Quotulatiousness

November 29, 2020

An unusually sympathetic biography of George III

Filed under: Books, Britain, History, USA — Tags: , , , , — Nicholas @ 03:00

Andrew Roberts reviews a new biography of King George III for The Critic:

King George III in his coronation robes.
Portrait by Allan Ramsay (1713-1784), original in the Art Gallery of South Australia via Wikimedia Commons.

Over the past six years, Penguin have been publishing their excellent Monarchs series in which a leading historian writes a 30,000-word book on a king or queen from Athelstan to Elizabeth II. There are now 45 of them (including David Horspool on Oliver Cromwell, who sneaks in despite the monarchical rubric, and Jonathan Keates who reasonably enough lumped William III and Queen Mary together). These extended essays are attractively produced, can be read in a couple of hours, and many are true gems, from historians such as Tom Holland, John Guy, Tim Blanning, Norman Davies, Roger Knight, Jane Ridley, Richard Davenport-Hines, David Cannadine — you get the idea.

Now Professor Jeremy Black gives us a full-throated defence of the monarch who is only really generally known as the king who went insane and who lost the American colonies, and who now prances around in the camp-yet-sinister show-stopping song in Hamilton: The Musical. “When considering George III’s mistakes,” Black argues, persuasively, “it is important to assess the parameters of the possible and to consider comparisons.” With his expertise in eighteenth-century European history, Black is able to place George III in the wider context of contemporary monarchs such as Catherine the Great, Frederick the Great, Louis XVI and Napoleon.

“In contradiction to the Whig and American image of George as a tyrant, or at least a would-be tyrant,” Black states, “he had a strong conviction of the value of limited monarchy and was a willing student of the lessons of the Glorious Revolution and the subsequent Revolution Settlement.”

Black brilliantly demolishes the paranoiac Whig view of George as trying to accrete powers to himself unconstitutionally. The George who emerges is a far more attractive figure than the Whig historians depicted, let alone Thomas Jefferson with his 28 histrionic and inaccurate accusations against George in the Declaration of Independence, and especially Lin-Manuel Miranda’s hilarious but profoundly historically incorrect caricature.

Instead, Black portrays a monarch with “a strong religious faith, a passion for hunting and an interest in art, architecture, music, astronomy and exploration”. He was a Renaissance man with an Enlightenment viewpoint, although Black also lists his failings, which were obstinacy, self-righteousness and a certain amount of priggishness when young. Black calls him a “fogey”. These were hardly cardinal sins, and a world away from the lust for dictatorship of which he has been accused.

Jeremy Black — who is fast becoming a national treasure in his own right, having written well over 100 books — takes a refreshingly unmodish stance towards George (as you might have guessed from listing hunting amongst the king’s attributes). “His qualities are easier to understand for those who prize commitment, duty, and integrity,” he concludes, “than in a modern age when scorn and satire, even hatred of the nation’s history, are often prominent.”

November 22, 2020

Douglas Murray’s Bosie: The Tragic Life of Lord Alfred Douglas

Filed under: Books, Britain, History, Law — Tags: , , , , — Nicholas @ 03:00

Melanie McDonagh reviews the re-released early work by Douglas Murray:

It would probably have been better for Lord Alfred Douglas to have died young. Had he died when he was still beautiful and youthful looking, he would have remained forever the gilded youth Oscar Wilde loved. That golden Alfred Douglas survives in the famous photograph on the front of Douglas Murray’s book, with Wilde sitting near Bosie, his arm extended behind the boy with something like possessiveness. Instead the boy survived until 1945, worn, lonely and poverty-stricken, his looks withered, his nose pinched, contemptuous of modernity, but still with a redemptive, blistering integrity.

Twenty years after it was first written, Douglas Murray has reissued his fine biography of Bosie: his first book, written in his gap year before he went to Oxford. Looking back now on his precocious work, he thinks he overdid a little his enthusiasm for Douglas’s poetry, understated his toxic anti-Semitism and didn’t quite do justice to the pederastic element of his early sexuality – as Bosie preferred to put it, his tastes were for youth and softness. In practice this could mean 14-year-old boys, even younger, at a time when he and Wilde had reunited following Wilde’s release from prison. Actually, I think Murray’s original estimate of Alfred Douglas’s sonnets was absolutely right; they vary in quality, but as he said, at their best they equalled the poets he most venerated.

Trouble is, not many people think of Alfred Douglas as a poet, even though they might unknowingly quote perhaps his most famous line, about the love that dares not speak its name. But there were literary critics in his own day who compared him to Shakespeare as a writer of sonnets. Remarkably he has fallen almost entirely off the literary radar now, known only as a player in Wilde’s drama, and it is a pity that the success of this biography hasn’t changed that.

One of the services Douglas Murray performs in his biography is simply to reproduce some of his finest verses so we can judge it for ourselves. Indeed, while writing the book he managed to persuade the Home Office to release the copybook in which Alfred Douglas wrote his prison verses, In Excelsis, which the authorities refused to do in his lifetime.

Even in his own time, most people thought of him as the lover of Oscar Wilde, a byword for a bugger, the boy who brought about Wilde’s destruction through the vengeful malice of his unbalanced father. That perception was powerfully reinforced by Wilde’s terrible letter written from prison, De Profundis, in which he empties his bitterness against the youth he loved in an outpouring of emotion which was in many respects unjust and untrue, especially about Bosie’s financial support for Wilde. Fatally, the letter was never given to him by Robert Ross, Wilde’s friend, and only released in full during a devastating court case.

QotD: Winston Churchill

Filed under: Britain, History, Military, Quotations, WW2 — Tags: , , — Nicholas @ 01:00

I wonder whether any historian of the future will ever be able to paint Winston in his true colours. It is a wonderful character — the most marvellous qualities and superhuman genius mixed with an astonishing lack of vision at times, and an impetuosity which if not guided must inevitably bring him into trouble again and again. Perhaps the most remarkable failing of his is that he can never see a whole strategical problem at once. His gaze always settles on some definite part of the canvas and the rest of the picture is lost. It is difficult to make him realize the influence of one theatre on another. The general handling of the German reserves in Europe can never be fully grasped by him. This failing is accentuated by the fact that often he does not want to see the whole picture, especially if this wider vision should in any way interfere with the operation he may have temporarily set his heart on. He is quite the most difficult man to work with that I have ever struck, but I should not have missed the chance of working with him for anything on earth!

Footnote by Field Marshal Lord Alanbrooke, War Diaries, 1939-1945, 1957.

November 8, 2020

Kim Philby: Soviet Spy in the West

Filed under: Britain, History, Russia, USA, WW2 — Tags: , , , , — Nicholas @ 02:00

The Cold War
Published 8 Aug 2020

Our historical documentary series on the history of the Cold War continues with a video on the famous Cambridge Five and Donald Maclean in particular – a real Cold War-era spy story

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#ColdWar #Philby #CambridgeFive

November 6, 2020

An American Globalist – Cordell Hull – WW2 Biography Special

Filed under: Americas, History, Japan, USA, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 5 Nov 2020

Cordell Hull is the face of American diplomacy in 1941 as it navigates the precarious road to war against Imperial Japan.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Francis van Berkel and James Newman
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: James Newman
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Mikolaj Uchman
Spartacus Olsson

Sources:
Naval History & Heritage Command
http://maps.bpl.org
FDR Presidential Library & Museum
Picture of MS St. Louis in Hamburg, United States Holocaust Memorial Museum, courtesy of Herbert and Vera Karliner
from the Noun Project: Skull by Muhamad Ulum, Handshake by priyanka, Pickaxe by Luke Anthony Firth, oil barrel by BomSymbols

Soundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Johannes Bornlof – “The Inspector 4”
Farell Wooten – “Blunt Object”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “Deviation In Time”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

A Swedish Trilogy Pt. 1 – A New Hope – Sabaton History 092 [Official]

Filed under: Europe, History, Media, Military — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Published 5 Nov 2020

The Swedish nation was in turmoil, as news spoke of King Gustavus Adolphus’ death on the battlefield of Lützen in 1632. The Lion from the North was slain — but who would reign in his stead? Gustavus had fathered a young daughter, the 6-year old Christina. Torn between a grief-stricken Queen Mother and the overbearing duties to monarchy and country, Christina grew into an unhappy and troubled woman. Much was expected of her, as she was still the daughter of the legendary warrior-king. But was she able and willing to continue his legacy? Or would she rather forsake her throne in order to find her own future far away from Sweden?

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.com

Sources:
– Nationalmuseum
– Statens Museum for Kunst
– Livrustkammaren
– Herzog Anton Ulrich Museum
– Swedish capture of Kauzenburg 1631 colorized by Dextwin

All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

November 2, 2020

Hammurabi & the First Babylonian Empire

Filed under: History, Law, Middle East — Tags: , , , — Nicholas @ 02:00

History Time
Published 19 Feb 2018

A brief look at Hammurabi, the most famous king of the Old Babylonian Empire (1830 – 1531 BC)

If you liked this video you can help support the channel here:-
http://www.patreon.com/historytimeUK

Are you a budding artist, illustrator, cartographer, or music producer? Send me a message! No matter how professional you are or even if you’re just starting out, I can always use new music and images in my videos. Get in touch! I’d love to hear from you.

I’ve compiled a reading list of my favourite history books via the Amazon influencer program. If you do choose to purchase any of these incredible sources of information then Amazon will send me a tiny fraction of the earnings (as long as you do it through the link) (this means more and better content in the future) I’ll keep adding to and updating the list as time goes on:-
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Music:-
Derek & Brandon Fiechter – “Byzantium”
Derek & Brandon Fiechter – “Assyrian Fortress”
Derek & Brandon Fiechter – “Hittite Chariots”

Recommended reading:-
Babylon, Paul Kriwaczek
The History of the Ancient World, Susan Bauer

I try to use copyright free images at all times. However if I have used any of your artwork or maps then please don’t hesitate to contact me and the appropriate credit can be given.

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November 1, 2020

QotD: Trumbo

Over the past weekend I watched Trumbo, the story of the Marxist screenwriter blacklisted by Hollywood during the Red Scare back in the 1950s. To say that I watched it with a jaundiced eye would be a very big understatement, because I suspected (just from the trailer) that the movie would just be one big blowjob for both Dalton Trumbo and his merry little band of Commiesymps who infested Hollywood back then.

And it was. Needless to say, the movie made villains of the conservatives who opposed the Marxist infiltration: people like John Wayne and Hedda Hopper in particular, Wayne because Wayne, and Hopper because she had a son serving in the U.S. Navy during the Korean War. Of course Wayne was made out to be a bully and Hopper a vindictive bitch — and the Senators and Congressmen who haled the Commies in front of the Senate and House Un-American Committee (HUAC) were depicted as ideological purists who saw Communists behind every bush — even though, in the case of Hollywood, there were Commies behind every bush at the time.

Of course, much was made of the fact that being a Communist wasn’t actually illegal (then, and now), and Trumbo made a great show of this being a First Amendment issue — which it was — and how these Commies all wanted to improve America, but of course there were evil right-wingers like Wayne, Joe McCarthy and HUAC harassing them at every turn.

The execution of the traitors Julius and Ethel Rosenberg got a little puff piece in the movie, which didn’t — couldn’t — actually say they weren’t guilty of treason espionage, so it was brushed over with the throwaway that it was the first execution for espionage in peacetime, as though peacetime should give espionage a pass. And if that wasn’t enough, the Rosenberg children were paraded around as sympathy magnets — as they still are — because Communists have no problem using children to serve their own purposes.

Kim du Toit, “Blacklists Matter”, Splendid Isolation, 2020-07-28.

October 30, 2020

Halloween Special: H. P. Lovecraft

Overly Sarcastic Productions
Published 31 Oct 2018

HAPPY HALLOWEEN IT’S TIME TO GET SPOOKY WITH HISTORY’S MOST PROBLEMATIC HORROR WRITER LET’S GOOOOO

While there’s something to be said for separating the art from the artist, I think there’s a lot of merit in CONTEXTUALIZING the art WITH the artist. Did Lovecraft write some pretty incredible horror? Sure! Was he also a raging xenophobe? Absolutely! Are his perspectives on life connected with the stories he felt compelled to tell? Duh! If you look at Lovecraft’s writing through the lens of his life, clear patterns emerge that allow us to pin down what exactly he built his horror cosmology out of. It’s an invaluable analytical tool that allows us to take apart his writings by getting inside his head. So before you yell at me for Not Separating The Artist From The Art, know that it was completely intentional and I’m not sorry.

3:20 – THE CALL OF CTHULHU
8:40 – COOL AIR
10:36 – THE COLOR OUT OF SPACE
14:38 – THE DUNWICH HORROR
19:32 – THE SHADOW OVER INNSMOUTH

PATREON: www.patreon.com/user?u=4664797

MERCH LINKS:
Shirts – https://overlysarcasticproducts.threa…
All the other stuff – http://www.cafepress.com/OverlySarcas…

From the comments:

Overly Sarcastic Productions
1 year ago
Hey gang! Can’t help but notice the comment section is a little bit on fire. That’s all good with me, but one recurring complaint I’ve noticed has started to get under my skin – namely that my explanation of non-euclidean geometry was insufficient, or even – dare I say – inaccurate. Now this is a fair complaint, because after a lifetime of experience finding that people’s eyes glaze over when I talk math at them, I concluded that interrupting a half-hour horror video with a long-winded explanation of a mathematical concept wouldn’t go over too well. I put it in layman’s terms and used a simple example to illustrate the point. However, since some of the more mathematically-inclined of you took offense, I now present in full a short (but comprehensive) explanation of what exactly non-euclidean geometry is.

First, we axiomatically establish euclidean geometry. Euclidean geometry has five axioms:
1. We can draw a straight line between any two points.
2. We can infinitely extend a finite straight line.
3. We can draw a circle with any center and radius.
4. All right angles are equal to one another.
5. If two lines intersect with a third line, and the sum of the inner angles of those intersections is less than 180º, then those two lines must intersect if extended far enough.

Axiom #5 is known as the PARALLEL POSTULATE. It has many equivalent statements, including the Triangle Postulate (“the sum of the angles in every triangle is 180º”) and Playfair’s Axiom (“given a line and a point not on that line, there exists ONE line parallel to the given line that intersects the given point”).

Euclidean geometry is, broadly, how geometry works on a flat plane.

However, there are geometries where the parallel postulate DOES NOT hold. These geometries are called “non-euclidean geometries”. There are, in fact, an infinite number of these geometries, and because the only defining characteristic is “the parallel postulate does not hold”, they can be all kinds of crazy shapes. (As you can see, my explanation of “this is just how geometry works on a curved surface” is quite reductive, but at the same time serves to get the general impression across without going into too much detail.)

An example of a non-euclidean geometry is “Elliptic geometry”, geometry on n-dimensional ellipses, which includes “Spherical geometry” as a subset. Spherical geometry is, predictably enough, how geometry works on the two-dimensional surface of a three-dimensional sphere.

In spherical geometry, “points” are defined the same as in euclidean geometry, but “line” is redefined to be “the shortest distance between two points over the surface of the sphere”, since there is no such thing as a “straight line” on a curved surface. All “lines” in spherical geometry are segments of “great circles” (which is defined as the set of points that exist at the intersection between the sphere and a plane passing through the center of that sphere).

The axiom that separates spherical geometry from euclidean geometry and replaces the parallel postulate is “5. There are NO parallel lines”. In spherical geometry, every line is a segment of a great circle, and any two great circles intersect at exactly two points. If two lines intersect when extended, they cannot be parallel, and thus there are no parallel lines in spherical geometry.

Since the Parallel Postulate is equivalent to Playfair’s Axiom, the fact that no parallel lines exist in spherical geometry negates Playfair’s Axiom, which thus negates the Parallel Postulate and defines spherical geometry as a non-euclidean geometry. Also, since the Triangle Postulate is another equivalent property to the Parallel Postulate, it is thus negated in spherical geometry. Hence, my use in-video of an example of a triangle drawn on the surface of a sphere whose inner angles sum greater than 180º.

Hope that cleared things up (and helped explain why I didn’t want to say “see, non-euclidean geometry is just a geometry where Euclid’s Parallel Postulate doesn’t hold – hold on, let me get the chalkboard to explain what THAT is-” in the video)

Peace!

-R ✌️

October 29, 2020

Cranking This War Up to Eleven – Hideki Tojo – WW2 Biography Special

Filed under: History, Japan, Military, WW2 — Tags: , , , , — Nicholas @ 06:00

World War Two
Published 28 Oct 2020

A man who was both Japan’s War Minister and Prime Minister, who played a large role in escalating the already daunting scale of the war in China to a world war against multiple world powers. We learn about his life from his birth in Tokyo in 1884 to his execution at Sugamo prison in Tokyo in 1948.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Karolina Dołęga & Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Mikołaj Uchman
Norman Stewart – https://oldtimesincolor.blogspot.com/

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

October 23, 2020

On Stalin’s Secret Service – Richard Sorge – WW2 Biography Special

Filed under: Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 06:00

World War Two
Published 22 Oct 2020

A spy who is famous for warning Stalin about Hitler’s plan to invade the Soviet Union. But he was so much more than that. His fascinating life begins in the Caucasus and eventually leads him to Tokyo.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Monika Worona
Sound design: Marek Kamiński

Colorizations by:
Carlos Ortega Pereira
Daniel Weiss
Mikołaj Uchman

Sources:
Bundesarchiv
Milu.ru
Archive.org

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
16 hours ago (edited)
More fascinating World War Two spy stuff we know you love. We’ve already spoken about Popov, Enigma, and much more, but what makes Sorge particularly stand out is the amount of praise he has consistently received. Both Tom Clancy and Ian Fleming have said they consider him one of the world’s greatest spies, and other espionage workers, including ones who worked on the opposing side to him, have admitted their admiration for the man.

October 16, 2020

“The Art of War” – Wisdom of Sun Tzu – Sabaton History 089 [Official]

Filed under: Books, China, History, Media, Military — Tags: , , , , , , — Nicholas @ 04:00

Sabaton History
Published 15 Oct 2020

Sun Tzu says: “The Art of War is of vital importance to the state. It is a matter of life and death, a road either to safety or to ruin.” The Chinese Art of War by Sun Tzu is one of the most influential books in history. Throughout the centuries it would accompany generals, statesmen, and philosophers alike. Those who follow his teachings, who safeguard themselves against defeat and make sure of victory before the battle is fought, will triumph. Those who know everything about themselves and their enemies will achieve supreme excellence.

The Art of War by Sun Tzu Text: https://www.gutenberg.org/files/132/1…

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Art of War” on the album The Art of War:
https://music.sabaton.net/TheArtOfWar

Watch the Official Live Clip of “The Art of War” here:
https://www.youtube.com/watch?v=aYoK1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołega
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com

Visual Sources:
– Pictures of Ming Dinasty courtesy of Yprpyqp from Wikimedia
– Pictures from the period of Opium War courtesy of Massachusetts Institute of Technology © 2010 Visualizing Cultures
– Wellcome Images
– Major National Historical and Cultural Site in China
– Pictures of The Art of War book courtesy of vlasta2, bluefootedbooby on flickr.com
– Metmuseum
– Picture of Eastern Han Calvary courtesy of GaryLee Todd from Wikimedia
– Granger Archive
– Hallwyl Museum
– Nomura Art Museum
– The icons from The Noun Project: Man by vanila, Asian woman by Jaime Serra, Wise Man by Éléonore Sabaté

All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

October 15, 2020

DicKtionary – L is for Lawman – Tom Horn

Filed under: History, Law, USA — Tags: , , , , — Nicholas @ 04:00

TimeGhost History
Published 14 Oct 2020

Morally ambiguous guns for hire are a fantasy of old Western films, right? Well not in the case of Tom Horn! A lawman, a cowboy, a soldier, and ultimately: a dick.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Written and Hosted by Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Image Research by: Karolina Dołęga
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Sources:
– Pictures of Tom Horn courtesy of Wyoming State Archives Photo Collection
– Library of Congress
– National Archives NARA
– Picture of Valley RoadArizona courtesy ofThe Old Pueblo from Wikimedia
– Icons from The Noun Project: Child by Gan Khoon Lay, Cow by Alena Artemova, Cowboys by Simon Child, cowboy avatar by Silviu Ojog, Cowboy by Gan Khoon Lay, cowboy man Adrien Coquet, cowboy by Luis Prado, Cowboy Shoot by Gan Khoon Lay, Cowboy Shooting by Gan Khoon Lay, duel by Gan Khoon Lay, Dead Soldier by Gan Khoon Lay & Joab Penalva, Shootout by Gan Khoon Lay, Sheep by Pariphat Sinma.

Music:
– “Ghosts of the Rail” – Gabriel Lewis
– “Miss Dynamite” – Walt Adams
– “Gone Surfing (Sting)” – Stefan Netsman
– “Run Dry River” – River Run Dry

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

October 9, 2020

Ruina Imperii” – End of an Empire – Sabaton History 088 [Official]

Filed under: Europe, History, Media, Military — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Published 8 Oct 2020

The death of Charles XII was followed by the rapid decline of the Swedish Empire. The Swedish nation had suffered much in the last ten years of his reign. The constant state of war had brought famine and poverty and ruined the state in many ways. Charles XII fought Sweden’s numerous enemies in the vain hope of restoring the empire to its old glory. He was the King who most strongly believed that Sweden was destined for imperial greatness, no matter the cost. What can be said about his reign? How would history judge his character or his decisions as a King?

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Ruina Imperii” on the album Carolus Rex:
Carolus Rex (English Version) – https://music.sabaton.net/CarolusRexEN
Carolus Rex (Swedish Version) – https://music.sabaton.net/CarolusRexSE

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.com

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October 6, 2020

QotD: Herbert Hoover and the Belgian relief program

Filed under: Britain, Europe, Food, Germany, History, Quotations, WW1 — Tags: , , , , , — Nicholas @ 01:00

Just as Hoover is preparing to rest on his laurels, he receives a cry for help. Germany has occupied and blockaded Belgium. The blockade prevents this tiny, heavily urban country from importing food, and the Belgians are starving. Germany needs its own food for its own armies, and is refusing to help. The Belgians order a thousand tons of grain from Britain, but when their representative comes to pick it up, Britain refuses to let them transport it, nervous at sending food into enemy-occupied territory. During tense negotiations, someone suggests using neutral power America as a go-between. But America is 5,000 miles away and busy with its own problems. So the US Ambassador to Britain asks his new best friend Herbert Hoover if he has any ideas.

Hoover invites Emile Francqui, a Belgian mining engineer he knows, to Britain. Together, they plan a Committee For The Relief of Belgium, intended not just to help transport the thousand tons of grain at issue, but to develop a long-term solution to the impending Belgian famine. Nothing like this has ever been tried before. Belgium has seven million people and almost no food. No government is offering to help, and they don’t have enough money to feed seven million people even for one day, let alone indefinitely. Hoover springs into action …

… by crushing all competing attempts to provide food for Belgium. He attacks the Rockefeller Foundation, which is trying to help, with a blitz of press coverage accusing it of various forms of insensitivity and interference, until it finally backs off. Then he gets to work on the government:

    The letter bore several Hoover watermarks, beginning with its heavy load of facts and figures organized in point form. It noted that myriad relief committees were springing up both inside and outside of Belgium, and urged consolidation. “It is impossible to handle the situation except with the strongest centralization and effective monopoly, and therefore the two organizations [Hoover outside Belgium and Francqui inside it] will refuse to recognize any element except themselves alone.” The letter also contained Hoover’s usual autocratic and slightly paranoid demands for “absolute command” of his part of the enterprise.

Control attained, Hoover springs into action actually feeding Belgium. He launches one of the largest public relations campaigns the world has ever seen, sending letters to newspapers around the world asking for donations. He “urged reporters to investigate the famine conditions in Belgium and play up the ‘detailed personal horror stuff’. He personally arranged for a motion picture crew to capture footage of food lines in Brussels, and he hired famous authors, including Thomas Hardy and George Bernard Shaw, to plead for public support of the rescue effort.” He constantly telegrams his exasperated wife and children, now safely back in Palo Alto, demanding they raise more and more money from the West Coast elite.

He browbeats shipping conglomerates until they agree to ship his food for free, then browbeats railroads until they agree to carry it. By telegraph and letter he coordinates banks, railroads, docks, ships, and relief workers on both sides of the Atlantic. But that’s just the prelude. His real problem is the governments. Britain doesn’t want food shipped to Belgium, because right now the starving Belgians are Germany’s problem, and they don’t want to solve an enemy’s problem for them. But Germany also doesn’t want food shipped to Belgium, because the Belgians are resisting the occupation, and they figure starvation will make them more compliant. Shuttling back and forth across the North Sea, Hoover tries to get them to switch theories: Germany needs to think starving Belgians are their problem which it would be helpful to solve, and Britain needs to think starvation would make Belgians more compliant with the German occupation. In the end, both countries allow the shipments.

He goes on a fact-finding mission to Belgium, and managed to somehow offend everyone in the country that he is, at that very moment, saving from mass starvation […] By 1915, Hoover is, indeed, feeding millions of Belgians, indefinitely, using only private funding. He is also almost broke. Millions of Brits and Americans have given him contributions, from tycoons donating fortunes to ordinary people donating their wages, but it’s not enough. His expenses pass $5 million a month, which would be about $100 million today; all these bills are starting to catch up to him. In an act of supreme sacrifice, Hoover pledges his entire personal fortune as collateral for the Committee’s loans, then takes out more money. The grain shipments continue to flow, but his credit is at its end.

He continues beating on the doors of every government official he can find – British, German, American – demanding help. They all say their budgets are already occupied with the war effort. He begs them, lectures them, tells them that millions of people are doing to die. He goes all the way to the top, finagling an opportunity to meet with British Prime Minister David Lloyd George. Lloyd George later calls Hoover’s presentation “the clearest he had [ever] heard on any subject”, but he can offer only moral support.

What finally works is going to Germany and meeting with their top military brass. The brass are unimpressed; they still think that Belgium starving is as likely to help them as hinder. But the contact spooks top British officials, who agree to meet with Hoover again. Hoover feeds them carefully crafted lies, saying that the German brass have told him that British aid to Belgium would be a disaster to the Central Powers and so they, the Germans, are going to fund everything Hoover wants and more. “Oh no they don’t!” say the British, who promise to give Hoover even more funding than his imaginary German partners. The Committee for the Relief Of Belgium is finally back in the black. And what a black it is:

    The scope and powers of the Committee For Relief of Belgium were mindboggling. Its shipping fleet flew its own flag. Its members carried special documents that served as CRB passports. Hoover himself was granted a form of diplomatic immunity by all belligerents, with the British permitting him to cross the Channel at will and the Germans providing him a document saying “this man is not to be stopped anywhere under any circumstances”. Hoover had privileged access to generals, diplomats, and ministers. He enjoyed personal contacts with the heads of warring governments. He negotiated treaties with the belligerents, advised them on policy, and delivered private messages among them. Great Britain, France, and Belgium would soon be turning over to him $150 million a year, enough to run a small country, and taking nothing for it beyond his receipt. As one British official observed, Hoover was running “a piratical state organized for benevolence.”

Scott Alexander, “Book Review: Hoover”, Slate Star Codex, 2020-03-17.

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