Quotulatiousness

May 29, 2020

“Night Witches” Pt. 2 – Female Soldiers – Sabaton History 069 [Official]

Filed under: France, History, Media, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 04:00

Sabaton History
Published 28 May 2020

Quarantined Sabaton History is back! And this week we talk about female badass warriors of the Second World War! From a Soviet sniper to a French resistance fighter, many women chose to volunteer for the front and fight alongside the men. These are some of their tales.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Night Witches” on the album Heroes here:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGoogleP

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
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Hosted by: Spartacus Olsson, substituting for Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory: https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Colorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Sources:
– Central Intelligence Agency
– Museum.ru
– Imperial War Museum:HU 66187
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-027-1477-24, 101I-301-1951-11, 101i-721-0395-22
– ETH-Bibliothek
– RIA Novosti archive, image #58861 / V. Krasutskiy / CC-BY-SA 3.0
– Crosshair by DTDesign from the Noun Project

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

The contagion of fear and the progressive loss of perspective in the modern world

Filed under: Britain, Government, Health, Media — Tags: , , , , , — Nicholas @ 03:00

In the Hector Drummond Magazine, Dan C. discusses what he calls the “comfort of fear”:

Not actually the official symbol of Britain’s National Health Services … probably.

This is the sort of glib response (akin to “so you WANT people to die then?”) that has essentially hijacked all conversation and debate since the start of the Coronavirus outbreak. I didn’t respond, partly because I didn’t have the energy for an argument with a friend (at least Twitter rows tend to be anonymous) and quite frankly, what does one say to this? That we shouldn’t send out children back to school ever again in case one child happens to pass away from any illness or disease? That we should continue in lockdown until we cure death itself?

My concern is that this bizarre way of thinking is commonplace right now for many parents. Locked inside their houses for weeks on end, soaking up an endless stream of Netflix programs, mawkish Instagram feeds and daily Government briefings, convinced that Black Death Mk II has landed outside their front door, paid by the state to stop working and lapping up every rainbow-based hashtag that emerges from “our NHS”, all sense of balance and perspective has vanished. With such an unprecedented paradigm shift, this new state of heightened safety has led many to consider their view on illness and risk for the very first time in their lives and unfortunately the concept of critical thinking has been found lacking. Real life, which has been slowly eroded for many decades, has suddenly been switched off completely overnight and the worst of it is that most people don’t seem to care.

The scary part of all of this is that if the adults in the room have suddenly lost their desire to engage in the outside world, to have meaningful human interaction, to take risks (don’t get me started on the definition of “risk”) and to live their lives in the fullest possible way then what chance do children stand? After all, you can’t miss what you’ve never had.

Historians will look back in bewilderment at this period, noting that it took no more than a month during the spring of 2020 for fearlessness to completely evaporate in society. In its place is a comfortable sense of fear.

QotD: Historical ways to deal with your “rage heads”

Filed under: Germany, History, Politics, Quotations, Russia, USA — Tags: , , , , , — Nicholas @ 01:00

The main lesson I hope our distant descendants draw from the Orange Man Era is: The rage heads ye have always with you, so ye must find a way to channel them into something as non-destructive as possible. The story of modern politics can be written in a sentence: The weaponization of rage heads, combined with the inability of any society to properly dispose of said WMDs.

Set the Wayback Machine to the turn of the 20th century. Lenin’s great insight is that “the masses” will never achieve the proper revolutionary consciousness without a dedicated cadre of hardcore, professional revolutionaries to lead the way. Lenin recognized the prevalence of incipient rage heads in his society — how could he not? — but realized that, absent some guiding hand, they’d flounder around incoherently. At best (from the “furthering the Revolution” point of view), they’d do what his, Lenin’s, idiot brother did: Try to knock off the tsar, and get himself hung for it. Thus, the Bolsheviks.

The problem, though, is that rage heads by definition suffer from poor impulse control. The tiny subset of them that are pure sociopaths (like Lenin), and thus have the icy-veined self-control to hold their fire, have to maintain the very tightest discipline over the Party, or all hell breaks loose. See, for example, the massive street battles in Weimar Germany between the KPD (German Commies) and the SD. Hitler, like Lenin, had to get his rage heads on a tight leash, so he channeled the disciplined sociopaths from the SD into the SS, cooled out the coolable in the SD by buying them off, and shanked the incorrigible remainder. See also the almost-exactly-contemporary Moscow Show Trials.

Note please that this is your best-case scenario for a purely ideological revolution. From Robespierre to Kim Il Sung, the first step in consolidating the Revolution is killing off a large fraction of the original revolutionaries.

The worst-case scenario (again, from the “furthering the Revolution” standpoint) is what the American wannabe-bolshies did / are currently doing. Knowing that you can’t shank or show-trial the dreadlocked poetry majors that make up your goon squad, you try to channel them into academia, the Media, the “arts.” Which fails egregiously, because whatever tenuous contact with reality they once had gets completely severed by those institutions’ social bubbles. They never were very good at holding fire, and now they can’t, literally can’t, see any reason to — life is great here on campus, so why can’t it be that way everywhere?

Severian, “Living in End Times”, Rotten Chestnuts, 2020-02-28.

May 28, 2020

Why Halftracks? Why limited to WW2 only? (Featuring Tank Fest 2018)

Filed under: Germany, History, Military, USA, Weapons, WW2 — Tags: , , , , — Nicholas @ 02:00

Military History not Visualized
Published 6 Jul 2018

Disclaimer: I was invited to Tank Fest by the Tank Museum.

Why were half-tracks used in the first place? Why not trucks, fully-tracked vehicles or something else? Also, why after the Second World War did the half-track disappear? Why were there no new types produced by major powers?

Big thank you to green_goblin_z for sending me 2 books from my amazon wishlist!

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Military History not Visualized is a support channel to Military History Visualized with a focus personal accounts, answering questions that arose on the main channel and showcasing events like visiting museums, using equipment or military hardware.

» SOURCES «

Spielberger, Walter; Doyle, Hilary Lous, Jentz, Thomas L.: Halbkettenfahrzeuge des deutschen Heeres
Spielberger: Halftracked Vehicles of the German Army 1909-1945 (Spielberger German Armor and Military Vehicle)

Zaloga, Steven J.: M3 Infantry Half-Track. 1940-73. Osprey Publishing: Oxford, UK (1992 / 2002).

Citino, Robert M.: The German Way of War. From the Thirty Years’ War to the Third Reich. University Press of Kansas: USA, 2005.

Krapke, Paul-Werner: Armor, in: Margiotta, Franklin D. (Executive Editor): Brassey’s Encyclopedia of Land Forces and Warfare. Brassey’s: Washington, USA (1996), p. 42-53

Pöhlmann, Markus: Der Panzer und die Mechanisierung des Krieges: Eine deutsche Geschichte 1890 bis 1945 (Zeitalter der Weltkriege)

Munzel, Oskar: Die deutschen gepanzerten Truppen bis 1945

Fleischer, Wolfgang: Die motorisierten Schützen und Panzergrenadiere des deutschen Heeres: 1935-1945 – Waffen, Fahrzeuge, Gliederung, Einsätze

Felberbauer, Franz: Waffentechnik I – Band 2: Geschütze, Waffen in Entwicklung, Nichttödliche Waffensysteme, Ballistik, Physikalische Grundlagen (Truppendienst)
https://www.truppendienst.com/td-buec…

QotD: The decline and fall of the British aristocracy

Filed under: Britain, History, Quotations — Tags: , , , — Nicholas @ 01:00

Therein you have a microcosm of modern British aristocracy. A class system that used to distribute power and responsibility has collapsed into a source of therapeutic validation for the fragile individualism of its members. False merit thrives between narrow horizons — and few are narrower than the blue bloods of England. Enabling these delusions are the hangers-on who crowd Britain’s husks of aristocracy. It takes celebrities, journalists, and photographers to clothe their naked imperium and validate their feelings of uniqueness. And what does the intelligentsia get in return for this courtship? The answer, of course, is nothing. Because if Britain’s nobs know one thing, it is that they owe the world nothing. They have kept their noblesse but eschewed their oblige. In its place has come venality and codependence: rugged individualism without the actual ruggedness.

The historical way-markers to this implosion are well-documented. The First World War delivered a demographic and psychological blow of unprecedented proportion. Yet the next generation laughed into the void. The Roaring Twenties were a whirl of parties and bankruptcies. Only with the aid of married American fortunes did a carapace of their old values remain intact. The ’60s dissolved what remained of those values in a fug of dope and good tail. Those who didn’t succumb to the new addictions succumbed to old ones they could no longer afford. Titans of the British military like Sir David Stirling — cofounder of the SAS and a descendant of Charles II — gambled away their estates at the hands of unscrupulous Mayfair casino-owners who pretended to be their friends. The aristos were co-opted for their charm — read: money — by a new milieu that promoted the glamour of sexual and social transgression. Blinded by their inherited feelings of self-worth, they never realized they were being used by people who despised them. As a result, nowhere was Britain’s postwar political direction — dubbed “The Management of Decline” — internalized as effectively as among the people who had once driven its ascent.

[…]

How could a species that once steered Britain to greatness now claim the Darwin Award in every passing decade? The simple reason is that British aristocrats are the only people on earth among whom stupidity is not only accepted but prized. As the ultimate proof against meritocracy, it is the ultimate badge of honor. As Stendhal wrote in Le Rouge et Le Noir, “It is not doing something well or badly that is the crime: but doing it at all.”

“Bunky Mortimer III”, “Class Rejects: A Guide to the British Aristocracy”, Taki’s Magazine, 2018-03-02.

May 27, 2020

The Battle to Crack Enigma – The real story of ‘The Imitation Game’ – WW2 Special

Filed under: Britain, Germany, History, Military, Technology, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 26 May 2020

For the British, breaking the Germans’ seemingly unbreakable codes is one of the most vital battles of the war. If they fail, there is litte to stop the German U-Boats hunting down Allied shipping in the Atlantic.

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Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM D 23310, A 13709, A 23513
Picture of Enigma G model, courtesy Austin Mills https://flic.kr/p/2bQ9Q
reconstructed bombe machine at Bletchley Park, courtesy Gerald Massey
Picture of Enigma M4 model displayed at Bletchley Park, courtesy Magnus Manske
Picture of John Herivel, courtesy GCHQ
From the Noun Project: Letter by Mochammad Kafi, Desk by monkik, Phone by libertetstudio, person by Adrien Coquet, Letter by Bonegolem, Table by Creative Stall, documents by Johannes Hirsekorn, sitting at desk by IYIKON, Paper by James Kopina

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Gunnar Johnsen – “Not Safe Yet”
Hakan Eriksson – “Epic Adventure Theme 3”
Howard Harper-Barnes – “London”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
4 hours ago (edited)
Hopefully you’re all staying safe in these difficult times. We’re still marching on so that we can keep all of you entertained when you’re stuck at home. But we can only continue doing so thanks to your ongoing support. Ad revenue has dropped significantly because of COVID, and we rely on your support now more than ever. If you can, please support us on www.patreon.com/timeghosthistory or https://timeghost.tv.

Please let us know what other specials you’d like to see. And if you would like to know something about a smaller topic, make sure to submit that as a question for our Q&A series, Out of the Foxholes. You can do that right here: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.

Cheers,
Francis

Webley 1913 Semiauto Pistol: History and Disassembly

Filed under: Britain, History, Military, Weapons, WW1 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 25 May 2017

William Whiting and the Webley company had high hopes for their self-loading pistols being adopted by the British military — but they never got the success they were hoping for.

After the poor performance of the Webley 1904 (https://www.youtube.com/watch?v=-hT38…) at trials, William Whiting decided to make sure his next attempt would be fully developed before he put it in the hands of the military. He did very well at that too, as the gun which would become the Model 1913 Webley did very well from its very first military tests. The Royal Navy was, in fact, quite enthusiastic about it, although the Army was not. The Navy would ultimately adopt the gun and purchase about 8,000 of them during World War One, while the Army acquired just a couple hundred and preferred to stick to its revolvers.

Thanks to Mike Carrick of Arms Heritage magazine for loaning me these pistols to bring to you!

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QotD: “Hate speech” is the new secular heresy

Filed under: Britain, Liberty, Media, Politics, Quotations — Tags: , , , , — Nicholas @ 01:00

The cynical category of “hate speech” is openly used to police the parameters of acceptable thought and to punish those who are considered to hold heretical views that the guardians of moral correctness oppose. So not only are critics of Islam denounced as “hate speakers” — so are feminists who question the cult of transgenderism, Christians who disapprove of same-sex marriage, right-wing people who want stricter immigration controls, etc. These are all entirely legitimate political or moral opinions. The branding of them as “hate speech” — and therefore undeserving of the protections of freedom of speech — is really a way of calling these views heresy. And of course heretics must be cast out. Feminists, Catholics, critics of Islam — hound them off campus, get them off the airwaves, report them to the police for their crimes of hatred. This is an intolerant assault on heresy of the kind that has appeared many times throughout history. Those who say “It isn’t censorship” protest far too much. Deep down they know it is. Deep down they know they are to the 2020s what Joe McCarthy was to the 1950s.

Brendan O’Neill, “Why we must win the fight for free speech”, Spiked, 2020-02-26.

May 26, 2020

“No more pencils, no more books…”

Filed under: Britain, Education, History — Tags: , , , , , , — Nicholas @ 03:00

In the latest edition of the Libertarian Enterprise, Sean Gabb considers the demands from the British government to quickly re-open the schools over the concerns of the educational unions and administrations:

The latest turn in an increasingly dull coverage of the Coronavirus panic is a proposed reopening of the schools. The Government wants them open as soon as possible for at least some of their students. The teaching unions are bleating that no one should go back until their members can be sure of not catching anything. The headmasters are worried about compliance with the social distancing rules. As a conservative of sorts, I think I am supposed to side with the Government and the pro-Conservative journalists — denouncing the teachers as a pack of idlers where not cowards, and insisting that those factories of essential skills must be set back in full production before the summer holidays. Of course, my settled view as a libertarian is that the teaching unions deserve all the support I have never so far given them. The schools must remain closed until no one is in any danger of so much as an attack of hay fever. The schools have been largely closed since the end of March. The longer they stay largely closed, the better. Best of all if they never reopen — or never reopen as they have been since attendance was made compulsory at the end of the nineteenth century.

I quote John Stuart Mill on compulsory schooling:

    A general State education is a mere contrivance for moulding people to be exactly like one another: and as the mould in which it casts them is that which pleases the predominant power in the government, whether this be a monarch, a priesthood, an aristocracy, or the majority of the existing generation; in proportion as it is efficient and successful, it establishes a despotism over the mind, leading by natural tendency to one over the body.
    (On Liberty, 1859, Chapter 5, “Applications.”)

This has always been the case in some degree. The spread of state schooling in England after 1870, and particularly after it was made compulsory in 1880, and then extended in 1902, is probably inseparable from the nationalist hysteria that drove our participation in the Great War. It also may explain the perverse belief, general until the 1970s, in the unique goodness and honesty of our ruling class. This being said, reasonable patriotism is to be encouraged; and, compared with others, our ruling class was not until recently so bad. A further point is that compulsory state schooling used to be reasonably effective at giving the mass of people a basic education. By 1960, most people were literate and numerate. They could spell and write grammatical prose. They had some exposure to the English classics, and the means of exploring these to greater depth if they wished. They had some understanding of history and the sciences. You can tell much about the quality of a people by examining what is read and watched. Looking at the popular arts in England during much of the twentieth century explains why this passage in On Liberty was less often discussed than his arguments for freedom of speech. Mill was right in the abstract. He could be shown to be right in certain particulars. But the evils of compulsory state schooling were mostly potential.

All this, however, is in the past. Since about 1980, schooling of all kinds has been made into a concerted means of indoctrination. The cultural leftists have captured both the classrooms and the curriculum. I will not elaborate on this claim. Some will argue over terminology, some over the merits of the capture, but hardly anyone denies the broad fact. One of the main functions of modern schooling is to bring about and to protect a radical departure from the old intellectual culture of this country.

Much of this departure has been achieved by preaching in the classroom. But it is supplemented by a growing bureaucracy of surveillance. The teachers themselves are watched, and they can be punished for dissenting from the established discourse. There is, for example, the Government’s Prevent strategy, which applies to the whole state machinery. Its purpose is to identify and root out anyone defined as a “political extremist.” Anyone identified as such is effectively banned from working with children and young people, and probably in the state sector as a whole.

May 24, 2020

Invasion of Crete: a Bloody Mess – WW2 – 091 – May 23 1941

Filed under: Australia, Britain, China, Europe, Germany, History, Japan, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 23 May 2020

Operation Mercury commences as fallschirmjäger airborne troops land on the Greek island of Crete. A bloody and messy battle follows as it turns out to be costly in more ways than one.

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…

Sources:
– Imperial War Museum: A 28473, E 3064E, A 4154, A 4153, A 4149, A 4144, E 3066E, E 3023E, A 4156, E 6066
– Archives municipales de Brest
– Museums Victoria
– Bundesarchiv, CC-BY-SA 3.0: Bild_141-0816, Bild_183-L04232, Bild_101I-166-0527-10A, Bild 101I-166-0527-22 / Weixler, Franz Peter, Bild_183-L19019, Bild 146-1977-115-04, Bild 141-0823, Bild_101I-166-0512-39, Bild_146-1981-159-22, Bild_146-1980-090-34, E 3022E

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

May 23, 2020

Failed Assassinations — History Hijinks

Filed under: Britain, Europe, History, Humour, Middle East, Religion — Tags: , , , , , , , — Nicholas @ 04:00

Overly Sarcastic Productions
Published 22 May 2020

If videogames have taught me anything, it’s that an assassin can solve a lot of problems. But sometimes plans fall apart, and sometimes it’s for the absolute DUMBEST reasons.

SOURCES & Further Reading: A History of Venice by Norwich, Rebellion by Ackroyd, The Poison King by Mayor.

This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.

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“System Mauser” – The Very First C96 Pistols

Filed under: Germany, History, Military, Weapons — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 12 Feb 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

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The very first group of C96 pistols made — about 200 in total — are called “System Mauser” pistols. They have this hand-engraved on the top of the barrel, and have a number of other very early features that would quickly change. Most of these changes involve lightening the gun, but they also have a distinctive stepped barrel and a holster/stock that opened to the left; the opposite of all the later standard holsters.

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

May 22, 2020

Wehrmacht Wages, Argentina in WW2, and Otto von Habsburg – WW2 – OOTF 012

Filed under: Americas, Europe, Germany, History, Military, WW2 — Tags: , , , — Nicholas @ 06:00

World War Two
Published 21 May 2020

You’re just an average German doing your work when suddenly you’re called up for service and asked to put your life on the line for your country. But how does your country repay you? Find out today as we take a look at the regular German soldier’s salary, the political turmoil in Argentina during the war and the former powerhouse of Europe: the mighty Habsburg dynasty.

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Isabel Wilson and Sietse Kenter
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Sietse Kenter
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Adrien Fillon – https://www.instagram.com/adrien.colo…

Sources:
Bundesarchiv
IWM CH 11432
Wehrmacht Private, Sergeant and Colonel insignia, courtesy Skjolbro, Wikimedia Commons
Wehrmacht General and Gefreiter insignia, courtesy F l a n k e r, Wikimedia Commons
Otto von Habsburg with his son Georg in European Parliament , courtesy Ferenc Csomafáy
Portrait of Otto von Habsburg, courtesy Oliver Mark

Soundtracks from the Epidemic Sound:
Max Anson – “Ancient Saga”
Johannes Bornlof – “Deviation In Time”
Johannes Bornlof – “The Inspector 4”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

“Angels Calling” Pt. 2 – Guns, Gas and Steel – Sabaton History 068 [Official]

Filed under: Britain, Europe, France, Germany, History, Media, Military, WW1 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 21 May 2020

The shadow of trench warfare is a long one. In fact the soldiers at the front did not just rely on their guns and grenades alone, but on a wartime industry to keep them fighting. Everything had to be produced in the millions. Not only rifles, cartridges and shells, but boots, helmets, spades and everything else that was used on a daily basis. The Great War was a war that thrived on a nation-wide war-economy, the likes of which had never been seen or tried before.

We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…

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Listen to “Angels Calling” on the album Attero Dominatus:
CD: http://bit.ly/AtteroDominatusStore
Spotify: http://bit.ly/AtteroDominatusSpotify
Apple Music: http://bit.ly/AtteroDominatusAppleMusic
iTunes: http://bit.ly/AtteroDominatusiTunes
Amazon: http://bit.ly/AtteroDominatusAmzn
Google Play: http://bit.ly/AtteroDominatusGooglePlay
Drücken Sie zum Aktivieren des Screenreaders ⌘+Wahltaste+Z. Informationen zu Tastaturkürzeln erhalten Sie, indem Sie ⌘Schrägstrich drücken.

Watch the Official Video of “Angels Calling” here:
https://www.youtube.com/watch?v=JyZ8w…

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
Imperial War Museum: (E(AUS) 1497),(Q 87945), (HU_91107), (Q 109611), (IWM Q 3001), (Q 69229), (Q 14945), (Q 5855), (Q 110355), (Q30009), (Q 9340), (Q 10450), (Q 70680)
Bundesarchive
National Archives NARA
Library of Scotland
Internet Archive Book Images
Bulgarian Archive State Agency
The icons from Noun Project by: Creative Mania, Chanut is Industries, Ben Davis, Vichanon Chaimsuk, Assyifa Art, chiccabubble, Nociconist, Vectors Marke, lastspark, faisal, Nun, Setyo Ari Wibowo, Mohamad Arif Prasetyo, Nibras@design,Creative Stall, Bruno Bosse, ghufronagustian, Karla Design,Gan Khoon Lay, Eucalyp, Anton, Marta Botter, Iconic, Daniel Turner, Naufal Hudallah, Phạm Thanh Lộc, Ruben Vh, Vectorstall, Icon Lauk, Mahmure Alp, Luke Anthony, Deemak Daksina, Sergey Krivoy, Andrejs Kirma, Rflor, Andrejs Kirma, Shovel by David, ProSymbols, Jake Dunham, noSimon Child, Wonmo Kang, Nubaia Karim Barsha, Nikita Kozin, Dolly Holmes, Collicon, Made by Made & Graphic Enginer
Flag of Spain recreated by HansenBCN and SanchoPanzaXXI

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

First War of Scottish Independence | 3 Minute History

Filed under: Britain, France, History, Military — Tags: , , — Nicholas @ 02:00

Jabzy
Published 22 Jun 2015

The First Scottish War of Independence

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