseillaise in English?
Severian, “On Losing the Cold War”, Founding Questions, 2022-07-02.
Update, 21 May: Welcome, Instapundit readers! Have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.
May 14, 2026
“Trust is the most scarce thing in the media landscape right now”
As with a lot of cultural upheavals, I’m a bit behind the curve on this one, so let Ted Gioia give you the state of play in “Rick Beato Versus the NY Times“:
Fifteen days ago, the New York Times published its list of the 30 greatest living American songwriters. Since then, all hell has broken loose in the music world. And in the last 48 hours, that Hades just got a lot hotter.
I’d been one of the 250 “music insiders” surveyed by the Times for the article — so the day after the list was published I shared my ballot here.
I was unhappy with the results, as were many other music fans. But that might have been the end of the story. Surveys are always a bit dodgy — but what can you do about it?
Then I took time to learn about the Times methodology and was even more dismayed. In fact, I was miffed.
I assumed that I was voting for the songwriters who would be included in the list. But I now see that the experts consulted by the Times only got to make nominations. The final 30 names were chosen by six New York Times music critics.
There never was a real vote. The Times got the results it wanted internally — the insiders made the final call. But the way they explained it to their readers was intentionally vague.
In small print, readers were told that industry experts “weighed in” — whatever that means.
Readers were invited to click on a link to learn “how we made the list”. But even here, the Times served up fuzzy language.
If you kept on reading, you eventually learned the truth. The Times took the verdict of the “experts” and then “ran it through a filter”. The survey was just a “starting point”. The actual top thirty was decided via a “conversation” among its internal team.
Huh?
The Times did share a few ballots, and even this small sample made clear how different the final list was from the survey of experts. That would be embarrassing for the Times under the best of circumstances, but especially so in the current environment — when that same newspaper has repeatedly expressed outrage about voter suppression and attempts to subvert democracy.
If the Times really believes in the importance of voting and standing by results, why doesn’t it just share the actual ballot count?
Even so, this all might have been forgotten. But last Friday, the Times made the mistake of releasing a video entitled “In Defense of the NYT ‘Greatest Songwriters’ List“.
Here members of the inside team came across as smug, maybe even contemptuous, in responding to music fans who reached out to them. At one juncture, a Times critic laughs at a comment from a reader — simply for saying that he went to the Berklee College of Music. Then he continues to chuckle and smirk as he reads the rest of the reader’s comment, before finally throwing it on the floor.
This music lover had made the mistake of defending Billy Joel. For a serious critic at the Times, that is apparently very funny.
May 11, 2026
The History of SPI: Part 1 / Simulations Publications Inc. / Wargaming History
Legendary Tactics
Published 18 Dec 2025Remember the golden age of wargaming? This is THE definitive history of SPI (Simulations Publications, Inc.), one of the most influential publishers in tabletop gaming. From its groundbreaking magazine Strategy & Tactics to iconic titles like War in the East, StarForce, and Terrible Swift Sword, SPI reshaped what board wargames could be — and built a passionate community along the way.
This is Part 1, where we delve into the origins of SPI and Strategy & Tactics Magazine, and the people and games that were part of it.
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April 30, 2026
QotD: The terrible economics of (most) recycling efforts
New York City confidently predicted that it would save money by starting a mandatory recycling program in 1992, but it took so much extra labor to collect and process the recyclables that the city couldn’t recoup the costs from selling the materials. In fact, the recyclables often had so little value that the city had to pay still more money to get rid of them. The recycling program cost the city more than $500 million during its first seven years, and the losses have continued to mount. A new study by Howard Husock of the Manhattan Institute shows that eliminating the city’s recycling program and sending all its municipal trash to landfills could now save taxpayers hundreds of millions of dollars annually — enough money to increase the parks department’s budget by at least half.
Even those calculations underestimate the cost of recycling because they include only the direct outlays, chiefly the $686 per ton that the city spends to collect recyclables. But what about all the valuable time that New Yorkers spend sorting and rinsing their trash and delivering it to the recycling bin? For a New York Times Magazine article in 1996, I hired a Columbia University student to keep track of how much time he spent recycling cans and bottles and how much material he gathered in a week. Using those figures (eight minutes to gather four pounds), I calculated that if the city paid New Yorkers a typical janitor’s wage for their recycling labors, their labor would cost $792 per ton of recyclables — over $100 per ton more than what the city pays its sanitation workers to collect it.
As the economics of recycling worsened, cities in America and Europe found that the only viable markets for their recyclables were in poor countries, chiefly in China and other Asian nations, where processing recyclables was still profitable, thanks to lower wages and lower standards for worker safety and environmental quality. But as those countries have gotten wealthier, they’ve become reluctant to accept foreign trash. As bales of unwanted recyclables pile up in warehouses, towns have had to start sending them to landfills, and dozens of American municipalities have finally had the sense to cancel their recycling programs.
John Tierney, “Let’s Hold On to the Throwaway Society”, City Journal, 2020-09-13.
Update, 1 May: Welcome, Instapundit readers! Have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.
February 13, 2026
February 11, 2026
The “True” History of Key Lime Pie: Florida or New York?
Tasting History with Max Miller
Published 12 Aug 2025Key lime pie in a graham cracker crust with meringue, garnished with lime zest and lime peel
City/Region: Key West, Florida
Time Period: April 14, 1933Yet another example of a dish with multiple origin stories, the key lime pie was perhaps invented in Key West in 1875 by Aunt Sally, the possible cook or family member of William Joseph Curry, Florida’s first millionaire, when she observed Cuban sponge collectors making a cream of lime juice, condensed milk, and egg yolk. Or maybe it was a spin on Borden’s (the makers of Eagle brand condensed milk) Magic Lemon Pie, created in New York City in 1931.
Either way, this recipe from 1933, one of the first using a graham cracker crust, is delicious. The filling is smooth, but firms up well, and the lime flavor really stands out without being too tart.
Tropical Lime Pie
Mix thoroughly:
1 can condensed milk,
1/4 cup evaporated milk,
3 egg yellows,
1-3 lime juice, strained.
Butter 9-inch pie tin heavily. Sprinkle graham cracker crumbs about one-fourth inch thick for crust, pressing crumbs well up on sides of pan. Pour in uncooked custard and cover with meringue, using three egg whites and three scant tablespoons of sugar. Brown in moderate oven and allow to set for one hour before serving. Serves six.— Mrs. Mabel McClanahan, Key West Florida, in The Miami Herald, April 14, 1933
January 17, 2026
Everything you need to know about art deco
Dezeen
Published 29 Apr 2025To mark the centenary of art deco’s debut, Dezeen features editor Nat Barker rounds up everything you need to know about art deco.
In this video produced by Dezeen Studio, Dezeen explores the history and context of the movement, and the most notable characteristics of the style.
Art deco was a design movement that rose to prominence in the 1920s and 30s. Its origins are often disputed, but most agree that art deco’s entrance on to the world stage took place 100 years ago, at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris.
#artdeco #designhistory
January 16, 2026
“During the 1990s, the midlist disappeared at major publishing houses”
It’s no secret that the publishing industry has changed substantially — and from most readers’ point of view, for the worse — but when did it happen, and why? Ted Gioia points to the mid-1990s in New York City:
Everybody can see there’s a crisis in New York publishing. Even the hot new books feel lukewarm. Writers win the Pulitzer Prize and sell just few hundred copies. The big publishers rely on 50 or 100 proven authors — everything else is just window dressing or the back catalog.
You can tell how stagnant things have become from the lookalike covers. I walk into a bookstore and every title I see is like this.
They must have fired the design team and replaced it with a lazy bot. You get big fonts, random shapes, and garish colors — again and again and again. Every cover looks like it was made with a circus clown’s makeup kit.
My wife is in a book club. If I didn’t know better, I’d think they read the same book every month. It’s those same goofy colors and shapes on every one.
Of course, you can’t judge a book by its cover. But if you read enough new releases, you get the same sense of familiarity from the stories. The publishers keep returning to proven formulas — which they keep flogging long after they’ve stopped working.
And that was a long time ago.
It’s not just publishing. A similar stagnancy has settled in at the big movie studios and record labels. Nobody wants to take a risk — but (as I’ve learned through painful personal experience) that’s often the riskiest move of them all. Live by the formula, and you die by the formula.
How did we end up here?
It’s hard to pick a day when the publishing industry made its deal with the devil. But an anecdote recently shared by Steve Wasserman is as good a place to begin as any.
He’s describing a lunch with his boss at Random House in the fall of 1995. Wasserman is one of the smartest editors I’ve ever met, and possesses both shrewd judgment and impeccable tastes. So he showed up at that lunch with a solid track record.
But it wasn’t good enough. The publishing industry was now learning a new kind of math. Steve’s boss explained the numbers:
Osnos waited until dessert to deliver the bad news … First printings of ten thousand copies were killing us. It was our obligation to find books that could command first printings of forty, fifty, even sixty thousand copies. Only then could profits be had that were large enough to feed the behemoth — or more precisely, the more refined and compelling tastes — that modern mainstream publishing demanded.
Wasserman countered with infallible logic:
I pointed out, if such a principle were raised to the level of dogma, none of the several books that were then keeping Random House fiscally afloat — Paul Kennedy’s The Rise and Fall of the Great Powers, John Berendt’s Midnight in the Garden of Good and Evil (eventually spending a record two hundred and sixteen weeks on the bestseller list, and adapted into a film by Clint Eastwood), and Joe Klein’s Primary Colors (published anonymously and made into a movie by Mike Nichols in 1998) — would ever have been acquired. None had been expected to be a bestseller, and each had started out with a ten-thousand copy first printing.
But it was a hopeless cause. And I know because I’ve had similar conversations with editors. And my experience matches Wasserman’s — something changed in the late 1990s.
The old system offered more variety. It took greater risks. It didn’t rely so much on formulas. So it could surprise you.
In a post about the jinned-up anger about CEO pay versus average worker pay, Tim Worstall briefly touches on the plight of writers:
Or even more fun perhaps.
In 2006, median author earnings were £12,330. In 2022, the median has fallen to £7,000, a drop of 33.2% based on reported figures, or 60.2% when adjusted for inflation.
That’s median earnings so 50% of all authors earn less than £7,000. And note this is only among those taking it seriously enough to join the Society of Authors (a number which does not include me). Even at my level of scribbling 5x to 10x, depends upon the year, of those median earnings can be gained.
But top level authors, well, they do earn rather more. No, not thinking of the JK Rowling level of global superstardom. But it would astonish me if Owen Jones is earning less than 50x those median earnings (yes, Guardian column, books, Patreon, YouTube and whatever, £350k would be my lower guess).
Writers display that similar sort of income disparity and range, no? Because we’re not about to suggest that Owen is top rank earning now, are we, even if it is a damn good income there.
Which shows us what is wrong with the Cardiganista’s1 initial calculation. They’re pointing only to the incomes of the very tippy toppy of the income distribution for that job. If we apply the same sort of reasoning to writers or footie players (and it’ll be the same for actors and all sorts of other peeps) we find very similar distributions.
- They all seem to be Guardian retirees and their byline pictures have them wearing cardigans — or did — therefore …
January 6, 2026
Typhoid Mary’s Deadly Ice Cream
Tasting History with Max Miller
Published 15 Jul 2025Fresh peach ice cream frozen in a mold garnished with sliced peaches and peach puree
City/Region: United States of America
Time Period: 1877Mary Mallon, born in 1869, was a cook for wealthy families, but she’s better known for being the first person found to be an asymptomatic carrier of typhoid fever. While most food was cooked to a temperature that kills the typhoid-causing bacteria, the families that employed Mary loved her peach ice cream.
While ice cream that has eggs in it is cooked, and there’s no way to know what kind Mary made, I opted for a recipe from the time for American style ice cream that has no eggs and isn’t cooked. Whichever ice cream base Mary used, she put cut up fresh peaches into it, which certainly could have carried the bacteria.
Gruesome inspiration for this recipe aside, the ice cream is really good. There’s a ton of fresh peach flavor, and you can make it as sweet or not as you like. The slices of peach inside the ice cream were very cold and kind of froze my mouth, so you could try cutting them up into smaller pieces to avoid the brain freeze I got.
Peach Ice-Cream
Mix a quart of cream with a cupful of sugar and four tablespoons of sherry. Add four cupfuls of peaches mashed fine and sweetened to taste, and freeze.
— Everyday Desserts by Olive Green (Myrtle Reed), 1911
December 25, 2025
Repost – “Fairytale of New York”
Time:
“Fairytale of New York” by The Pogues featuring Kirsty MacColl
This song came into being after Elvis Costello bet The Pogues’ lead singer Shane MacGowan that he couldn’t write a decent Christmas duet. The outcome: a call-and-response between a bickering couple that’s just as sweet as it is salty.
December 1, 2025
Feeding the Robber Barons of the Gilded Age
Tasting History with Max Miller
Published 24 Jun 2025
Two majestic tiers of grapes, mandarin oranges, and raspberries suspended in pink champagne gelatin topped with whipped cream
City/Region: United States of America
Time Period: 1877The Gilded Age, a period of late 19th century United States history when a handful of people got mind-bogglingly wealthy off of industrialization, conjures up images of the social elite in New York. High society families had more money than most of us could imagine, and they spent it in the most ostentatious ways. One of those ways was by throwing parties that could cost up to the equivalent of millions of dollars in today’s money. These parties would host lavish feasts with dozens of dishes, like this gelée macédoine, which would have been served in a sweet course alongside plum puddings, mince pies, and fruit cakes.
I’m not normally a fan of gelatin, but this was really nice. It wasn’t rubbery at all and the champagne flavor really comes through. It takes a while to make, but feels fancy and is delicious. You could also use the recipe as a base and swap out other types of wine or use other flavorings like liqueurs or spices. If you do add spices (cinnamon was popular at the time), put them into the syrup, and be sure to use a cloth jelly bag or nut milk bag to strain the gelatin mixture. This will ensure a clear jelly.
If you don’t have a gelatin mold, you can use a bundt cake pan, or really any bowl of pan that you have.
Gelée Macédoine. This is made with any kind of jelly; however, jelly made with Champagne or sherry is preferable. Any of the delicate fruits of the season, such as grapes, cherries, peaches, strawberries, raspberries, mulberries, currants (on their stems), plums, and orange sections, or preserved fruits, such as brandied cherries, peaches, etc., are tastefully imbedded in the jelly, so as to show their forms and colors to best advantage.br/>
— Practical Cooking, and Dinner Giving by Mrs. Mary F. Henderson, New York City, 1877
November 6, 2025
October 26, 2025
September 21, 2025
From Eat Pray Love to plotting a murder
On Substack, Elizabeth Nickson charts the career of Elizabeth Gilbert who wrote Eat Pray Love and more recently a memoir of her life up to the point where she planned to murder her “once in a million year” partner:
Gilbert, you certainly know, wrote Eat Pray Love which was a massive international bestseller made into a film with Julia Roberts, which was also very successful. During the Pray portion, Gilbert retreated to an ashram in India to worship a living sub-deity called The Mother. At the time I was still tangentially aware of life in the world of moderately successful upscale arty women from the mega-cities and I’d heard of the Mother and her clinging clanging worship sessions — Siddha Yoga — going round the Pilates and yoga studios and the upscale self-help programs. The Mother’s satsangs were guaranteed to put you into an ecstatic state where you fused with the divine. And then you’d heal. From the abuse of the Patriarchy.
During the Pray section, Gilbert had a series of intense moments, which &mddash; coupled with an earlier session on the bathroom floor where God told her to wash her face and go to bed — meant, to her, a great deal. Her “God” gave her direction and purpose, where before she was caught in an unhappy marriage, being apparently the breadwinner in that marriage with a husband who a) didn’t work, b) wanted her to buy more and more stuff and c) have a child.
This seems a poor choice for a husband, but never mind. Gilbert was successful in the New York world of publishing and magazines and much occupied with that pursuit, a business which I now suspect is financed by the drug trade and used to launder money. In that world where success is one in ten thousand, one hundred thousand, and where Gilbert experienced perhaps the biggest literary success of her generation. She became universally, ridiculously, excessively loved.
And embrace it she did. For the past 15 years, Gilbert has traveled the world, usually with a woman companion to keep her on the rails, dishing out nostrums and platitudes with relish meant to show you how to “find yourself” and “live your truth” to women searching for purpose. “Creativity” or “art” is now substituted for what women in the before times used to call service to their communities and families, which is now called slavery to the patriarchy.
The following is the progression of “evolving” for modern left-of-center women, for whom finding a meaningful work is the number one priority, children being the last, as the below illustrates.
When the recognition of slim to no talent or at least un-sellable talent, is made and a future of grinding for multinationals is revealed, and spiritual enlightenment or Kundalini awakening seems out of reach, the desperation moves onto Democrat politics, and ends in middle-aged and elderly woman on the streets, face contorted in rage. Those women, a full 40% of whom are childless and family-less, spend their lives slogging away in some corporate or health or educational structure, becoming semi-insane. As an aside note, in my years-long investigation of voter fraud, many of the operators are women just like these below: middle-aged, put together, well dressed, polite, fully criminal.
In searching for your creativity — the highest good — you have to become fully aligned with your child self, your spiritual self, and that self becomes the most cherished part of you. Your intelligence, your executive function is demoted. Your creativity, your spirituality, then becomes fused to others whom you perceive being as weak as that child self you have elevated as spiritually superior. Women, it seems hardwired, must have people to care about. In the absence of family, it is the helpless to whom you assign your life.
Gilbert’s once-in-a-million-years love was a gay Syrian immigrant hairdresser with a history of heroin addiction and incarceration. No more victimish victim can be found.
For Gilbert’s millions of acolytes, spiritual worth, meaning,creative power is found in allyship with the weak, with whom they fully identify. And meaning is also found in hysterical advocacy and fury on behalf of the weak. There is no thinking attached to any of this, no analysis, no study. Just intense emotionality.












