In the above-the-fold portion of this post, Andrew Doyle points out that it’s the comedians who should be leading the charge to ridicule the excesses of the powerful, yet they shrink from their cultural duties and avoid offending those who most need to be taunted:
Holly Valance is an unlikely satirist. Yet the pop singer’s latest track, “Kiss Kiss (XX) My Arse”, takes aim directly at the pretence that human beings can change sex, and that a man need only declare himself a woman for it to be true. Upon its release the song immediately reached the top of the iTunes bestsellers chart, only to be swiftly deleted by Apple Music. Valance had committed the cardinal sin of ridiculing the establishment.
The song is based on Valance’s 2002 number one hit “Kiss Kiss”, now reworked with new lyrics for Pauline Hanson’s animated satire A Super Progressive Movie. This is the song’s opening verse:
They say that I’m a he but I’m a she,
Cos I gotta V and not a D,
And I don’t care what people say,
I’ll never be a him or them or they.
Unsubtle? Perhaps. But let’s not forget that its target is the least subtle ideology that has ever been birthed. This is satirical mimesis; the essence of parody. For Apple Music to delete the track (only to reinstate it after multiple news outlets drew attention to the deletion) surely proves Hannah Arendt’s point that the “greatest enemy of authority” is “contempt, and the surest way to undermine it is laughter”.
It is an indictment of the state of the comedy industry that pop singers are left to do the work of comedians. Television panel shows are now bland affairs thanks to the sheer lack of courage on display. The woke movement represents one of the most authoritarian, intolerant and illiberal developments in the recent western world. It demands conformity, peddles fantasy at the expense of truth, and punishes freethinkers. And yet most of today’s comedians are eager to prop it up rather than see it tumble.
They are called “regime comedians” for good reason. They have willingly turned themselves into cheerleaders for the powerful, bolstering those who have bullishly set the agenda, or – as the satirist Chris Morris once put it – “doing some kind of exotic display for the court”. It is a great shame that so many of Morris’s former collaborators now fall squarely into this category.
To put this cowardice into perspective, consider the example of the satirical magazine Charlie Hebdo. Just one year before he was gunned down by Islamic terrorists, the cartoonist and editor-in-chief Stéphane Charbonnier (known as “Charb”), was profiled in Le Monde. Was he not worried, the interviewer asked, about possible reprisals for drawing cartoons of Mohammed? For his answer, he paraphrased the Mexican revolutionary Emiliano Zapata: “I would rather die standing than live on my knees”.
If a man like Charb refused to back down from criticising an oppressive ideology – in spite of the death threats he received on a daily basis – why is it that so many of our comedians are too afraid to tackle the woke? These activists may talk tough online, but in real life they are about as intimidating as a sea sponge. While the impulse to preserve a mainstream career is understandable, it does suggest a lack of genuine vocation if that means ignoring the target that is most in need of skewering.
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What happened at the crucial, bloody, Battle of Ypres in October 1914? How did the battle come about? Why did the Germans and the British fight each other so brutally and for so long to take Ypres? What made the fighting so particularly violent? How were the British able to repel the relentless German onslaught time after time? What was the famous “Kindermord” — “the Massacre of the Innocents” — in the German army, and how true was it? And, what would be the outcome of this almighty clash?
Join Dominic and Tom as they discuss the terrible Battle of Ypres; its significance to the First World War overall, and its consequences for the rise of Hitler in Germany later on….
0:00 – Adobe Express AD
0:49 – Intro: To the Front
3:26 – The Kindermord Myth
5:02 – Race to Ypres
11:04 – The Ypres Salient
17:07 – Crisis at Gheluvelt
23:29 – Uber & Folio Society ADs
25:43 – November Slaughter
32:05 – The Langemark Legend
44:02 – Why the War Didn’t Stop (more…)
On the social media site formerly known as Twitter, The Little Platoon responds to a lamestream media report on the Amelia phenomenon:
This story was quite funny enough before it got noticed by the rickety old goblin creatures of the mainstream media.
Amelia is not a “purple-haired AI goth girl”, she is a government-created videogame character designed to teach kids that “liking the national flag” and “attending protests where that flag might be seen” makes you a potential terrorist.
That really was the extent of it. The game she comes from is extremely non-specific about the content you’ve been radicalised by. At no point do you think, “yes, I can see why this was terrorist behaviour”.
The actual storyline is not a million miles away from Winston Smith and Julia in Nineteen Eighty-Four.
So the effect is: you have this totally normal opinion that most people have? You’ve been seduced by Amelia and now the Hijabi Hero (IRONY) at Prevent is going to send you to jail.
Amelia hasn’t been “hijacked by the far-right”, she’s just a textbook example of Death of the Author.
The government wanted to have her demonstrate the dangers of online radicalisation. But because this is the British government, they made it seem cool, justified, and you’ll probably get a hot goth girlfriend out of it.
The meme works because Amelia has perfectly normal, mainstream opinions.
She can say “I like pork sausages and dogs”, like roughly 98% of British people, and this will send a certain sort of person — the government, the Anti-Extremism Lead at Generic NGO — into a full-on panic attack.
It’s about the disconnect between the values of the government and those of the people they govern. The joke is that Amelia could ever be considered “Far Right”.
(Ironically, the interviewee in this clip is just as AI-coded as the actual AI clip they play. He’d probably require fewer tokens to generate.)
Meme coins remain extremely cringe, however.
At The Hungarian Conservative, Joakim Scheffer discusses the reaction of the caught-flat-footed mainstream media as their attempts to downplay Amelia’s impact serve to increase interest and attention:
British outlets The Guardian and LBC published strikingly similar articles about Amelia in recent days, both concluding that the purple-haired goth girl, who stands against mass migration and in favour of traditional British values and culture, is, in fact, racist and fuels hatred.
The Guardian introduces Amelia as a girl “who proudly carries a mini Union flag and appears to have a penchant for racism“, before lamenting the “plethora of increasingly sophisticated AI-generated iterations” of her, including “real-life” encounters between Amelia and movie characters, “accompanied by racist language and far-right messaging”.
Since her “birth”, Amelia has indeed become increasingly popular. From an average of around 500 posts a day when she was first introduced, the figure rose to roughly 10,000 daily posts starting on 15 January, when the meme broke through to international audiences. Amelia has since reached the highest levels of the right-wing internet ecosystem, even being reposted by Elon Musk himself.
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On the social media site formerly known as Twitter, A View From Yorkshire points out that the media coverage of the Amelia phenomenon often leaves the audience with the impression that Amelia was created by some far right extremists, which clearly isn’t true:
Let’s nuke the myth properly.
Amelia was not “created by the far-right”.
She was created by the British state, funded by taxpayers, in a government-approved anti-extremism game for teenagers.
Her crime?
Questioning mass migration.
Talking about British values.
Suggesting borders, culture and continuity might matter.
In other words: centre-right, mainstream opinions held by millions of normal people.
The media response?
SCREAMING, CRYING, THROWING UP:
“FAR-RIGHT!”
“RACISM!”
“DISINFORMATION!”
Even the game’s own creators admit the game does not say questioning mass migration is wrong — yet journalists still foam at the mouth like Pavlov’s interns because the spell didn’t work.
Here’s the truth they hate:
Amelia didn’t get radicalised.
She got recognised.
People saw a perfect accidental parody of how the establishment treats ordinary dissent:
If you question orthodoxy, you’re not wrong — you’re dangerous.
If you wave a Union Jack, you’re not patriotic — you’re extreme.
If you ask questions, you need monitoring.
So people did what the internet always does when power looks stupid:
They laughed.
They memed.
They stripped the moral panic naked.
Now we’re told there’s a “highly coordinated hate network” behind it all.
Sure. Or maybe — stay with me —
people are done being lectured by institutions that despise them.
A cartoon goth girl didn’t expose extremism.
She exposed how fragile the narrative really is.
If a meme breaks your ideology,
your ideology was already on life support.
The Amelia memes do seem to be getting under the skin of certain members of the government:
Amelia is a girl of many talents:
Epochalypse
Published 24 Jan 2026
An absolutely beautiful song covered by Amelia ❤️
A UK anti-extremism educational game called Pathways, faced significant public and media backlash.
The game, developed by SOUK in coordination with the Hull City Council and East Riding of Yorkshire Council, was designed to educate students about the dangers of online radicalization.
How the Game Backfired
Antagonist’s Popularity: The game’s primary antagonist, a teenage girl with purple hair named Amelia who held nationalist views, was intended as a cautionary figure. However, she was ironically embraced by some online communities and became a viral meme, with users finding her “goth baddie” design and character more interesting and relatable than the non-binary protagonist, Charlie.
Criticism of Content: The game was widely criticized by media outlets, including The Telegraph and The Spectator, as “clumsy” and “overtly manipulative”. Critics argued that the game effectively suppressed free speech by suggesting characters who questioned immigration policies should be reported under the UK government’s “Prevent” counter-terrorism strategy.
Portrayal of “Research”: The game’s narrative structure suggested that “researching” information online could be harmful, as it might lead to “intaking a lot of harmful, ideological messages”, which also drew criticism.
Ultimately, the attempt to create an effective anti-extremism tool had the opposite effect in many online circles, with its intended villain becoming an ironic symbol for anti-illegal immigration sentiment.
#amelia #pathways #memes #patriotism
Kimberly Steele disgrees with the characterization of Amelia as a “tulpa” (which I think I first saw advanced by John Carter at Postcards From Barsoom) and argues that she’s actually an “egregore” instead:
Amelia crossing paths with Harry Potter and the gang, very appropriate for this essay
In rides fantasy Amelia to the rescue, a digital Joan of Arc to galvanize the lumpen male proletariat into action against leftist groupthink oppression. Her flame burns hotter than the tradwife because she is not a deferential, docile, opinionless mirage waiting for her man to do all the the heavy lifting. Instead of modeling crusty tropes from the 1950s in a housedress, she mouths off to Mohammed in a miniskirt. She champions sensible norms that middle aged people like me took for granted back in the day. She is an advocate of schoolgirls being able to walk down the streets of Liverpool without being acid attacked or drug into fenced areas to be assaulted. She suggests Britain is for the British and that it should not be handed over to the same hordes that have been trying to overrun it since before the Middle Ages. She suggests that men on all sides rise up and outgrow Puer Aeternis — to the invaders, she insists that they cease their infantile dependence routines and go back and fight for their own country on their own soil. To the white native islanders, she suggests they grow a set and defend their nation while it still stands. Nothing that Amelia wants or espouses is extreme. She is a middle-of-the-road pundit who could run for office on a moderate platform (or what used to be considered moderate in my day before everything in the middle was categorized as far-right) and win. She’s not exactly Hitler, no matter what the leftie pearl clutchers claim.
If only she was real. Amelia has been called a tulpa, which is a Buddhist term for a thoughtform that is forced into existence and made to do tasks, much like a Jewish golem without the clay and awkwardness. I don’t think Amelia is a tulpa. She is nobody’s bitch and she was not created on purpose. Instead, Amelia is an egregore. Imagine your old school mascot was a giant, anthropomorphized tiger. Perhaps there was a person who dressed up as a big, striped cat for games every now and then. Now imagine that your mascot became extremely popular across the world and every sports team adopted him as their mascot too. Now imagine that your big tiger began appearing randomly in the nightly dreams of people who were very into sports, and then after a few years, non-sports fans. Tiger fan fiction was inspired by the egregore. Tons of giant tiger merch was sold both at games and in regular stores. Imagine if chick lit writers wrote ghastly bestiality porn about the giant tiger, and entire genres of tiger man erotica bubbled up online. You would begin to think perhaps there was consciousness behind the tiger man image, and if you did think such odd things, traditional occultists would take your side of the conspiracy theory.
An egregore is a shared image that gains its own consciousness. Any given novel’s character is essentially alive, gaining his/her/it’s own consciousness, ego, and world. […]
Amelia says what men cannot say, and it is good because she does it in a way that is unsquelchable and eternal. She is bad because she is yet another symptom of provisional living. On the plus side, she makes toxic liberal women super mad because unlike a real girl, they cannot tear her down or cast her out of the longhouse/take her ability to make a living away in order to force her compliance. She highlights all of their shortcomings without having to try, and that is why she will have much hate projected upon her. Their evil eyes gaze into the digital mirror. This force may be enough for them to completely self-destruct, given enough time and distance.
There are some men who see Amelia as some kind of savior. If you are one of them, let me assure you she is not going to save anyone any more than Pepe the Frog. If you want to save and be saved, please go outside. Be with the sky and the trees, and don’t feel you have to pick up a fishing pole, soccer ball, or a toolbox to be out there. When you do come back inside, instead of turning on the dopamine drip and immersing yourself in the antics of fantasy girlfriends or dreaming about invading Haiti, please use the internet to learn manly skills. My husband, whose father was largely absent before he divorced my husband’s mother when my husband was 12, taught himself nearly all of his considerable skills via books and the internet. If you are a visual learner, the internet holds a treasure trove of knowledge. For those would be warriors who are not currently serving or who will never serve in the armed forces, please go out and defend real girls on the streets from the monsters, creeps, and traffickers who make it impossible to feel safe as a female. Where are the men willing to watch the streets and to at least threaten various immigrant scum with retribution for their terrible behavior? Where are the volunteer neighborhood patrols that ensure women and children can walk to and from school without being harassed? In the stranger danger/Satanic Panic 80s, we had a thing called Neighborhood Watch where you would put a blue star in your window so any little kid who felt threatened could knock on the door and find a safe house. Where are the blue stars? Where are the boys with baseball bats? Go out there and defend your country. Do it for Amelia.
Update, 28 January: Welcome, Instapundit readers! Have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.
Tasting History with Max Miller
Published 1 Aug 2025
A brew of barley, licorice, figs, and sugar
City/Region: France Time Period: 1393
The myth persists that everyone was drunk in the Middle Ages because no one drank water, only alcohol. While many people preferred to drink ale, wine, or mead, people drank water all the time. Having a source of fresh, clean water was the basis of the location of many cities and towns.
Clean water isn’t just an issue of the past, either. Today, 1 in 10 people don’t have access to clean water. For the month of August, I’m joining thousands of creators across the internet to form Team Water with the goal of raising $40 million to supply 2 million people with clean water which will flow for decades. You can support Team Water by donating at teamwater.org, or by watching and sharing the episode for this recipe. I’ll be donating all of the ad revenue from this video to Team Water!
This sweet tisane is an herbal tea made with barley, licorice root, figs, and sugar. I really enjoyed it, even though the flavor of the licorice and figs didn’t come through. It kind of reminds me of the milk after you’ve eaten a bowl of Raisin Bran, which I like.
Sweet tisane.
Take some water and boil it, then for each septier of water add one generous bowl of barley — it does not matter if it is all hulled — and two parisis’ worth of licorice; item, also figs. Boil until the barley bursts, then strain through two or three pieces of linen, and put plenty of rock sugar in each goblet. The barley that remains can be fed to poultry to fatten them.
— Le Ménagier de Paris, 1393
As a child of postwar England, I found that there was no love lost for the Germans. So I set out to find that lost love. I don’t remember how many times I encountered unthinking hostility towards them, but it was often enough to make me think there must be something to be said for them.
“Don’t let’s be beastly to the Germans,” Noël Coward had jeered in 1943. “It was just those nasty Nazis who persuaded them to fight.” It hadn’t been true then, of course, and the wartime generation still hadn’t quite forgiven the Germans, not only for their crimes against humanity, but for bouncing back faster than the British in the 1950s.
Erhard’s “economic miracle” had rubbed salt in the wounds of a nation that had sacrificed its status as a great power in order to save Europe. And now that same Europe had cold-shouldered the British, excluding us not once but twice from their new “economic community”. In the 1960s and 70s it was often the British, not the Germans, who felt despised and rejected. After 1966, Germanophobic football fans would chant “Two world wars and one World Cup”, but that was mere bravado. Everyone knew that the boot was now firmly on the other foot — and in many British eyes, it was a jackboot.
The 17 year-old Al Stewart played electric guitar in a dance band in Bournemouth in 1963. When he borrowed an acoustic and sang “Masters Of War” in the break, he heard the sweet sound of applause. The next night he played three Dylan songs and sensed which way the wind was blowing. He talks here about moving to London, playing at Bunjies and becoming the compere at Les Cousins as his now 60-year career began to lift off. And about his Farewell Tour which kicks off in the UK in October 2025, a combination of songs and story-telling coloured by two great heroes, Peter Ustinov and Alistair Cooke.
This cracking exchange steers by way of Bert Jansch, Bob Dylan, Helen of Troy, Stalin, Hitler and the Battle of Moscow, the Weeley Festival of 1971, the three songs he always plays, the young Cat Stevens and what he told Paul Simon he should do with the just-composed “Homeward Bound”.
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On his Substack, Fergus Mason talks about the new Queen of English Resistance, Amelia:
Amelia, the new queen of the British right.
Independent journalism is a pretty grim business right now. Writing about the state of our poor broken country can be soul-destroying. Good news is thin on the ground; new calamities seem to arrive daily, either a fresh atrocity committed by an illegal immigrant or some new Labour assault on our freedom. So it’s nice when something a little more light-hearted comes along — even if it does make some serious points, too.
A couple of weeks ago the media started reporting a new online game funded by Prevent, the government’s (completely dysfunctional) department for diverting people away from extremism. Commissioned by Hull City Council and produced by “creative social enterprise” Shout Out UK, the game — called Pathways — is intended to “Encourage learning about the concept of extremism and radicalisation through the process of choice and safe exploration”.
As games go, this is a spectacularly dull one. Players choose a character, from a very limited selection — there are two, one male and one female, but they’re both called Charlie and use they/them pronouns. They then have to navigate their character through a series of scenarios, answering multiple-choice questions. The idea is that if you give the “wrong” answers you’ll get referred to Prevent, but it soon becomes obvious that almost any answers will get you referred to Prevent. The constant theme is that there are approved views and ways of acting — which don’t, for example, include doing research to find out if something you saw on the internet is true or not — and that, if you deviate from this, the state will step in to “support” you. A lot of this support looks suspiciously like re-education:
[…]
Of course, if you know much about the online right, you’ll probably see the problem already. As one stunned Reddit user commented, “Wait, are you telling me they made the cute goth e-girl the ‘racist’? Do they understand how the internet works?”
Well, they certainly do now.
The Daily Telegraph published an article about Pathways on 9 January, bringing the game to public notice. That same day, X user Bovril-Gesellschaft posted “I think I’m in love with Amelia”. It seemed many other right-wingers were too, because within hours Amelia memes were appearing in large numbers. Mostly produced with AI, these depicted Amelia in a wide range of styles (probably reflecting their creators’ personal tastes), but all featured her purple hair and most stuck with the outfit of a pink dress and purple hoodie or cardigan the game depicted her in. Images ranged from cartoons in the style of the original game to photorealism. […]
There’s a lot to laugh about in this. For example, brightly coloured “danger hair” has generally been the hallmark of women on the far left. Amelia subverts this by giving our new heroine her distinctive purple bob. Will we see the pro-Hamas nuts and trans cultists abruptly return to natural hair colours to dissociate themselves from Amelia? That would be funny.
YouTuber Tweedy Misc released what he believed was the first attempt to discuss Watneys Red Barrel, the infamous British beer that triggered the founding of the Campaign for Real Ale (CAMRA). His video didn’t show up in my YouTube recommendations, but a later AI slop video that clearly used Tweedy’s video as fodder did get recommended and I even scheduled it for a later 2am post because it seemed to be the only one on the topic. I’m not a fan of clanker-generated content, but I was interested enough to set my prejudices aside for a treatment of something I found interesting. Tweedy’s reaction video, on the other hand, did appear in my recommendations a few weeks later, and I felt it deserved to take precedence over the slop:
And here’s the AI slop video if you’re interested:
Dear Old Blighty
Published Dec 20, 2025
Discover how Watneys Red Barrel went from Britain’s biggest-selling beer to its most hated pint in just a few short years. This video explores how corporate brewing, keg beer, and ruthless pub control nearly destroyed traditional British ale, sparked a nationwide consumer revolt, and gave birth to CAMRA. From Monty Python mockery to boycotts in local pubs, Watneys became a national punchline and a cautionary tale in business failure. Learn how one terrible beer accidentally saved British brewing culture, revived real ale, and reshaped how Britain drinks forever.
What extraordinary events saw the French — already on the brink of defeat — take on the formerly formidable German army in a remarkable counter-offensive on the 4th of September, in France, in a clash that would later become known as the Miracle on the Marne? Why was this such a decisive moment in the events of the First World War How did it relate to the famous Schlieffen plan? Did it really see the French charging into battle in Renault taxis? And, why did it become one of the most legendary moments in all of French history? (more…)
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Was Dresden a war crime or a late-war military decision made in cold blood? The firebombing of Dresden (13–14 Feb 1945) remains one of the most infamous episodes of the WW2 history: a firestorm, a shattered city, and a death toll that still sparks argument today.
But most of what “everyone knows” about Dresden is wrong. In Part 1 of this two-part series, you and I will dig into the real reasons Dresden became a target. We also ask the uncomfortable questions: Was Dresden an “innocent” city? How Nazi was it? And what does Dresden reveal about the logic — and limits — of strategic bombing? And because this is my video and I’ll do as I damn well please, we’ll also do a quick overview of nearly 1,000 years of history, because why not. Thus in this you will also get the Northern Crusades, a discussion of pottery, a smattering of Central European history and long discussion of how the Nazis subverted power and used it to abuse people whilst being wildly incompetent at the basics
00:00 – Start
04:39 – Part 1 – A Brief History of Everything in Central Europe
17:36 – Rise of the Nazis and the Nuremberg Laws
30:25 – Military and Industrial Dresden
34:03 – Failure to Prepare for War
40:37 – How did it become a target?
52:37 – Survivor’s Club (more…)
In Spiked, Fraser Myers says that British Prime Minister Keir Starmer fully deserves to be humiliated over his give-it-all-away negotiations for the Chagos Islands, which includes the strategic naval base at Diego Garcia:
In the middle of that map is Diego Garcia, British Indian Ocean Territory and home to one of the most strategic airfields and anchorages on the planet. […] The red circle is 2,000 nautical miles from the island. The purple circle is 1,150 nautical miles, roughly the distance from London to Malta, that represents the distance from Diego Garcia. That circle is also the distance from Diego Garcia to the island of Mauritius. Caption and image from CDR Salamander.
With the assistance of the brightest and best of the UK Foreign Office, the Labour government agreed to an arrangement that would hand over territory containing an Anglo-American military base to an unfriendly country, condemn its former inhabitants to permanent exile, and pay tens of billions of pounds for the pleasure.
I’m talking, of course, about Chagos (officially, the British Indian Ocean Territory), which has briefly caught the attention of the world’s most powerful man. This morning, amid a flurry of Truth Social posts about his designs on Greenland, US president Donald Trump’s gaze briefly alighted on this small, tropical archipelago on the other side of the planet. And he did not hold back in his criticism of Britain’s plans: “Shockingly, our ‘brilliant’ NATO Ally, the United Kingdom, is currently planning to give away the Island of Diego Garcia [the largest of the Chagos Islands], the site of a vital US Military Base, to Mauritius, and to do so FOR NO REASON WHATSOEVER”, he wrote. “The UK giving away extremely important land is an act of GREAT STUPIDITY”.
Trump’s reaction has widely been described as a major about-turn. But, in truth, his team has veered all over the place on the Chagos question. In October 2024, when Starmer initially agreed to hand over the islands, Marco Rubio, then still a US senator for Florida, reportedly warned that this would allow “Communist China” to spy on the US Navy, given Mauritius’s alliance with China. Yet in February 2025, when Starmer visited the Oval Office, the US president said he was “inclined to go along with” the UK’s proposals. And by May, when the deal was signed between the British and Mauritian governments, Rubio, by now US secretary of state, welcomed it. He claimed that Trump himself had “expressed his support for this monumental achievement”, hailing the deal that would cede sovereignty to Mauritius, while Diego Garcia would be leased to Britain for the next 99 years.
Of course, Trump’s motivation for bashing Starmer’s deal now has little to do with the Chagos Islands themselves. The real prize for the US president is in a different hemisphere entirely, as he freely admits. In a bizarre non-sequitur, the US president’s Truth Social post goes on to say that the Chagos deal is “another in a very long line of reasons why Greenland has to be acquired” by the US. This smackdown over Chagos, this attempt to humiliate Starmer and Britain on the global stage, is clearly part of Trump’s broader pressure campaign against the European powers, in his bid to seize Greenland for the US.
Nevertheless, it really should not have taken Trump’s intervention to put the brakes on the dreadful Chagos deal. Whichever way you spin it, this arrangement has never been in Britain’s national interest, nor the interests of the Chagossians who call the islands their home. It poses a risk to Western security interests, handing sovereignty over a territory, where almost 400 UK and US troops and 2,000 contractors are based, to a country that’s allied to China. The cost of leasing back Diego Garcia from Mauritius is also eye-watering. Although the Labour government tried to present the cost as just £3.4 billion, the true figure is believed to be 10 times as much, at around £34.7 billion.
So what on Earth possessed Starmer to sign up to such a risible deal? What leverage was a tiny island like Mauritius able to gain over Britain?
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In Spiked, Rakib Ehsan discusses the recent efforts by the governments of some Gulf states to limit potential radicalization of their own people by reducing support for students attending British universities:
Flag of the United Arab Emirates (UAE)
In yet another blow to Britain’s reputation on the global stage, the United Arab Emirates (UAE) has curbed state funding for its citizens seeking to enrol at UK universities, over concerns they will be radicalised by Islamists.
As reported in the Telegraph last week, the Gulf state has taken this drastic step because of the influence in the UK of the Muslim Brotherhood – a transnational Sunni Islamist organisation, which is a designated terror group in the UAE. It is also banned in Egypt, Saudi Arabia and Jordan. The UAE has long offered Emirati students generous grants – including rent and living allowances – for studying “priority” subjects at British universities. These scholarships have now ended because, according to a source quoted in the Telegraph, “the UAE doesn’t want its kids to be radicalised on campus”.
This is not the first time that the UK has been embarrassed for being a soft touch on Islamism by a Muslim country. In January last year, the UAE placed eight UK-based organisations on its local terror list on the grounds of their alleged connections to the Muslim Brotherhood. Most of these entities, which range from property firms to video-production outlets, are registered in London. Then, in April, the head of the Muslim World League, Saudi Arabia’s Sheikh Mohammad bin Abdulkarim al-Issa, warned that the UK should treat poor integration as a national-security issue. He said that young British Muslims had grown disillusioned because of conflicts in the Middle East, advising the UK that “a political situation outside should not interfere with integration inside”.
The UAE’s latest decision should hardly come as a surprise. Indeed, for some time, British universities have embraced the very extremism that Muslim-majority countries have long sought to root out.
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On the social media site formerly known as Twitter, Ezra Levant explains the various jobs Mark Carney has held compared to what many Canadians think he’s done:
Laura Stone @l_stone Unifor President Lana Payne calls China EV deal “a self-inflicted wound to an already injured Canadian auto industry”. Says providing a foothold to cheap Chinese EVs “puts Canadian auto jobs at risk while rewarding, labour violations and unfair trade practices”. #onpoli
I think there’s a misconception amongst Canada’s chattering classes that Mark Carney is an experienced and successful businessman and executive.
He wasn’t. He wasn’t CEO of Brookfield. He was its chairman, overseeing quarterly board meetings and spending the rest of his time flying around to different globalist conferences at the UN or WEF.
He was more of a mascot, a symbol, an ambassador of Brookfield. He didn’t negotiate deals or turn around companies. He did photo-ops.
Before that, he worked at the Bank of England, and before that, the Bank of Canada.
No Googling: can you name a single actual duty of that job? Can you tell me what Carney actually achieved?
He wafted up from fake job to fake job — like Justin Trudeau did, but instead of being a surf instructor and a substitute teacher, he had meaningless executive jobs.
And now when it’s time to shine … he doesn’t know what to do.
It’s been a year, and he has no deal with Trump, despite saying that was his chief focus.
What exactly did he achieve in Beijing? The tariffs against Saskatchewan were lifted — so that merely brings us back to the status quo ten months ago. Nothing else. No investments in Canada, which was the pretext of the trip. Just a capitulations, to allow the dumping of 49,000 Chinese EV cars, with their spyware and malware.
But he looks good in a suit and says ponderous words like “catalyze” and “transformative”. And that’s enough to impress the Parliamentary Press Gallery. Not that they needed much impressing — they’re all on his payroll already, through his massive journalism subsidies. They’re too busy holding the opposition to account to take notice of this latest disaster.
But the regime media shouldn’t feel too bad about being conned. Carney tricked Doug Ford pretty good, didn’t he?
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At Postcards from Barsoom, John Carter looks at the most amazing political own-goal I’ve encountered in a long, long time:
Somewhere in the suffocating fog of the unhappy and restless Yookay, a minor functionary of the government’s behavioural shaping bureaucracy is staring at her computer screen in appalled alarm at the horror she’s accidentally helped to summon from the churning depths of the Immaterium.
Shout Out UK, which describes its mission as “countering disinformation through political and media literacy”, released a “visual novel” called Pathways, subtitled “navigating the Internet, gaming, and extremism”. The game itself is of course terrible, a ham-fisted “teaching aid” intended to remind British teenagers that even innocuous and entirely peaceful activities – downloading memes, speaking your mind, watching videos, researching things for yourself, attending rallies – will complicate their lives if they draw the concerned and empathetic eye of the managerial state, which after all just wants what’s best for them.
Prevent, if you haven’t heard of them, are a group of government-funded busybodies whose remit is to prevent extremism via early intervention, catching impressionable youth before they can be radicalized. The organization was nominally started to deal with Islamic terrorists, but in recent years it has focused on the “right-wing extremism” of the native British to the exclusion of all else. The Southport butcher Axel Rudakubana, for instance, was referred to Prevent multiple times for his open glorification of white genocide, which Prevent ignored completely.
The player can choose either a male or female character, both of whom are amusingly and awkwardly referred to with they/them pronouns, with grammatical abominations such as “Charlie decided to look for themselves” sprinkled throughout. The character is then placed in a series of scenarios and made to choose between good and bad options: downloading extremist content or telling an adult; agreeing with a classmate that ethnic minorities are being shown favouritism at the expense of native youth vs clapping back at her unconscionable bigotry; watching a video and reading more about the subject or ignoring it; accepting or refusing an invitation to join a secret group chat; attending an anti-immigration rally or staying home. If you make the bad choice, a little “extremism meter” goes into the red.
[…]
If you want to play the game for yourself, your best bet is probably to download the archived version of the Government Approved Goth Girl Dating Simulator. I was able to play it a week ago, but since then it gets stuck on the loading screen, which at first I thought was because they’d taken it offline, but is probably just because Shout Out UK has gotten DDOSed by an entirely unexpected surge of interest in their execrable product (or maybe it’s just that the Shout Out UK website has a dead link on its page, as after poking around a bit on their website I was able to find one that works). Alternatively, you can find most of the screenshots archived here.
Had it not been for one unfortunate creative choice made by the development team, no one would have taken any notice of Pathways. It would have been one of countless cringe-inducing training aids churned out by regime-adjacent quangos cashing in on the flood of taxpayer lucre sluicing through the DEI-and-disinformation industry. But for some reason, which can be explained only by a calamitous failure on the part of Shout Out UK to develop an accurate theory of mind for their target audience, the creators of Pathways decided that it would be a great idea to cast the awful bigot leading the protagonist step by step to his ideological doom in the form of a cute alt girl, thereby sending the message that embracing right-wing extremism will give you a shot at getting a manic pixie dream girl gf.
Update, 18 January: Welcome, Instapundit readers! Have a look around at some of my other posts you may find of interest. I send out a daily summary of posts here through my Substack – https://substack.com/@nicholasrusson that you can subscribe to if you’d like to be informed of new posts in the future.
