Fascism « Quotulatiousness

September 2, 2020

Hitler’s Hangman and Himmler’s Protégé – Reinhard Heydrich – WW2 Biography Special

Filed under: Germany, History, Military, WW2 — Tags: Biography, Czechoslovakia, Fascism, Holocaust, Poland, TimeGhost, WarCrimes — Nicholas @ 06:00

World War Two
Published 1 Sep 2020

After being taken in by Himmler as a sort of apprentice, Reinhard Heydrich rapidly climbed the Nazi political hierarchy. With the outbreak of World War Two, he expands his political power by ruthlessly carrying out political repression on the home front and genocidal racial policies of the Third Reich.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
Written by: Francis van Berkel
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Wolfgang Seitz and Ian Sowden
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Spartacus Olsson
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Visual Sources:
Bundesarchive
Yad Vashem: 153DO9, 1014/3/42, 4613/360, 48AO4, 2798/2, 1068/17, 3521/134, 3AO1, 1014 5 52, 5138/98, 3227 27, 1014/5/54, 112GO7, 75EO4, 07 1941, 4613_982, 1605/1431, 4613/1055
Riksarkivet: Fo30141711030060
Narodowe Archiwum Cyfrowe
National Archives NARA
Icon from The Noun Project: carlotta zampini
pellethepoet from filckr.jpg

Music:
“Last Point of Safe Return” – Fabien Tell
“March Of The Brave 10” – Rannar Sillard
“Not Safe Yet” – Gunnar Johnsen
“Moving to Disturbia” – Experia
“Easy Target” – Rannar Sillard
“Deflection” – Reynard Seidel
“Please Hear Me Out”- Philip Ayers
“Last Minute Reaction” – Phoenix Tail
“Never Forget” – Fabien Tell
“Other Sides of Glory” – Fabien Tell
“Split Decision” – Rannar Sillard

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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August 13, 2020

Hitler’s screen idol – Leni Riefenstahl – WW2 Biography Special

Filed under: Germany, History, Media, Technology, WW2 — Tags: Biography, Fascism, Hitler, Innovation, Movies, Propaganda, TimeGhost, WeimarRepublic — Nicholas @ 04:00

World War Two
Published 12 Aug 2020

Leni Riefenstal’s film techniques were groundbreaking and are still influential today. She did, though, create her most famous works in the service of Adolf Hitler.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Madeline Johnson
Edited by: Monika Worona
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Sources:
– Bundesarchiv

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
4 hours ago
Thanks to Madeline Johnson for the research for this episode. In many ways it’s our community who keep TimeGhost going. If you want to be part of this then join the TimeGhost Army on www.patreon.com/timeghosthistory or https://timeghost.tv.

Please let us know what other Bios you’d like to see. And if you have a question about the war you’re dying to have answered, submit it for our Q&A series, Out of the Foxholes at: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.

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August 7, 2020

A Career Anti-Fascist – George Orwell – WW2 Biography Special

Filed under: Books, Britain, History, Liberty, Politics, WW2 — Tags: Biography, CivilWar, Colonialism, Communism, Fascism, GeorgeOrwell, Socialism, Spain, TimeGhost — Nicholas @ 06:00

World War Two
Published 6 Aug 2020

George Orwell is one of the most famous English writers in the modern age. But how did he become the man who would coin so many of the words we still use in our political debates?

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Cassowary https://www.flickr.com/photos/cassowa…
Klimbim https://www.flickr.com/photos/2215569…

Sources:
Wellcome Images V0014461
Bundesarchiv
Narodowe Archiwum Cyfrowe
From the Noun Project: Pig by supalerk laipawat, Horse by supalerk laipawat, Goat by Laymik, Sheep by Laymik, Cow by supalerk laipawat, Chicken by supalerk laipawat, Farmer by Symbolon, Podium by Focus Lab

Soundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Johannes Bornlof – “Deviation In Time”
Johannes Bornlof – “The Inspector 4”
Skrya – “First Responders”
Jo Wandrini – “Puzzle Of Complexity”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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July 26, 2020

The Wehrmacht – an Army on Horseback – WW2 – 100 – July 25 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: Barbarossa, Fascism, Logistics, SovietUnion, TimeGhost — Nicholas @ 04:00

World War Two
Published 25 Jul 2020

Although we may picture panzers when we think of the German Army in WW2, it was very much an army that relied on horses — especially in the east — for a large part of its supplies and logistics, and the horse situation on the Eastern Front has grown dire. Japan’s economic situation has also grown dire and they are now looking south for new sources of raw materials.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Cassowary Colorizations – https://www.cassowarycolor.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Sources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-L24469, B_145_Bild-F016202-15A, Bild_101I-695-0424-07A, Bild_183-L19885
– Imperial War Museum: Art.IWM PST 16102, C 2228
– Archives municipales de Brest

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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July 23, 2020

George Orwell’s “What is Fascism?”

Filed under: Britain, History, Media, Politics, WW2 — Tags: Fascism, GeorgeOrwell — Nicholas @ 04:00

TIK
Published 21 Jul 2020

George Orwell wrote a short piece in 1944 asking the question: What is Fascism? George Orwell (Eric Arthur Blair) died in 1950. His work is technically not in the PUBLIC (STATE) domain in the UK until the end of this year. If Orwell’s estate wishes to make a Fascist-copyright claim on this video, feel free. I’m not monetizing it anyway, and will simply take the video down.

To see yesterday’s suppressed video on Greece under Fascist and National Socialist rule in WW2, click here https://youtu.be/oT2NPAoXeSk

To learn why the word PUBLIC means STATE, click here https://youtu.be/ksAqr4lLA_Y

If you’re looking for a Graphic Designer, here’s a good one: https://www.terriyoungdesigns.co.uk/

– – – – –

📚 BIBLIOGRAPHY / SOURCES 📚

Full list of all my sources https://docs.google.com/spreadsheets/…

– – – – –

⭐ SUPPORT TIK ⭐

Want to ask a question? Please consider supporting me on either Patreon or SubscribeStar and help make more videos like this possible. For $5 or more you can ask questions which I will answer in future Q&A videos. Thank you to my current Patrons! You’re AWESOME! https://www.patreon.com/TIKhistory or https://www.subscribestar.com/tikhistory

– – – – –

ABOUT TIK 📝

History isn’t as boring as some people think, and my goal is to get people talking about it. I also want to dispel the myths and distortions that ruin our perception of the past by asking a simple question – “But is this really the case?”. I have a 2:1 Degree in History and a passion for early 20th Century conflicts (mainly WW2). I’m therefore approaching this like I would an academic essay. Lots of sources, quotes, references and so on. Only the truth will do.

This video is discussing events or concepts that are academic, educational and historical in nature. This video is for informational purposes and was created so we may better understand the past and learn from the mistakes others have made.

Full text of Orwell’s “What is Fascism?”, first published in Tribune in 1944 is available here.

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July 15, 2020

Barbarossa, Hitler’s and Stalin’s Hell on Earth – War Against Humanity 014 – July 1941, Part 01

Filed under: Germany, History, Military, Russia, WW2 — Tags: Barbarossa, Communism, Fascism, Hitler, Holocaust, Stalin, TimeGhost, WarCrimes — Nicholas @ 06:00

World War Two
Published 14 Jul 2020

When the German armed forces invade the USSR, they come with an order to exterminate from Hitler. Now the defending Soviet armed forces receive similar orders from Stalin. The bloodshed that follows defies human imagination.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Spartacus Olsson
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Klimbim – https://www.flickr.com/photos/2215569…

Sources:
Bundesarchiv
Yad Vashem 55AO6, 145CO2, 142GO5, 1019/2, 5648/40, 143EO1, 5648/39, 73BO2, 74FO7, 2725/17, 1564/2, 4360/49, 90DO9, 90DO8, 1278/19, 112GO7, 97GO2, 1597/11, 145CO1, 80DO5, 145AO, 5138/95
USHMM
Vilna Gaon State Jewish Museum

Soundtracks from the Epidemic Sound:
Skrya – “First Responders”
Philip Ayers – “Trapped in a Maze”
Farrell Wooten – “Mystery Minutes”
Cobby Costa – “From the Past”
Cobby Costa – “Flight Path”
Gunnar Johnsen – “Not Safe Yet”
Farrell Wooten – “Blunt Object”
Fluow – “Endlessness”
Jon Bjork – “Icicles”
Jon Bjork – “For the Many”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
8 hours ago (edited)
However hard it is to watch this horror, it’s important that we document it, and learn from it. Each and everyone of us can, and we must for the sake of ourselves and our fellow human beings do so. The steps that led the people involved in these atrocities to this point were small, sometimes innocent, or at least uninformed decisions that took many years to reach this level of inhumanity. It starts with denying facts, imagining conspiracies as the root of your own problems, and demonizing your imagined enemies. In this void you are already on a slippery slope that may lead into the abyss. On that note, the events depicted here are based on solid research, and verified sources that are irrefutable. Wherever there is uncertainty, we have mentioned it. The purpose of this documentation is neither to scapegoat any one side, nor exonerate anyone from blame. These are the facts. This is what happened. Think about that, because the perpetrators here were like us, they didn’t come out of their mother’s womb with the intent to torture and murder anyone. And the victims were also like all of us, ordinary people just trying to get on with their lives according to their best ability. They had dreams and goals in life, some of them political perhaps, but mostly they just got on with their everyday life, banal and difficult as that might be, until they ended up in the hands of someone who had learnt to hate them without even knowing them. Remember that – this could have been anyone of us, on both sides of the events. To have that humility is the beginning of a journey to do good.

Spartacus

PS. and if you wonder how we put up with making this kind of content; it’s difficult. I cried bitterly after recording this, and tears still well up when I think about it. While we write it’s easier to turn off, switch on the coping mechanisms, pretend that its just absurd facts and numbers. But when you act out the words… that what defies imagination is suddenly horribly real.

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July 6, 2020

The Healthcare Crisis of 1941 – WW2 – On the Homefront 005

Filed under: Britain, Germany, Health, History, WW2 — Tags: Eugenics, Fascism, PublicHealth, SocializedMedicine, TimeGhost — Nicholas @ 04:00

World War Two
Published 2 Jul 2020

When WWII breaks out many parts of the world are still missing population-wide healthcare. The pressure of the war deteriorates healthcare services even further. By 1941, both the British Commonwealth and Germany are facing an outright healthcare crisis on the home front.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Anna Deinhard
Written by: Fiona Rachel Fischer and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Sources:
IWM D 2373, D 2318, B 14299, D 2315, D 2078, D 14318, D 2334
Narodowe Archiwum Cyfrowe
Bundesarchiv
Wellcome Images no. L0028759
From the Noun Project: london by Pablo Fernández Vallejo, Patient by Miho Suzuki-Robinson, Patient by Binpodo, Doctor by Wilson Joseph, Hospital by Hare Krishna, School by David, Apartment by Victoruler, Bus by Eucalyp
University of Liverpool Faculty of Health & Life Sciences

Soundtracks from the Epidemic Sound:
Farrell Wooten – “Blunt Object”
Johannes Bornlof – “Deviation In Time”
Skrya – “First Responders”
Gunnar Johnsen – “Not Safe Yet”
Johannes Bornlof – “The Inspector 4”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Rannar Sillard – “March Of The Brave 4”
Cobby Costa – “From the Past”
Fabien Tell – “Last Point of Safe Return”
Cobby Costa – “Flight Path”
Andreas Jamsheree – “Guilty Shadows 4”
Jo Wandrini – “Puzzle of Complexity”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago (edited)
It might be surprising that the global healthcare crisis of 2020 has an immediate relationship to WW2, but it does. Although, when you look at it, it’s logical — with every crisis humanity learns a little — it was still a little bit of a surprise to us how direct this relationship was when researching and writing this episode. Was it surprising to you too?

On the topic of writing, this is the first episode by our new co-writer, Fiona Rachel Fischer, who will now be a regular contributor to the On the Homefront series — please give her a warm welcome.

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July 1, 2020

A Non-Nazi in Nazi Uniform? – Gerd von Rundstedt – WW2 Biography Special

Filed under: Germany, History, Military, WW2 — Tags: Army, Barbarossa, Biography, Fascism, Leadership, Poland, TimeGhost, WarCrimes — Nicholas @ 04:00

World War Two
Published 30 Jun 2020

Most of the German high-command are not committed National Socialists. So what were like and why did they still serve the Nazi regime?

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Wolfgang Seitz
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…
Dememorabilia – https://www.instagram.com/dememorabilia/
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Cassowary Colorizations https://www.flickr.com/photos/cassowa…
Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
Map of Europe 1871, courtesy Alexander Altenhof https://commons.wikimedia.org/wiki/Fi…
Bundesarchiv
Narodowe Archiwum Cyfrowe

Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”
Johan Hynynen – “Dark Beginning”
Gunnar Johnsen – “Not Safe Yet”
Farrell Wooten – “Blunt Object”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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June 30, 2020

David Irving – Can you trust ANYTHING he wrote?

Filed under: Books, Europe, Germany, History, Military, WW2 — Tags: AntiSemitism, Fascism, Hitler, Holocaust — Nicholas @ 04:00

TIK
Published 29 Jun 2020

Can you trust ANYTHING that David Irving wrote? In 1996, David Irving sued Deborah Lipstadt for libel (in the “Irving vs Penguin Books Ltd” trial) because Deborah Lipstadt had said Irving was a Holocaust Denier. Historian Richard Evans was called upon as an expert witness, and he examined Irving’s works for two years, discovering many major factual errors in David Irving’s works. Richard Evans came to the conclusion that Irving cannot even be classed as a “historian”, and says “not one sentence” in any of his speeches or written works can be trusted. Richard Evan’s Telling Lies About Hitler presents a solid case against David Irving that casts serious doubt about every “historical” text that Irving wrote, and this video presents 3 examples from Evan’s brilliant book (this video is not a sponsored video, I genuinely think Evan’s book is brilliant and you should get yourself a copy) that really should make you question the opinions of those who still promote Irving’s works.

Holocaust deniers may continue to deny that the “Final Solution to the Jewish Question” took place, but in actively distorting the evidence, they undermine their own cause. The term “distorian” describes their “writers” better than the term “historian”.

And, in case it isn’t blatantly obvious, I’m NOT a Fascist, NOT a Nazi, NOT a Marxist, and am NOT promoting said evil ideologies. This video is for educational and historical purposes, so that we may learn from the past and prevent it from repeating.

– – – – –

📚 BIBLIOGRAPHY / SOURCES 📚

Evans, R. In Defence of History. Granta Books, Kindle.
Evans, R. Telling Lies About Hitler: The Holocaust, History and the David Irving Trial. Verso, 2002.
Irving, D. Hitler’s War:1939-1942. PAPERMAC 1983.
Irving, D. Hitler’s War:1942-1945 PAPERMAC 1983.
Lipstadt, D. Denying the Holocaust: The Growing Assault on Truth and Memory Penguin Books, 2016.
Rees, L. The Holocaust: A New History. Penguin Books, 2017.
Seidel, G. The Holocaust Denial: Antisemitism, Racism, & the New Right. Beyond the Pale Collective, 1986.
Shermer, M. & Grobman, A. Denying History: Who Says the Holocaust Never Happened and Why Do They Say It? University of California Press, 2009.
Steinbacher, S. Auschwitz: A History. Penguin Books, 2005.

The FULL list of all my sources: https://docs.google.com/spreadsheets/…

– – – – –

⭐ SUPPORT TIK ⭐

A big thank you to my Patreon, Craig Heinrich, for asking today’s question!

Do you want to ask a question? Please consider supporting me on either Patreon or SubscribeStar and help make more videos like this possible. For $5 or more you can ask questions which I will answer in future Q&A videos. Thank you to my current Patrons! You’re AWESOME! https://www.patreon.com/TIKhistory or https://www.subscribestar.com/tikhistory
– – – – –

ABOUT TIK 📝

History isn’t as boring as some people think, and my goal is to get people talking about it. I also want to dispel the myths and distortions that ruin our perception of the past by asking a simple question – “But is this really the case?” I have a 2:1 Degree in History and a passion for early 20th Century conflicts (mainly WW2). I’m therefore approaching this like I would an academic essay. Lots of sources, quotes, references and so on. Only the truth will do.

This video is discussing events or concepts that are academic, educational and historical in nature. This video is for informational purposes and was created so we may better understand the past and learn from the mistakes others have made.

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QotD: Ideologies and belief systems

Filed under: Health, History, Quotations, Religion — Tags: Fascism, Ideology, Nietzsche, Philosophy, Psychology — Nicholas @ 01:00

It’s really not a good thing because it manifests itself not only in individual psychopathologies, but also in social psychopathologies. That’s this proclivity of people to get tangled up in ideologies, and I really do think of them as crippled religions. That’s the right way to think about them. They’re like religion that’s missing an arm and a leg but can still hobble along. It provides a certain amount of security and group identity, but it’s warped and twisted and demented and bent, and it’s a parasite on something underlying that’s rich and true. That’s how it looks to me, anyways. I think it’s very important that we sort out this problem. I think that there isn’t anything more important that needs to be done than that. I’ve thought that for a long, long time, probably since the early ’80s when I started looking at the role that belief systems played in regulating psychological and social health. You can tell that they do that because of how upset people get if you challenge their belief systems. Why the hell do they care, exactly? What difference does it make if all of your ideological axioms are 100 percent correct?

People get unbelievable upset when you poke them in the axioms, so to speak, and it is not by any stretch of the imagination obvious why. There’s a fundamental truth that they’re standing on. It’s like they’re on a raft in the middle of the ocean. You’re starting to pull out the logs, and they’re afraid they’re going to fall in and drown. Drown in what? What are the logs protecting them from? Why are they so afraid to move beyond the confines of the ideological system? These are not obvious things. I’ve been trying to puzzle that out for a very long time. […]

Nietzsche’s idea was that human beings were going to have to create their own values. He understood that we had bodies and that we had motivations and emotions. He was a romantic thinker, in some sense, but way ahead of his time. He knew that our capacity to think wasn’t some free-floating soul but was embedded in our physiology, constrained by our emotions, shaped by our motivations, shaped by our body. He understood that. But he still believed that the only possible way out of the problem would be for human beings themselves to become something akin to God and to create their own values. He talked about the person who created their own values as the overman, or the superman. That was one part of the Nietzschean philosophy that the Nazis took out of context and used to fuel their superior man ideology. We know what happened with that. That didn’t seem to turn out very well, that’s for sure.

Jordan B. Peterson, “Biblical Series I: Introduction to the Idea of God” {transcript], jordanbpeterson.com, 2018-03-12.

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June 29, 2020

Today on NeoNaziHuntingExpeditions, we track down Neo Nazi Bronies

Filed under: Media, Politics, USA — Tags: Absurd, AltRight, Fascism, FreedomOfSpeech, Offensensitivity, Pornography, Racism, Sexuality — Nicholas @ 05:00

In Quillette, Daniel Friedman examines the claims made in a recent Atlantic investigation into Nazis in the My Little Pony community (that is, adult fans of the show, not little girls … I think):

Image found by searching for “Neo Nazi Bronies”, listed URL – http://www.democraticunderground.com/1014960111

The evidence of this Nazi problem in the My Little Pony fandom is that, on a My Little Pony imageboard called Derpibooru, over 900 images were tagged as “racist,” and images mocking Black Lives Matter were upvoted by users while images supporting the movement were downvoted, even as the site’s administrators made a statement of support for the protests. After much controversy, the imageboard banned uploading images “created for no reason other than to incite controversy” and removed the 926 images tagged “racism” or “racist.” This move was extremely controversial within the Derpibooru community, many members of which oppose any moderation.

Atlantic reporter Kaitlyn Tiffany suggests that the strong free-speech norms of the Derpibooru boards stem from its origins on 4Chan, which Tiffany describes as “the largest den of chaos and toxic beliefs available on the Internet.” She describes the Brony community as being divided between those who “genuinely enjoy My Little Pony and the wholesome escapism it provides” and trolls who think it is “edgy and provocative to be an adult obsessed with cartoon ponies.” This frames the Derpibooru imageboard as a place where innocent cartoon fans are unknowingly subjected to subversive, racist memes and images that may send people down a rabbit hole of far-right content.

However, claims that a significant portion of the Brony community are Nazis, or that a significant amount of the content on Brony imageboards is right-wing propaganda or racist memes has to be put in the proper context. First of all, the 926 images tagged “racist” exist on a board that hosts over two million images. If you order all the site’s various tags by how many images fall within their categories, there are 12 full pages of other, more popular tags you have to scroll through to find the “racism” tag. One thousand two hundred and seventy-five images are tagged “politics” and include images both supporting and opposing Black Lives Matter. Discussion of these issues is a tiny fraction of one percent of the content on the My Little Pony imageboard.

By contrast, 315,867 images on the Derpibooru forum are tagged as sexually explicit, a further 127,414 images are tagged as sexually suggestive and 105,521 images are tagged as containing “questionable” sexual content. The truth is that Derpibooru’s lax moderation norms and anti-censorship culture don’t exist to protect objectionable political content; this imageboard is unmoderated because it is an enormous repository of fan-made My Little Pony pornography.

The Atlantic article fails to place the 926 racist images in the context of the larger scope of the two million images hosted by the Derpibooru board, because less than one-quarter of one percent of the site’s content is of a political nature. And the Atlantic article avoids mentioning the half-million pornographic images the site hosts, because doing so reveals that the community’s widespread opposition to content moderation on their imageboard is about protecting sexually explicit content rather than creating a space for hateful politics to flourish, and it further reveals that the Bronies are 500 times more interested in having sex with My Little Pony characters than they are in spreading racist pony memes.

The article creates an impression that the alt-Right is using seemingly-innocent cartoon fandoms as a Trojan horse to conceal and spread a sinister ideology, but the truth is that the only thing these guys are interested in hiding inside a horse is their dicks.

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June 19, 2020

QotD: We call it the Corded Ware culture, not the Battle Axe culture to make it less interesting to boys

Filed under: History, India, Quotations, Science — Tags: Archaeology, CulturalAppropriation, Fascism, Hinduism, Language — Nicholas @ 01:00

India played a large role in the development of European conceptions of race. In 1786 British judge William Jones delivered a lecture in Calcutta suggesting that Sanskrit, Greek, and Latin were all descended from the same lost language, a ghost tongue now called Proto-Indo-European.

Jones went on to hypothesize that an ancient invasion of Dravidian-speaking India by Proto-Indo-European-speaking Aryans from Iran could help explain the curious distribution of language, skin color, and caste within the Hindu world today.

Jones’ ideas had unfortunate influence. Reich writes:

To the Nazis and others, the distribution of the Indo-European language family, linking Europe to India … spoke of an ancient conquest moving out of an ancestral homeland, displacing and subjugating the peoples of the conquered territories, an event they wished to emulate.

Hitler thus culturally appropriated the Hindu swastika.

Since 1945, the notion of Aryan invaders has been unsurprisingly unpopular.

In Europe, anthropologists have promoted the “pots not people” theory to argue that trade and changes in fashion must explain why Corded Ware pots suddenly showed up all over Europe about 4,900 years ago. (So did battle axes; indeed, early scientists called this the Battle Axe Culture. But that sounded too awesome. Hence, more recent academics renamed it after its pottery style to make these brutal barbarians sound dweebier and thus less interesting to boys.)

In India, the notion of Hindu culture as a giant conspiracy by Aryan invaders to enshrine their descendants at the top of the social order for the rest of eternity perhaps struck a little too close to home.

Steve Sailer, “Reich’s Laboratory”, Taki’s Magazine, 2018-03-28.

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June 17, 2020

Alcibiades, the first recorded iconoclast, but far from the last

Filed under: Britain, China, Germany, History, Middle East, Politics, USA — Tags: Art, Cambodia, Censorship, Fascism, Iconoclasm, MaoZedong, Protest, Puritanism — Nicholas @ 05:00

James Heartfield on the modern day resurgence of iconoclasm:

“Drunken Alcibiades interrupting the Symposium”, an engraving from 1648 by Pietro Testa (1611-1650)
Via Wikimedia Commons.

… far more often, the attacks on public symbols are indicative of a breakdown in social solidarity — often with alarming consequences. For activists seeking to win popular support, knocking down statues is a high-risk strategy that can provoke the opposite sentiments to those hoped for. The futurist Marinetti’s proposal to fill in the canals of Venice with concrete to make modern roads is a witty way to make a point, but not a sound policy.

Alcibiades was perhaps the first recorded statue vandal. One night in 415 BC he knocked all the stone cocks off the statues of Hermes in Athens. In 1497, the friar Girolamo Savonarola launched a Bonfire of the Vanities in which artworks, books and statues were destroyed out of a fear they would tempt people away from God. As any lover of old English churches knows, the furies of the Puritan revolution led to the destruction and defacing of Catholic saints’ statues and paintings.

In the modern era, the temptation to destroy monuments has been strong. In the First World War, Britain’s local authorities changed German-sounding names of streets like Bismarck Road — now Waterlow Road — while bully boys attacked German-owned shops. In 1933, Nazi students in Germany organised bonfires of subversive books, while the Reich organised an exhibition of “degenerate” modernist art. The burning of books only served as a trial run for the extermination of people, as the symbolic slaughter failed to yield the results of a “cleansed” Germany.

People often make the point that there are no statues of Hitler in Germany — though those were not taken down by Germans, but by the Allied occupiers. You can still see Albert Speer’s Zeppelinfeld and grandstand in Nuremberg, where many of Hitler’s rallies took place, though not much else of his Nazi architecture survives. Mussolini’s architects, Giuseppe Terragni and Marcello Piacentini, did better — much of their absurdly grandiose work survives. The model of an Allied-led “denazification” was in the minds of the US-led forces that overthrew Saddam Hussein in 2003. The destruction of his statue in Baghdad was largely staged by the allies.

Under the Maoist regimes in China and the Khmer Rouge in Cambodia, some of the worst atrocities after the Nazis were carried out. Mao’s “Cultural Revolution” against the “four olds” led to the destruction of books and artworks. Later, there were showtrials and the politically incorrect were battered by the mob. In the wreckage of Cambodia, Pol Pot led a terrifying war on alleged capitalist-roaders and even intellectuals — who could be handily identified by the fact they wore glasses — that led to millions being killed. Pol Pot declared a “year zero” — that all civilisation before the Khmer Rouge took power would be cancelled. Tragically, the wholesale wiping out of Cambodian culture was only a prelude to the extermination of much of its population. The sentiment of wiping out the wrong history was repeated in the war that al-Qaeda-inspired regimes in Afghanistan and Mali conducted against books and statues that did not match their own Islamist views.

In Soviet Russia, when the communist-allied artists of the Proletkult organisation argued that all Tsarist culture should be expunged, the Bolshevik leader Lenin took them to task for “rejecting the most valuable achievements of the bourgeois epoch”. Instead, he said, they should assimilate and re-work “everything of value in the more than 2,000 years of the development of human thought and culture”. Sadly, Lenin’s wise advice was lost on the Stalinist regimes that followed, during which the policy oscillated between futurist iconoclasm and maudlin Russian sentimentality. History got its revenge in eastern Europe when most of the ubiquitous Lenin and Marx statues came down in the 1990s.

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June 15, 2020

Wokepocalypse Now

Filed under: Britain, History, Politics — Tags: Antifa, Fascism, Progressives, Racism, SocialJustice — Nicholas @ 05:00

In Spiked, Andrew Doyle takes a very brief moment to say “I told you so” about Antifa and the other woke entities haunting the headlines these days:

A building burning in Minneapolis following the death of George Floyd.
Photo by Hungryogrephotos via Wikipedia.

Those of us who have urged vigilance when it comes to the rise of identity politics and the cult of Social Justice have now been fully vindicated. For years we have warned about the ways in which the culture war had the potential to infect all public and political discourse. But we were dismissed as railing against niche politics confined to campus common rooms and the dark recesses of the internet. Now the culture war has exploded on to the streets of the UK. If that sounds like a fancy way to say “I told you so”, then so be it.

If we are to have any chance of preserving the liberal values upon which our society depends, we need to find a way to navigate the binary thinking that comes with ideologically driven movements. The first step is to acknowledge common ground. In all my life I have never met a single person who would not agree with the proposition that “black lives matter”, so that seems like a good place to start. It’s been many years since racism has been in any way tolerated by polite society, one of the undeniably positive outcomes of the political-correctness campaigns of the 1980s and 1990s. A further point on which we can surely all agree is that racism exists and should be resisted wherever it occurs. This may seem obvious, but since any opposition to the cult of Social Justice is automatically taken as a denial of the fact of racism, it is worth making the point explicitly.

Those who would deny the existence of racism, or do not agree that black lives matter, or do not accept that racism is an evil that must always be confronted, are already beyond the scope of rational adult conversation. The vast majority of the population believe in our shared values of equality and fairness, although many Social Justice activists prefer to ignore this reality in favour of a fantasy Britain awash with fascists. We saw this in the way that Brexit voters were consistently smeared as xenophobic, even though such a label could only possibly apply to a tiny minority. We saw this in the myth that those who voted Leave were nostalgic for a colonial past, a virtually non-existent mindset that was assumed to be commonplace on the basis of no evidence at all. These kinds of prejudices, largely levelled against working-class people by bourgeois commentators, in turn generated the kind of resentment that almost certainly tipped the scales in favour of Brexit and ultimately led to the collapse of Labour’s “red wall”. These outcomes were in themselves taken as proof of Britain’s inherent racism, and so we find ourselves caught in this perpetual square dance of straw men.

All of which has been a boon for the intersectional, identity-based Social Justice movement, which is sustained on a view of society that bears little resemblance to reality. The latest protests have been infiltrated, and often stoked, by the presence of various groups who unite under the banner of “Antifa”. Like “Black Lives Matter”, these groups rely on the good nature of a public who are likely to interpret their name literally. After all, only a fascist would complain about anti-fascism. Even Mara Liasson, national political correspondent for NPR, fell for this basic rhetorical trick when she described the Normandy landing of more than 150,000 Allied troops as the “biggest Antifa rally in history”. Activist singer Billy Bragg posted an image of Winston Churchill captioned simply with “ANTIFA”. That protesters this week defaced the statue of Churchill in Parliament Square and branded him a “racist” shows the incoherence of much of what is going on.

To return to our common ground: not only is fascism vanishingly rare in the UK, but you would be hard pushed to find anyone who isn’t wholeheartedly opposed to fascism. We are all anti-fascist, which makes Antifa’s claim to be resisting a popular tyrannous force seem about 80 years out of date. The difference is that most of us understand that pepper-spraying a Trump supporter, or striking a UKIP voter over the head with a bike lock, doesn’t put us in the same bracket as those who fought actual fascists at Cable Street in 1936.

As I have argued in Standpoint, our failure to instil critical thinking in our educational systems has led to many of the problems we face in today’s society. To make the case for measured and reasonable discussion of these sensitive issues is to open oneself up to entirely unfounded charges of racism. In such circumstances, most people would rather acquiesce for the sake of an easy life. We have even seen those who have raised questions about the wisdom of permitting mobs to destroy public landmarks being accused of endorsing the slave trade. “How you feel about that statue is how you feel about slavery”, tweeted LBC presenter James O’Brien. “Don’t let anyone pretend otherwise”, he said. But the chances of finding anyone in the UK who would defend slavery are infinitesimal, and it is surely inconceivable that anyone making these allegations sincerely believes otherwise.

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June 10, 2020

US Racism Against Germans, South African Neutrality and the Occupation of the Maginot – OOTF 013

Filed under: Africa, France, History, Italy, Military, USA, WW2 — Tags: Fascism, Fortification, Racism, SouthAfrica, TimeGhost — Nicholas @ 04:00

World War Two
Published 9 Jun 2020

Did the neutral US discriminate against German- and Italian-Americans? And exactly how pro-Axis was South Africa? And what happened to the Maginot Line after the Fall of France? Find out as Indy answers three more of your interesting questions in this episode of Out of the Foxholes!

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
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Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Norman Stewart – https://oldtimesincolor.blogspot.com/
Klimbim – https://www.flickr.com/photos/2215569…
Albert Einstein by Wayne Degan

Sources:
IWM Q 101768, TR 1262, Q 72178
Narodowe Archiwum Cyfrowe
Bundesarchiv
Les Bergers des Pierres – Moselle Association
from the Noun Project: id by Flatart, Fingerprint Recognition by Olena Panasovska, people by ProSymbols

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “The Inspector 4”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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