[Robert, 1st Baron] Baden-Powell served in the British Army from 1876 until 1910 in India and Africa. He was heroically involved in relieving the Siege of Mafeking during the Second Boer War. “BP” specialised in scouting, map-making and reconnaissance, and trained soldiers in these essential skills. On returning home in 1903, he found that the handbook he had written for soldiers, Aids to Scouting, was being used by youth leaders and teachers. William Smith, founder of the Boys’ Brigade, asked Baden-Powell to devise a citizenship training scheme for boys. The experience of the Boer War had led to fears that British youth lacked the fitness and skills necessary for the military.
In 1907, Baden-Powell took 20 boys to Brownsea Island on an experimental camp. Boys from different social backgrounds participated in camping, observation, woodcraft, chivalry, lifesaving and patriotism. This was the start of scouting. There was soon great interest and demand for scouting across the world. Today there are over 54 million scouts, operating in almost every nation on earth.
I know about this legacy not from my own experience – I was never much of a scout – but from my family. My father was a scout and scout leader. He played a part in widening the horizons of thousands of young people in Paisley and then Derby where he lived. He was proud of the legacy, and rightly so.
My own children have benefited greatly from being in the scouts. One of them, when aged 14, attended the 23rd World Scout Jamboree in Japan. He returned having made friends from many countries, rich and poor, black and white, and with an invaluable insight into the world and its cultures. Local scout leaders are community heroes, without whom the lives of many children would be poorer. At a time when children can feel their lives are overregulated, and parents that their offspring don’t get out enough, the scouts are especially important.
How many people have left a legacy of this magnitude and worth? The statue-toppling crusaders prefer to ignore Baden-Powell’s real legacy and focus on aspects of his life that were reactionary, yet commonplace at the time he was alive. On retirement in the 1930s, he warmed to some of Hitler’s visions, and in a 1939 diary entry he described Mein Kampf as “a wonderful book, with good ideas on education, health, propaganda, organisation etc”. A certain admiration for Hitler was, in fact, shared quite widely among sections of Britain’s elite in the 1930s. Besides, none of this has any bearing at all on his scouting legacy today.
Jim Butcher, “Baden-Powell’s legacy should be celebrated, not toppled”, Spiked, 2020-06-14.
September 17, 2020
QotD: Baden-Powell and the Scouting movement
September 4, 2020
“The Final Solution” – The Holocaust – Sabaton History 083 [Official]
Sabaton History
Published 3 Sep 2020Since Adolf Hitler’s rise to power, the Jews of Germany had suffered years of harsh anti-Jewish policies, harassment and public humiliation. The Nazis wanted the Jews to never feel safe or welcome again. With the Third Reich’s expansion and the start of the Second World War, more and more European Jews fell victim to persecution, ghettoisation and violence. It was hard to imagine that the crimes against them could get any worse. But by December 1941, the Nazis began preparing for a “Final Solution of the Jewish question”.
It aimed at nothing less than the extermination of all Jewish life in Europe.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Final Solution” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArmsListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-B04489, Bild_183-B04491, Bild_152-23-07A, Bild_101I-134-0782-24, Bild_183-E13871, Bild_101I-134-0769-33
– Yad Vashem: 139BO1, 1554_1, 1427_85, 1605_1722, 12CO9, 1552/34
– Imperial War Museum: HU 51692, HU 51689All music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
September 2, 2020
Hitler’s Hangman and Himmler’s Protégé – Reinhard Heydrich – WW2 Biography Special
World War Two
Published 1 Sep 2020After being taken in by Himmler as a sort of apprentice, Reinhard Heydrich rapidly climbed the Nazi political hierarchy. With the outbreak of World War Two, he expands his political power by ruthlessly carrying out political repression on the home front and genocidal racial policies of the Third Reich.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
Written by: Francis van Berkel
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Wolfgang Seitz and Ian Sowden
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Spartacus Olsson
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Visual Sources:
Bundesarchive
Yad Vashem: 153DO9, 1014/3/42, 4613/360, 48AO4, 2798/2, 1068/17, 3521/134, 3AO1, 1014 5 52, 5138/98, 3227 27, 1014/5/54, 112GO7, 75EO4, 07 1941, 4613_982, 1605/1431, 4613/1055
Riksarkivet: Fo30141711030060
Narodowe Archiwum Cyfrowe
National Archives NARA
Icon from The Noun Project: carlotta zampini
pellethepoet from filckr.jpgMusic:
“Last Point of Safe Return” – Fabien Tell
“March Of The Brave 10” – Rannar Sillard
“Not Safe Yet” – Gunnar Johnsen
“Moving to Disturbia” – Experia
“Easy Target” – Rannar Sillard
“Deflection” – Reynard Seidel
“Please Hear Me Out”- Philip Ayers
“Last Minute Reaction” – Phoenix Tail
“Never Forget” – Fabien Tell
“Other Sides of Glory” – Fabien Tell
“Split Decision” – Rannar SillardArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
August 13, 2020
Hitler’s screen idol – Leni Riefenstahl – WW2 Biography Special
World War Two
Published 12 Aug 2020Leni Riefenstal’s film techniques were groundbreaking and are still influential today. She did, though, create her most famous works in the service of Adolf Hitler.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Madeline Johnson
Edited by: Monika Worona
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/Sources:
– BundesarchivArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
4 hours ago
Thanks to Madeline Johnson for the research for this episode. In many ways it’s our community who keep TimeGhost going. If you want to be part of this then join the TimeGhost Army on www.patreon.com/timeghosthistory or https://timeghost.tv.Please let us know what other Bios you’d like to see. And if you have a question about the war you’re dying to have answered, submit it for our Q&A series, Out of the Foxholes at: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.
August 7, 2020
A Career Anti-Fascist – George Orwell – WW2 Biography Special
World War Two
Published 6 Aug 2020George Orwell is one of the most famous English writers in the modern age. But how did he become the man who would coin so many of the words we still use in our political debates?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Cassowary https://www.flickr.com/photos/cassowa…
Klimbim https://www.flickr.com/photos/2215569…Sources:
Wellcome Images V0014461
Bundesarchiv
Narodowe Archiwum Cyfrowe
From the Noun Project: Pig by supalerk laipawat, Horse by supalerk laipawat, Goat by Laymik, Sheep by Laymik, Cow by supalerk laipawat, Chicken by supalerk laipawat, Farmer by Symbolon, Podium by Focus LabSoundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Johannes Bornlof – “Deviation In Time”
Johannes Bornlof – “The Inspector 4”
Skrya – “First Responders”
Jo Wandrini – “Puzzle Of Complexity”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 26, 2020
The Wehrmacht – an Army on Horseback – WW2 – 100 – July 25 1941
World War Two
Published 25 Jul 2020Although we may picture panzers when we think of the German Army in WW2, it was very much an army that relied on horses — especially in the east — for a large part of its supplies and logistics, and the horse situation on the Eastern Front has grown dire. Japan’s economic situation has also grown dire and they are now looking south for new sources of raw materials.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Cassowary Colorizations – https://www.cassowarycolor.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/Sources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-L24469, B_145_Bild-F016202-15A, Bild_101I-695-0424-07A, Bild_183-L19885
– Imperial War Museum: Art.IWM PST 16102, C 2228
– Archives municipales de BrestArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 23, 2020
George Orwell’s “What is Fascism?”
TIK
Published 21 Jul 2020George Orwell wrote a short piece in 1944 asking the question: What is Fascism? George Orwell (Eric Arthur Blair) died in 1950. His work is technically not in the PUBLIC (STATE) domain in the UK until the end of this year. If Orwell’s estate wishes to make a Fascist-copyright claim on this video, feel free. I’m not monetizing it anyway, and will simply take the video down.
To see yesterday’s suppressed video on Greece under Fascist and National Socialist rule in WW2, click here https://youtu.be/oT2NPAoXeSk
To learn why the word PUBLIC means STATE, click here https://youtu.be/ksAqr4lLA_Y
If you’re looking for a Graphic Designer, here’s a good one: https://www.terriyoungdesigns.co.uk/
– – – – –
📚 BIBLIOGRAPHY / SOURCES 📚
Full list of all my sources https://docs.google.com/spreadsheets/…
– – – – –
⭐ SUPPORT TIK ⭐
Want to ask a question? Please consider supporting me on either Patreon or SubscribeStar and help make more videos like this possible. For $5 or more you can ask questions which I will answer in future Q&A videos. Thank you to my current Patrons! You’re AWESOME! https://www.patreon.com/TIKhistory or https://www.subscribestar.com/tikhistory
– – – – –
ABOUT TIK 📝
History isn’t as boring as some people think, and my goal is to get people talking about it. I also want to dispel the myths and distortions that ruin our perception of the past by asking a simple question – “But is this really the case?”. I have a 2:1 Degree in History and a passion for early 20th Century conflicts (mainly WW2). I’m therefore approaching this like I would an academic essay. Lots of sources, quotes, references and so on. Only the truth will do.
This video is discussing events or concepts that are academic, educational and historical in nature. This video is for informational purposes and was created so we may better understand the past and learn from the mistakes others have made.
Full text of Orwell’s “What is Fascism?”, first published in Tribune in 1944 is available here.
July 15, 2020
Barbarossa, Hitler’s and Stalin’s Hell on Earth – War Against Humanity 014 – July 1941, Part 01
World War Two
Published 14 Jul 2020When the German armed forces invade the USSR, they come with an order to exterminate from Hitler. Now the defending Soviet armed forces receive similar orders from Stalin. The bloodshed that follows defies human imagination.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Spartacus Olsson
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Klimbim – https://www.flickr.com/photos/2215569…Sources:
Bundesarchiv
Yad Vashem 55AO6, 145CO2, 142GO5, 1019/2, 5648/40, 143EO1, 5648/39, 73BO2, 74FO7, 2725/17, 1564/2, 4360/49, 90DO9, 90DO8, 1278/19, 112GO7, 97GO2, 1597/11, 145CO1, 80DO5, 145AO, 5138/95
USHMM
Vilna Gaon State Jewish MuseumSoundtracks from the Epidemic Sound:
Skrya – “First Responders”
Philip Ayers – “Trapped in a Maze”
Farrell Wooten – “Mystery Minutes”
Cobby Costa – “From the Past”
Cobby Costa – “Flight Path”
Gunnar Johnsen – “Not Safe Yet”
Farrell Wooten – “Blunt Object”
Fluow – “Endlessness”
Jon Bjork – “Icicles”
Jon Bjork – “For the Many”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
8 hours ago (edited)
However hard it is to watch this horror, it’s important that we document it, and learn from it. Each and everyone of us can, and we must for the sake of ourselves and our fellow human beings do so. The steps that led the people involved in these atrocities to this point were small, sometimes innocent, or at least uninformed decisions that took many years to reach this level of inhumanity. It starts with denying facts, imagining conspiracies as the root of your own problems, and demonizing your imagined enemies. In this void you are already on a slippery slope that may lead into the abyss. On that note, the events depicted here are based on solid research, and verified sources that are irrefutable. Wherever there is uncertainty, we have mentioned it. The purpose of this documentation is neither to scapegoat any one side, nor exonerate anyone from blame. These are the facts. This is what happened. Think about that, because the perpetrators here were like us, they didn’t come out of their mother’s womb with the intent to torture and murder anyone. And the victims were also like all of us, ordinary people just trying to get on with their lives according to their best ability. They had dreams and goals in life, some of them political perhaps, but mostly they just got on with their everyday life, banal and difficult as that might be, until they ended up in the hands of someone who had learnt to hate them without even knowing them. Remember that – this could have been anyone of us, on both sides of the events. To have that humility is the beginning of a journey to do good.Spartacus
PS. and if you wonder how we put up with making this kind of content; it’s difficult. I cried bitterly after recording this, and tears still well up when I think about it. While we write it’s easier to turn off, switch on the coping mechanisms, pretend that its just absurd facts and numbers. But when you act out the words… that what defies imagination is suddenly horribly real.
July 6, 2020
The Healthcare Crisis of 1941 – WW2 – On the Homefront 005
World War Two
Published 2 Jul 2020When WWII breaks out many parts of the world are still missing population-wide healthcare. The pressure of the war deteriorates healthcare services even further. By 1941, both the British Commonwealth and Germany are facing an outright healthcare crisis on the home front.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Anna Deinhard
Written by: Fiona Rachel Fischer and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Sources:
IWM D 2373, D 2318, B 14299, D 2315, D 2078, D 14318, D 2334
Narodowe Archiwum Cyfrowe
Bundesarchiv
Wellcome Images no. L0028759
From the Noun Project: london by Pablo Fernández Vallejo, Patient by Miho Suzuki-Robinson, Patient by Binpodo, Doctor by Wilson Joseph, Hospital by Hare Krishna, School by David, Apartment by Victoruler, Bus by Eucalyp
University of Liverpool Faculty of Health & Life SciencesSoundtracks from the Epidemic Sound:
Farrell Wooten – “Blunt Object”
Johannes Bornlof – “Deviation In Time”
Skrya – “First Responders”
Gunnar Johnsen – “Not Safe Yet”
Johannes Bornlof – “The Inspector 4”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Rannar Sillard – “March Of The Brave 4”
Cobby Costa – “From the Past”
Fabien Tell – “Last Point of Safe Return”
Cobby Costa – “Flight Path”
Andreas Jamsheree – “Guilty Shadows 4”
Jo Wandrini – “Puzzle of Complexity”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
It might be surprising that the global healthcare crisis of 2020 has an immediate relationship to WW2, but it does. Although, when you look at it, it’s logical — with every crisis humanity learns a little — it was still a little bit of a surprise to us how direct this relationship was when researching and writing this episode. Was it surprising to you too?On the topic of writing, this is the first episode by our new co-writer, Fiona Rachel Fischer, who will now be a regular contributor to the On the Homefront series — please give her a warm welcome.
July 1, 2020
A Non-Nazi in Nazi Uniform? – Gerd von Rundstedt – WW2 Biography Special
World War Two
Published 30 Jun 2020Most of the German high-command are not committed National Socialists. So what were like and why did they still serve the Nazi regime?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Wolfgang Seitz
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…
Dememorabilia – https://www.instagram.com/dememorabilia/
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Cassowary Colorizations https://www.flickr.com/photos/cassowa…
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Map of Europe 1871, courtesy Alexander Altenhof https://commons.wikimedia.org/wiki/Fi…
Bundesarchiv
Narodowe Archiwum CyfroweSoundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”
Johan Hynynen – “Dark Beginning”
Gunnar Johnsen – “Not Safe Yet”
Farrell Wooten – “Blunt Object”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
June 30, 2020
David Irving – Can you trust ANYTHING he wrote?
TIK
Published 29 Jun 2020Can you trust ANYTHING that David Irving wrote? In 1996, David Irving sued Deborah Lipstadt for libel (in the “Irving vs Penguin Books Ltd” trial) because Deborah Lipstadt had said Irving was a Holocaust Denier. Historian Richard Evans was called upon as an expert witness, and he examined Irving’s works for two years, discovering many major factual errors in David Irving’s works. Richard Evans came to the conclusion that Irving cannot even be classed as a “historian”, and says “not one sentence” in any of his speeches or written works can be trusted. Richard Evan’s Telling Lies About Hitler presents a solid case against David Irving that casts serious doubt about every “historical” text that Irving wrote, and this video presents 3 examples from Evan’s brilliant book (this video is not a sponsored video, I genuinely think Evan’s book is brilliant and you should get yourself a copy) that really should make you question the opinions of those who still promote Irving’s works.
Holocaust deniers may continue to deny that the “Final Solution to the Jewish Question” took place, but in actively distorting the evidence, they undermine their own cause. The term “distorian” describes their “writers” better than the term “historian”.
And, in case it isn’t blatantly obvious, I’m NOT a Fascist, NOT a Nazi, NOT a Marxist, and am NOT promoting said evil ideologies. This video is for educational and historical purposes, so that we may learn from the past and prevent it from repeating.
– – – – –
📚 BIBLIOGRAPHY / SOURCES 📚
Evans, R. In Defence of History. Granta Books, Kindle.
Evans, R. Telling Lies About Hitler: The Holocaust, History and the David Irving Trial. Verso, 2002.
Irving, D. Hitler’s War:1939-1942. PAPERMAC 1983.
Irving, D. Hitler’s War:1942-1945 PAPERMAC 1983.
Lipstadt, D. Denying the Holocaust: The Growing Assault on Truth and Memory Penguin Books, 2016.
Rees, L. The Holocaust: A New History. Penguin Books, 2017.
Seidel, G. The Holocaust Denial: Antisemitism, Racism, & the New Right. Beyond the Pale Collective, 1986.
Shermer, M. & Grobman, A. Denying History: Who Says the Holocaust Never Happened and Why Do They Say It? University of California Press, 2009.
Steinbacher, S. Auschwitz: A History. Penguin Books, 2005.The FULL list of all my sources: https://docs.google.com/spreadsheets/…
– – – – –
⭐ SUPPORT TIK ⭐
A big thank you to my Patreon, Craig Heinrich, for asking today’s question!
Do you want to ask a question? Please consider supporting me on either Patreon or SubscribeStar and help make more videos like this possible. For $5 or more you can ask questions which I will answer in future Q&A videos. Thank you to my current Patrons! You’re AWESOME! https://www.patreon.com/TIKhistory or https://www.subscribestar.com/tikhistory
– – – – –ABOUT TIK 📝
History isn’t as boring as some people think, and my goal is to get people talking about it. I also want to dispel the myths and distortions that ruin our perception of the past by asking a simple question – “But is this really the case?” I have a 2:1 Degree in History and a passion for early 20th Century conflicts (mainly WW2). I’m therefore approaching this like I would an academic essay. Lots of sources, quotes, references and so on. Only the truth will do.
This video is discussing events or concepts that are academic, educational and historical in nature. This video is for informational purposes and was created so we may better understand the past and learn from the mistakes others have made.
QotD: Ideologies and belief systems
People get unbelievable upset when you poke them in the axioms, so to speak, and it is not by any stretch of the imagination obvious why. There’s a fundamental truth that they’re standing on. It’s like they’re on a raft in the middle of the ocean. You’re starting to pull out the logs, and they’re afraid they’re going to fall in and drown. Drown in what? What are the logs protecting them from? Why are they so afraid to move beyond the confines of the ideological system? These are not obvious things. I’ve been trying to puzzle that out for a very long time. […]
Nietzsche’s idea was that human beings were going to have to create their own values. He understood that we had bodies and that we had motivations and emotions. He was a romantic thinker, in some sense, but way ahead of his time. He knew that our capacity to think wasn’t some free-floating soul but was embedded in our physiology, constrained by our emotions, shaped by our motivations, shaped by our body. He understood that. But he still believed that the only possible way out of the problem would be for human beings themselves to become something akin to God and to create their own values. He talked about the person who created their own values as the overman, or the superman. That was one part of the Nietzschean philosophy that the Nazis took out of context and used to fuel their superior man ideology. We know what happened with that. That didn’t seem to turn out very well, that’s for sure.
Jordan B. Peterson, “Biblical Series I: Introduction to the Idea of God” {transcript], jordanbpeterson.com, 2018-03-12.
June 29, 2020
Today on NeoNaziHuntingExpeditions, we track down Neo Nazi Bronies
In Quillette, Daniel Friedman examines the claims made in a recent Atlantic investigation into Nazis in the My Little Pony community (that is, adult fans of the show, not little girls … I think):
Image found by searching for “Neo Nazi Bronies”, listed URL – http://www.democraticunderground.com/1014960111
The evidence of this Nazi problem in the My Little Pony fandom is that, on a My Little Pony imageboard called Derpibooru, over 900 images were tagged as “racist,” and images mocking Black Lives Matter were upvoted by users while images supporting the movement were downvoted, even as the site’s administrators made a statement of support for the protests. After much controversy, the imageboard banned uploading images “created for no reason other than to incite controversy” and removed the 926 images tagged “racism” or “racist.” This move was extremely controversial within the Derpibooru community, many members of which oppose any moderation.
Atlantic reporter Kaitlyn Tiffany suggests that the strong free-speech norms of the Derpibooru boards stem from its origins on 4Chan, which Tiffany describes as “the largest den of chaos and toxic beliefs available on the Internet.” She describes the Brony community as being divided between those who “genuinely enjoy My Little Pony and the wholesome escapism it provides” and trolls who think it is “edgy and provocative to be an adult obsessed with cartoon ponies.” This frames the Derpibooru imageboard as a place where innocent cartoon fans are unknowingly subjected to subversive, racist memes and images that may send people down a rabbit hole of far-right content.
However, claims that a significant portion of the Brony community are Nazis, or that a significant amount of the content on Brony imageboards is right-wing propaganda or racist memes has to be put in the proper context. First of all, the 926 images tagged “racist” exist on a board that hosts over two million images. If you order all the site’s various tags by how many images fall within their categories, there are 12 full pages of other, more popular tags you have to scroll through to find the “racism” tag. One thousand two hundred and seventy-five images are tagged “politics” and include images both supporting and opposing Black Lives Matter. Discussion of these issues is a tiny fraction of one percent of the content on the My Little Pony imageboard.
By contrast, 315,867 images on the Derpibooru forum are tagged as sexually explicit, a further 127,414 images are tagged as sexually suggestive and 105,521 images are tagged as containing “questionable” sexual content. The truth is that Derpibooru’s lax moderation norms and anti-censorship culture don’t exist to protect objectionable political content; this imageboard is unmoderated because it is an enormous repository of fan-made My Little Pony pornography.
The Atlantic article fails to place the 926 racist images in the context of the larger scope of the two million images hosted by the Derpibooru board, because less than one-quarter of one percent of the site’s content is of a political nature. And the Atlantic article avoids mentioning the half-million pornographic images the site hosts, because doing so reveals that the community’s widespread opposition to content moderation on their imageboard is about protecting sexually explicit content rather than creating a space for hateful politics to flourish, and it further reveals that the Bronies are 500 times more interested in having sex with My Little Pony characters than they are in spreading racist pony memes.
The article creates an impression that the alt-Right is using seemingly-innocent cartoon fandoms as a Trojan horse to conceal and spread a sinister ideology, but the truth is that the only thing these guys are interested in hiding inside a horse is their dicks.
June 19, 2020
QotD: We call it the Corded Ware culture, not the Battle Axe culture to make it less interesting to boys
Jones went on to hypothesize that an ancient invasion of Dravidian-speaking India by Proto-Indo-European-speaking Aryans from Iran could help explain the curious distribution of language, skin color, and caste within the Hindu world today.
Jones’ ideas had unfortunate influence. Reich writes:
To the Nazis and others, the distribution of the Indo-European language family, linking Europe to India … spoke of an ancient conquest moving out of an ancestral homeland, displacing and subjugating the peoples of the conquered territories, an event they wished to emulate.
Hitler thus culturally appropriated the Hindu swastika.
Since 1945, the notion of Aryan invaders has been unsurprisingly unpopular.
In Europe, anthropologists have promoted the “pots not people” theory to argue that trade and changes in fashion must explain why Corded Ware pots suddenly showed up all over Europe about 4,900 years ago. (So did battle axes; indeed, early scientists called this the Battle Axe Culture. But that sounded too awesome. Hence, more recent academics renamed it after its pottery style to make these brutal barbarians sound dweebier and thus less interesting to boys.)
In India, the notion of Hindu culture as a giant conspiracy by Aryan invaders to enshrine their descendants at the top of the social order for the rest of eternity perhaps struck a little too close to home.
Steve Sailer, “Reich’s Laboratory”, Taki’s Magazine, 2018-03-28.
June 17, 2020
Alcibiades, the first recorded iconoclast, but far from the last
James Heartfield on the modern day resurgence of iconoclasm:
“Drunken Alcibiades interrupting the Symposium”, an engraving from 1648 by Pietro Testa (1611-1650)
Via Wikimedia Commons.
… far more often, the attacks on public symbols are indicative of a breakdown in social solidarity — often with alarming consequences. For activists seeking to win popular support, knocking down statues is a high-risk strategy that can provoke the opposite sentiments to those hoped for. The futurist Marinetti’s proposal to fill in the canals of Venice with concrete to make modern roads is a witty way to make a point, but not a sound policy.
Alcibiades was perhaps the first recorded statue vandal. One night in 415 BC he knocked all the stone cocks off the statues of Hermes in Athens. In 1497, the friar Girolamo Savonarola launched a Bonfire of the Vanities in which artworks, books and statues were destroyed out of a fear they would tempt people away from God. As any lover of old English churches knows, the furies of the Puritan revolution led to the destruction and defacing of Catholic saints’ statues and paintings.
In the modern era, the temptation to destroy monuments has been strong. In the First World War, Britain’s local authorities changed German-sounding names of streets like Bismarck Road — now Waterlow Road — while bully boys attacked German-owned shops. In 1933, Nazi students in Germany organised bonfires of subversive books, while the Reich organised an exhibition of “degenerate” modernist art. The burning of books only served as a trial run for the extermination of people, as the symbolic slaughter failed to yield the results of a “cleansed” Germany.
People often make the point that there are no statues of Hitler in Germany — though those were not taken down by Germans, but by the Allied occupiers. You can still see Albert Speer’s Zeppelinfeld and grandstand in Nuremberg, where many of Hitler’s rallies took place, though not much else of his Nazi architecture survives. Mussolini’s architects, Giuseppe Terragni and Marcello Piacentini, did better — much of their absurdly grandiose work survives. The model of an Allied-led “denazification” was in the minds of the US-led forces that overthrew Saddam Hussein in 2003. The destruction of his statue in Baghdad was largely staged by the allies.
Under the Maoist regimes in China and the Khmer Rouge in Cambodia, some of the worst atrocities after the Nazis were carried out. Mao’s “Cultural Revolution” against the “four olds” led to the destruction of books and artworks. Later, there were showtrials and the politically incorrect were battered by the mob. In the wreckage of Cambodia, Pol Pot led a terrifying war on alleged capitalist-roaders and even intellectuals — who could be handily identified by the fact they wore glasses — that led to millions being killed. Pol Pot declared a “year zero” — that all civilisation before the Khmer Rouge took power would be cancelled. Tragically, the wholesale wiping out of Cambodian culture was only a prelude to the extermination of much of its population. The sentiment of wiping out the wrong history was repeated in the war that al-Qaeda-inspired regimes in Afghanistan and Mali conducted against books and statues that did not match their own Islamist views.
In Soviet Russia, when the communist-allied artists of the Proletkult organisation argued that all Tsarist culture should be expunged, the Bolshevik leader Lenin took them to task for “rejecting the most valuable achievements of the bourgeois epoch”. Instead, he said, they should assimilate and re-work “everything of value in the more than 2,000 years of the development of human thought and culture”. Sadly, Lenin’s wise advice was lost on the Stalinist regimes that followed, during which the policy oscillated between futurist iconoclasm and maudlin Russian sentimentality. History got its revenge in eastern Europe when most of the ubiquitous Lenin and Marx statues came down in the 1990s.
