For Christmas shopping in London I go by force of habit to Harrods. The toy department is full of loud-voiced Englishwomen, but I do not see a fellow Englishman anywhere until I chance upon the Women’s Underwear Department. As I pass, I hear a Major of the Household Brigade ask for some knickers with pussy fur. Another man, almost certainly from the Treasury, asks in a hoarse whisper for some crotchless briefs.
Auberon Waugh, Diary, 1975-12-18.
December 24, 2022
QotD: Auberon Waugh on Christmas shopping
December 22, 2022
The Emulsified High-Fat Offal Tube | Yes, Minister: 1984 Christmas Special | BBC Comedy Greats
BBC Comedy Greats
Published 26 Jul 2021Bernard (Derek Fowlds) walks Jim Hacker (Paul Eddington) through the red-tape of signing his Christmas cards, but Jim Hacker is more concerned with worrying plans from Brussels to rename the British sausage.
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December 21, 2022
Is Regifting a Crime?
It’s a Southern Thing
Published 10 Dec 2019To regift or not to regift? The Southern People’s Court brings their unique brand of justice to this tough issue.
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December 19, 2022
Christmas Crack – You Suck at Cooking (episode 54)
You Suck At Cooking
Published 22 Dec 2016To make the Christmas crack:
1. Combine equal parts of butter and brown sugar (1 cup of each works) and heat in a sauce pan until it turns into sauce in the pan.
2. Line a baking sheet with foil then with graham crackers. Break them up to make them fit along the edges.
3. Once the butter and sugar become a thickish sauce, pour it all over.
4. Bake in in the oven for a couple minutes until it starts to bubble but not for too long.
5. Cover with chocolate chips … you can put that back in the oven for a minute or just wait a minute and start spreading them around as they melt until it’s a full layer. Use just over 1 cup.
6. Throw on whatever toppings you want; almonds, pepperoni, whatever.
7. Wait a few hours for it to harden or throw it in the fridge or the freezer.I personally like keeping it frozen and eating it that way. But I am not you and you may have different temperature preferences. It’s hard for me to tell at this point, but if you message me on snapchat perhaps we can discuss this more thoroughly. Or perhaps not. I’m sorta moody that way.
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December 16, 2022
QotD: Little-known types of eclipse
A lunar eclipse occurs when the Earth gets between the Moon and the Sun.
A solar eclipse occurs when the Moon gets between the Earth and the Sun.
A terrestrial eclipse occurs when the Earth gets between you and the Sun. Happens once per 24 hours.
An atmospheric eclipse occurs when an asteroid gets between you and the sky. Generally fatal.
A reverse solar eclipse occurs when the Sun gets between the Moon and the Earth. Extremely fatal.
A motivational eclipse occurs when the Moon gets between you and your goals. You can’t let it stop you! Destroy it! Destroy the Moon!
A marital eclipse occurs when the Moon gets between you and your spouse. You’re going to need to practice good communication about the new celestial body in your life if you want your relationship to survive.
A capillary eclipse occurs when your hair gets between your eyes and the Sun. Get a haircut.
A lexicographic eclipse occurs when “Moon” gets between “Earth” and “Sun” in the dictionary. All Anglophone countries are in perpetual lexicographic eclipse.
A filioque eclipse occurs when the Holy Spirit gets between the Father and the Son.
An apoc eclipse occurs when the Great Beast 666, with seven heads and ten horns, and upon the horns ten crowns, and upon its heads the name of blasphemy, gets between the Earth and the Sun. Extremely fatal.
Scott Alexander, “Little Known Types of Eclipse”, Slate Star Codex, 2019-05-02.
December 10, 2022
The “Dark” Ages were fine, actually — History Hijinks
Overly Sarcastic Productions
Published 5 Aug 2022Curb your Crusading – the artwork, literature, and scholarship are far more interesting.
SOURCES & Further Reading: China: A History by John Keay, Byzantium & Sicily & Venice by John Julius Norwich, Great Courses Lecture series Foundations of Western Civilization by Thomas F. X. Noble lectures 27 through 38: “The Emergence of the Catholic Church”, “Christian Culture in Late Antiquity”, “Muhammad and Islam”, “The Birth of Byzantium”, “Barbarian Kingdoms in the West”, “The World of Charlemagne”, “The Carolingian Renaissance”, “The Expansion of Europe”, “The Chivalrous Society”, “Medieval Political Traditions I”, “Medieval Political Traditions II”, and “Scholastic Culture”.
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December 4, 2022
QotD: In praise of mediocrity
There is much to be said in favor of mediocrity, of course. Without mediocrity, there could be no excellence. We cannot always be living on the heights of Mount Olympus, and surely even the most fastidiously intellectual person has found pleasure or relief in curling up with a second-rate detective story (Wittgenstein did so, besides which there is something to be learned from every book ever written). I have derived much comfort from mediocrity, my own included, and it is my experience that, for a variety of reasons, the greatest experts in their field may make poor witnesses. A person of mediocre accomplishment is often better.
Mediocrity is not a problem in itself; it is inevitable. Indeed the world needs many mediocrities, that is to say mediocrities who know themselves, and are perfectly content, to be such (complacency is as much an underestimated quality as rebelliousness is an overestimated one). The problem with mediocrity begins when it is allied to overweening ambition, as it seems so often to be the case nowadays.
Ambition is likewise a quality that is excellent when it attaches to something worthwhile in itself, but which is dreadful when it does not. And the rapid and phenomenal spread of education has increased the spread of ambition with it, much of it inevitably of the apparatchik type, that is to say the determination to climb some bureaucratic career ladder detached from any purpose except survival and, if possible, self-aggrandizement. To climb such a ladder you have to be both ruthless and submissive at the same time. You have to be egotistically prepared to stab people in the back in the scramble for advancement, while at the same time being prepared to suppress your own personality by uttering other people’s clichés at the expense of your own thoughts. Unpreparedness to do this, either through lack of training or moral scruple, unfits you for a career in the organization, any organization. You have to learn to lie with clichés, and do so with a straight face.
Theodore Dalrymple, “In Defense of Mediocrity”, Taki’s Magazine, 2018-02-17.
December 2, 2022
Legends Summarized: The Trojan War
Overly Sarcastic Productions
Published 29 Jul 2022The grandest epic cycle this side of the Aegean! Today let’s talk about the tale of which The Iliad only makes up a tiny (if impressive) fraction!
Pst! Wanna know more about Quintus Smyrnaeus’s Posthomerica? Watch Blue’s Historymaker video about him HERE: https://www.youtube.com/watch?v=wfHGQ…
And if you want to know more about the historical, archaeological precedent that indicates some form of this story REALLY HAPPENED, watch Blue’s video on Mycenaean Greece HERE: https://www.youtube.com/watch?v=cki-9…
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November 23, 2022
QotD: Humour and political correctness
As a bumptious adolescent in upstate New York, I stumbled on a British collection of Oscar Wilde’s epigrams in a secondhand bookstore. It was an electrifying revelation, a text that I studied like the bible. What bold, scathing wit, cutting through the sentimental fog of those still rigidly conformist early 1960s, when good girls were expected to simper and defer.
But I never fully understood Wilde’s caustic satire of Victorian philanthropists and humanitarians until the present sludgy tide of political correctness began flooding government, education, and media over the past two decades. Wilde saw the insufferable arrogance and preening sanctimony in his era’s self-appointed guardians of morality.
We’re back to the hypocrisy sweepstakes, where gestures of virtue are as formalized as kabuki. Humor has been assassinated. An off word at work or school will get you booted to the gallows. This is the graveyard of liberalism, whose once noble ideals have turned spectral and vampiric.
Camille Paglia, “Hillary wants Trump to win again”, Spectator USA, 2018-12-04.
November 22, 2022
QotD: The obligatory orgy scene
I went last week to a production of Rigoletto, the revival of a production first staged in 2001. A criticism that I read in advance informed me that the initial orgy scene had been toned down somewhat by comparison with what had gone seventeen years before. Was this progress or regression? The critic did not venture an opinion on this vital question; he merely recorded the change as a fact.
It seems that all opera productions these days need an orgy scene, just as doctoral theses in the Soviet Union used to need at least one quotation from Lenin. There was a time when an orgy would have been censored, but now it is obligatory — no opera without one. There was a brief orgy scene in the last Flying Dutchman that I saw, and it was a bit of a relief when they got it over with because I knew that it must be coming and tension mounted until it did. It was a bit like childhood diseases in the old days: The sooner you had them, the quicker you got over them.
The problem with orgies is that once you’ve see one, you’ve seen them all, and these days they are staged literally rather than suggestively, as if the aging audience has to be reminded of what sex actually is. Moreover, they are staged like a tableau of Krafft-Ebing’s Psychopathia Sexualis, the fin de siècle compendium of what used to be called, in those far-off judgmental days, perversions. The implicit, however, is more powerful than the explicit, or it used to be. The explicit, in fact, is the enemy of the voluptuous.
Theodore Dalrymple, “Adding Injury to Insult”, Taki’s Magazine, 2018-01-20
November 21, 2022
City Minutes: Colonial America
Overly Sarcastic Productions
Published 22 Jul 2022Colonial-era North America was a busy place, so let’s take a quick look through some of the major players from the perspective of the lands & cities they inhabited.
SOURCES & Further Reading: Lectures from The Great Courses: “1759 Quebec – Battle For North America” from The Decisive Battles of World History by Gregory Aldrete, “The American Revolution” from Foundations of Western Civilization II by Robert Bucholz, “North American Peoples and Tribes” from Big History of Civilizations by Craig Benjamin, “The Iroquois and Algonquians Before Contact” from Ancient Civilizations of North America by Edwin Barnhart, “Iroquoia and Wendake in the 1600s”, “Indian-European Encounters 1700-1750”, “The Seven Years War in Indian Country” and “The American Revolution Through Native Eyes” from Native Peoples of North America by Daniel M. Cobb, Britannica articles “New York” & “Boston” https://www.britannica.com/place/New-… & https://www.britannica.com/place/Bost…
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November 18, 2022
“WOLLT IHR DEN TOTALEN TWEET?“
When German public TV is willing to invoke literal Nazi imagery, you know the Twitter situation has gotten out of hand:
After Germany’s “first” public television network, ARD, compared Elon Musk reducing Twitter censorship to “letting rats out of their holes”, Germany’s “second” public television network, ZDF, has now compared Musk to Nazi Propaganda Minister Joseph Goebbels! (The network’s name Zweites Deutsches Fernsehen literally means “Second German Television”.)
Thus, last Friday, ZDF’s would-be comedy program, the “Heute Show”, posted the below tweet and photoshop.
The Tweet reads: “Thanks to Elon Musk, you’re allowed to say anything again on Twitter! Total freedom of speech! #heuteshow.” The caption, whose color scheme and font invoke Nazi-era propaganda, reads “Do you want total tweet?” It is an allusion to Goebbels’s 1943 speech at the Berlin Sportspalast, in which the Nazi Minister of Propaganda famously shouted, “Do you want total war?” – in response to which audience members leapt to their feet shouting “Yes!” and raising their arms in the Hitler-salute.
The background image appears to show a Nazi Party rally with the swastikas replaced by the Twitter bird logo. Two smaller swastikas are still visible in the lower left-hand corner of the full-size image.
Leaving aside the extreme mental contortionism required to associate freedom of speech with Nazi Germany, if ever there was a don’t-throw-stones-in-glass-houses moment, this was it. For, as so happens, during the Second World War, the founding director of ZDF, Karl Holzamer, himself served in one of the propaganda units that none other than Goebbels’s Ministry of Propaganda embedded with the different divisions of the Germany military.
Holzamer served in a propaganda unit of the Luftwaffe or German air force. As noted in a 2012 article titled “Goebbels’s Soldiers” in the German daily Die Frankfurter Rundschau, Holzamer was embedded with the Luftwaffe during its April 1941 bombing of Belgrade and was “the first” to report on the German subjugation of the Yugoslav capital.
November 13, 2022
Carrying on about the Carry On movies
In The Critic, Alexander Larman looks back at one of the longest-running film series beginning with 1958’s Carry On Sergeant (not to be confused with the earlier — and reputedly terrible — interwar Canadian film of the same name) and continuing with many more until the filmic disaster of Carry On Emmanuelle in 1978 (there was also a 1992 attempt to revive the franchise, which failed):
In Alan Bennett’s The History Boys, it is decreed by the contrarian history master, Irwin, that “if George Orwell had lived, nothing is more certain than that he would have written an essay on the Carry On films”.
We are invited to take Irwin’s instructions that the Carry On films represent a valuable insight into British social history with suitable detachment. (The precise, suitably pompous quote is that “while they have no intrinsic merit, they acquire some of the permanence of art simply by persisting, and acquire an incremental significance if only as social history”.)
Yet Irwin (or Bennett) was almost certainly right that, had Orwell survived into the Sixties and Seventies, he would have found the Carry On film series both repellent and fascinating. It is literature’s, and history’s, loss that we do not have an account of Orwell’s thoughts on the antics of Charles Hawtrey, Kenneth Williams, Barbara Windsor et al.
In 1941, Orwell wrote of postcards by the cheerfully lowbrow artist Donald McGill that “your first impression is one of overpowering vulgarity” and that “what you are really looking at is something as traditional as Greek tragedy, a sort of sub-world of smacked bottoms and scrawny mothers-in-law which is a part of Western European consciousness”. He goes on to say that “jokes barely different from McGill’s could casually be uttered between the murders in Shakespeare’s tragedies”.
[…]
The joy of watching the Carry On films, then, is twofold. On the one hand, the hackneyed stories, two-dimensional characterisation and laboured puns and innuendo can be enjoyable, on a purely basic level, but hardly threaten to aspire to the levels of great art.
Yet on the other, the cheerfully Rabelaisian sentiments of the pictures — in which all men and women are defined purely in sexual and scatological terms — exist on a level of reductio ad absurdum.
It is no coincidence that the best Carry On films contain a vein of social satire in their mocking of great British institutions, whether it be the NHS, MI5, the army or the Raj, and the final set piece of Carry On Up The Khyber — in which the stiff-upper-lip British occupiers ignore the Afghan invaders while taking formal dinner in black tie — rises to a level of surrealist genius that would have made Buñuel proud.
There is occasional talk of making another Carry On film, but with all the principal cast (save the ever-sprightly Dale) now dead and with the world a very different place, it is impossible to imagine that we will ever see, say, Carry On Tweeting or the like.
There is every possibility that a really top-notch cast could be assembled, if there was any serious intent behind it — I would love to see Andrew Scott, for instance, offer a more dynamic take on the kind of roles that Williams essayed, because he would do so brilliantly, and if the script could be written by the award-winning likes of Patrick Marber or Richard Bean, it could be a thing of innuendo-heavy beauty.
But then the Carry On series never was a thing of beauty. In its grim and hilarious way, it took every British national stereotype, pulled its trousers down, and gave it a hearty slap on its bare buttocks. Some might find this offensive; others might mourn its loss from public life.
In either case, we shall not look upon its like again. Dr Nookey, Francis Bigger, Professor Inigo Tinkle, Vic Flange: your services are no longer required. To which unkind cut we must solemnly say: “Ooh, matron.”
November 12, 2022
SUPERCUT – Every Window Cameo in Batman (1966-1968)
Tommy Westphall’s Snowglobe
Published 14 Jan 2020The dynamic duo’s show of the 60s was fond of celebrity cameos. Here is a Supercut of every single one of them.
In order of appearance:
1. Jerry Lewis
2. George Cisar (from the 1966 film)
3. Dick Clark
4. Van Williams and Bruce Lee as The Green Hornet and Kato from The Green Hornet
5. Sammy Davis Jr.
6. Bill Dana as José Jiménez
7. Howard Duff as of Sam Stone from Felony Squad
8. Werner Klemperer as Colonel Klink from Hogan’s Heroes
9. Ted Cassidy as Lurch from The Addams Family
10. Don Ho
11. Santa Claus
12. Art Linkletter
13. Edward G. Robinson
14. Suzy Knickerbocker
15. The Carpet King
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