Chris Bray outlines the utterly amazing situation between the Soviet Union and Nazi Germany on the eve of Hitler launching Operation Barbarossa — where Stalin refused to believe that Hitler would attack Russia despite overwhelming evidence from many sources — to the parallel situation over Covid:
Several sources quite specifically reported to the Soviet government that the Germans would invade around dawn on June 22. Their reports can be found in the Soviet archives in a “folder of dubious and misleading reports”. Then, shortly before dawn on June 22, Germany invaded the Soviet Union. Military leaders on the border called in reports of the invasion, and the people they talked to in Moscow declined to believe them. Soviet border troops held their fire, seeing Germans while being ordered to understand that no true invasion could possibly be underway. Stalin knew better, and contradicting Josef Stalin was known to be a fatal mistake. Achieving an entirely avoidable surprise, the Germans destroyed much of the Soviet air force on the ground, parked wingtip-to-wingtip for the convenience of the invader’s bombers.
[…]
An invasion that could have been met with brutal severity from the first moment instead achieved considerable initial success against a supine nation because the Soviet leader, and the chain of subordinates beneath him who were forced to adopt his conception of facts and truth, assumed that things they didn’t wish to believe constituted disinformation. Millions of lives were wasted for that illusion. A society that categorizes inconvenient truths in this way is committing a form of suicide, hiding from hard facts that demand acknowledgment.
Now: In 2021, the lab leak theory was a disgusting lie with “racist roots”.
In June of 2023, the, uh, first people who got sick with Covid turn out to have been, uh, scientists at the lab in Wuhan. BUT THEY PROBABLY HAD SOME BAT SOUP AT THE WET MARKET, IS WHY, or something.
Stupid conspiracy theorists, you people are such MORONS, do you actually bel— okay, that one’s true too.
We’ve somehow developed an industry of professional information barriers, dimwitted parasitical human garbage whose sole function in life is to prevent understanding by pasting “disinformation” stickers on things that you’re not supposed to know.
Comments Off on From Operation Barbarossa in 1941 to the disinformation and cover-up over the origins of the Wuhan Coronavirus
When Nazi Germany attacked the Soviet Union in 1941, Napoleon’s failed campaign was on many minds. Hitler specifically wanted to avoid a repetition of 1812 and even when his luck ran out was adamant to avoid any comparisons. (more…)
Comments Off on 1812/1941: Hitler’s Obsession with Napoleon’s Defeat
German military doctrine is all about mobility and operational maneuverability, but there comes a time in this war, well, several times, when an actual classic siege is called for. So how does the Wehrmacht respond to that call? Find out today. (more…)
Comments Off on German Siege Tactics on the Eastern Front – WW2 Special
The Eastern Front is a battleground of Blitzkrieg and Deep Battle; Panzers vs. T-34s; Nazism and Communism. You’d think that there would be no place for cavalry tactics here. But the Wehrmacht, Red Army, and Regio Esercito do still use centuries-old cavalry tactics in their waging of war. (more…)
Comments Off on Carica! – The Cavalry Charges of World War Two – WW2 Special
While it is legendary, there is a lot of confusion and a lot of myths about Operation Typhoon, the German drive on Moscow in the fall of 1941, and Operation Barbarossa, the invasion of the Soviet Union that summer. Today I talk about the first 5.5 months of Barbarossa, and then Joakim and I discuss covers and covers of covers.
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com
Colorizations by:
– Mikołaj Uchmann
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Sources:
– National Archives Nara
– Narodowe Archiwum Cyfrowe NARA
– Bundesarchiv
– New York Public Library
– Train tracks icon by Danishicon from the Noun Project
– Picture of singer Loona courtesy of Sandstein https://commons.wikimedia.org/wiki/Ca…
– Imperial War Museums: HU 75543, PST 4712
– Australian War Memorial
All music by: Sabaton
RADIO TAPOK – Битва за Москву (В стиле Sabaton / ИзиРок / – Defence Of Moscow)
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
A spy story almost forgotten to history that is key to understanding the espionage campaign that was waged as Hitler, Stalin, Roosevelt, and Churchill publicly directed the frontlines. Coming together here are the histories of cryptography, Nazi double-agents, and nuclear weapons. (more…)
Comments Off on The Greatest Spy Story Almost Never Told – WW2 – Spies & Ties 02
I was involved in a discussion on the TimeGhost Army forum on the reasons the Wehrmacht didn’t get as much use out of the existing Soviet railway system to support their forces. I ended up writing enough that I thought it’d be worth pulling together into a blog post. The original question was why didn’t the Germans build new rail lines in Poland to the Russian gauge — which was different enough from the standard 4′ 8 1/2″ gauge used in most of the rest of Europe to help supply their armies.
Example of the damage to Soviet railway lines conducted during the Soviet retreat in 1941. This photo originally from Wydawnictwo Prasowe Kraków-Warszawa via Wikimedia Commons.
In Christian Wolmar’s Engines of War: How Wars Were Won and Lost on the Railways, he outlines the troubles the Germans faced after launching Operation Barbarossa with regard to logistics on the railway network. Each of the main Germany axes of advance had only one Soviet rail line to provide the bulk of the transport, but the Soviets had successfully withdrawn or destroyed the majority of the locomotives and rolling stock. German industry could have been assigned the task of producing new locomotives to fit the Russian gauge, but re-gauging the existing track was significantly faster.
This meant a significant labour requirement to unload incoming German trains at the furthest point of conversion and re-loading onto the few Russian trains that were able to be put back into service. This was a major task for the German army even before Partisan activity began in earnest. The available coal to fuel the engines in Russia was of inferior thermal quality to the coal the German locomotives were designed to use, so in addition to all the military supplies that had to be carried, the Germans also had to supplement the Russian coal with significant amounts of better coal from elsewhere in Europe.
The next problem didn’t show up until late in 1941, but it was the same problem the fighting troops had to contend with: the Russian winter. Russian railway locomotives were engineered to operate throughout the year, but German locomotives almost never faced the low temperatures that happen in Russia, so any German locomotive allowed to freeze was almost certainly lost to permanent mechanical failure (the locomotive’s entire boiler would need to be replaced, which was not a repair that could be made in the field).
Compounding the problems for the Germany railway troops was that the military planners failed to give the railway troops any priority for supplies and reinforcements, which meant that the higher priority troops (the front-line soldiers) often had to wait longer and/or receive less because the railways weren’t able to repair damaged track or rolling stock or increase the speed of re-gauging the Russian railways.
Somone agreed that these were significant problems for the Wehrmacht, but weren’t they at least somewhat taken into consideration in the planning process:
You’re quite correct that the military planners must have been aware of these issues and a rational army staff would have taken them fully into account in their war plans. It’s possible that they expected to capture a much larger proportion of the Russian locomotives and rolling stock in the initial attacks, but they should have made contingency plans that didn’t absolutely depend on all of them falling into German hands … which is what appears to have been their “plan”.
I agree that it would have been a sensible thing to take into consideration that even if everything went off perfectly – and it never does in wartime – large parts of the German military were going to be staying in Russia for a very long time. Russian winter is, thanks to the historical experiences of Charles XII and Napoleon, proverbial. Hitler’s interventions in the planning process can only account for so much of the irrational optimism: the rest is clearly staff failure at many different levels.
Historical changes of gauge in peacetime have been achieved in amazingly short periods of time … but that was with the advantage of advance planning and having vast numbers of workers available on a tight timetable to get it done. My personal sense (not derived from Christian Wolmar’s book) is that the German military as a whole put too much emphasis on the “teeth” and no where near enough on the “tail” for anything other than a “short, victorious war”.
Railways in North America had certainly tried to adopt as many mechanical aids to track maintenance as they could afford, but I’m not sure if that was equally true of European railways at that time. I recall watching a late 1940s promotional film by one of the “Big Four” British railways showing the innovative way they were now doing track work, and even with some quite modern mechanical aids, there were still dozens of workers clustered around the work (in that time period, not wearing any of what we’d now consider essential safety gear), because labour was still relatively cheap and plentiful.
[…]
There’s a hoary old saying about amateurs plan strategy, but professionals plan logistics. Despite having the benefit of basically inventing the modern military staff system, German plans in WW2 appear in hindsight to be very amateurish once you get to the strategic scale. […] Given the constraints, I think the Germans did far better than they should have done to get as close to Moscow as they did. […] Human psychology plays a large part in explaining both the Germans’ incredible over-confidence (what the Japanese termed “Victory disease”) and Stalin’s willing self-delusion that the Germans wouldn’t attack him while his forces weren’t ready.
Comments Off on German railway logistical problems after Operation Barbarossa began
The Japanese launch attacks all over Southeast Asia and the Pacific, and launch a preemptive surprise attack on the American Pacific Fleet at Pearl Harbor. The war is suddenly much larger. In the USSR, the Germans find themselves now heavily on the defensive after the failure to take Moscow, while in North Africa, Erwin Rommel decides he must withdraw out of Cyrenaica to await reinforcements.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
IWM HU 56120, K 1385, HU 675, TR153, HU 81216, WPN 298
NARA
Bundesarchiv
Narodowe Archiwum Cyfrowe
Picture of a victim of starvation during the siege of Leningrad, courtesy of George Shuklin
Picture of Alfred Godwin-Austen, courtesy of Berserker276 https://commons.wikimedia.org/wiki/Fi…
Picture of Harold Cole, courtesy of Cumbria County Archives
Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Johan Hynynen – “Dark Beginning”
Rannar Sillard – “March Of The Brave 4”
Jo Wandrini – “To War!”
Reynard Seidel – “Deflection”
Wendel Scherer – “Defeated”
Johannes Bornlof – “Death And Glory 3”
Johannes Bornlof – “The Inspector 4”
Hakan Eriksson – “Epic Adventure Theme 3”
Skrya – “First Responders”
Bonnie Grace – “Imperious”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
Five days ago, we covered the Japanese attacks on Pearl Harbor minute by minute in real time over five hours. If you missed that, then check out episode one right here, you’ll love it: https://www.youtube.com/watch?v=Joh2BXPsrXs&t=4s
NOTE: An error snuck through our controls regarding the Japanese casualties at Wake, we are working with YouTube to have it fixed before the video goes public. We apologize for this inconvenience.
Japan attacked a whole variety of places that day, launching massive offensives all over SE Asia and the Pacific. I’ll be covering them here weekly, of course, but for even more coverage, check out our day by day Instagram coverage of the war: https://www.instagram.com/ww2_day_by_day
Comments Off on Hitler Declares War on the USA and the Jews – WW2 – 120 – December 12, 1941
The Wehrmacht is halted by the Red Army at the gates of Moscow. Not only that, but a Red Army counteroffensive begins pushing the Germans back decisively. The Germans are also beginning to withdraw from their siege of Tobruk in North Africa. Japan, however, is advancing all over the Pacific, sending troop transports into the South China Sea, though it is unclear just whom Japan plans to attack. The Japanese are also — in top secrecy — sending a force of aircraft carriers to soon attack the American Pacific fleet at anchor at Pearl Harbor.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
RIA Novosti #2410
Bundesarchiv
IWM A 10499, A 6784, CH 11140
Visuotinė-lietuvių-enciklopedija
Yad Vashem 5705/34
from the Noun Project: low temperature by The Icon Z, Skull by Muhamad Ulum
Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “Death And Glory 3”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Hakan Eriksson – “Epic Adventure Theme 4”
Johannes Bornlof – “The Inspector 4”
Rannar Sillard – “March Of The Brave 4”
Fabien Tell – “Last Point of Safe Return”
Bonnie Grace – “Imperious”
Max Anson – “Maze Heist”
Gunnar Johnsen – “Not Safe Yet”
Jon Bjork – “Force Matrix”
The German advance has pushed within artillery range of Moscow, but can they reach it — and take it — before the Red Army and the murderously cold weather halt them? Meanwhile in North Africa, both Erwin Rommel and Claude Auchinleck make daring and brilliant moves that save the fight for their sides. A mighty Japanese fleet is now secretly heading for Hawaii to make a surprise attack on American territory while the US worries where in Southeast Asia the Japanese are planning to attack.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Bundesarchiv
IWM E 6661, WPN 298, E 446
Bletchley Park Trust
Mil.ru
RIA Novosti #303890, #2551
Yad Vashem 4562/3
Picture of Cordell Hull, courtesy of National Portrait Gallery
Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 10”
Johan Hynynen – “Dark Beginning”
Hakan Eriksson – “Epic Adventure Theme 3”
Johannes Bornlof – “Death And Glory 2”
Jo Wandrini – “To War!”
Fabien Tell – “Weapon of Choice”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Trapped in a Maze”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
– IMPORTANT NOTICE –
Since we’re all busy working on our minute-by-minute coverage of Pearl Harbor, which is edging ever closer, it has been an especially challenging task to follow Operation Crusader in all its complexity. This has resulted in an error on the animated map about which we want to be transparent and honest.
The current map suggests that the 2nd New Zealand Division links up with the Tobruk garrison from the south-east. In reality, it does so from the Via Balba running along the coast, along which it has advanced during the past days. Another thing to note is the position of the Allied 30th Corps, which has withdrawn further south after the Battle of Sidi Rezegh than the map shows. They are positioned near Gabr Saleh as the New Zealanders link up with Tobruk.
We apologize for this inaccuracy and are working to fix this error as soon as possible.
———-
It’s getting closer … 9 days from now is December 7th, and we will cover the Japanese attacks of that day right here in real time for FIVE HOURS. Pearl Harbor minute by minute will be the most exciting documentary series you’ve ever seen. https://youtu.be/5D8c7YvLBUc
The long planned Allied Offensive in North Africa — Operation Crusader — begins, but the Allies are worrying about how to defend Singapore in case of Japanese aggression. The Germans renew their drive on Moscow, but their number one flying ace perishes, a major PR hit.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Narodowe Archiwum Cyfrowe
Bundesarchiv
Australian War Memorial
Yad Vashem 143BO2
IWM E 6661, K 1261, A 3898, A 10499, FE 487, TR153, E 2384E
Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Farrell Wooten – “Blunt Object”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Last Man Standing 3”
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Under the Dome”
Max Anson – “Ancient Saga”
Johannes Bornlof – “Deviation In Time”
Jon Bjork – “Disposal”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago
On December 7th we will cover the Japanese attack on Pearl Harbor in real time, minute by minute, as it happens … for five solid hours starting 0610 local Hawaiian time right here on this channel. Don’t miss it!
How did the non-German Axis fare against the Soviet Union? What was the intelligence agency of the Free French like? And what were the Louisiana Maneuvers? All these questions are answered in this edition of Out of the Foxholes.
Hosted by: Indy Neidell
Written by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
– Bundesarchiv
– Library of Congress
– Imperial War Museums: MI 14/822/12
– The Icons from Noun Project: Letter by Mochammad Kafi, Headphones by Simon Child, Russian soldier by Wonmo Kang, Skull by Muhamad Ulum
Soundtrack from Epidemic Sound:
– “Break Free” – Fabien Tell
– “Moving to Disturbia” – Experia
– “Other Sides of Glory” – Fabien Tell
– “Please Hear Me Out” – Philip Ayers
The British sink an entire convoy of supplies heading for Rommel in North Africa by using radar at night, something their opponents lack. In North Africa itself, the Allies are gearing up for a major offensive to begin in a few days. Meanwhile, the Germans are gearing up for a renewed drive on Moscow even as Georgy Zhukov launches small attacks there designed to spoil the larger German plans.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Visual Sources:
– Bundesarchiv
– Imperial War Museums: A 8158, FL 4822, A7266, G40, A 6329, A 6333, E 6724, WPN 298, IB2095, CM1725,
– Mil.ru
– Portrait of Alfred Godwin-Austen courtesy of Berserker276 from Wikimedia Commons
– Icons from Noun Project: boy by Mauro Lucchesi, Nick Novell, Calendar by Lorena Salagre, horse by Luis Prado, Gentleman by Samy Menai, man face by Nick Novell, Russian Russian soldier by Wonmo Kang
Soundtracks from Epidemic Sound:
– “March Of The Brave 10” – Rannar Sillard – Test
– “Last Point of Safe Return” – Fabien Tell
– “Weapon of Choice” – Fabien Tell
– “Please Hear Me Out” – Philip Ayers
– “Potential Redemption” – Max Anson
– “nBreak Free” – Fabien Tell
– “Moving to Disturbia” – Experia
– “The End Of The World 2” – Håkan Eriksson
– “Epic Adventure Theme 4” – Håkan Eriksson
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Mark December 7th in your calendars, for that day we have five hours of material — ten half-hour episodes — coming out to tell you the story of Pearl Harbor minute by minute in real time, starting 0610 local Hawaiian time.
And in addition to specials like that and our regular week by week coverage here on YouTube, we also cover the war day by day on Instagram, filling in things we don’t have time to cover here. It’s a perfect complement to this. Check it out at: https://www.instagram.com/world_war_two_realtime/
Comments Off on Night Vision Brings Triumph to the British! – WW2 – 116 – November 14, 1941
As German troops pull into eastern Ukraine, locals fight back in any way they can. Some of them have been the target of Soviet brutalisation for decades. For many who are deemed ‘enemy of the Third Reich’, the first two weeks of November 1941 are their last, as the ‘Holocaust of Bullets’ continues.
Sources:
Yad Vashem 2725/6, 953, 145CO2, 2798-2, 48AO3, 2869/48, 4360/99, 83EO4, 2791/5, 4220/3, 48AO5, 3745/140, 48AO4, 95EO2, 142BO7, 3296/4, 4788/72, 4613/625,4788/73
Visuotinė lietuvių enciklopedija
Bundesarchiv
USHMM
Picture of Soviet POWs digging graves, courtesy of Max Peronius
from the Noun Project: Skull by Muhamad Ulum
Soundtracks from the Epidemic Sound:
Peter Sandberg – “Document This 1”
Gavin Luke – “Drifting Emotions 3”
Farrell Wooten – “Blunt Object”
Wendel Scherer – “Defeated”
Gunnar Johnsen – “Not Safe Yet”
Andreas Jamsheree – “Guilty Shadows 4”
Jon Bjork – “For the Many”
Jon Bjork – “Icicles”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago
You might have noticed how more and more of our War Against Humanity episodes are restricted by YouTube. For some, it might take up to three separate “warning” windows to see the video. Many don’t get the episodes in their subscription boxes or don’t receive notifications despite their settings having notifications turned on. The video might not be sharable on social media, or some might not be able to watch them at all because they don’t have an account, are deemed too young by YouTube or are in the wrong geographic location.
And that doesn’t even include the huge restrictions YouTube puts on the organic reach of these videos. If it weren’t for out loyal community and other social media channels, these War Against Humanity episodes would go virtually under the radar. Even though our episodes could be a remedy to the problems that YouTube and many societies are dealing with. Misinformation, ignorance, and the obliviousness to the horrors of our past are dangerous and the restriction of our educational, factual and academic coverage of these horrors adds insult to injury.
“The following content has been identified by the YouTube community as inappropriate or offensive to some audiences,” one of the warning says. And mind you that it’s not the facts that people find offensive. They’re facts. They are neutral. It is that we are showing them to the world that people find offensive.
We won’t change our content or our tone. To make sure to see our content no matter what, you can follow our other Social Media accounts and/or join the TimeGhost Army on https://www.patreon.com/TimeGhostHistory or https://timeghost.tv to ensure we stay financially independent.
Cheers,
Joram
Comments Off on How To Kill 15,000 People in One Day – War Against Humanity 022 – November 1941, Pt. 1
Don’t miss the special announcement of our new exciting collaboration at the end of this episode!
Register for free at World of Warships here: https://wo.ws/PearlHarbor and receive a special in-game package worth €25, including the ships USS St. Louis, Japanese Cruise Tenryū – and more bonuses.
In this episode:
There is a lull now on the Eastern Front, and Adolf Hitler uses the time to plan another drive on Moscow and points beyond, but he’ll be facing a larger Red Army, as reinforcements and recruits hope to nearly double its size in a matter of weeks. The British are counting down the days to their upcoming North African offensive, and the Japanese are sending out orders that will change the world dramatically in a single morning.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Bundesarchiv
Arkiv i Nordland
Narodowe Archiwum Cyfrowe
IWM C 4748, E 6661, WPN 298, E 6724, MH 9292, E 3469E, E 7008, E 759C
Picture of Alfred Godwin-Austin, courtesy of Berserker276 https://commons.wikimedia.org/wiki/Fi…
from the Noun Project: company soldiers by Andrei Yushchenko, Bell by wahyakup
Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Rannar Sillard – “March Of The Brave 4”
Bonnie Grace – “The Dominion”
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Hakan Eriksson – “Epic Adventure Theme 3”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
merdiolu81
22 hours ago (edited)
Meanwhile, on 30 October, Stalin had raised a casual question. “How are we going to do the military parade?” That was the great, traditional 7 November Red Square parade, the celebration of the 1917 “October” Revolution, which had taken place on 24-5 October, Old Style — 6-7 November, New Style. General Pavel Artem’ev, who had been commander of the Moscow Military District and had taken command of the Moscow defence zone as the critical phase began, on 12 October, said it could not happen. Yes, it would, said Stalin. If there was a German air raid, the dead and wounded should be removed quickly, he added. It would happen. The risk was considerable. The potential political response was devastatingly positive, and worth the risk. The “Boss” had his faults (aside being a brutal tyrant) , but this was the decision of a leader. The parade would take place, and the troops, guns and armoured vehicles would then proceed straight to the front. It was a stroke of genius. The military effect would be compounded by the media and political effect. As always, everything was kept secret until the last moment. The officers involved did not receive their final briefing until 02.00. Stalin liked surprises, as most dictators do.
On 7 November, at 08.00 hours, just after dawn, under a steely, overcast Russian sky, with rimy air on the brink of freezing and snow beginning to fall, the troops marched south-east down the “square”, towards St Basil’s Cathedral and the Moskva river, beyond. Red Square, which owes its name to the old Slavic word for “beautiful”, and not to communism at all, is not really a square, either. It is a wide cobbled boulevard, running past the north-east wall of the red-brick, triangular Renaissance fortress. St Basil’s Cathedral is the onion-domed fantasy built for Ivan the Terrible. He was so delighted with it that he had the architect’s eyes put out, so that he could not build for anybody else anything so whimsically fantastic and beautiful. Stalin admired Ivan. The Germans were coming from the north-north-west, so, once the troops, guns and armoured vehicles had passed Lenin’s Mausoleum and reached St Basil’s, they would turn smartly about and head in the opposite direction, up Gor’kiy Street, and then north-west, to face the Germans.
The stars of the show were the new T-34 and KV tanks. But one of the heavy KV tanks screeched to a halt and then turned the wrong way. Another followed. The tanks were all armed, ready for battle, and if anybody wanted to take out the Politburo standing on Lenin’s Mausoleum, that would have been an ideal opportunity. Given the paranoia which prevailed in Moscow at the time, overreaction might have been the order of the day. Artem’ev demanded to know what had happened. The first tank, it turned out, had suffered a mechanical problem, and its commander did not want to cause any embarrassment on the big parade, so he got out of the way. Following the standard operating procedures the newly trained crews had been taught, the second tank went to its aid. This was starting to look like a professional army. The boss classes gathered on the Mausoleum found it amusing, and no one was reprimanded. The big parade was an iconic image of the war, and a stroke of public-relations genius. And, that night, earlier than usual, the Russian winter snow really began to fall.
Absolute War, Soviet Russia in the Second World War – Chris Bellamy
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