… That I was, unparadoxically, also trying to put in the reader’s head, that Dickens has contributed to the demoralization of our world, was on the surface of my essay. In this respect, I was acknowledging this author’s great power. The reduction of hard moral fact, to mushy simper and what we now call “empathy,” was partly his doing. I detect it even in the unpleasant vibrations of BLM rioters, and other agents of our Left.
They “protest” things that, indirectly, they learnt to protest from the kind-hearted Dickens; subjective hysterias about the world being unfair. Of course it is unfair, as it has always been, and to everyone who has been living in it. But unfairness is a whim, compared to sound moral judgements, and the reticence that should accompany them. We cannot make the world “more fair” by rioting. Dickens, incidentally, agrees with me on that.
He was among the writers (and artists generally) who contributed subtly to our post-Christian worldview, based on emotion, not remorseless thought. Who made, say, Christmas about giving presents to little children, rather than centrally about the birth of Christ. That doesn’t mean his works should be suppressed. On the contrary, they should be read and enjoyed, with this thought in mind. He moralizes, but in a way that may actually subvert morality, by substituting “feelings” for the hard truths, which are to die for.
David Warren, “Retractiones”, Essays in Idleness, 2020-07-29.
December 27, 2020
QotD: Charles Dickens
December 19, 2020
History-Makers: Ibn Khaldun
Overly Sarcastic Productions
Published 18 Dec 2020Big thanks to our friend Al-Muqaddimah for his help with this video. The look of this video’s maps is an homage to his wonderful mapmaking style. For more Islamic History, check out his channel here: https://www.youtube.com/channel/UCf0O…
From the coast of Tunisia across the Straits of Gibraltar, over the Atlas Mountains, and east to the Nile of Egypt, Ibn Khaldun had certainly seen history at work. That experience came in handy as he wrote The Muqaddimah, a genre-defining masterwork of Historiography — not just retelling the events of the past, but explaining their causes and effects through the lens of human behavior and sociology.
SOURCES & Further Reading: Ibn Khaldun: An Intellectual Biography by Irwin, The Muqaddimah
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
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November 29, 2020
An unusually sympathetic biography of George III
Andrew Roberts reviews a new biography of King George III for The Critic:

King George III in his coronation robes.
Portrait by Allan Ramsay (1713-1784), original in the Art Gallery of South Australia via Wikimedia Commons.
Over the past six years, Penguin have been publishing their excellent Monarchs series in which a leading historian writes a 30,000-word book on a king or queen from Athelstan to Elizabeth II. There are now 45 of them (including David Horspool on Oliver Cromwell, who sneaks in despite the monarchical rubric, and Jonathan Keates who reasonably enough lumped William III and Queen Mary together). These extended essays are attractively produced, can be read in a couple of hours, and many are true gems, from historians such as Tom Holland, John Guy, Tim Blanning, Norman Davies, Roger Knight, Jane Ridley, Richard Davenport-Hines, David Cannadine — you get the idea.
Now Professor Jeremy Black gives us a full-throated defence of the monarch who is only really generally known as the king who went insane and who lost the American colonies, and who now prances around in the camp-yet-sinister show-stopping song in Hamilton: The Musical. “When considering George III’s mistakes,” Black argues, persuasively, “it is important to assess the parameters of the possible and to consider comparisons.” With his expertise in eighteenth-century European history, Black is able to place George III in the wider context of contemporary monarchs such as Catherine the Great, Frederick the Great, Louis XVI and Napoleon.
“In contradiction to the Whig and American image of George as a tyrant, or at least a would-be tyrant,” Black states, “he had a strong conviction of the value of limited monarchy and was a willing student of the lessons of the Glorious Revolution and the subsequent Revolution Settlement.”
Black brilliantly demolishes the paranoiac Whig view of George as trying to accrete powers to himself unconstitutionally. The George who emerges is a far more attractive figure than the Whig historians depicted, let alone Thomas Jefferson with his 28 histrionic and inaccurate accusations against George in the Declaration of Independence, and especially Lin-Manuel Miranda’s hilarious but profoundly historically incorrect caricature.
Instead, Black portrays a monarch with “a strong religious faith, a passion for hunting and an interest in art, architecture, music, astronomy and exploration”. He was a Renaissance man with an Enlightenment viewpoint, although Black also lists his failings, which were obstinacy, self-righteousness and a certain amount of priggishness when young. Black calls him a “fogey”. These were hardly cardinal sins, and a world away from the lust for dictatorship of which he has been accused.
Jeremy Black — who is fast becoming a national treasure in his own right, having written well over 100 books — takes a refreshingly unmodish stance towards George (as you might have guessed from listing hunting amongst the king’s attributes). “His qualities are easier to understand for those who prize commitment, duty, and integrity,” he concludes, “than in a modern age when scorn and satire, even hatred of the nation’s history, are often prominent.”
November 22, 2020
Douglas Murray’s Bosie: The Tragic Life of Lord Alfred Douglas
Melanie McDonagh reviews the re-released early work by Douglas Murray:
It would probably have been better for Lord Alfred Douglas to have died young. Had he died when he was still beautiful and youthful looking, he would have remained forever the gilded youth Oscar Wilde loved. That golden Alfred Douglas survives in the famous photograph on the front of Douglas Murray’s book, with Wilde sitting near Bosie, his arm extended behind the boy with something like possessiveness. Instead the boy survived until 1945, worn, lonely and poverty-stricken, his looks withered, his nose pinched, contemptuous of modernity, but still with a redemptive, blistering integrity.
Twenty years after it was first written, Douglas Murray has reissued his fine biography of Bosie: his first book, written in his gap year before he went to Oxford. Looking back now on his precocious work, he thinks he overdid a little his enthusiasm for Douglas’s poetry, understated his toxic anti-Semitism and didn’t quite do justice to the pederastic element of his early sexuality – as Bosie preferred to put it, his tastes were for youth and softness. In practice this could mean 14-year-old boys, even younger, at a time when he and Wilde had reunited following Wilde’s release from prison. Actually, I think Murray’s original estimate of Alfred Douglas’s sonnets was absolutely right; they vary in quality, but as he said, at their best they equalled the poets he most venerated.
Trouble is, not many people think of Alfred Douglas as a poet, even though they might unknowingly quote perhaps his most famous line, about the love that dares not speak its name. But there were literary critics in his own day who compared him to Shakespeare as a writer of sonnets. Remarkably he has fallen almost entirely off the literary radar now, known only as a player in Wilde’s drama, and it is a pity that the success of this biography hasn’t changed that.
One of the services Douglas Murray performs in his biography is simply to reproduce some of his finest verses so we can judge it for ourselves. Indeed, while writing the book he managed to persuade the Home Office to release the copybook in which Alfred Douglas wrote his prison verses, In Excelsis, which the authorities refused to do in his lifetime.
Even in his own time, most people thought of him as the lover of Oscar Wilde, a byword for a bugger, the boy who brought about Wilde’s destruction through the vengeful malice of his unbalanced father. That perception was powerfully reinforced by Wilde’s terrible letter written from prison, De Profundis, in which he empties his bitterness against the youth he loved in an outpouring of emotion which was in many respects unjust and untrue, especially about Bosie’s financial support for Wilde. Fatally, the letter was never given to him by Robert Ross, Wilde’s friend, and only released in full during a devastating court case.
QotD: Winston Churchill
I wonder whether any historian of the future will ever be able to paint Winston in his true colours. It is a wonderful character — the most marvellous qualities and superhuman genius mixed with an astonishing lack of vision at times, and an impetuosity which if not guided must inevitably bring him into trouble again and again. Perhaps the most remarkable failing of his is that he can never see a whole strategical problem at once. His gaze always settles on some definite part of the canvas and the rest of the picture is lost. It is difficult to make him realize the influence of one theatre on another. The general handling of the German reserves in Europe can never be fully grasped by him. This failing is accentuated by the fact that often he does not want to see the whole picture, especially if this wider vision should in any way interfere with the operation he may have temporarily set his heart on. He is quite the most difficult man to work with that I have ever struck, but I should not have missed the chance of working with him for anything on earth!
Footnote by Field Marshal Lord Alanbrooke, War Diaries, 1939-1945, 1957.
November 8, 2020
Kim Philby: Soviet Spy in the West
The Cold War
Published 8 Aug 2020Our historical documentary series on the history of the Cold War continues with a video on the famous Cambridge Five and Donald Maclean in particular – a real Cold War-era spy story
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November 6, 2020
An American Globalist – Cordell Hull – WW2 Biography Special
World War Two
Published 5 Nov 2020Cordell Hull is the face of American diplomacy in 1941 as it navigates the precarious road to war against Imperial Japan.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel and James Newman
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: James Newman
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Mikolaj Uchman
Spartacus OlssonSources:
Naval History & Heritage Command
http://maps.bpl.org
FDR Presidential Library & Museum
Picture of MS St. Louis in Hamburg, United States Holocaust Memorial Museum, courtesy of Herbert and Vera Karliner
from the Noun Project: Skull by Muhamad Ulum, Handshake by priyanka, Pickaxe by Luke Anthony Firth, oil barrel by BomSymbolsSoundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Johannes Bornlof – “The Inspector 4”
Farell Wooten – “Blunt Object”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “Deviation In Time”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
A Swedish Trilogy Pt. 1 – A New Hope – Sabaton History 092 [Official]
Sabaton History
Published 5 Nov 2020The Swedish nation was in turmoil, as news spoke of King Gustavus Adolphus’ death on the battlefield of Lützen in 1632. The Lion from the North was slain — but who would reign in his stead? Gustavus had fathered a young daughter, the 6-year old Christina. Torn between a grief-stricken Queen Mother and the overbearing duties to monarchy and country, Christina grew into an unhappy and troubled woman. Much was expected of her, as she was still the daughter of the legendary warrior-king. But was she able and willing to continue his legacy? Or would she rather forsake her throne in order to find her own future far away from Sweden?
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
– Nationalmuseum
– Statens Museum for Kunst
– Livrustkammaren
– Herzog Anton Ulrich Museum
– Swedish capture of Kauzenburg 1631 colorized by DextwinAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
November 2, 2020
Hammurabi & the First Babylonian Empire
History Time
Published 19 Feb 2018A brief look at Hammurabi, the most famous king of the Old Babylonian Empire (1830 – 1531 BC)
If you liked this video you can help support the channel here:-
http://www.patreon.com/historytimeUKAre you a budding artist, illustrator, cartographer, or music producer? Send me a message! No matter how professional you are or even if you’re just starting out, I can always use new music and images in my videos. Get in touch! I’d love to hear from you.
I’ve compiled a reading list of my favourite history books via the Amazon influencer program. If you do choose to purchase any of these incredible sources of information then Amazon will send me a tiny fraction of the earnings (as long as you do it through the link) (this means more and better content in the future) I’ll keep adding to and updating the list as time goes on:-
https://www.amazon.com/shop/historytimeMusic:-
Derek & Brandon Fiechter – “Byzantium”
Derek & Brandon Fiechter – “Assyrian Fortress”
Derek & Brandon Fiechter – “Hittite Chariots”Recommended reading:-
Babylon, Paul Kriwaczek
The History of the Ancient World, Susan BauerI try to use copyright free images at all times. However if I have used any of your artwork or maps then please don’t hesitate to contact me and the appropriate credit can be given.
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November 1, 2020
QotD: Trumbo
Over the past weekend I watched Trumbo, the story of the Marxist screenwriter blacklisted by Hollywood during the Red Scare back in the 1950s. To say that I watched it with a jaundiced eye would be a very big understatement, because I suspected (just from the trailer) that the movie would just be one big blowjob for both Dalton Trumbo and his merry little band of Commiesymps who infested Hollywood back then.
And it was. Needless to say, the movie made villains of the conservatives who opposed the Marxist infiltration: people like John Wayne and Hedda Hopper in particular, Wayne because Wayne, and Hopper because she had a son serving in the U.S. Navy during the Korean War. Of course Wayne was made out to be a bully and Hopper a vindictive bitch — and the Senators and Congressmen who haled the Commies in front of the Senate and House Un-American Committee (HUAC) were depicted as ideological purists who saw Communists behind every bush — even though, in the case of Hollywood, there were Commies behind every bush at the time.
Of course, much was made of the fact that being a Communist wasn’t actually illegal (then, and now), and Trumbo made a great show of this being a First Amendment issue — which it was — and how these Commies all wanted to improve America, but of course there were evil right-wingers like Wayne, Joe McCarthy and HUAC harassing them at every turn.
The execution of the traitors Julius and Ethel Rosenberg got a little puff piece in the movie, which didn’t — couldn’t — actually say they weren’t guilty of
treasonespionage, so it was brushed over with the throwaway that it was the first execution for espionage in peacetime, as though peacetime should give espionage a pass. And if that wasn’t enough, the Rosenberg children were paraded around as sympathy magnets — as they still are — because Communists have no problem using children to serve their own purposes.Kim du Toit, “Blacklists Matter”, Splendid Isolation, 2020-07-28.
October 30, 2020
Halloween Special: H. P. Lovecraft
Overly Sarcastic Productions
Published 31 Oct 2018HAPPY HALLOWEEN IT’S TIME TO GET SPOOKY WITH HISTORY’S MOST PROBLEMATIC HORROR WRITER LET’S GOOOOO
While there’s something to be said for separating the art from the artist, I think there’s a lot of merit in CONTEXTUALIZING the art WITH the artist. Did Lovecraft write some pretty incredible horror? Sure! Was he also a raging xenophobe? Absolutely! Are his perspectives on life connected with the stories he felt compelled to tell? Duh! If you look at Lovecraft’s writing through the lens of his life, clear patterns emerge that allow us to pin down what exactly he built his horror cosmology out of. It’s an invaluable analytical tool that allows us to take apart his writings by getting inside his head. So before you yell at me for Not Separating The Artist From The Art, know that it was completely intentional and I’m not sorry.
3:20 – THE CALL OF CTHULHU
8:40 – COOL AIR
10:36 – THE COLOR OUT OF SPACE
14:38 – THE DUNWICH HORROR
19:32 – THE SHADOW OVER INNSMOUTHPATREON: www.patreon.com/user?u=4664797
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From the comments:
Overly Sarcastic Productions
1 year ago
Hey gang! Can’t help but notice the comment section is a little bit on fire. That’s all good with me, but one recurring complaint I’ve noticed has started to get under my skin – namely that my explanation of non-euclidean geometry was insufficient, or even – dare I say – inaccurate. Now this is a fair complaint, because after a lifetime of experience finding that people’s eyes glaze over when I talk math at them, I concluded that interrupting a half-hour horror video with a long-winded explanation of a mathematical concept wouldn’t go over too well. I put it in layman’s terms and used a simple example to illustrate the point. However, since some of the more mathematically-inclined of you took offense, I now present in full a short (but comprehensive) explanation of what exactly non-euclidean geometry is.First, we axiomatically establish euclidean geometry. Euclidean geometry has five axioms:
1. We can draw a straight line between any two points.
2. We can infinitely extend a finite straight line.
3. We can draw a circle with any center and radius.
4. All right angles are equal to one another.
5. If two lines intersect with a third line, and the sum of the inner angles of those intersections is less than 180º, then those two lines must intersect if extended far enough.Axiom #5 is known as the PARALLEL POSTULATE. It has many equivalent statements, including the Triangle Postulate (“the sum of the angles in every triangle is 180º”) and Playfair’s Axiom (“given a line and a point not on that line, there exists ONE line parallel to the given line that intersects the given point”).
Euclidean geometry is, broadly, how geometry works on a flat plane.
However, there are geometries where the parallel postulate DOES NOT hold. These geometries are called “non-euclidean geometries”. There are, in fact, an infinite number of these geometries, and because the only defining characteristic is “the parallel postulate does not hold”, they can be all kinds of crazy shapes. (As you can see, my explanation of “this is just how geometry works on a curved surface” is quite reductive, but at the same time serves to get the general impression across without going into too much detail.)
An example of a non-euclidean geometry is “Elliptic geometry”, geometry on n-dimensional ellipses, which includes “Spherical geometry” as a subset. Spherical geometry is, predictably enough, how geometry works on the two-dimensional surface of a three-dimensional sphere.
In spherical geometry, “points” are defined the same as in euclidean geometry, but “line” is redefined to be “the shortest distance between two points over the surface of the sphere”, since there is no such thing as a “straight line” on a curved surface. All “lines” in spherical geometry are segments of “great circles” (which is defined as the set of points that exist at the intersection between the sphere and a plane passing through the center of that sphere).
The axiom that separates spherical geometry from euclidean geometry and replaces the parallel postulate is “5. There are NO parallel lines”. In spherical geometry, every line is a segment of a great circle, and any two great circles intersect at exactly two points. If two lines intersect when extended, they cannot be parallel, and thus there are no parallel lines in spherical geometry.
Since the Parallel Postulate is equivalent to Playfair’s Axiom, the fact that no parallel lines exist in spherical geometry negates Playfair’s Axiom, which thus negates the Parallel Postulate and defines spherical geometry as a non-euclidean geometry. Also, since the Triangle Postulate is another equivalent property to the Parallel Postulate, it is thus negated in spherical geometry. Hence, my use in-video of an example of a triangle drawn on the surface of a sphere whose inner angles sum greater than 180º.
Hope that cleared things up (and helped explain why I didn’t want to say “see, non-euclidean geometry is just a geometry where Euclid’s Parallel Postulate doesn’t hold – hold on, let me get the chalkboard to explain what THAT is-” in the video)
Peace!
-R ✌️
October 29, 2020
Cranking This War Up to Eleven – Hideki Tojo – WW2 Biography Special
World War Two
Published 28 Oct 2020A man who was both Japan’s War Minister and Prime Minister, who played a large role in escalating the already daunting scale of the war in China to a world war against multiple world powers. We learn about his life from his birth in Tokyo in 1884 to his execution at Sugamo prison in Tokyo in 1948.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Karolina Dołęga & Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Mikołaj Uchman
Norman Stewart – https://oldtimesincolor.blogspot.com/Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
October 23, 2020
October 16, 2020
“The Art of War” – Wisdom of Sun Tzu – Sabaton History 089 [Official]
Sabaton History
Published 15 Oct 2020Sun Tzu says: “The Art of War is of vital importance to the state. It is a matter of life and death, a road either to safety or to ruin.” The Chinese Art of War by Sun Tzu is one of the most influential books in history. Throughout the centuries it would accompany generals, statesmen, and philosophers alike. Those who follow his teachings, who safeguard themselves against defeat and make sure of victory before the battle is fought, will triumph. Those who know everything about themselves and their enemies will achieve supreme excellence.
The Art of War by Sun Tzu Text: https://www.gutenberg.org/files/132/1…
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Art of War” on the album The Art of War:
https://music.sabaton.net/TheArtOfWarWatch the Official Live Clip of “The Art of War” here:
https://www.youtube.com/watch?v=aYoK1…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołega
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comVisual Sources:
– Pictures of Ming Dinasty courtesy of Yprpyqp from Wikimedia
– Pictures from the period of Opium War courtesy of Massachusetts Institute of Technology © 2010 Visualizing Cultures
– Wellcome Images
– Major National Historical and Cultural Site in China
– Pictures of The Art of War book courtesy of vlasta2, bluefootedbooby on flickr.com
– Metmuseum
– Picture of Eastern Han Calvary courtesy of GaryLee Todd from Wikimedia
– Granger Archive
– Hallwyl Museum
– Nomura Art Museum
– The icons from The Noun Project: Man by vanila, Asian woman by Jaime Serra, Wise Man by Éléonore SabatéAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
October 15, 2020
DicKtionary – L is for Lawman – Tom Horn
TimeGhost History
Published 14 Oct 2020Morally ambiguous guns for hire are a fantasy of old Western films, right? Well not in the case of Tom Horn! A lawman, a cowboy, a soldier, and ultimately: a dick.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Written and Hosted by Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Image Research by: Karolina Dołęga
Edited by: Karolina Dołęga
Sound design: Marek KamińskiSources:
– Pictures of Tom Horn courtesy of Wyoming State Archives Photo Collection
– Library of Congress
– National Archives NARA
– Picture of Valley RoadArizona courtesy ofThe Old Pueblo from Wikimedia
– Icons from The Noun Project: Child by Gan Khoon Lay, Cow by Alena Artemova, Cowboys by Simon Child, cowboy avatar by Silviu Ojog, Cowboy by Gan Khoon Lay, cowboy man Adrien Coquet, cowboy by Luis Prado, Cowboy Shoot by Gan Khoon Lay, Cowboy Shooting by Gan Khoon Lay, duel by Gan Khoon Lay, Dead Soldier by Gan Khoon Lay & Joab Penalva, Shootout by Gan Khoon Lay, Sheep by Pariphat Sinma.Music:
– “Ghosts of the Rail” – Gabriel Lewis
– “Miss Dynamite” – Walt Adams
– “Gone Surfing (Sting)” – Stefan Netsman
– “Run Dry River” – River Run DryArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.














