World War Two
Published 8 Aug 2022The typical image of the French Resistance is of a man, beret at an angle, cigarette hanging from his bottom lip, captured MP40 across his chest. But one of the most successful resistance leaders is a woman – Marie-Madeline Fourcade. And right now, the Germans have her on the run!
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August 9, 2022
The Never Ending Failures in France – WW2 – Spies & Ties 21
August 8, 2022
The British left briefly rediscovers an interest in free speech … no, wait, they’re back to loving Big Brother again
In Spiked, Tom Slater recounts the brief moment last week that the great and good of British left wingers found nice things to say about freedom of speech. A very brief moment:
The British left – or what passes for it today – briefly pretended to care about free speech this week. Which was kind of cute. It was all sparked by Tory leadership no-hoper Rishi Sunak’s bonkers suggestion that people who “vilify” Britain should be put on the Prevent anti-radicalisation programme, alongside all the Islamists and fascists. “Who are the real snowflakes?”, thundered one left-wing commentator. “Fascism creeps ever closer”, warned Richard Murphy, a one-time adviser to Jeremy Corbyn, as he wondered out loud if he might soon end up in “some camp of Sunak’s choosing for ‘re-education'”.
This is probably the meme that Darren Brady posted which drew the attention of Hampshire Police’s crack “hurty words and pictures” squad last week.
Such principled expressions of horror, over an insanely authoritarian policy that almost certainly will never be implemented, might have had a bit more weight had the exact same people not studiously ignored a very real incident of state censorship – and attempted re-education – that went viral last week. I’m referring, of course, to Hampshire Police’s arrest of 51-year-old army veteran Darren Brady, all because he posted an offensive meme, which arranged four “Progress Pride” flags to resemble a swastika – a clumsy commentary on the authoritarianism of the contemporary LGBT movement.
The details chillingly echo Richard Murphy’s tweeted fever dream. Reportedly, the police had visited Brady 10 days before they tried to arrest him, informing him that he had committed an offence by posting the flag meme. They offered him a deal: pay for a £60 “community-resolution course” and they’d downgrade his offence to a “non-crime hate incident”, which would still appear on an advanced background check. Brady refused and contacted Harry Miller, leading campaigner against thoughtpolicing, who was present at the arrest and spent a night in the cells himself for trying to obstruct the cops. Going by the footage, now seen around the world, the (several) officers who attended Brady’s home had no idea what offence he was supposed to have committed, saying only that he had “caused anxiety”.
So, state censorship? Yep. Threats of re-education? Yep. The police showing up at someone’s door for no other crime than expressing an opinion? Big yep. Just because it was done in a Keystone Cops sort of fashion doesn’t make the treatment of Brady any less sinister. And yet there hasn’t been a peep of protest from the left-leaning intelligentsia. The armed wing of the state is going about harassing and arresting people purely for upsetting someone on the internet. And yet the people who pass themselves off as liberal, progressive, radical even, are clearly not the tiniest bit bothered about it.
Brady isn’t an isolated case, either. Britain is fast becoming a warning to the Western world about “caring” censorship, about trying to quite literally police “hurtful” speech. According to one investigation, nine people a day are arrested in the UK over offensive things they post on the internet. On top of that, more than 120,000 people have had so-called non-crime hate incidents recorded against their name. These alleged incidents needn’t be investigated or even be credible to be recorded. So much so that an Oxford professor once managed to get a hate incident recorded against then home secretary Amber Rudd, for a speech she gave about immigration that he later admitted he hadn’t even listened to, let alone witnessed in person.
Barbarian Europe: Part 6 – The Birth of England
seangabb
Published 4 Aug 2021In 400 AD, the Roman Empire covered roughly the same area as it had in 100 AD. By 500 AD, all the Western Provinces of the Empire had been overrun by barbarians. Between April and July 2021, Sean Gabb explored this transformation with his students. Here is one of his lectures. All student contributions have been removed.
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Boring British politicians
Katherine Bayford compares the last set of cabinet ministers appointed by lame duck PM Boris Johnson with some of the Parliamentarians of the 20th century … and it’s difficult not to feel nostalgic for a past Golden Age at Westminster:

Prime Minister Boris Johnson at his first Cabinet meeting in Downing Street, 25 July 2019.
Official photograph via Wikimedia Commons.
One of Boris Johnson’s final, whimpering acts of power in his premiership was to appoint a new cabinet. Fatally wounded by a team of ministers made up of those with little charm, intelligence or experience, who was actually left for Boris to replace them with?
A veritable who’s-that of the worst unknowns that can be found down the side of parliamentary benches was swiftly conscripted in. I tell a lie — Johnny Mercer MP achieved mild public recognition for defending elderly soldiers accused of war crimes and getting very angry at certain risqué insinuations made in the comments section of the Plymouth Herald.
[…]
There is nothing unusual about this class of minister, however. They are representative figures: dim, without verbal sparkle, frequently light on narrow policy insights and wider understandings of social and economic history. The median British politician has been like this for decades now. Tony Blair would bemoan the shoddy material he had to work with at every reshuffle, and David Cameron likewise found himself struggling for a front bench neither too hateful nor too stupid. The difference in political acumen and sophistication from the most forgotten of ministerial interviews from fifty years ago reveal a steep decline in both the eloquence and elegance of our politicians.
Perhaps the 20th century spoiled the voting public. Pick any decade and you will discover frontline politicians with vast hinterlands. Harold Macmillan recited Aeschylus — in the original Greek — whilst lying shot in the trenches. Enoch Powell rose from private to brigadier during the Second World War, after becoming the youngest professor in the empire. When Winston Churchill was attempting to stay solvent in the face of decades worth of excess, he maintained financial buoyancy by being the highest-paid journalist in the world. Publishers adored him. He could be trusted to write a million-word definitive biography of his relative, the first Duke of Marlborough. Roy Jenkins would in turn distinguish himself as a biographer of Churchill — as well as Gladstone, and the Chancellors of the Exchequer at large. Second-hand embarrassment is the only proper response when comparing such authorial endeavours to Boris Johnson’s biography of Churchill.
It’s not a matter of our politicians not being able to write anymore. Compared to the recent past they can barely speak. Political debates have succumbed to an entropic, deadening mediocrity. Recent discourse between a patronising, bland Sunak and a po-faced, blank Truss was not a nadir: it was standard fare.
Look upon this 1970 debate between Jenkins and Powell. Both men hold articulate and intelligent positions, arguing intricately and considerately, with a commitment to truth rather than point-scoring. They agree where relevant and have an ability to articulate clearly and fluently. Half a century on, political debate of such quality seems unrealisable. When watching vintage ministerial debates, the viewer is struck by the level of knowledge and attention that the speakers assumed their audience would possess, whether on the finer points of tackling inflation or whether IRA bombers deserved to the death penalty.
The slightest glance at cabinets fifty years ago demonstrates a far higher set of standards and abilities than those found today. Harold Wilson — always keen to consolidate as much power as possible — nevertheless packed his cabinet with the best and brightest, even if he kept them in positions in which they wouldn’t be able to outshine him. Wilson himself was a subtle and clever debater, not above using cheap PR tricks (such as his much-perfected pipe smoking) but always as a tool to realise his political vision.
Mediocrity requires mediocrity in order to survive. When judged against excellence — or even simple competence — the insufficiencies of today’s politician become intolerable. It is this which leads the public to distrust politicians more than their policy choices.
August 7, 2022
Legendary British gunmaker Holland & Holland, now a Beretta subsidiary
In The Critic, Patrick Galbraith talks to the current head of the Beretta company, which took over Britain’s Holland & Holland:
On the steps up to the blue door a man in a faded red tracksuit leans on one of the stone pillars in the Monday morning sun. All down Jermyn Street windows have been thrown open and flags above shop doors hang still in the heat.
I knock three times then push a bottle of Sudafed up my nose, squeeze twice, and lick at the bitter liquid as it runs over my lip. I was 20 before I ever experienced hay fever. I was fishing somewhere I shouldn’t have been when it first hit. I’ve not enjoyed June much since.
When I get up there, Franco Gussalli Beretta is sitting in the middle of the room in a puddle of sunlight: blue suit, thick grey hair, and a trio of arrows on his big silver belt buckle, the logo of a business established by his ancestor in Lombardy almost 500 years ago.
The earliest documented order was from the Venetian Republic for 185 barrels: “296 ducats made payable to Bartolomeo Beretta”. Fifteen generations later, Franco oversees the production of 1,500 guns a day, from grenade launchers to the ubiquitous “Silver Pigeon”, probably the most popular shotgun in the world.
The current generation are aggressively acquisitive. In recent years they’ve bought a German optics firm, a Finnish rifle manufacturer, and an American company that makes replicas of the sort of weapons that won the West — my own cowboy costume has been too small for some time.
Then, last February, Beretta made their boldest move yet by buying Holland & Holland, the finest gunmaker in London. Franco is a likeable man: he speaks at twice the volume he needs to and he laughs more loudly still. He loves cars and art and boats, and he admits that the day there’s a Beretta running the business who isn’t passionate about guns will be the day it all goes bang. What Holland & Holland needs, he reckons, is innovation.
British gunmakers have been stuck in the late nineteenth century for over a hundred years now and it might just be that Franco has the coglioni to make it new. We talk for half an hour and then as I’m standing to go, Carlo walks in — nonchalant at 25, a black t-shirt, dark sunglasses and jeans. Bartolomeo’s 16 times great-grandson. Franco gestures towards him and asks if I have any questions for the boy. Carlo talks to me briefly about NFTs but then tells me the real struggle is going to be a political one. He wants to make the world understand that hunting can be part of conservation. “And do you hunt?” I ask, thinking we might swap rabbit recipes. He shakes his head and tells me that as crazy as it sounds he doesn’t get out very much: “In Italy, young people don’t hunt so much anymore.”
Allied Tidal Wave in Romania – WW2 – 206 – August 6, 1943
World War Two
Published 6 Aug 2022The Allies bomb the Romanian oil fields, a major Axis source of oil, but it does not go well for the attackers. They do advance in both Sicily and the Solomon Islands — where a future President has one heck of an adventure, and in the USSR a huge Soviet counteroffensive begins, taking Belgorod after just a few days and threatening Kharkov.
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Making an International Standard Cup of Tea
Tom Scott
Published 9 Apr 2018As far as I can find, no-one has actually made a International Standard Cup of Tea — ISO 3103 or BS 6008 — for the internet before. Lots of people have talked about it, but that’s easy. Making one? That requires precision … and some specialist equipment.
You can buy a professional tea tasting set from this Amazon UK affiliate link: https://amzn.to/2qfbxyr
Thanks to Morag Hickman for letting me borrow her workshop for last-minute filming! She makes beautiful jewellery, like ring-keepers, dragon necklaces and rings that looks like ocean waves: https://etsy.com/shop/Errant
Update: someone has found an earlier ISO cup of tea on the internet, as part of a German video on tea tasting: https://www.youtube.com/watch?v=utwwk…
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August 6, 2022
Britain’s woke Stasi | The spiked podcast
spiked
Published 5 Aug 2022The spiked team discusses the rise of Britain’s thoughtpolice, Nancy Pelosi’s Taiwan trip and Beyoncé’s act of self-censorship.
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Canada’s New Warship
Frontline Pros
Published 12 Feb 2022The Type 26 Frigate will become the first dedicated warship Canada has built in decades. Soon the Royal Canadian Navy will take ownership of 15 of these vessels, making them the largest owner of the Type 26 in the world.
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QotD: Locke’s Treatise
Locke’s Treatise, then, is in many ways a retcon — a retrospective justification for the observed fact that late 17th century Englishmen were quite prepared to risk their lives for liberty and property. They’d done it once in Locke’s youth (the Civil War, 1642-51, in which Locke’s father fought briefly for Parliament), and were gearing up to do it again (the Treatise was published in 1689, one year after the Glorious Revolution, but was written 10 years earlier, during the Exclusion Crisis). He wasn’t trying to establish some theoretical “right to revolution”. The revolution had already happened, and was about to happen again. Locke was justifying it.
This is important, because Our Thing is almost exclusively backward-looking. We’re looking for a (hypothetical, FBI goons, hypothetical) right to revolution, and Locke’s social contract seems to be the answer, just as it (seemed to be) for the Founders. All the stuff George III did to the colonists, FedGov does to us, in spades.* Our problem, though, is that to us, “liberty” and “property” are what “life” was to John Locke — a necessary precondition, sure, but nothing to get too worked up over. They’d just stopped burning heretics in England twenty years before Locke’s birth, after all, and every day, in every port of the realm, sailors signed on for very likely death sentences on international voyages. In a world where starving to death was still a very real possibility, in other words, convincing people to roll the dice with their lives was pretty easy. It was the other two that were the toughies.
We Postmoderns, though, carry on like we’re in Auschwitz if Twitter goes down for a few hours. We have no idea what “sacred honor” could possibly mean, but we’ll riot in the streets if our sportsball team wins a championship. The Revolution (again, FBI goons, hypothetically) won’t come when they take away one more liberty. It’ll come when the Obamaphone doesn’t have the latest version of Angry Birds.
We need to think long and hard about why that is, and what to do about it, because our John Locke is going to be a hard man indeed.
* Well, except that whole “refusing to encourage migrations hither” bit — FedGov is fucking aces at that. But no historical analogy is perfect, alas.
Severian, “Overturning Locke: Life”, Rotten Chestnuts, 2019-09-11.
August 5, 2022
ARNHEM – A Bridge Too Far – THE TRUE STORY (2001)
British Army Documentaries
Published 25 Jun 2022Please help us to keep bringing you great content! We are able to bring you these interesting documentaries, which would otherwise be held in a vault, or away from public view because we purchase commercial licenses often at considerable expense. Unfortunately, YouTube’s re-use policy now means we can’t monetise it. This means we can’t invest in new licenses for new documentaries. Please help us by subscribing to our Patreon page from just £2/month so we can keep bringing you great content, otherwise, this channel may need to close forever. Thank You
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At 3:00 a.m., the commanders of the 2nd South Staffordshire battalion and the 1st and 11th Parachute battalions met to plan their attack. At 4:30 a.m., before dawn, the 1st Parachute Brigade began its attack towards Arnhem bridge, with the 1st Battalion leading supported by remnants of the 3rd Battalion, with the 2nd South Staffordshires on the 1st Battalion’s left flank and the 11th Battalion following. As soon as it became light the 1st Battalion was spotted and halted by fire from the main German defensive line. Trapped in open ground and under heavy fire from three sides, the 1st Battalion disintegrated and what remained of the 3rd Battalion fell back. The 2nd South Staffordshires were similarly cut off and, save for about 150 men, overcome by midday. The 11th Battalion, (which had stayed out of much of the fighting) was then overwhelmed in exposed positions while attempting to capture high ground to the north. With no hope of breaking through, the 500 remaining men of these four battalions withdrew westwards in the direction of the main force, 5 km (3.1 mi) away in Oosterbeek.
The 2nd Battalion and attached units (approximately 600 men) were still in control of the northern approach ramp to the Arnhem bridge. They had been ceaselessly bombarded by enemy tanks and artillery from two battle groups led by SS-Sturmbannführer [Major] Brinkmann and one commanded by Major Hans-Peter Knaust. The Germans recognized that they would not be moved by infantry attacks such as those that had been bloodily repulsed on the previous day so instead, they heavily shelled the short British perimeter with mortars, artillery, and tanks; systematically demolishing each house to enable their infantry to exploit gaps and dislodge the defenders. Although in the battle against enormous odds, the British clung to their positions, and much of the perimeter was held.
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“… what explains the growing enthusiasm for ‘Drag Queen Story Hour'”?
In UnHerd, Andrew Doyle considers the deep weirdness of how not just “Drag Queen Story Hour” but all things drag are being pushed on children at any cost:

“One thing that drag queens don’t get on FLICKR is tips” by kennethkonica is licensed under CC BY-ND 2.0 .
One Easter Sunday, many years ago, some friends and I attended a showcase of performances in a network of dank subterranean vaults. The event was self-consciously avant-garde, and many of the artists were drag queens who were exploring the more subversive aspects of their craft. This involved a great deal of screaming, bloodletting and carnal depravity. At one point I wandered into a chamber in which two naked performers were engaged in full penetrative sex. Around them a cluster of middle-class hipsters had formed, pensively observing them as though they were connoisseurs contemplating a Henry Moore.
These days we are accustomed to a somewhat tamed version of drag. But the best performers have always pushed the limits of acceptability: I once appeared at a comedy night at the Edinburgh fringe hosted by a drag queen whose interaction with the punters was not so much waspish as downright libellous. At another, I remember a drag artist smoking liberally during the performance, blowing smoke at a pregnant woman on the front row and saying “I hope you have a miscarriage”. It was a far cry from RuPaul’s Drag Race.
Traditional drag is clearly meant for adults. So what explains the growing enthusiasm for “Drag Queen Story Hour”, in which drag queens visit schools, libraries and other council venues to read to young children? For whatever reason, this bizarre subgenre has been championed by celebrities and politicians who wish to be seen as being on “the right side of history”. Last week the MP for Walthamstow, Stella Creasy, tweeted about taking her infant son to a show in which a drag queen called Greta Tude “put so much energy into story telling and entertaining local children”. Her colleague Nadia Whittome replied, describing the event as “so wholesome”.
But do fans of drag really want it to become “wholesome”? The appeal of drag shows is that they revel in sexual dissidence, as the American drag queen Kitty Demure has pointed out:
I have no idea why you want drag queens to read books to your children … Would you want a stripper or a porn star to influence your child? It makes no sense at all. A drag queen performs in a nightclub for adults. There is a lot of filth that goes on, a lot of sexual stuff that goes on, and backstage there’s a lot of nudity and sex and drugs. Okay? So I don’t think this is an avenue that you would want your child to explore.
The sexual element of drag is impossible to deny. Even the more tepid drag queens, whose repertoire extends no further than lip-synching to Donna Summer, tend to interlace their performances with suggestive gestures, provocative quips and the occasional slut-drop.
That’s not to say drag queens can’t adapt to a younger audience — they are actors after all. It’s perfectly possible for performers of Drag Queen Story Hour to read stories to children without all the eroticised preening and pouting we have come to expect from them. But why would any self-respecting artist want to do it? There is something deeply mystifying about drag queens who choose to anaesthetise their art form in order to regale infants with tales of teddy bears and picnics.
August 4, 2022
Boris wanted to be another Churchill, but he turned out to be another Lloyd George
Long before Boris Johnson achieved his goal of becoming Prime Minister, he was consciously modelling himself on Winston Churchill … but his real life adventure showed him to be much more the next coming of an earlier PM than Churchill:
Boris Johnson labours under the illusion that he is another Churchill. Actually the resemblance, astonishing both in gross and in detail, is to Churchill’s other great contemporary, David Lloyd George.
Indeed, the parallels between the two men and their careers are so close that it’s tempting to give Karl Marx’s dictum yet another dust-down and talk of history happening twice: first as tragedy and then as farce. Which would make Boris Johnson Napoleon III to the Welsh Wizard’s imperial premiership.
Which, to be truthful, sounds about right.
[…]
Consider A.J.P. Taylor’s masterly pen-portrait of Lloyd George:
He had no friends and did not deserve any. He repaid loyalty with disloyalty. He was surrounded by dependants and sycophants, whom he rewarded lavishly and threw aside when they had served their turn. His rule was dynamic and sordid at the same time. He himself gave hostages to fortune by the irregularity of his private life. But essentially his devious methods sprang from his nature. He could do things no other way.
There is scarcely a single word that does not apply equally to Boris Johnson.
These two extraordinary, outsize personalities also benefitted from extraordinary times. Lloyd George became prime minister in 1916 at the nadir of the First World War when it seemed, as he himself wrote, “we are going to lose this war”. Johnson reached Number Ten at a comparable moment in domestic affairs, when the three year-long crisis brought about by the furious rear-guard action of the Remainer elites against the Brexit referendum threatened to turn into a sort of national nervous breakdown.
Both therefore took the premiership over the political corpse of their failed predecessor (Herbert Asquith and Theresa May), and both were haunted by their unquiet ghosts. Finally, both had a single, though infinitely difficult, job: Lloyd George’s was to win the war; Johnson’s to cut the parliamentary Gordian knot and “Get Brexit Done”. And both were given, or took, carte blanche to do it.
Taylor makes no bones about it and calls Lloyd George “dictator for the duration of the war”. He even invokes the comparison with Napoleon I. Contemporaries, like the former Tory premier, A. J. Balfour, used the same language: “If [Lloyd George] wants to be dictator, let him be. If he thinks he can win the war, I’m all for him having a try.”
QotD: Errol Flynn versus Basil Rathbone in the 1938 Adventures of Robin Hood
A lot of swordfighting in medieval-period movies is even less appropriate if you know what the affordances of period weapons were. The classic Errol Flynn vs. Basil Rathbone duel scene from the 1938 Adventures of Robin Hood, for example. They’re using light versions of medieval swords that are reasonably period for the late 1100s, but the footwork and stances and tempo are all French high line, albeit disguised with a bunch of stagey slashing moves. And Rathbone gets finished off with an epée (smallsword) thrust executed in perfect form.
It was perfect form because back in those days acting schools taught their students how to fence. It was considered good for strength, grace, and deportment; besides, one might need it for the odd Shakespeare production. French high-line because in the U.S. and Europe that was what there were instructors for; today’s Western sword revival was still most of a century in the future.
This scene exemplifies why I find the ubiquitousness of French high-line so annoying. It’s because that form, adapted for light thrusting weapons, produces a movement language that doesn’t fit heavier weapons designed to slash and chop as well as thrust. If you’re looking with a swordsman’s eye you can see this in that Robin Hood fight. Yes, the choreographer can paste in big sweeping cuts, and they did, but they look too much like exactly what they are – theatrical flourishes disconnected from the part that is actually fighting technique. When Flynn finishes with his genuine fencer’s lunge (not a period move) he looks both competent and relieved, as though he’s glad to be done with the flummery that preceded it.
At least Flynn and Rathbone had some idea what they were doing. After their time teaching actors to fence went out of fashion and the quality of cinematic sword choreography nosedived. The fights during the brief vogue for sword-and-sandal movies, 1958 to 1965 or so, were particularly awful. Not quite as bad, but all too representative, was the 1973 Three Musketeers: The Queen’s Diamonds, a gigantic snoozefest populated with slapdash, perfunctory swordfights that were on the whole so devoid of interest and authenticity that even liberal display of Raquel Welch’s figure could not salvage the mess. When matters began to improve again in the 1980s the impetus came from Asian martial-arts movies.
Eric S. Raymond, “A martial artist looks at swordfighting in the movies”, Armed and Dangerous, 2019-01-13.






