Quotulatiousness

June 15, 2020

Wokepocalypse Now

Filed under: Britain, History, Politics — Tags: , , , , — Nicholas @ 05:00

In Spiked, Andrew Doyle takes a very brief moment to say “I told you so” about Antifa and the other woke entities haunting the headlines these days:

A building burning in Minneapolis following the death of George Floyd.
Photo by Hungryogrephotos via Wikipedia.

Those of us who have urged vigilance when it comes to the rise of identity politics and the cult of Social Justice have now been fully vindicated. For years we have warned about the ways in which the culture war had the potential to infect all public and political discourse. But we were dismissed as railing against niche politics confined to campus common rooms and the dark recesses of the internet. Now the culture war has exploded on to the streets of the UK. If that sounds like a fancy way to say “I told you so”, then so be it.

If we are to have any chance of preserving the liberal values upon which our society depends, we need to find a way to navigate the binary thinking that comes with ideologically driven movements. The first step is to acknowledge common ground. In all my life I have never met a single person who would not agree with the proposition that “black lives matter”, so that seems like a good place to start. It’s been many years since racism has been in any way tolerated by polite society, one of the undeniably positive outcomes of the political-correctness campaigns of the 1980s and 1990s. A further point on which we can surely all agree is that racism exists and should be resisted wherever it occurs. This may seem obvious, but since any opposition to the cult of Social Justice is automatically taken as a denial of the fact of racism, it is worth making the point explicitly.

Those who would deny the existence of racism, or do not agree that black lives matter, or do not accept that racism is an evil that must always be confronted, are already beyond the scope of rational adult conversation. The vast majority of the population believe in our shared values of equality and fairness, although many Social Justice activists prefer to ignore this reality in favour of a fantasy Britain awash with fascists. We saw this in the way that Brexit voters were consistently smeared as xenophobic, even though such a label could only possibly apply to a tiny minority. We saw this in the myth that those who voted Leave were nostalgic for a colonial past, a virtually non-existent mindset that was assumed to be commonplace on the basis of no evidence at all. These kinds of prejudices, largely levelled against working-class people by bourgeois commentators, in turn generated the kind of resentment that almost certainly tipped the scales in favour of Brexit and ultimately led to the collapse of Labour’s “red wall”. These outcomes were in themselves taken as proof of Britain’s inherent racism, and so we find ourselves caught in this perpetual square dance of straw men.

All of which has been a boon for the intersectional, identity-based Social Justice movement, which is sustained on a view of society that bears little resemblance to reality. The latest protests have been infiltrated, and often stoked, by the presence of various groups who unite under the banner of “Antifa”. Like “Black Lives Matter”, these groups rely on the good nature of a public who are likely to interpret their name literally. After all, only a fascist would complain about anti-fascism. Even Mara Liasson, national political correspondent for NPR, fell for this basic rhetorical trick when she described the Normandy landing of more than 150,000 Allied troops as the “biggest Antifa rally in history”. Activist singer Billy Bragg posted an image of Winston Churchill captioned simply with “ANTIFA”. That protesters this week defaced the statue of Churchill in Parliament Square and branded him a “racist” shows the incoherence of much of what is going on.

To return to our common ground: not only is fascism vanishingly rare in the UK, but you would be hard pushed to find anyone who isn’t wholeheartedly opposed to fascism. We are all anti-fascist, which makes Antifa’s claim to be resisting a popular tyrannous force seem about 80 years out of date. The difference is that most of us understand that pepper-spraying a Trump supporter, or striking a UKIP voter over the head with a bike lock, doesn’t put us in the same bracket as those who fought actual fascists at Cable Street in 1936.

As I have argued in Standpoint, our failure to instil critical thinking in our educational systems has led to many of the problems we face in today’s society. To make the case for measured and reasonable discussion of these sensitive issues is to open oneself up to entirely unfounded charges of racism. In such circumstances, most people would rather acquiesce for the sake of an easy life. We have even seen those who have raised questions about the wisdom of permitting mobs to destroy public landmarks being accused of endorsing the slave trade. “How you feel about that statue is how you feel about slavery”, tweeted LBC presenter James O’Brien. “Don’t let anyone pretend otherwise”, he said. But the chances of finding anyone in the UK who would defend slavery are infinitesimal, and it is surely inconceivable that anyone making these allegations sincerely believes otherwise.

June 10, 2020

US Racism Against Germans, South African Neutrality and the Occupation of the Maginot – OOTF 013

Filed under: Africa, France, History, Italy, Military, USA, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 9 Jun 2020

Did the neutral US discriminate against German- and Italian-Americans? And exactly how pro-Axis was South Africa? And what happened to the Maginot Line after the Fall of France? Find out as Indy answers three more of your interesting questions in this episode of Out of the Foxholes!

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Norman Stewart – https://oldtimesincolor.blogspot.com/
Klimbim – https://www.flickr.com/photos/2215569…
Albert Einstein by Wayne Degan

Sources:
IWM Q 101768, TR 1262, Q 72178
Narodowe Archiwum Cyfrowe
Bundesarchiv
Les Bergers des Pierres – Moselle Association
from the Noun Project: id by Flatart, Fingerprint Recognition by Olena Panasovska, people by ProSymbols

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “The Inspector 4”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

June 6, 2020

ϟϟ Foreign Fighters Part 1 – The Non-German Germanics Fighting for Hitler – WW2 Special

Filed under: Europe, Germany, History, Military, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 5 Jun 2020

The SS are the elite force of the Third Reich, representing everything good about the German race. But half of them will one day be foreign-born non-Germans. How did this happen?

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
Bundesarchiv
Riksarkivet, image no. Fo30141711140064, Fo30141711140100_67, Fo30141711140102, Fo30141711140092
National Museum of Denmark
National Archives of Denmark
National Library of Norway
Narodowe Archiwum Cyfrowe
USHMM
from the Noun Project: Glasses by Yeong Rong Kim, Smile by The Icon Z, family tree by Kid Kitaro

Soundtracks from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Trapped in a Maze”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Rannar Sillard – “March Of The Brave 10”
Gunnar Johnsen – “Not Safe Yet”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
1 hour ago (edited)
If you came for the glory of the SS you will be disappointed by this video, there is nothing cool about the SS, truly nothing. They represent the most terrible part of humanity and perpetrated the worst crimes against humanity that you can imagine, things a short video like this cannot do justice on its own. To understand the depths of these horrors we recommend that you follow our War Against Humanity series, also hosted by Spartacus here: https://www.youtube.com/playlist?list=PLsIk0qF0R1j4cwI-ZuDoBLxVEV3egWKoM

June 4, 2020

QotD: Islamofascism

Filed under: Middle East, Politics, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

The great silence by left-leaning Western feminists, and other large parts of the left, to human rights abuses carried out in the name of Islam is, to see it as its kindest, caused by an overdeveloped sense of tolerance or cultural relativism. But it is also part of the new anti-Americanism. Look at American Christian fundamentalism, they say.

Dislike of George Bush’s foreign policy has led to an automatic support of those perceived to be his enemies. Paradoxically, this leaves the left defending people who hold beliefs that condone what the left has long fought against: misogyny, homophobia, capital punishment, suppression of freedom of speech. The recent reaffirmation by Iran’s Ayatollah Khamenei of the fatwa against Salman Rushdie has been met by virtual silence; as has the torture and murder in Iraq of a man who would be presumed to be one of the left’s own — Hadi Salih, the international officer of the Iraqi Federation of Trade Unions. The hard left these days is soft on fascism, or at least Islamofascism.

The religious right in America would, if it could, wind back access to abortion and some other women’s rights. But as far as I am aware, no Christian fundamentalist in the US has suggested banning women from driving cars, or travelling without their husbands’ permission, or forcing them to cover their faces. Contrary to popular opinion, one is not the same as the other.

Pamela Bone, “The silence of the feminists”, The Age, 2005-02-04

June 3, 2020

The Wehrmacht‘s License to Kill the Innocent – War Against Humanity 012 – May 1941

Filed under: Europe, Germany, History, Military, WW2 — Tags: , , , , , , , — Nicholas @ 04:00

World War Two
Published 2 Jun 2020

As the Blitzes of Britain slow down considerably, violence in Croatia increases dramatically as the Ustaše government purges the country of Jews and Serbs and the Wehrmacht gets deadly instructions for their invasion of the Soviet Union.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Joram Appel and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Carlos Ortega Pereira – BlauColorizations, https://www.instagram.com/blaucoloriz…
Cassowary Colorizations – https://www.flickr.com/people/cassowa…

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM D 5984, D 1091
USHMM

Bibliography:
Barton, Brian, “A Belfast Blitz Memorial?”. In: History Ireland 24:2 (March/April 2016) 8-9.
Biondich, Mark, “Religion and Nation in Wartime Croatia: Reflections on the Ustaša Policy of Forced Religious Conversions, 1941-1942″. In: The Slavonic and East European Review 83:1 (Jan 2005) 71-116.
Clapson, Mark, “Air Raids in Britain, 1940-45”. In: The Blitz companion: Aerial Warfare, Civilians and the City since 1911 (2019) 37-76.
Gotovich, Aron, Dictionnaire de La Seconde Guerre Mondiale En Belgique (2008).
MacDonald, David B., “From Jasenovac to Srebrenica; Subaltern Genocide and the Serbs”. In: Nicholas Robins, Adam Jones (ed.), Genocides by the Oppressed: Subaltern Genocide in Theory and Practice (2009) 103-121, 106.
Tanner, Marcus, “The Ustashe”. In: Croatia: A Nation Forged in War; Third Edition (2010) 141-167.
Williamson, Murray, and Allan Millett, “Barbarossa 1941”. In: A War To Be Won (2000) 110-142.

Primary Sources:
Barbarossa Decree, 13 May 1941. http://users.clas.ufl.edu/ggiles/barb….
Commissar Order, 6 June 1941. http://users.clas.ufl.edu/ggiles/barb….
William Sansom: Westminster in War, 1947.

Soundtracks from the Epidemic Sound:
Cobby Costa – “From the Past”
Reynard Seidel – “Deflection”
Johan Hynynen – “Dark Beginning”
Gunnar Johnsen – “Not Safe Yet”
Farell Wooten – “Blunt Object”
Peter Sandberg – “Document This 1”
Andreas Jamsheree – “Guilty Shadows 4”
Cobby Costa – “Flight Path”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 hours ago
For many living in newly occupied territories in South-Eastern Europe, May 1941 marked the start of a hellish life under fascist occupation. For many more, May 1941 will be the month in which their fate is sealed. Many hundreds of thousands more will suffer by the decisions made this months. From this episode, and the next ones, it will become very clear that there is no such thing as a “clean Wehrmacht“, and that this is very much a myth. Some parts of the internet still seem to hold on tight to this, but we will counter it time and again, wether it is about occupying forces, Operation Barbarossa or Erwin Rommel.

Cheers,
Joram

June 2, 2020

“Calling a modern ‘artist’ a poseur is like calling water wet — what could possibly be the point?”

Filed under: History, Media, Politics — Tags: , , , , — Nicholas @ 05:00

Severian on modern “art” and its practitioners:

Picasso’s “Guernica” in mural form in the town of Guernica.
Photo by Papamanila via Wikimedia Commons.

Leszek Kolakowski, in his essay collection Is God Happy?, wrote several fascinating essays on Communism vs. other forms of Socialism, such as Fascism and generic Leftism. He notes that while Communism proper attracted lots of serious intellectuals and artists, who produced some works of real merit, generic “Leftism” had few, and Fascism almost none.

He also notes the degeneration of art on the Left. I don’t want / am not qualified to get deep into the weeds of art history, but let me use an example (mine, not Kolakowski’s): Pablo Picasso vs … oh, pick an artist, they’re all Lefties … let’s say Andy Warhol. Noting that “important” can be diametrically opposed to things like “good,” “aesthetically pleasing,” etc., we can all agree that both were important artists. Whatever else their differences, the most obvious one was:

Sincerity.

Picasso was a lifelong member of the Communist Party. He was also a sincere artist (which, again, can be miles away from “good;” I personally can’t stand Picasso’s art). Guernica is wildly overrated, and its sentiment jejune — we all agree that bombing civilians is bad, mmkay? — but at least it’s sincere. Warhol, on the other hand, never took a sincere breath in his life. Making your work superficial on purpose doesn’t absolve you from the sin of superficiality. Warhol (and Roy Lichtenstein, and the rest of the “Pop Art” crowd) gave wannabes permission to substitute “being ironic” for “having something to say,” and there’s your modern art in a nutshell. Calling a modern “artist” a poseur is like calling water wet — what could possibly be the point?

Which brings us back to Kolakowski. He notes that there are apostates aplenty from Communism, and they all seem compelled to write big long books full of critical self-examination. Cheering for the murder of millions would do that, one supposes… except that, as Kolakowski says, you can’t find one single ex-Leftist doing it. Hell, is there such a thing as an ex-Leftist, as opposed to an ex-Communist? Kolakowski couldn’t find one (as of 1995, I think), and I can’t think of one either. Every former radical I’m aware of was just that — a radical, a card-carrying Communist or at least a virulent fellow-traveler, e.g. David Horowitz. We probably all have heard of someone waking up one day (say, after 9/11) realizing that the Democratic Party they’d been knee-jerk voting for all their lives was out to lunch, but do you know of any True Believers seeing the light?

May 29, 2020

QotD: Historical ways to deal with your “rage heads”

Filed under: Germany, History, Politics, Quotations, Russia, USA — Tags: , , , , , — Nicholas @ 01:00

The main lesson I hope our distant descendants draw from the Orange Man Era is: The rage heads ye have always with you, so ye must find a way to channel them into something as non-destructive as possible. The story of modern politics can be written in a sentence: The weaponization of rage heads, combined with the inability of any society to properly dispose of said WMDs.

Set the Wayback Machine to the turn of the 20th century. Lenin’s great insight is that “the masses” will never achieve the proper revolutionary consciousness without a dedicated cadre of hardcore, professional revolutionaries to lead the way. Lenin recognized the prevalence of incipient rage heads in his society — how could he not? — but realized that, absent some guiding hand, they’d flounder around incoherently. At best (from the “furthering the Revolution” point of view), they’d do what his, Lenin’s, idiot brother did: Try to knock off the tsar, and get himself hung for it. Thus, the Bolsheviks.

The problem, though, is that rage heads by definition suffer from poor impulse control. The tiny subset of them that are pure sociopaths (like Lenin), and thus have the icy-veined self-control to hold their fire, have to maintain the very tightest discipline over the Party, or all hell breaks loose. See, for example, the massive street battles in Weimar Germany between the KPD (German Commies) and the SD. Hitler, like Lenin, had to get his rage heads on a tight leash, so he channeled the disciplined sociopaths from the SD into the SS, cooled out the coolable in the SD by buying them off, and shanked the incorrigible remainder. See also the almost-exactly-contemporary Moscow Show Trials.

Note please that this is your best-case scenario for a purely ideological revolution. From Robespierre to Kim Il Sung, the first step in consolidating the Revolution is killing off a large fraction of the original revolutionaries.

The worst-case scenario (again, from the “furthering the Revolution” standpoint) is what the American wannabe-bolshies did / are currently doing. Knowing that you can’t shank or show-trial the dreadlocked poetry majors that make up your goon squad, you try to channel them into academia, the Media, the “arts.” Which fails egregiously, because whatever tenuous contact with reality they once had gets completely severed by those institutions’ social bubbles. They never were very good at holding fire, and now they can’t, literally can’t, see any reason to — life is great here on campus, so why can’t it be that way everywhere?

Severian, “Living in End Times”, Rotten Chestnuts, 2020-02-28.

May 22, 2020

QotD: “Scientific” racism

Filed under: Education, Germany, History, Quotations, Science — Tags: , , , , — Nicholas @ 01:00

… the intellectualized racism that infected the West in the 19th century was the brainchild not of science but of the humanities: history, philology, classics, and mythology. In 1853, Arthur de Gobineau, a fiction writer and amateur historian, published his cockamamie theory that a race of virile white men, the Aryans, spilled out of an ancient homeland and spread a heroic warrior civilization across Eurasia, diverging into the Persians, Hittites, Homeric Greeks, and Vedic Hindus, and later into the Vikings, Goths, and other Germanic tribes. (The speck of reality in this story is that these tribes spoke languages that fell into a single family, Indo-European.) Everything went downhill when the Aryans interbred with inferior conquered peoples, diluting their greatness and causing them to degenerate into the effete, decadent, soulless, bourgeois, commercial cultures that the Romantics were always whingeing about. It was a small step to fuse this fairy tale with German Romantic nationalism and anti-Semitism: The Teutonic Volk were the heirs of the Aryans, the Jews a mongrel race of Asiatics. Gobineau’s ideas were eaten up by Richard Wagner (whose operas were held to be re-creations of the original Aryan myths) and by Wagner’s son-in-law Houston Stewart Chamberlain (a philosopher who wrote that Jews polluted Teutonic civilization with capitalism, liberal humanism, and sterile science). From them the ideas reached Hitler, who called Chamberlain his “spiritual father.”

Science played little role in this chain of influence. Pointedly, Gobineau, Chamberlain, and Hitler rejected Darwin’s theory of evolution, particularly the idea that all humans had gradually evolved from apes, which was incompatible with their Romantic theory of race and with the older folk and religious notions from which it had emerged. According to these widespread beliefs, races were separate species; they were fitted to civilizations with different levels of sophistication; and they would degenerate if they mixed. Darwin argued that humans are closely related members of a single species with a common ancestry, that all peoples have “savage” origins, that the mental capacities of all races are virtually the same, and that the races blend into one another with no harm from interbreeding. The University of Chicago historian Robert Richards, who traced Hitler’s influences, ended his book titled Was Hitler a Darwinian? (a common claim among creationists) with “The only reasonable answer to the question … is a very loud and unequivocal No.”

Steven Pinker, “The Intellectual War on Science”, Chronicle of Higher Education, 2018-02-13.

May 13, 2020

Rudolf Hess – Nazi Pacifist, Traitor or Madman? – WW2 Special Episode

Filed under: Britain, Germany, History, Military, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 12 May 2020

In a series of events, Hitler’s second in command Rudolf Hess decides to fly to Britain to enter peace negotiations with the Allies. But the true reasons behind and effects of his action remain ambiguous at best.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Olga Shirnina, https://klimbim2014.wordpress.com
Adrien Fillon, https://www.instagram.com/adrien.colo…

Bibliography:
– Balfour, Michael, Propaganda in War, 1939–45: Organizations, Policies, and Publics in Britain and Germany (London, 1979).
– Fox, Jo. “Propaganda and the Flight of Rudolf Hess, 1941-45”. In: The Journal of Modern History 83:1 (March 2011) 78-110.
– Gorodetsky, Gabriel, “The Hess Affair and Anglo-Soviet Relations on the Eve of ‘Barbarossa'”. In: The English Historical Review 101:399 (Apr 1986) 405-420.
– Görtemaker, Manfred, “The Bizarre Mission: Rudolf Hess in Britain,” in Britain and Germany in the 20th Century, ed. M. Görtemaker (Oxford, 2006), 75–101.
– Heiden, Konrad, “Hitler’s Better Half”. In: Foreign Affairs 20:1 (Oct 1941) 73-86.
– Kettenacker, Lothar, “Mishandling a Spectacular Event: The Rudolf Hess Affair,” in Flight from Reality: Rudolf Hess and His Mission to Scotland, ed. David Stafford (London, 2002) 19–38.
– Schmidt, Rainer, “The Marketing of Rudolf Hess: A Key to the ‘Preventative War Debate’?” War in History 5 (1998) 62-83.

Sources:
Bundesarchiv
Portraits of Douglas Douglas-Hamilton, duke of Hamilton and Duff Cooper, MP, courtesy National Portrait Gallery
Narodowe Archiwum Cyfrowe
Zentralbibliothek Zürich
Portrait of Max Aitken, Lord Beaverbrook, courtesy Nationaal Archief
IWM D 8987

Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 4”
Reynard Seidel – “Deflection”
Andreas Jamsheree – “Guilty Shadows 4”
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Deviation In Time”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

May 8, 2020

Sending the Jews to Madagascar? – War Against Humanity 011 – May 1941

Filed under: Africa, Europe, Germany, History, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 06:00

World War Two
Published 7 May 2020

The War Against Humanity is accelerating and accelerating. Across the world, people live under oppression. In Nazi Europe, solutions to the so-called “Jewish Question” has taken on new, fantastical, proportions.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Francis van Berkel, Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Olga Shirnina https://klimbim2014.wordpress.com
Dememorabilia – https://www.instagram.com/dememorabilia/
Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
IWM HU 106212
USHMM
Bundesarchiv
Narodowe Archiwum Cyfrowe
Glaser family photo, courtesy Willie Glaser
from the Noun Project: Letter by Mochammad Kafi, people by ProSymbols, Deteriorated building by Tokka Elkholy, workshop by Gan Khoon Lay from the Noun Project
Page 1 of La Loi Portant Status Des Juifs with Pétain’s annotations, courtesy Mémorial de la Shoah

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Farell Wooten – “Blunt Object”
Philip Ayers – “Trapped in a Maze”
Wendel Scherer – “Growing Doubt”
Gavin Luke – “Drifting Emotions 3”
Johannes Bornlof – “The Inspector 4”
Andreas Jamsheree – “Guilty Shadows 4”
Peter Sandberg – “Document This 1”
Jo Wandrini – “Dawn Of Civilization”
Gunnar Johnsen – “Not Safe Yet”
Philip Ayers – “Under the Dome”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

May 6, 2020

What’s on your bookshelf?

Filed under: Books, Britain, Media, Politics — Tags: , , , — Nicholas @ 05:00

The self-appointed censors of righteousness demand to know!

Plenty of people like to be filmed against the backdrop of their bookshelves to convey the message or at least create the impression that they are smart. This has become even more common during the current extraordinary conditions of self-isolation, where virtually all the media interviews are conducted from home rather than in studio. Ditto for all the Zoom and other teleconferences. This, in turn, has given some people the opportunity to nose around and check out just what exactly others have on their shelves – presumably having read it and not just for decoration. It should be a fun exercise, but these days of perpetual outrage no fun goes unpunished.

By contrast, the picture of a bookshelf belonging to a Tory minister Michael Gove and his wife Sarah Vine was unsolicited, which probably adds to the regret right about now.

[…]

Books, like other human artifacts, are historical records and documents of our past. You might not like the course that the history took, but it’s important to know it and remember it.

And hypocrisy, because of the double standards.

Sure, Nazis, Nazi sympathisers, Holocaust deniers and assorted other apologists are mad, bad and dangerous to know. But what about communists? How many of those having a go at Gove and his wife for owning an Irving book have on their own shelves works by Marx, if not Lenin, Mao, Che and numerous related others? Those who have been inspired by and followed Marx’s idea (whether you think correctly or not) have been responsible for some 100 million premature deaths in the 20th century and other untold misery and devastation. Mao, the author of the little Red Book, accounts for up to 60 million of those (I happen to have a copy; does that make me a Maoist and a genocide fan?). But socialism is cool and you can’t blame Marx because to do so would be to delegitimise the whole socialist project. And of course the socialist ideals are all beautiful – equality! solidarity! community! dignity! – and, in any case, everyone has had good intentions. So all good, guys.

Read and own whatever the damn you like – and don’t let the fascists of any kind dictate your bookshelf. Except for 50 Shades of Grey. We’ll all judge you for that.

The main picture: some of my shelves – feel free to judge me.

I thought to take a picture of my own shelves, but Arthur Chrenkoff appears to have a broadly similar selection of books (more heavily weighted to British politics than mine), so I just nicked his photo to save the effort. (Thanks, Arthur! Hope you don’t mind!)

May 2, 2020

Gabriel Over the White House – “the most unapologetic celebration of fascism ever put on film”

Filed under: History, Media, USA — Tags: , , , , — Nicholas @ 05:00

Jack Cashill found this “gem” while watching Turner Classic Movies during the Wuhan Coronavirus lockdown and was amazed:

By now, I have seen most of TCM’s movies, but one aired this past week I had not even heard of. On a whim, I DVR’ed it. Good move. Called Gabriel Over the White House, this 1933 liberal wet dream proved to be the most unapologetic celebration of fascism ever put on film.

I watched it wide-eyed. The movie opens with the inauguration of Jud Hammond. A laissez-faire back-slapper, Hammond sees the White House as a way to enrich himself and reward his cronies, Depression be damned. The audience assumes Hammond is a Republican.

Out joyriding one day, Hammond crashes his car and lapses into coma. While still comatose, the Angel Gabriel visits Hammond and turns him into a committed and caring progressive. Is there another kind?

Upon waking, Hammond convenes his cabinet of corrupt self-servers and rejects their plea that the party must come first. Instead, Hammond insists their first priority be the American people. He refuses to use the U.S. Army against a marching mass of the unemployed and fires the secretary of state when he objects.

“I suggest you read the Constitution of the United States. You’ll find the President has some power,” Hammond warns his cabinet members. Some power? Fully indifferent to the Constitution, Hammond grabs all the power that can possibly be grabbed.

When the cabinet objects to his usurpation of power, Hammond fires the cabinet. When Congress threatens to impeach Hammond, he declares martial law and dispenses with Congress. When accused of being a dictator, Hammond argues that his is a dictatorship based on some imagined Jeffersonian principle of Democracy, namely the greatest good for the greatest number of people.

Now with total power, Hammond enacts a national banking law, stops foreclosures, provides direct aid to some 55 million farmers, circumvents private industry and launches his own “Army of Construction.”

A young aide, Hartley Beekman, and his female counterpart, Pendie Molloy, serve as something of a progressive chorus. “The way he thinks is so simple and honest that it sounds a little crazy,” says Beekman of Hammond.

“He’s doing the things you wanted,” Molloy answers. “And If he’s mad, it’s a divine madness. Look at the chaos and catastrophe sane men have brought about.”

The divine madness includes the creation of a Federal Police force, a subset of the Army, with young Beekman at its head. When the nation’s chief racketeer refuses to go back to his unnamed home country, Hammond warns him that the government is about to “muscle in on his racket” and federalize the sale of alcohol.

The racketeer fights back, and Beekman employs a legion of tanks Waco-style against the racketeers. When captured, the racketeers are all hauled before a three-man court martial headed by Beekman, promptly declared guilty, and executed en masse by a firing squad.

Several years ago, the movie was brought to my attention and I found this clip on YouTube that I suspect captures the essence of the film:

James Lileks describes it as “a remarkable movie. And I don’t mean ‘astonishingly good, technically superb, visually ingenious.’ I mean utterly insane.”

April 18, 2020

QotD: Distorting the history of science

The most frequently assigned book on science in universities (aside from a popular biology textbook) is Thomas Kuhn’s The Structure of Scientific Revolutions. That 1962 classic is commonly interpreted as showing that science does not converge on the truth but merely busies itself with solving puzzles before lurching to some new paradigm that renders its previous theories obsolete; indeed, unintelligible. Though Kuhn himself disavowed that nihilist interpretation, it has become the conventional wisdom among many intellectuals. A critic from a major magazine once explained to me that the art world no longer considers whether works of art are “beautiful” for the same reason that scientists no longer consider whether theories are “true.” He seemed genuinely surprised when I corrected him.

The historian of science David Wootton has remarked on the mores of his own field: “In the years since Snow’s lecture the two-cultures problem has deepened; history of science, far from serving as a bridge between the arts and sciences, nowadays offers the scientists a picture of themselves that most of them cannot recognize.” That is because many historians of science consider it naïve to treat science as the pursuit of true explanations of the world. The result is like a report of a basketball game by a dance critic who is not allowed to say that the players are trying to throw the ball through the hoop.

Many scholars in “science studies” devote their careers to recondite analyses of how the whole institution is just a pretext for oppression. An example is a 2016 article on the world’s most pressing challenge, titled “Glaciers, Gender, and Science: A Feminist Glaciology Framework for Global Environmental Change Research,” which sought to generate a “robust analysis of gender, power, and epistemologies in dynamic social-ecological systems, thereby leading to more just and equitable science and human-ice interactions.”

More insidious than the ferreting out of ever more cryptic forms of racism and sexism is a demonization campaign that impugns science (together with the rest of the Enlightenment) for crimes that are as old as civilization, including racism, slavery, conquest, and genocide.

This was a major theme of the Critical Theory of the Frankfurt School, the quasi-Marxist movement originated by Theodor Adorno and Max Horkheimer, who proclaimed that “the fully enlightened earth radiates disaster triumphant.” It also figures in the works of postmodernist theorists such as Michel Foucault, who argued that the Holocaust was the inevitable culmination of a “bio-politics” that began with the Enlightenment, when science and rational governance exerted increasing power over people’s lives. In a similar vein, the sociologist Zygmunt Bauman blamed the Holocaust on the Enlightenment ideal to “remake the society, force it to conform to an overall, scientifically conceived plan.”

In this twisted narrative, the Nazis themselves are somehow let off the hook (“It’s modernity’s fault!”). Though Critical Theory and postmodernism avoid “scientistic” methods such as quantification and systematic chronology, the facts suggest that they have the history backwards. Genocide and autocracy were ubiquitous in premodern times, and they decreased, not increased, as science and liberal Enlightenment values became increasingly influential after World War II.

Steven Pinker, “The Intellectual War on Science”, Chronicle of Higher Education, 2018-02-13.

March 26, 2020

The Deadly Dry Run for WW2 – The Spanish Civil War | BETWEEN 2 WARS I 1939 Part 1 of 3

TimeGhost History
Published 25 Mar 2020

After years of political violence and strife, a military coup in 1936 finally brings Spain into all-out civil war. Mass executions and revolutionary upheaval, as the eyes of the world focus on the Iberian Peninsula.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Watch part one of the Spanish Civil War (1936) here: https://youtu.be/ncUkPavahCU

Hosted by: Indy Neidell
Written by: Francis van Berkel
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Daniel Weiss
Sound design: Marek Kamiński

Sources:
(Kutxa Photograph Library) – Brigadas de Navarra Photos,
EBNZ; HansenBCN – Emblem of Spanish Legion,
Foto Kutxateka – Eibar in Ruins,
Herbert Behrens / Anefo – Guernica Painting,
Dorieo – Battle of Brunete,

From the Noun Project:
noun_Death by Icon Island,
noun_soldier by Wonmo Kang,
noun_Arm Sling by Sergey Demushkin,
noun_Government by Adrien Coquet,

Photos from Color by Klimbim

Colorizations by:
– Daniel Weiss
– Julius Jääskeläinen
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Dememorabilia – https://www.instagram.com/dememorabilia/

Soundtracks from Epidemic Sound:
– “Not Safe Yet” – Gunnar Johnsen
– “The Inspector 4” – Johannes Bornlöf
– “Watchman” – Yi Nantiro
– “Split Decision” – Rannar Sillard
– “Guilty Shadows 4” – Andreas Jamsheree
– “Disciples of Sun Tzu” – Christian Andersen
– “Last Point of Safe Return” – Fabien Tell
– “First Responders” – Skrya
– “One More Thought” – Johan Hynynen
– “Dark Beginning” – Johan Hynynen
– “Easy Target” – Rannar Sillard
– “The Charleston 3” – Håkan Eriksson

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
1 hour ago
Just in terms of the complexity of things, researching and writing this episode has been my biggest challenge so far. So much happens and at such a fast pace that it’s difficult to understand everything as it is, let alone get it into a chronological video that actually makes sense! The amount of actors both nationally and internationally gives you a feeling that you are writing about a continental, or even global, war rather than one in a relatively small country. It is this way for several reasons, a lot of which you’ll know if you watched our last episode on the Second Spanish Republic. But we’d be interested to see what you guys think about the Spanish Civil War? Why was it so complicated? Why does it hold so much significance beyond Spain’s borders? Why did it get so violent so quickly? Let us know what you think, we want to hear your opinions.

Cheers, Francis.

March 25, 2020

Hans Oster – A German Against Nazism – WW2 Biography Special

Filed under: Germany, History, Military, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 24 Mar 2020

Hans Oster opposed the Nazis and tried to oppose them from early on. As a member of the Abwehr, he tried to do whatever he could. During the war, his efforts increased with a dramatic outcome.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Isabel Wilson, Joram Appel and Spartacus Olsson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Arnaldo Teodorani and Isabel Wilson
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
Picture of Dresden, courtesy Wikimedia Commons https://commons.wikimedia.org/wiki/Fi…
Collection of Auckland War Memorial Museum Tamaki Paenga Hira, N2658
Narodowe Archiwum Cyfrowe
Picture of Gijsbertus Jacobus Sas, courtesy ANP Historisch Archief https://www.anp-archief.nl/page/21998…
Picture of Hans Bernd Gisevius, courtesy Gedenkstätte Deutscher Widerstand https://www.gdw-berlin.de/en/recess/b…
id by Flatart from the Noun Project
people by ProSymbols from the Noun Project
documents by Srinivas Agra from the Noun Project

Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Deviation in Time”
Andreas Jamsheree – “Guilty Shadows 4”
Fabien Tell – “Last Point of Safe Return”
Reynard Seidel – “Deflection”
Jo Wandrini – “Puzzle of Complexity”
Gunnar Johnsen – “Not Safe Yet”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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