Feral Historian
Published 10 Jul 2026Jean Raspail’s 1973 novel The Camp of the Saints has gone from obscurity to infamy in recent years, drawing condemnation for its highly … unflattering depiction of third-worlders. Much of this condemnation comes from people who haven’t read it, or gave it only a shallow and cursory read. But if we let the book speak for itself it can be quite insightful at times, and the true target of its scorn becomes brutally evident.
Rather than use politically-charged b-roll, it’s all hiking shots this time. Mostly to cover some edits. This is a great one for those who listen to these on the commute. Or the commode as the case may be.
00:00 Intro
01:03 The Story
14:22 Escalation Curve
17:38 Hamadura and “Whiteness”
22:05 Culture and Ethnicity
26:33 Why so Serious?
30:09 The End of a World
34:14 Your Virtual Right-Wing Uncle
35:48 A “Martian” Perspective🔹 Patreon | patreon.com/FeralHistorian
🔹 Ko-Fi | ko-fi.com/feralhistorian
🔹 and Merch! | feral-shop.fourthwall.com
🔹 Oh, and book 2 of Stellar Drift is out. https://www.amazon.com/dp/B0GTVXK4CN
July 13, 2026
A Fair Reading of The Camp of the Saints
Larry Correia’s trailer park elves
On X, Larry Correia explains the genesis of a group of characters he created in his Monster Hunter International series:
I’ve been talking to this pathetic, race obsessed loser, bitter failure of a wannabe writer for a while, but it did remind me of the fun story of where MHI‘s trailer park elves came from.
This dork thinks it is because I’m racist against white people or some shit, but it is actually a lot simpler. I was in the bedroom, typing on my laptop. I was working on the beginning of MHI and still figuring out this whole writing thing.
My wife was in bed reading a fantasy novel. She sighs and puts the book down. I ask what’s wrong, and she says “Elves are always the same. It’s so boring. Authors just keep rehashing Tolkien elves over and over. They’re all wise and beautiful and eternal and blah blah blah. Just once I’d love for them to do something different! Why can’t there be, I don’t know … redneck elves or something?”
And the light bulb went on because she said this to a guy who’d lived in some poor areas in Alabama and Mississippi and had a blast. And that night I wrote the Enchanted Forest Trailer Park scene.
The part where the dog pees on the outside couch, and they just flip the cushion over and tell you to have a seat, true story. 😀
Contrary to what this woke loser thinks, I love rednecks. I think they’re hilarious and awesome and I appreciate the culture of being rowdy and not giving a shit while being ready to fight at the drop of a hat. Anybody who has read the series knows MHI is filled with bad ass southerners. Just like the woke left appointed themselves “speakers for the marginalized” this asshole is the same. I never bent the knee to the woke left, and my answer is the same to the woke right. Fuck off.
Meanwhile I go to the south and people love this stuff. Only humorless dolts get butt hurt over the Enchanted Forest, because the rest of us have been there! We know those guys. That’s what makes it fun.
The elves gave me the idea, what if every mythological race from the old world adopted an American subculture once they got to the US? Which gave us orcs, gnomes, minotaurs, dragons, cyclops, all adopting some culture. I’ve had a lot of fun with that over the series.
And the culture has got to be a twist on what’s expected. That is what makes it interesting. It goes back to what my wife said back in 2007. This prick is crying how come the elves are WHITE?! Tolkien, that’s why. And why is one FAT?! Why are they POOR?!? Did you make the other races fat and poor and use them for comedy relief or just the WHITE ONES?
Well A. stupid obviously never got to the gnomes, and B. it is because, elves are supposed to be beautiful and immortal and awesome. If I wrote a dwarf as fat and drunk that’s not interesting because that’s NORMAL, and doesn’t fit the established nature of the setting where traditional stuff goes sideways when it gets here. Duh.
This explanation is for my fans. Not this dork. I don’t think he’s smart enough to explain anything to.
July 1, 2026
Elleander Morning: Causes vs Catalysts
Feral Historian
Published 6 Mar 2026Elleander Morning (Jerry Yulsman) is a peculiar bit of alt-history, brilliant in some ways and immensely clunky in others. It’s a story of a war averted, or perhaps only postponed, and it plays with some fundamental questions of history.
00:00 Intro
02:30 Implications left hanging
03:29 The Books
06:15 The New Catalyst
12:06 Gaming the Past
13:04 Concluding Musings
(more…)
June 28, 2026
George R.R. Martin left “a smoking crater” where the epic fantasy market used to be
Full disclosure, I’ve never read any of George R.R. Martin’s novels from which the Game of Thrones TV series began (I did read some of his earlier work). His failure to complete the book series has had serious negative consequences on the ability of other authors, as Larry Correia explains:
I’ve been telling people this for years.
GRRM pissed off millions of customers but he don’t give a shit. He got his bag. But his legacy is being such an epic bum ass bum that he crippled an entire genre, ruined consumer sentiment, and killed off an entire generation of epic fantasy authors.
Romantasy and LitRPG grew as a direct result of filling the smoking crater George left in the industry. New writers could no longer get deals to write epic fantasy unless the entire series was in the bag, and nobody can afford to gamble that much time to write that many books they may never sell.
Publishers no longer took chances on new series because customers had got burned by lazy shirkers like George and Pat. Agents wouldn’t represent new epic fantasy unless the whole thing was done. It hurt Indy because dudes had to convince customers that they weren’t bums too. Except when book one makes $50 total, because customers said I’m not starting a new series until it’s done! they sure as shit ain’t writing book two. So it’s a self fulfilling prophesy of suck.
In the comments Dunning-Krugerands are saying this isn’t true. Look at guys like Brandon Sanderson. Wrong. Guys like him, or me, who already had established names, reputations, and fan bases were fine. We had enough customers who trusted us we could still do new things and people would come along to make it economically viable.
For example, the only reason my epic fantasy series got picked up is because I was already successful and could guarantee a viable level of sales off my existing fans. Newbs don’t have that. And over the ten years it took for me to write the six books to finish it, the entire time I heard from potential customers, nope, not gonna start a new series that might not finish because of George.
I am fine during this because I’m still gonna make a couple hundred grand off each of those just off my existing fans. Newbs make two bucks an hour, say to hell with being a writer I’m going back to my day job, and you all missed out on the next great author and his absolutely brilliant series, because you were too mad at billionaire George shoving twinkies in his mouth instead of writing.
Nope. Guys like me and Brandon are fine. George’s profound laziness screwed over the new guys. Customers and the industry quit taking chances on new guys. We will never know how many excellent fantasy series we missed out on, robbed by George’s laziness burning so many customers.
Some writers gave up, but others moved into different genres. Which is good. But it sure does suck if epic fantasy is your jam. LitRPG is close but different enough it blew up during this time frame because that’s where the talented went.
Being such a pretentious, bloviating bum that you damage an entire industry and strangle a generation of aspiring artists is quite the legacy.
Kal (who is a good writer btw, check out his books) asks what can we do about this? For me personally I’m just gonna continue mocking George’s work ethic in the hopes more normies realize what an outlier he is, and how they should expand their horizons to read other authors who aren’t stuck up, know it all, dickheads.
And before anybody starts barking at me that I’m such a hypocrite because I’ve not finished all my series, sorry I’ve only finished three of eight so far, and have only written THIRTY books since George’s last one, the next MHI comes out in December, and the last two books are next year, and I’m not planning on retiring anytime soon (if ever).
June 27, 2026
Larry Correia is “not a real writer”
While I haven’t read everything Larry Correia has published, I’ve enjoyed reading a lot of his work, but I’m clearly having fun wrong because “he’s not a real writer“:
T-Lex @T_Saurus_Lex
“Not a real writer” is an inside joke, from the Sad Puppy era. Something some cunning quarter-wit accused him of because Larry wasn’t prone to bend the knee to the SJW mafia. I think the details are on his blog somewhere.Yeah, for my newer readers saying I’m not a *real* writer has been a running joke forever.
When you are a writer who annoys the liberal publishing establishment they always make up some reason to disqualify you, so they can dismiss you, and never take anything you say seriously. These are not honest people.
(If you are a proper good thinking liberal writer, don’t worry, you achieve real writer hood by loudly existing and they’ll stick you on panels if you’ve published one short story that was read by six whole people)
So at first I wasn’t a real writer because I only wrote monster adventure pulp. So then I was multi genre (and now I’m successful in more genres than most authors ever attempt). No. Those are the wrong genres.
Then I didn’t count because I wasn’t a bestseller. Until I was.
Then to be a real writer I needed to win some awards. (The big one I got nominated for at the beginning didn’t count because reasons). So then I won some awards. No. Not those! Those don’t count!
Real writers tackle serious topics and impress serious academic critics, until I wrote Son of the Black Sword, which impressed even my snootiest haters … so they promptly dropped that path to real writer hood.
This got super silly at times, and how the title really stuck, one time on book tour one of my haters saw me arrive early to a book signing outside Portland. It didn’t start for an hour so there was only three people there who had driven a long way. So I was just hanging out talking to them.
My hater immediately got on Twitter and told everybody “I saw Larry Correia on his alleged book tour and he only had three people show up. WHAT A FAILURE. WHAT A LOSER!”
The actual signing had 40, which is pretty decent. I was still there when somebody showed me this tweet. We all laughed and responded with a group photo saying learn to count, dork.
But Social Justice Warriors (ah, the good old days) can never admit a mistake. So he doubled down and tweeted I still wasn’t a REAL WRITER because that same store ROUTINELY had book signings for TWO HUNDRED customers.
Problem was, the book store wasn’t that big. To fit 200 they would have to remove all the shelves. And at this point I was still there signing their inventory so I asked the manager. She said out of hundreds of signings they had only hit 200 twice the entire time they’d been in business. Brandon Sanderson post WoT and GRRM at the absolute height of the HBO show, and those had lines out into the parking lot.
So only the top bestsellers on Earth at that moment count as Real Writers. Seems unfair. But okay.
So me and my fans leaned into this super hard to mock the absurd and ever moving goal posts of the terminally online haters. And the rest of my book tour was called THE STILL NOT A REAL WRITER WORLD TOUR. And I got a big group photo at every event for the next week.
And yes, I have hit 200 since, but I’m sure the minute I did the new Real Writer threshold moved to 400. 😀
This has been a running gag ever since, the same way my fans refer to me as the ILOH, though that is a story for another day.
June 23, 2026
American Gods: Land and Egregores
Feral Historian
Published 20 Feb 2026American Gods (Neil Gaiman, 2001) is, among other things, a layered examination of the role of mythologies, religion, national identities, and some underlying “American-ness” that bends them all into something new. By necessity this meanders a bit (I’m not going to get into Gaiman’s failings as a human being much) but it gives us a lot to think about.
I mention a couple outside references in here, links below if you want to dig into it.
Lilly Wachowski on the role of the Red Pill in The Matrix: https://screenrant.com/the-matrix-mov…
George Lucas on the Rebellion, and Viet Cong (people often quote the line but miss the context) : • JAMES CAMERON’S STORY OF SCIENCE FICTION |…
00:00 Intro
01:56 The Setup
04:48 Spirit of America
07:57 White and Red
10:50 New Gods and the State
12:51 Author, Intent, and Meaning
(more…)
June 21, 2026
Explaining our failure to expand beyond Earth to an alien
Devon Eriksen pens an ultra-short story in response to Senator Elizabeth Warren’s claim that “we” need to take a lot more money from Elon Musk to benefit “everyone”:
This-individual has an outstanding query for you-individual.
Yes, Dee-six-twenty-four-prime? Ask your question.
When we-collective initialized language-idea-exchange with you-collective, you-collective had no settlements on the surface of other planets in your-collective own star system.
Yet you-collective possessed advanced chemical propulsion technology sufficient to leave your-collective native gravity well. For over a hundred cycles around your-collective star, you-collective possessed this.
Why did you not use it?
Well, all that technology was worth a lot of money.
Value-consideration-tokens, yes. Continue.
So we decided to take it away from the really talented geniuses who built, break it up for parts, sell the parts, and throw a big free stuff party.
A … free stuff party?
Yeah, for like, average dudes. The kind of guys who don’t know calculus or anything. The ones you’d want to have a beer with. We thought we’d buy them some stuff.
Instead of leaving your home planet?
Yeah.
This-individual understands, now. Conclusions have been submitted to collective-thought-matrix. Please line you-collective up in an orderly fashion for processing, classification, and reassignment and/or biomass reclamation.
June 15, 2026
Elysium: Greed and the Crab Trap
Feral Historian
Published 23 Jan 2026Elysium is one of those films I like more for the world it presents than the story it tells. It’s a tale of two worlds, a wealthy break-away civilization in orbit and a slowly dying civilization on Earth. On the surface it’s simplistic, preachy even, but underneath it posits some important questions both by what it tries to do and what it doesn’t even attempt to address.
00:00 Intro
01:18 Healing Magic and Healthcare Access
03:22 Overpopulation and Automation
04:18 Technology in Layers
07:50 Easy Answers to Hard Problems🔹 Patreon | patreon.com/FeralHistorian
🔹 Ko-Fi | ko-fi.com/feralhistorian
🔹 and Merch! | feral-shop.fourthwall.com
Ninti’s Gate – the prologue to Stellar Drift, coming later this year.
🔹 amazon.com/dp/B0CYXH9BWD
June 4, 2026
“It’s called Starship Troopers, not The Big War with the Bugs“
On the social media site formerly known as Twitter, Devon Eriksen explains why filmgoers still identify with the humans in Verhoeven’s unfaithful-to-the-story film of Robert A. Heinlein’s Starship Troopers:
Here’s a hint:
It’s called Starship Troopers. Not The Big War with the Bugs.
There’s a reason for that. Heinlein was one of the 20th century’s greatest authors, if not THE greatest, and he was also the 20th century’s greatest philosopher and it’s not even close.
So he didn’t name things by accident.
Starship Troopers isn’t about the war. It isn’t even about war. And it’s certainly not about the fucking bugs.
All that shit is just stage dressing for the story is really about. That’s why the book doesn’t end with defeating the enemy. It ends with Rico meeting his father again, facing future fights together.
Starship Troopers is about the military life, the relationship between armies and the civilizations they serve, and what it means to be a soldier and a man.
Eurotrash communists failed to get the point, not merely because they have the “media literacy” of a sack of wet hammers, but also because they don’t understand soldiering, civilization, or manhood.
So, yes, Verhoeven tried to make fun of Heinlein and failed miserably because Heinlein was a better storyteller, a better man, and a better human being by a margin so great that the Earth can barely encompass it.
But even though his failed satire makes humanity clearly the good guys, the war clearly righteous, and soldiers clearly cool and heroic, it still doesn’t recapture the actual meaning of Starship Troopers.
Because the real themes were so invisible, so incomprehensible, to Verhoeven that he couldn’t even see them to disagree with.
So enjoy the film for what it turned out to be … a fun, campy, morally unambiguous story of heroes squashing disgusting bugs. Suitable for popcorn consumption.
Then, read more Heinlein.
Update, 6 June: Welcome, Instapundit readers! Have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.
Sci-Fi and the WWII Mythos Part II : The Political Element
Feral Historian
Published 16 Jan 2026Last time I was focused on cultural aspects, but what about the direct political manifestations today? Is there a resurgence of neo-nazi attitudes or is just an artifact of the ubiquity of digital media preserving everything? Why might those ideas resonate with the young, and how does it fit with my argument that the old myths are breaking down?
00:00 Intro
01:42 Right, Left, and Gen-Z
02:56 Patterns of Force
04:25 Rambling about Economics
05:48 Efficient? No.
06:39 Bifurcation
08:00 Loss of PerspectiveThis one is a direct result of a conversation on the Talking History program on KSMU (I’ll link the episode when goes up) and covers something that came up but wasn’t really addressed well.
(more…)
May 28, 2026
The Day The Earth Stood Still: a Post-WWII War of the Worlds
Feral Historian
Published Jan 9, 2026The Day The Earth Stood Still (1951) is in some ways the most successful translation of the alien invasion story from 19th Century colonial assumptions to those of the post-WWII world. They no longer come to take our land and plunder our resources, but to keep us from threatening their “Rules Based Order” and turn us into a low-fidelity copy of themselves.
00:00 Intro
02:46 Nukes and Norms
06:48 Ultimatum
09:00 Farewell to the Master
11:08 Hello Remake
(more…)
May 23, 2026
“The primary skill of an author is empathy“
On the social media site formerly known as Twitter, Devon Eriksen describes the real skill a fiction author needs to have to produce fully satisfying stories:
Woke message fiction may be slowly dying, but stories won’t magically get better when it’s dead.
Because there’s a deeper problem.
I found it in a book I’ll call MillenialQuest. That wasn’t its real name, of course. I’m not trying to dunk on some poor soul just for writing a bad book. If I did that, I’d never be stopping.
It was some medieval fantasy thing with a rather likely premise involving a fallen paladin and an army of steampunk centaurs.
But when I opened it up, I quickly realized that every single character, despite living in a world where “horse” was the peak of transportation technology, was a Joss Whedon character wearing a Tolkien skinsuit.
Complete with sarcasm, cutesy little quips, and no emotional self-control whatsoever. Didn’t matter if the character was a professional assassin or a cloistered scholar, he talked, acted, and thought as if he were auditioning for a episode of Buffy the Vampire Slayer.
My first impulse was to be annoyed with the author for disappointing me. But I quickly realized that the problem ran deeper, and the author, annoying as her habits were, was both symptom and victim of a deeper malaise.
The primary skill of an author is empathy.
Now, I don’t mean the “empathy” that socialist twats are constantly talking up, in lectures about how we must all immediately dismantle Western civilization to create infinity third world biomass.
I mean the actual skill of figuring out what other people are thinking and feeling.
To excel at his craft, an author must empathize in two directions at once. Not alternately, but simultaneously. He must empathize with the audience to understand how they will experience what he writes, and he must empathize with characters, to understand how they see the world, and what they would do and say.
Empathy must be learned. And it can be learned in two ways, either by having lots of conversations with people who are as different from you as possible, or by reading books with characters who are also totally unlike you.
Well, we’ve now raised several entire generations who cannot withstand the stress of a real conversation with someone from their own nation who happened to vote for the other idiot on a two-option menu.
And what have those people been watching, listening to, and reading?
Well, Whedonized stories wherein every character is a reskinned version of a white, middle class, left-leaning liberal arts student in a small East Coast private college.
The author of MillenialQuest didn’t set out to write The Messageâ„¢. Nobody was a purple-haired mixed-race fat wheelchair lesbian, and there weren’t any thinly veiled rants about capitalism or diversity.
Sure, the word “misogynist” was used a bunch, without any apparent awareness of the confused look of incomprehension that your standard medieval knight would respond with.
But so was the word “allergies”. And “expense account”. And “psychology”. And “self-medication”.
No, the core pathology here wasn’t the irrepressible urge to preach the author’s values at all.
It was a complete lack of ability to put her head into someone else’s world view.
To the new breed of author, the 21st century liberal zeitgeist isn’t just the only moral viewpoint, it’s the only imaginable viewpoint.
This is why they think you are evil and crazy if you voted for the other guy. Because they literally have no idea what might have motivated you to do that.
The author of MillenialQuest couldn’t imagine a world where differing responsibilities for men and women are a necessity for survival, rather than a cause for complaint.
She couldn’t imagine how the concept of an expense account would be expressed in a world where peak financial technology is pounding your shiny metal into discs with faces on them.
Emily Wilson can’t understand a woman who would be ashamed of cheating on her husband, or men who would start a war over an insult.
Yes, often it’s deliberate. Often it’s preaching, or venting their own desire to debate with someone whose response they cannot hear.
But the point is, even if and when they are forced, by threat of major film studio bankruptcy, to stop deliberately trying to preach and propagandize, they won’t magically gain the ability to write characters different from themselves.
Empathy is a skill. It has to be learned and then practiced. And most people in the writing game today simply haven’t had the opportunity.
We may be exiting the age of DEI slop, but we are entering the age of just plain slop.
May 8, 2026
The Strugatskys’ The Doomed City and the Soviet Experiment
Feral Historian
Published 12 Dec 2025While The Doomed City isn’t the last book Boris and Arkady Strugatsky wrote, it is arguably the end of their journey from idealism to cynicism with regards to the whole Soviet project and serves as an almost spiritual history of the period. Let’s meander through it to look at some things not covered in a literary review.
00:00 Intro
03:12 New Jobs
04:45 Aside – Facts and Theory
05:42 Laws and Mentors
09:36 The Experiment
10:50 Regime Change
13:25 Aside – Maps
15:45 Status and Power
18:22 The Ground Beneath Our Feet
(more…)
May 1, 2026
“Second Dawn”, Childhood’s End, and the Nuclear Age
Feral Historian
Published 5 Dec 2025A quick look at two Arthur C. Clarke stories from the early 1950s that pair well as allegories for the still-new Cold War fears of the time.
00:00 Intro
03:03 Psychics and Nukes
03:37 “Second Dawn”
09:13 The Phileni
11:50 New World, New DangersAudio note: On the previous vid (Riddick) I used some new tools for post-processing the audio. It was much cleaner, removed almost all the noise … and the response has been entirely negative. It seems people don’t miss the wind and the birds until they’re gone. So I’m back to the old approach of using essentially raw sound.
EDIT: If you’re not seeing a link to the old Childhood’s End video on the pop-up card or the end screen, here’s the link. • Childhood’s End (Youtube Copyright Edit)
🔹 Patreon | patreon.com/FeralHistorian
🔹 Ko-Fi | ko-fi.com/feralhistorian
🔹 and Merch! | feral-shop.fourthwall.com
Still plugging Ninti’s Gate
🔹 amazon.com/dp/B0CYXH9BWD
April 24, 2026
Defending Heinlein and his most controversial novel – Farnham’s Freehold
Grammaticus Books
Published 21 Nov 2025An indepth review of Robert A. Heinlein’s most controversial novel. A novel sometimes referred to as Science Fiction’s most controversial novel, Farnham’s Freehold.
00:00 Intro
02:30 Why I Read Farnham’s Freehold
04:33 The Plot (Spoilers)
12:48 The Critics’ Complaints
21:40 Is it A Fun Read?My Video on Time Enough for Love:
• Heinlein’s MOST CONTROVERSIAL Novel – Time…
Update, 25 April: Welcome, Instapundit readers! Have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.
