It’s interesting to contrast today’s mainstream porn actresses, with their breast augmentations and Brazilian waxes, with the variety of natural bodies from earlier years. These women have breasts, bellies and hips. They have body hair. Some are skinny, some are fat, most are somewhere in between.
And they’re beautiful.
They pose nude or in skivvies, alone and in groups, as pinups and in hard-core activities that prove the internet generation didn’t invent kink — our great-grandparents did.
Regina Lynn, “This Old Porn Is New Again”, Wired News, 2005-09-09.
May 31, 2026
QotD: Pornography, old school
November 7, 2025
October 8, 2025
QotD: Porn is always in the vanguard of new technologies
I remember seeing something years ago that commented on how soon after the development of photography we got pictures of naked women.
5 Florins says after Gutenberg invented the printing press and mass printed the Bible, guys were buying presses and cranking out copies of Thee Hornee Shepard and Thee Shye But Readye Milkmaide. 😍
(“T’would say it be a bodice ripper, but we’ve not invented bodices yet” – Johannes of Cologne, Ye Cologne Courier Newspapere)
mmack, commenting on “Why the Internet Stinks Now”, Founding Questions, 2025-07-03.
Update, 9 October: Welcome, Instapundit readers! Please do have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.
August 12, 2025
July 29, 2025
July 22, 2025
July 14, 2025
July 10, 2025
Mandatory online age verification
Michael Geist discusses the rush of the Canadian and other governments in the west to try to impose one-size-fits-all age verification schemes on the internet:

The Day I Knew I Was Old 😉 by artistmac CC BY-SA 2.0
When the intersection of law and technology presents seemingly intractable new challenges, policy makers often bet on technology itself to solve the problem. Whether countering copyright infringement with digital locks, limiting access to unregulated services with website blocking, or deploying artificial intelligence to facilitate content moderation, there is a recurring hope the answer to the policy dilemma lies in better technology. While technology frequently does play a role, experience suggests that the reality is far more complicated as new technologies also create new risks and bring unforeseen consequences. So too with the emphasis on age verification technologies as a magical solution to limiting under-age access to adult content online. These technologies offer some promise, but the significant privacy and accuracy risks that could inhibit freedom of expression are too great to ignore.
The Hub runs a debate today on the mandated use of age verification technologies. I argue against it in a slightly shorter version of this post. Daniel Zekveld of the Association for Reformed Political Action (ARPA) Canada makes the case for it in this post.
The Canadian debate over age verification technologies – which has now expanded to include both age verification and age estimation systems – requires an assessment of both the proposed legislative frameworks and the technologies themselves. The last Parliament featured debate over several contentious Internet-related bills, notably streaming and news laws (Bills C-11 and C-18), online harms (Bill C-63) and Internet age verification and website blocking (Bill S-210). Bill S-210 fell below the radar screen for many months as it started in the Senate and received only cursory review in the House of Commons. The bill faced only a final vote in the House but it died with the election call. Once Parliament resumed, the bill’s sponsor, Senator Julie Miville-Dechêne, wasted no time in bringing it back as Bill S-209.
The bill would create an offence for any organization making available pornographic material to anyone under the age of 18 for commercial purposes. The penalty for doing so is $250,000 for the first offence and up to $500,000 for any subsequent offences. Organizations can rely on three potential defences:
- The organization instituted a government-approved “prescribed age-verification or age estimation method” to limit access. There is a major global business of vendors that sell these technologies and who are vocal proponents of this kind of legislation.
- The organization can make the case that there is “legitimate purpose related to science, medicine, education or the arts”.
- The organization took steps required to limit access after having received a notification from the enforcement agency (likely the CRTC).
Note that Bill S-209 has expanded the scope of available technologies for implementation: while S-210 only included age verification, S-209 adds age estimation technologies. Age estimation may benefit from limiting the amount of data that needs to be collected from an individual, but it also suffers from inaccuracies. For example, using estimation to distinguish between a 17 and 18 year old is difficult for both humans and computers, yet the law depends upon it. Given the standard for highly effective technologies, age estimation technologies may not receive government approvals, leaving only age verification in place.
June 5, 2025
The Liberals believe this time they’ll keep kids away from internet porn
Sometimes it’s hard to get a grip on what Liberals actually believe, as on the one hand they’re actively resisting pulling literal pornography out of school libraries (because it’s “LGBT friendly”) and on the other hand, they’re all gung-ho for yet another attempt to pass legislation that will try to prevent kids from seeing porn on the internet:
How does a website automatically, “responsibly” prove someone’s age down the end of an internet connection, without actually verifying their ID? Answer: It doesn’t. Obviously
There is another legislative effort afoot to keep Canadian children away from pornography. It’s well-intentioned effort, I suppose, but such efforts didn’t work very well when pornography was printed on glossy paper and distributed on VHS tapes and pay-per-view, so it seems particularly improbable in the internet age.
Bill S-209 is Independent (Liberal-appointed) Senator Julie Miville-Dechêne’s second attempt at a private member’s bill on the topic. It is predicated on the notion that it’s easier to verify age automatically than it used to be: “Online age-verification and age-estimation technology is increasingly sophisticated and can now effectively ascertain the age of users without breaching their privacy rights”, the bill’s preamble avers.
It is absolute rubbish, to the extent that even the Liberals under former prime minister Justin Trudeau seemed to realize it the first time it was tried. We can only hope Mark Carney’s Liberals are of similar mind. Early signs are not positive. The reappointment of Steven Guilbeault as heritage minister (now called Canadian identity and culture minister, for some reason) doesn’t bode well. He seems genuinely to dislike the online world on principle.
Or, maybe it does bode well. Guilbeault did a singularly terrible job trying to sell the Liberals’ anti-internet agenda in English Canada. I’m not sure he could give away ice cream in a Calgary heatwave. So if you think laws targeting “online harms” are doomed to fail at best — and could lead to dystopian outcomes — then maybe Guilbeault is exactly the fellow you want in charge.
When it came to online porn, the Trudeau Liberals seemed to have some sense of the Sisyphean proposition before them. Miville-Dechêne’s first attempt at a bill received support from MPs of all parties in the House of Commons last year, but the Liberal leadership cited privacy concerns in refusing to get behind it.
In large part that might just have been because Conservative Leader Pierre Poilievre supported the idea and, to Liberals, anything Poilievre supports must obviously be a serious threat to humanity’s survival. But still, Trudeau was pretty unequivocal in rejecting the idea.
April 28, 2025
A potential positive to the explosion of AI-generated fake porn
The one thing we have always been able to predict with 100% confidence is that every new media will be used for pornography and crime, often in the same product. However, No Pasaran makes a case for there being a socially useful side to the ever-increasing realism of fake porn from popular LLM generators:
Seriously?! Am I the only person that sees the benefits of this “troubling trend” of online bullying?!
Think about it.
Blackmail is now a thing of the past.
That’s it.
It’s over.
Whether you are a teen or an adult, whether the photos are real or not, you can simply pass all of them off — indeed, you can do so nonchalantly — as fakes or deepfakes. To your classmates, to your spouse, to your constituents. Who will know whether you are fibbing or telling the truth? (Maybe you hardly know yourself …)
(In a totally different context, of course, that is exactly what Joe Biden’s White House did …)
As it happens, a considerable size of the audience for these sex photos/videos — maybe far more than half — will already be assuming that they’re fakes … (Thanks for the Instalink, Sarah.)
Depression at 16? Suicide at 17? Why fear sextortion at this point? Compliment instead the (anonymous) photo/video creators for doing a good job — for doing an outstanding job.
On my phone I keep receiving photos of Donald Trump tenderly cuddling with Joe Biden or Vladimir Putin or Stormy Daniels. Lots of apps now make you “repair” snapshots that are decades or (over) a century old, colorize them, and make them into mini-movies (the latest one I saw delighted me as it involved Civil War daguerreotypes from the 1860s).
I also keep receiving AI ads where, by combining a couple of photos of myself and of any girl (someone I know and am perhaps infatuated with or some rock or movie star or someone — Marilyn Monroe? Rudolph Valentino? Che Guevara? Queen Victoria? — who has been dead for decades) I can make myself hug or kiss that person — hungrily — on the mouth.
Years ago (long before AI), I was writing a TV script imagining a politician who was on national television and who was all of a sudden ambushed with private photos of him in a compromising position (with a woman other than his wife, with a man, with many women, with many men, at an orgy, in a BDSM cave, with a money shot, whatever …). Talk of falling victim; talk of bullying; talk of harassment (justified or otherwise)!
How should he react?
Ignore the content. And, with an admiring voice, let out a whistle and praise the work: “Wow, that’s well done!”
“What do you mean?!” interrupts the TV presenter, visibly frustrated. “No no no! Don’t tell me you are claiming they’re fake?! We have proof that you were seen at—”
Again, this was before AI, needless to say, which only made the politician’s next words even more startling: “It is so how admirable the degree to which studios have made progress with special effects!”
April 25, 2025
What Were Georgian Attitudes Towards Sex? | Georgian Pleasures
History Hit
Published 12 Sept 2024Historian Dr Kate Lister removes Bridgerton‘s rose-tinted glasses, unlaces the corsets and unbuttons the breaches of the Georgians. Join Kate as she investigates how s*x and the world of celebrity were a big thing long before the 20th century.
The fabulous wealthy elite of Bridgerton look perfectly preened, their teeth, hair, make up, even their sex scenes are all filled with opulent glamour! But in reality a lot of people in Georgian society, including the wealthy, were dealing with a myriad of issues, from syphilis, teeth decay and scandals to laudanum and gin addictions. All of this would have been rife and incredibly visible on the big city streets during the booming industrial revolution.
Kate uncovers what went on betwixt the Georgian sheets: who’s doing what, where, how and with whom. Along the way she’ll explore extraordinary guides to s*x work in London and Edinburgh and unwrap the world of 18th century condoms, syphilis and even high profile and hidden sex clubs. All of this will help to unearth the real lives of the people stomping the streets, pubs and back alleys of these lavish Georgian cities. No stone is left unturned in the quest to reveal the real lives of Georgian society!
(more…)
April 24, 2024
What Were Victorian Attitudes Towards Sex?
History Hit
Published Dec 15, 2023They’re famously thought of as a buttoned up prudish bunch, but we all know they loved to bump uglies as much as anyone today.
Were the spanking punishments of boarding schools really the origins of brothels? Who were the pin-ups of Victorian women? And what did the saucy portrait Queen Victoria gave to Prince Albert look like?
Today we go Betwixt the Victorian Sheets with Dan Snow, from History Hit sister podcast Dan Snow’s History Hit, to find out all about Victorian relationships.
(more…)
December 15, 2023
January 6, 2023
November 30, 2022
James Gillray
In The Critic, James Stephens Curl reviews a new biography of the cartoonist and satirist James Gillray (1756-1815), who took great delight in skewering the political leaders of the day and pretty much any other target he fancied from before the French Revolution through the Napoleonic wars:
During the 1780s Gillray emerged as a caricaturist, despite the fact that this was regarded as a dangerous activity, rendering an artist more feared than esteemed, and frequently landing practitioners into trouble with the law. Gillray began to excel in invention, parody, satire, fantasy, burlesque, and even occasional forays into pornography. His targets were the great and good, not excepting royalty. But his vision is often dark, his wit frequently cruel and even shockingly bawdy: some of his own contemporaries found his work repellent. He went for politicians: the Whigs Charles James Fox (1749-1806), Edmund Burke (1729-97), and Richard Brinsley Butler Sheridan (1751-1816) on the one hand, and William Pitt (1759-1806) on the other. Fox was a devious demagogue (“Black Charlie” to Gillray); Burke a bespectacled Jesuit; and Sheridan a red-nosed sot. But Gillray reserved much of his venom for “Pitt the Bottomless”, “an excrescence … a fungus … a toadstool on a dunghill”, and frequently alluded to a lack of masculinity in the statesman, who preferred to company of young men to any intimacies with women, although the caricaturist’s attitude softened to some extent as the wars with the French went on.
As the son of a soldier who had been partly disabled fighting the French, Gillray’s depictions of the excesses of the Revolution were ferocious: one, A Representation of the horrid Barbarities practised upon the Nuns by the Fish-women, on breaking into the Nunneries in France (1792), was intended as a warning to “the FAIR SEX of GREAT BRITAIN” as to what might befall them if the nation succumbed to revolutionary blandishments. The drawing featured many roseate bottoms that had been energetically birched by the fishwives. He also found much to lampoon in his depictions of the Corsican upstart, Napoléon.
[…]
Some of Gillray’s works would pass most people by today, thanks to the much-trumpeted “world-class edication” which is nothing of the sort: one of my own favourites is his FASHIONABLE CONTRASTS;—or—The Duchefs’s little Shoe yeilding to the Magnitude of the Duke’s Foot (1792), which refers to the remarkably small hooves of Princess Frederica Charlotte Ulrica Catherina of Prussia (1767-1820), who married Frederick, Duke of York and Albany (1763-1827) in 1791: their supposed marital consummation is suggested by Gillray’s slightly indelicate rendering, in which the Duke’s very large footwear dwarfs the delicate slippers of the Duchess.
“In 1791 and 1792, there was no one who received more attention in the British press than Frederica Charlotte, the oldest daughter of the King of Prussia, whose marriage to the second (and favorite) son of King George and Queen Charlotte, Prince Frederick, the Duke of York set off a media frenzy that can only be compared to that of Princess Diana in our own day.”
Description from james-gillray.org/fashionable.htmlAll that said, this is a fine book, beautifully and pithily written, scholarly, well-observed, and superbly illustrated, much in colour. However, it is a very large tome (290 x 248 mm), and extremely heavy, so can only be read with comfort on a table or lectern. The captions give the bare minimum of information, and it would have been far better to have had extended descriptive captions under each illustration, rather than having to root about in the text, mellifluous though that undoubtedly is.
What is perhaps the most important aspect of the book is to reveal Gillray’s significance as a propagandist in time of war, for the images he produced concerning the excesses of what had occurred in France helped to stiffen national resolve to resist the revolutionaries and defeat them and their successor, Napoléon, whose own model for a new Europe was in itself profoundly revolutionary. What he would have made of the present gang of British politicians must remain agreeable speculation.












