Feral Historian
Published 15 Aug 2025Soviet science fiction is a long winding road and it starts with Alexander Bogdanov’s Red Star. Let’s start down that road.
00:00 Intro
03:15 Introducing Martian Socialism
06:35 Tektology
10:03 Crafting Communism
15:08 Mars Has Problems
19:06 Old Man of the Mountain
20:32 The Engineer Menni
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January 7, 2026
Red Star: The Dawn of Soviet Sci-Fi
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QotD: Refuting “Limitarianism”
The visible edge of economic populism — the slogans, the soundbites — often conceals an intellectual iceberg beneath: ideas inherited from defunct economists, or sometimes living ones. One such idea with deep roots is limitarianism: the belief that there should be a cap on personal wealth.
Thomas Piketty defines it as “the idea that we should set a maximum on how much resources one individual can appropriate”. Its most articulate modern advocate is Ingrid Robeyns, whose recent book, Limitarianism: The Case Against Extreme Wealth, calls for a global wealth cap, which she suggests could be set around $10 million per person.
But limitarianism rests on an old intellectual error. An error common not only on the Left but even among some classical liberals too: the mistaken division between “production” and “distribution”. The assumption is that production happens through economic forces and that distribution is purely political, so policymakers can reshape who gets what without damaging how much is created.
This assumption leads to the view of the economy as a fixed pie. If one person has a large slice, others must go hungry. As Percy Shelley put it in Queen Mab (1813), “The rich have become rich by the toil of the poor … they increase in wealth by the misery of the workers”. While that may describe life under socialism, it misunderstands how wealth is generated in a capitalist system.
In capitalism, you can grow rich by making the pie bigger: creating products, companies, jobs and innovations that benefit not only yourself, but millions of others. This insight was first observed by French sociologist Gabriel Tarde, and later expanded by economists like Ludwig von Mises and Friedrich Hayek. Tarde noted how luxuries eventually become necessities. His example was forks and spoons, once the preserve of the wealthy, now found in every home.
For our generation, consider childbirth. Queen Anne had 17 pregnancies, yet none of her children survived to adulthood. Today, even the poorest families in developed countries can expect their children to live. This transformation wasn’t delivered by committees or redistribution. It was driven by the freedom of innovators to experiment, often starting with products only the wealthy could afford.
As Hayek wrote in The Constitution of Liberty:
What today may seem extravagance or even waste, because it is enjoyed by the few and undreamed of by the masses, is payment for the experimentation with a style of living that will eventually be available to many.
Mani Basharzad, “What Zohran Mamdani Doesn’t Understand about Wealth”, Foundation for Economic Education, 2025-09-30.
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January 5, 2026
Friedman on Orwell
On his Substack, David Friedman considers some of the things that George Orwell was mistaken about in his non-fiction writings:
It cannot be said too often – at any rate, it is not being said nearly often enough – that collectivism is not inherently democratic, but, on the contrary, gives to a tyrannical minority such powers as the Spanish Inquisitors never dreamed of. (George Orwell, The Observer, April 9, 1944)
George Orwell got some things right; unlike most political partisans, he saw the problems with the position he supported. He also got quite a lot of things wrong. The quote is from Orwell’s review of two books, The Road to Serfdom by Friedrich Hayek and The Mirror of the Past by K. Zilliacus, a left-wing writer and politician. The conclusion of the review is that Hayek is right about what is wrong with socialism, Zilliacus is right about what is wrong with capitalism, hence that “the combined effect of their books is a depressing one”.
But Zilliacus was wrong about capitalism, as was Orwell, who wrote:
But he [Hayek] does not see, or will not admit, that a return to “free” competition means for the great mass of people a tyranny probably worse, because more irresponsible, than that of the State. The trouble with competitions is that somebody wins them. Professor Hayek denies that free capitalism necessarily leads to monopoly, but in practice that is where it has led, and since the vast majority of people would far rather have State regimentation than slumps and unemployment, the drift towards collectivism is bound to continue if popular opinion has any say in the matter. (“As I Please”, pp.117-119)1
The problem is that Orwell, like many of his contemporaries (and ours), did not understand economics and thought he did. Since he wrote we have had extensive experience with free competition, if not as free as Hayek would have wanted, and the result has not been the nightmare that Orwell expected. “The trouble with competitions is that somebody wins them” sounds right only if you don’t actually understand the logic of a competitive market. In most industries organizational diseconomies of scale, the effect of more layers between the head office and the factory floor, limit the size of the firm to something considerably below the size of the market for what the firm produces. In some fields, such as restaurants or barber shops, the result is an industry with thousands of firms, in some five or ten, in only the rare case of a natural monopoly can one large firm outcompete all of its smaller competitors.
The effect of free competition is not the only thing that Orwell got wrong. Consider his essay on Kipling.2 He gets some things right, realizes that Kipling is not a fascist, indeed less of one than most moderns, and recognizes his talent:
During five literary generations every enlightened person has despised him, and at the end of that time nine-tenths of those enlightened persons are forgotten and Kipling is in some sense still there.
But he gets quite a lot wrong. In arguing that Kipling misunderstood the economics of imperialism, Orwell writes:
He could not understand what was happening, because he had never had any grasp of the economic forces underlying imperial expansion. It is notable that Kipling does not seem to realize, any more than the average soldier or colonial administrator, that an empire is primarily a money-making concern.
In explaining his own view of the logic of empire, what he thought Kipling was missing, Orwell writes:
We all live by robbing Asiatic coolies, and those of us who are “enlightened” all maintain that those coolies ought to be set free; but our standard of living, and hence our “enlightenment”, demands that the robbery shall continue.3
Britain let go of its empire, starting with India. British standards of living did not collapse; by the time all of the colonies were independent, the average real wage in the UK was 50% higher than when Orwell wrote. He could not know the future but he could observe that Switzerland, before the war, was richer than England, Denmark, with no significant colonies, almost as rich, Portugal, with an enormous African empire, much poorer. Whether Britain ran its empire at a net profit or a net loss is, I think, still an open question, but Orwell’s view of colonialism is strikingly inconsistent with the observed effects of decolonization.
Economics is not all that Orwell got wrong about Kipling; he badly underestimated the quality of Kipling’s work, due to having read very little of it. The clearest evidence is Orwell’s description of The Light that Failed as Kipling’s “solitary novel”. Kipling wrote three novels, of which that is by a good margin the worst. Orwell not only had not read Kim, Kipling’s one world class novel, he did not know it existed. In a recent post I listed eighteen works by Kipling that I liked. Orwell mentions only one of them.
- That free capitalism would ultimately fail was still Orwell’s view in 1947:
In North America the masses are contented with capitalism, and one cannot tell what turn they will take when capitalism begins to collapse (“Toward European Unity“)
- Discussed in more detail in an earlier post.
- As late as 1947, Orwell wrote:
The European peoples, and especially the British, have long owed their high standard of life to direct or indirect exploitation of the coloured peoples. (“Toward European Unity“)
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January 3, 2026
Penelope vs Clytemnestra in Greek Mythology
MoAn Inc.
Published 10 Sept 2025I’m trying out shorter videos on the channel, so this is a very basic breakdown explanation. Clytemnestra and Penelope are polar opposites, and their characters bookend The Odyssey. One is seen as the best wife, one is seen as the worst. They’re supposed to be compared and contrasted in this way: Agamemnon’s homecoming to Mycenae is a warning to Odysseus about what could potentially go very, very wrong with his own return to Ithaca. There are so many fascinating ways to dissect these two women, so please don’t take this as a be-all-end-all!
Voice of Erica Stevenson, host of MoAn Inc.
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January 2, 2026
QotD: From Rousseau to Marx, Hegel to Gramsci
The fundamentals are clear enough. The New Left in America, which is the conveyor belt for everything from Representative Alexandria Ocasio-Cortez’s (D-N.Y.) Green New Deal to Black Lives Matter, can trace its genetic roots back to Jean-Jacques Rousseau, who almost single-handedly upturned centuries of Western philosophical and theological wisdom.
Instead of believing that man is fallen, fatally flawed, and prone to selfishness and evil, Rousseau denied the reality of thousands of years of human history and posited that man is inherently good. Further, this goodness could be maximized by engineering society away from individual rights and liberties, prioritizing communal good, communal needs, and the communal will.
Thus civilization built according to how man actually behaves in real life fell out of favor; and eventually, Karl Marx’s collectivist ideology predicated on the subversion of individual human souls to the common interest (as defined by political leaders) gained steam.
Like an ideological scrapbooker, Marx picked and purloined the ideas of others to build his theory. Socialism is but a temporary stepping stone towards the eventual and inevitable end-state of all mankind, the utopian “Worker’s Paradise.” Marx stole the “inevitability” factor from Hegel and his eponymous “dialectic.”
Hegel, a profoundly religious man, unlike the rabidly and militantly atheist Marx, saw the history of man as a perpetual progression, a series of qualitative improvements in our collective lot as one new idea (antithesis) impacted upon an existing idea (thesis) and resulted in an improved conceptualization (synthesis) that has more truth value than the previous two ideas combined. This progression, so Hegel believed, would increase our enlightenment, until we perceived the ultimate synthesis, the purest version of truth’s expression, which is God himself.
Marx took Hegel’s key inevitability dynamic and removed the metaphysical elements. For Marx the intangible was irrelevant. His “dialectic materialism” posits that thesis and antithesis are instead expressions of the inherent conflict within society — the clash between the have and have nots, the oppressor and the oppressed, the capitalist and the exploited workers — which will result in a final revolution permanently removing class distinction and conflict from society.
This garbage is what Karl Marx sold the world with his books Das Kapital and the Communist Manifesto. And incredibly, some people believed this rubbish. So much so that they used it as a blueprint to sabotage and subvert multiple nations around the world, starting with czarist Russia and stretching all the way to Cuba and China. But then there was a problem. In all their attempts to effect a Communist revolution west of the Russian Empire, Marx’s followers would fail. America was an especially tough nut for Marxists to crack, because of how our nation was born.
America’s Founders, knowing full well that man is fallen and tends toward the selfish and the bad, built America with a system of separation of powers and also bequeathed us a written Constitution founded not on some absurd utopian collectivist vision of society, but built upon the recognition of the liberty of the individual and the unalienable God-given rights we each possess. Despite the advent of Progressive presidents, such as Theodore Roosevelt and Woodrow Wilson, America remained staunch in its resistance to socialism. Marx’s disciples, however, were not ready to surrender.
This is where the influence of a hunchback Italian cripple comes in.
Antonio Francesco Gramsci is the ideational grandfather to all that threatens modern America and our freedoms today, from AOC’s Green New Deal to the violence of Antifa. His writings, penned in an Italian prison cell, would be leveraged by the Hungarian Jewish writer and politician, Gyӧrgy Lukacs, each sharing the same conviction: Communism had failed in established Western democracies — as opposed to the backward and mostly peasant society of czarist Russia — because these societies are too resilient and too developed. For Marxism to flourish in the rest of Europe and America, these “bourgeois” societies must be dismantled piece by piece. From the inside.
The conceptual progeny of that realization leads straight to the panoply of Democratic Party articles of belief today — from Obamacare’s unprecedented intrusion into private healthcare choices to the anti-scientific insanity of transgenderism and beyond. This isn’t a random accusation, devoid of context. It’s not some accusation floating in space. The path from Gramsci and Lukacs to Ocasio-Cortez and Rep. Ilhan Omar (D-Minn.) is a path that may be mapped historically, geographically, and institutionally.
Sebastian Gorka, “From Alinsky to AOC: Will Communism Finally Win in America?”, American Greatness, 2020-07-29.
Update, 3 January: Welcome, Instapundit readers! Please do have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.
January 1, 2026
QotD: Niccolao Manucci’s improbable early career
That sounded pretty good to the teenager, so he disembarked with Bellomont at Smyrna, made the hazardous journey across Ottoman Anatolia, thence through Armenia, and finally to the Safavid Empire, where Bellomont declared himself an ambassador from the rightful king of England and sought Persian intervention in the English Civil War (!). The Shah was horrified by the regicide and amazed that the other Christian kings of Europe had not come to the aid of Charles I,1 but gently rebuffed Bellomont’s request by pointing out that it would be quite impractical to send a large army from Persia to England.
Frustrated, Bellomont set off once again with his young charge, this time to the Mughal Empire. He got as far as the port of Surat, where he suddenly died, leaving the teenage Manucci completely on his own, thousands of miles from his home, in the middle of a civil war.
I sometimes wonder how often this sort of thing happens without us ever finding out. Perhaps history is full of ridiculous people having ridiculous adventures, it’s just that most of them aren’t Zhu Yuanzhang, or they don’t write detailed memoirs, or those memoirs are lost or destroyed before they reach us. Something like this very nearly happened to Manucci. The Venetian teenager left all alone in India not only survived, but flourished socially and financially, lived to a ripe old age, and wrote thousands of pages of penetrating social observations. His account is both the most entertaining and the most reliable history of the Mughal Empire at its zenith. Manucci had the singular talent of moving through every social circle, from the royal court to the lowest of peasants. He interacted with generals and statesmen, harem attendants, Islamic jurists, Hindu sages, elephant drivers,2 Portuguese mercenaries, eunuchs, merchants, prostitutes, common soldiers, missionaries, beggars, and even the emperor himself. There are very few cases where we get to see a premodern society laid out in all its intimate detail and from every angle, and we only missed losing this one by the barest of lucky strokes.
The story of Manucci’s manuscript is a twisting one. The original copies of his tale fell into the hands of a French Jesuit who mutilated the text — excising all the fun parts, all the personal observations, the adventure stories, and of course anything remotely critical of the Catholic Church. The resulting “edition” found its way back to India and into Manucci’s hands before his death. Naturally, he freaked out and tried to reproduce his original text from memory, sending it along with a letter of protest by sealed courier directly to the Venetian Senate. But this second copy is the work of a much older man, much farther from the stories and events described, and has numerous omissions and differences from the original.3 In 1763, the Jesuit order was expelled from France and their Paris library, including Manucci’s first manuscript, was seized by the state. It was then lost during the Revolution and believed destroyed, before turning up in damaged and partial form at an auction-house in Berlin a century later.
Countless European intellectuals have tried their hand at stitching the mishmash of fragments we have back into a cohesive whole, including a “J. Bernoulli” (yes, one of those Bernoullis, but I can’t figure out which brother it was). But everybody agrees the most successful of these efforts was that by William Irvine, a British colonial administrator and fellow of both the Royal Asiatic Society and the Asiatic Society of Bengal, who also helpfully translated the whole thing into English. Irvine’s edition has been republished many times, most recently by the wonderful people at Forgotten Books, which is how it found its way into my hands.4
Irvine is not the sort of editor who confines his remarks to a preface and some footnotes. Instead, he directly injects his own commentary inline, into the body of the text. These asides range from bracketed remarks like “[here I have deleted a coarse and obscene description]” all the way up to essays dozens of pages long containing his reflections and opinions on the text. And this is layered on top of the various modifications and emendations made by French Jesuits and Venetian scribes. All of this gives the book a meta-textual, almost postmodern feeling. It’s a bit like House of Leaves. Sometimes you’re reading Manucci, and sometimes you’re reading three nested layers of people commenting on people commenting on people commenting on Manucci. And the effect is heightened when you suddenly realize that Manucci, like the protagonist of a Gene Wolfe story, is not telling you all that he knows.
John Psmith, “REVIEW: Storia do Mogor, by Niccolao Manucci”, Mr. and Mrs. Psmith’s Bookshelf, 2025-09-08.
- Bellomont’s only real success in his mission was to completely poison the well for all future European travelers in Persia. Manucci reports that the next Englishman to visit the court of the Shah was thrown into a dungeon for disloyalty to his liege lord (a story independently corroborated by the French adventurer Jean-Baptiste Tavernier). “[The shah’s] object was to give a lesson to his own nobles as to the manner in which they should serve their king and the fidelity they ought to display, when the occasion arose, in defence of their monarch.”
- The book contains extensive discussion of how all elephants and horses that the Mughal princes might want to ride are pre-ridden by an attendant, to “loosen its stomach” and eliminate any flatulence.
- This is actually a huge simplification — there are four distinct Venetian codices, all with major differences from each other.
- I started with the Forgotten Books paperback, but halfway through the first volume I was hooked, and seeing that I had a thousand pages left to go, picked up a handsome leatherbound set from a used book seller for a song. I would normally never dream of buying a second copy of a book I already own just because it feels nicer in my hands, but you, dear subscribers, have spoiled me.
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December 30, 2025
Childhood’s End (Youtube Copyright Edit)
Feral Historian
Published 30 Jul 2024The 2015 adaptation of Arthur C. Clarke’s Childhood’s End has a lot going on. But Youtube won’t let me use clips from it, so here’s a stills-only recut covering the major points. A far superior cut is available at my Patreon page, along with a few other exclusives in what will surely be a growing collection of Youtube no-nos.
🔹 Patreon | patreon.com/FeralHistorian
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December 29, 2025
What Do We ACTUALLY Know About Homer? (Author of Iliad & Odyssey)
MoAn Inc.
Published 23 Dec 2025
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December 27, 2025
Campaign Furniture by Christopher Schwarz
I try not to clutter the blog with woodworking-related posts, as I know it’s a niche interest among my readership, but every now and again I find something I just have to share. Today, it’s a post from Lost Art Press on the book Campaign Furniture written by Christopher Schwarz:
My 2014 book Campaign Furniture is now a free pdf download for everyone. You can download it via this link (a compressed version for slower connections is available here). And customers will always be able to download it from the book’s page in our store.
I’m a fan of the book … I ended up buying two copies through Lee Valley Tools (I loaned my first copy out and it got lost in the shipwreck of a friend’s messy divorce). I like Chris’s writing style and I’ve long been a fan of Campaign furniture.
Why Do I Do This?
I get asked by fellow publishers why I offer my books for free download. “Surely you use it to gather emails to market to readers.” Nope. “Are these out-of-print books that you are using to get eyeballs on your website?” Nope. “So what’s the strategy?”
I think – as much as possible – that information should be free. I think the best hope for inspiring other woodworkers is to give them whatever they need to begin in the craft.
And, I fu&%ing hate this world we’ve created where people can’t own anything. Companies come into your house and your phone and change things or take away stuff you’ve bought. Many times they take back stuff you owned then rent it back to you.
That’s why we make books. Buy a book from us, and it’s yours. Its contents can’t be changed by some ideologue a thousand miles away. All of our digital products are free of DRM (digital rights management). That means they can’t be locked or disabled. And you can copy them onto whatever device you like.
OK, the holiday rant is over.
I hope you find something of interest in Campaign Furniture. We still use three of the pieces from the book every day in our home. Other pieces are with my kids. So my family’s love of this neglected furniture style continues.
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December 23, 2025
Vagabond by Tim Curry
Andrew Doyle reviews Tim Curry’s new autobiography Vagabond:
Tim Curry, Nell Campbell, Richard O’Brien and Patricia Quinn in The Rocky Horror Picture Show (1975)
Tim Curry is a shapeshifter. I have a childhood memory of the moment I learned that the demon in Legend (1985), the villain in Annie (1982), the butler in Clue (1985) and the cross-dressing alien scientist in The Rocky Horror Picture Show (1975) were all played by the same man. It was quite the revelation.
Curry’s protean talents have meant that as a personality he has forever remained mysterious. He rarely gives interviews – only grudgingly whenever there is a movie to promote – and fans have therefore tended to project onto this reclusive figure the persona that best fits their expectations or desires. When more insistent fans have formed an emotional bond with the Tim Curry of their imaginations, he has on occasion been forced to put them right. “I’m just a person,” he says, “and I’m not your person”.
Fans will therefore be delighted at the publication of Curry’s memoir, Vagabond, which offers fascinating snapshots from his life. The approach is episodic, with chapters devoted to particular projects in his career. As such, Curry offers us morsels in lieu of a meal. Those who are hoping for salacious anecdotes about his love life will be disappointed, because – as he rightly points out – “specifics about my affairs of the heart or the bedroom are – respectfully – none of your fucking business”. Instead, we have a wonderfully compelling account of Curry’s origins and how his philosophy of life has informed his craft.
Tim Curry as Wadsworth in Clue and King Arthur in Spamalot
His vagabond status has been well earned. As the child of a military father, he was forever on the move, and it is easy to see how these early experiences shaped his capacity to embody such a wide breadth of humanity. His first accolade came early when he was awarded the prize for the “Most Beautiful Baby in Hong Kong”. His family relocated roughly every eighteen months for the first eleven years of his life, which is why he tells us that “mutability felt like a part of my DNA”. It was the ideal apprenticeship for his future vocation.
Writing in 1817, William Hazlitt called actors the “motley representatives of human nature” who “show us all that we are, all that we wish to be, and all that we dread to be”. For his part, Curry sees the actor as the vagabond of his book’s title. “How can you trust somebody, or truly know somebody, who appears as a king one day and a jester the next? What does it mean when neither role is the true identity of the person, and when that very person might be gone the next day?” In this, he could be paraphrasing Hazlitt’s description of actors as “today kings, tomorrow beggars”, and how “it is only when they are themselves, that they are nothing”.
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December 17, 2025
QotD: The origins of Progressivism
Vladimir Lenin, I’ll remind you, once famously said “The goal of socialism is communism”. Both are political and ethical “philosophies” based on taking stuff away from those who created it or earned it, and giving it to those who didn’t — who’ll vote for you. Collectivism, which is the generic term for both of these viewpoints and every other politic-economic scam like them, is nothing more than a pathetically transparent, sleazy attempt to make theft appear respectable. It’s always easier to take away or destroy than to create or build. Stealing from others became very popular in the first half of the 19th century (“Property is theft” — Pierre-Joseph Proudhon) when it was formalized as an ideology.
From that beginning, 170 years ago, socialists began to imagine a bright, glowing, prosperous Utopian future for themselves, based entirely on theft. With every decade that passed, their physically, logically impossible fantasies became more and more real to them. It’s like the old psychiatrist joke that the difference between neurotics and psychotics is that neurotics build castles in the air, whereas psychotics move in and live in them.
The “Progressive” movement began to really blossom in the latter half of the 19th century. They were establishing socialist colonies practically everywhere. American socialist newspaper editor Horace Greeley told his readers, “Go west, young man” and to establish socialist colonies. Looking Backward, a badly-written socialist screed by Edward Bellamy and more-talented others like H. G. Wells’ When the Sleeper Wakes and The Time Machine became immensely popular. The idea of an inevitable, unstoppable socialist “wave of the future” became popular and lasted at least until I was in college in the 1960s.
L. Neil Smith, “Why They Hate Donald Trump”, Libertarian Enterprise, 2018-12-30.
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December 14, 2025
Andrea Dworkin – feminism’s anti-sex evangelist
On her Substack, Janice Fiamengo examines the life and work of Andrea Dworkin, whose influence on modern feminism is still quite strong, twenty years after her death:
A friend wrote a couple of days ago to say that he had seen shiny new copies of works by feminist author Andrea Dworkin (1946-2005) in Munro’s Books, one of Canada’s premier independent bookstores. One of the books was positioned on a shelf with the cover facing out to indicate that it was being showcased.
It is both shocking and unsurprising that Picador Books decided to reprint three of Dworkin’s texts in the past year, calling her a “prescient and visionary writer” who was “ahead of her time”. Anti-male paranoia is a sanctioned, cultivated taste more popular now, perhaps, than ever before, and Andrea Dworkin is its most notorious propagandist.
Known for her physical bulk, impassioned rhetoric, unkempt hair, and lesbian-identified overalls, Dworkin was a feminist icon in the 1980s and 90s, loved and hated in equal measure. No one did more to outline and consolidate the modern feminist understanding of sex than she, writing on the subject obsessively and with unparalleled fervor in books with titles such as Woman Hating (1974) and Pornography: Men Possessing Women (1981). The MeToo movement is almost unimaginable without the influence of Dworkin’s pronouncements.
Like other radical feminists, Dworkin wrote about rape, pornography, and prostitution, but her special focus was the degradation for women of sex itself: regular sex, the commonly accepted, normalized indignity that men allegedly inflict on women every day. Tempering her words in the white-heat of her revulsion, Dworkin became feminism’s anti-sex evangelist.
Sex, Dworkin believed, embodied nothing less than men’s hatred of everything female: “Intercourse is the pure, sterile, formal expression of men’s contempt for women” (p. 175). This is the thesis of her most representative book, Intercourse, which was first published in 1987 when Dworkin was 41 years old. Dworkin’s characterization of heterosexual sex as the ultimate enactment of misogyny has had an enduring impact on North American culture.
Intercourse set out to illuminate, through select readings of literary texts, what Dworkin believed to be a constant of male culture: the “hatred of women, unexplained, undiagnosed, mostly unacknowledged, that pervades sexual practice and sexual passion” (pp. 175-76). The phrase she most often used in the book to refer to intercourse was “the fuck”, which was meant to signify the raw dehumanization that supposedly characterized it.
Dworkin nominated herself the expert on male contempt for women because she had been its victim. “Specifically, am I saying that I know more than men about fucking?” she asked defiantly in the book’s preface, and answered, “Yes, I am […] the way anyone used knows the user” (p. xxxi).
While she also claimed in the preface that the book “does not say that all men are rapists or that all intercourse is rape” (p. xxxii), she does essentially say that, if not in quite those words. As she asserted only a page after the denial, “Intercourse conveys […] what it means that men — and now boys — feel entitled to come into the privacy of a woman’s body in a context of inequality” (p. xxxiv).
In another segment, she clarified that most, even the vast majority, of men were sexually abusive. She charged that men object to feminist criticism of pornography and prostitution because “So many men use these ignoble routes of access and domination to get laid,” that “without them the number of fucks would so significantly decrease that men might nearly be chaste” (p. 61). The implication was that men who objected to her arguments about the omnipresence of sexual exploitation were themselves sexual abusers who didn’t like the thought of their exploitation being curtailed.
This was the Dworkin who made feminists swoon with admiration: bombastic, hyperbolic, and incandescent with accusatory rage.
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A Fire Upon The Deep and the Identity Gradient
Feral Historian
Published 8 Aug 2025Vernor Vinge’s A Fire Upon The Deep would take a two-hour video to completely dissect. This is not that video. Instead, I’m looking just at the recurring ideas of collective identity and distributed consciousness. And all without a single mention of Skroderiders.
This one has been sitting around for about a year, due to lack of b-roll to cover the numerous jumpcuts due to my rambling and the rather persistent flies on that particular day. It’s a little rough, but let’s just roll with it.
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December 10, 2025
Fantasy or Sci-Fi? I Pick …
Jill Bearup
Published 28 Jul 2025Miles Naismith Vorkosigan, what have you done this time?
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Let us stop lying to children about the world they’ll have to face
Recommendations for good books intended for young readers is pretty far from my usual bailiwick, so I’ll let John Carter step in with his suggestion that Fables for Young Wolves is worth your attention:
“You should move to a small town, somewhere the rule of law still exists. You will not survive here. You are not a wolf, and this is a land of wolves now.” – Sicario (2015)
Children’s literature has gotten soft. Disney turned every woodland creature into a cute little forest friend, and tacked a happy ending onto every dark fairy tale. The bloodstains were scrubbed out, death was swept under the rug, and the moral lessons became saccharine platitudes about being kind and sharing … a helpful aid to management of kindergarten classrooms, perhaps, but worse than useless for the moral instruction of the young, who will one day need to navigate a world where the shadows of the human soul conceal sharpened knives, and the truth is not always what well-meaning young women with associates degrees in early childhood education might wish. Children go along with it, but deep down they know that they’re being lied to, that the adult are keeping something from them when they pretend that every story has a happy ending, that everyone can be friends and get along if they’re just sufficiently nice to one another.
Contemporary children’s literature has gotten even worse under the pressure of politics, with bookshelves filling with stories about antiracist babies who grow up to become boys who become girls, and girls who save themselves from dragons and therefore don’t need help from the boys who foolishly refused to become girls. This is less moral instruction than moral inversion, literature meant to turn children against their own natures, stories that deliberately deceive developing minds in order to neuter them, soften them, make them malleable and unthreatening for a managerial culture in which the socially acceptable lie is always preferable to the uncomfortable truth.
Fables For Young Wolves is not that sort of book.
Triumph of the Wolves by Ernest Thompson Seton (1892)
The stories in Fables For Young Wolves are true fables in the Aesopian tradition: tales in which animals are used as symbols for particular facets of human character, or for particular kinds of humans. Foxes are wily, crows are wise but conniving, pigs are greedy and vulgar, asses are stupid, sheep are conformist and dull, dogs are loyal but credulous.
For after being brought up from childhood with these stories, and after being as it were nursed by them from babyhood, we acquire certain opinions of the several animals and think of some of them as royal animals, of others as silly, of others as witty, and others as innocent. – Apollonius, on Aesop (quoted in the foreword).
The titular wolves around whom the fables revolve are true wolves: noble, cruel, cunning, vicious enemies to their foes but faithful to a fault to their friends, playing roles of villain, victim, and hero as each tale requires. As the most psychologically complex of the animals, they stand for everything that is highest in the human soul, and so are also suited to plumb the depths. These are not Disneyfied vegan wolves that make friends with rabbits: these wolves are hunters and killers, and unashamed of it.
Illustration by Monachvs.
Thomas O. Bethlehem‘s fables are intended, as all fables should be, to impart lessons about human nature and about the world, not as we might wish it to be but as it is, with the intent that the young reader will be guided away from bad decisions and towards the good. Many of the stories are anecdotes of a couple of pages, which communicate simple ideas about controlling your base impulses, having your friend’s back, knowing who your real friends are, the consequences of helping those who cannot be helped, and so on. Interspersed between these are longer and more psychologically complex tales which build upon well-known folk-tales such as “The Boy Who Cried Wolf”, “The Three Little Pigs”, “The Wolf in Sheep’s Clothing”, and “Little Red Riding Hood”.
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