Jabzy
Published 18 Oct 2015Thanks to Xios, Alan Haskayne, Lachlan Lindenmayer, William Crabb, Derpvic, Seth Reeves and all my other Patrons. If you want to help out – https://www.patreon.com/Jabzy?ty=h
Apologies, especially to the Patreon supporters for not uploading recently, I’ve changed jobs/moved house etc. I should be back on the usual schedule now.
Plus, thanks for the 12,000 subs.
It’s kind of subtle, but I don’t think he’s a fan of the writer or his work:
Theodore Dalrymple on 24 September 2007.
Photo by jaapstronks at Flickr via Wikimedia Commons.
No opinion is worth expressing that is not also worth contradicting (except, perhaps, this one); nevertheless, clichés have their attraction. They are the teddy-bears of the mind, or, to change the metaphor slightly, the mental lifebuoys we cling to in times of stormy intellectual or political weather. They are the sovereign remedy for thought, which is always a rather painful activity.
“Can’t you stop me thinking, doctor?” asked some of my patients in the prison in which I worked, in the hope of a prescription of pills that would make them feel fuzzy and incapable of coherent mentation. For those who prefer a less drastic or non-pharmacological solution to the discomforts wrought by the contemplation of the world and their part in it, there are pseudo-thoughts with comforting connotations of wisdom, generosity, goodness, kindness, benevolence, etc. They are the kind of people, I suppose, who might think that Kahil Gibran’s kitsch vapourings are profound.
They would no doubt like Nicolas Hulot’s 100 Principles for a New World, published on 7 May in Le Monde. Hulot, an ecological activist, television personality and journalist once specialising in motorcycle racing, was M. Macron’s Minister for the Ecological and Solidary Transition (by their job titles shall ye know them) until he resigned with maximal noise in August 2018, having held the post for 15 months.
I confess that I was shocked by the banality of the mind, or alternatively the cynicism, of the person who could have written and published a manifesto such as Hulot’s – to say nothing of the astonishing lack of judgment of a respectable newspaper in publishing it. The last time that I was shocked so much by a politician’s vacuity was when I heard another Nicolas, Sarkozy this time, give a speech in person. He was like a dried pea rattling about and shaken in a tin box. He jumped around the stage making a passionate verbal noise, but nothing he said had any discernible tether to anything concrete. Within seconds of his finishing, no one could have given any account of what he had said. Is mastery of this kind of meaningless verbalisation, eloquently empty and passionately delivered, the key to political success? And if so what does it say of us, the citizens of democracies?
But to return to Hulot and his Hundred Principles. They each started “The time has come to…” or “The time has come for…”, followed by a cliché, a truism, or a banal falsehood, all expressed with a self-satisfaction that would have made Mr Pecksniff seem like a self-doubter.
Sabaton History
Published 28 May 2020Quarantined Sabaton History is back! And this week we talk about female badass warriors of the Second World War! From a Soviet sniper to a French resistance fighter, many women chose to volunteer for the front and fight alongside the men. These are some of their tales.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Night Witches” on the album Heroes here:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Spartacus Olsson, substituting for Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory: https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Colorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Central Intelligence Agency
– Museum.ru
– Imperial War Museum:HU 66187
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-027-1477-24, 101I-301-1951-11, 101i-721-0395-22
– ETH-Bibliothek
– RIA Novosti archive, image #58861 / V. Krasutskiy / CC-BY-SA 3.0
– Crosshair by DTDesign from the Noun ProjectAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Sabaton History
Published 21 May 2020The shadow of trench warfare is a long one. In fact the soldiers at the front did not just rely on their guns and grenades alone, but on a wartime industry to keep them fighting. Everything had to be produced in the millions. Not only rifles, cartridges and shells, but boots, helmets, spades and everything else that was used on a daily basis. The Great War was a war that thrived on a nation-wide war-economy, the likes of which had never been seen or tried before.
We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Angels Calling” on the album Attero Dominatus:
CD: http://bit.ly/AtteroDominatusStore
Spotify: http://bit.ly/AtteroDominatusSpotify
Apple Music: http://bit.ly/AtteroDominatusAppleMusic
iTunes: http://bit.ly/AtteroDominatusiTunes
Amazon: http://bit.ly/AtteroDominatusAmzn
Google Play: http://bit.ly/AtteroDominatusGooglePlay
Drücken Sie zum Aktivieren des Screenreaders ⌘+Wahltaste+Z. Informationen zu Tastaturkürzeln erhalten Sie, indem Sie ⌘Schrägstrich drücken.Watch the Official Video of “Angels Calling” here:
https://www.youtube.com/watch?v=JyZ8w…Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
Imperial War Museum: (E(AUS) 1497),(Q 87945), (HU_91107), (Q 109611), (IWM Q 3001), (Q 69229), (Q 14945), (Q 5855), (Q 110355), (Q30009), (Q 9340), (Q 10450), (Q 70680)
Bundesarchive
National Archives NARA
Library of Scotland
Internet Archive Book Images
Bulgarian Archive State Agency
The icons from Noun Project by: Creative Mania, Chanut is Industries, Ben Davis, Vichanon Chaimsuk, Assyifa Art, chiccabubble, Nociconist, Vectors Marke, lastspark, faisal, Nun, Setyo Ari Wibowo, Mohamad Arif Prasetyo, Nibras@design,Creative Stall, Bruno Bosse, ghufronagustian, Karla Design,Gan Khoon Lay, Eucalyp, Anton, Marta Botter, Iconic, Daniel Turner, Naufal Hudallah, Phạm Thanh Lộc, Ruben Vh, Vectorstall, Icon Lauk, Mahmure Alp, Luke Anthony, Deemak Daksina, Sergey Krivoy, Andrejs Kirma, Rflor, Andrejs Kirma, Shovel by David, ProSymbols, Jake Dunham, noSimon Child, Wonmo Kang, Nubaia Karim Barsha, Nikita Kozin, Dolly Holmes, Collicon, Made by Made & Graphic Enginer
Flag of Spain recreated by HansenBCN and SanchoPanzaXXIAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Jabzy
Published 22 Jun 2015The First Scottish War of Independence
The French have this wonderful word, amour-propre, so much better than our English “self-love.” It comes, with its edge, from La Rochefoucauld, his urbane and scintillating Maxims in the seventeenth century. It is the arch-flatterer, “more artful than the most artful of mankind.” In parallel, it comes from Blaise Pascal, who observes that Christianity is the only cure. Then it comes again through Jean-Jacques Rousseau, in the “enlightened” eighteenth century, who thought the primitive savages incapable of amour-propre, because they lacked the gilt-framed mirrors of sophisticated society, in which their pride might be reflected. He imagines it the source of all corruption; and with some authority, for he was himself among the most corrupt of men — this Rousseau who taught us all to “blame society.”
Really there is nothing new under the sun, and the concept comes much earlier from Saint Augustine of Hippo who in his City of God calls it in Latin, amor sui, and puts it about the centre of his review of human tawdriness. That, in turn, is how it came to Pascal: via the French Augustinians, with whom Pascal was in thick, about the time he was writing his Lettres provinciales. One might add, contre Rousseau (and perhaps with Joseph de Maistre) that it goes back farther, to Adam and Eve.
Ye devill appeals to Eve’s amour-propre. She then appeals to Adam’s. That’s how this whole wretched mess got started. Note that this couple predeceased all Rousseau’s noble savages, and that the field anthropologists have since discovered that the primitive tribal types are a lot like us. Which is to say, bad, in many colourful ways, and quite invariably self-regarding.
David Warren, “Amour-propre”, Essays in Idleness, 2016-06-01.
Sabaton History
Published 14 May 2020The Meat-Grinder. Dead Man’s Hill. The Bone-Mill. Verdun has many names, as it went down into history as a place of death and destruction. Never before did so many light and heavy artillery guns fire on such a small battlefield. It was the end of the classical field battle and instead turned into a 10 month siege that was fought not by flesh and blood, but by steel and chemistry.
We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Fields of Verdun” on the album The Great War
CD: http://nblast.de/SabatonTheGreatWar
Spotify: https://sabat.one/TheGreatWarSpotify
Apple Music: https://sabat.one/TheGreatWarAppleMusic
iTunes: https://sabat.one/TheGreatWarItunes
Amazon: https://sabat.one/TheGreatWarAmazon
Google Play: https://sabat.one/TheGreatWarGooglePlayWatch the Official Video of Fields of Verdun here:
https://youtu.be/xP8G-LwWNn0Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Imperial War Museum: Q 23892, Q 87441, Q 23760, Q 88017, Q 78041, Art.IWM BUTE 290, Q 27526, Q 108345, Q 56987, Q 58386, Q 87945, Q 56546, Q 69971
– Bibliothèque nationale de FranceAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Military History Visualized
Published 21 Aug 2018Join me in War Thunder for free using this link http://v2.xyz/WarThunderMilitaryHistory and get a premium tank or aircraft and three days of premium time as a bonus.
The popular view is that the Wehrmacht used a combination of Panzers and Stukas to roll over Poland, Denmark, the Netherlands, Belgium, France and later the Soviet Union. Whereas the Panzers were heavily supported by Stukas overwhelming enemy ground forces.
The problem is that the details on how this was actually done are rather scarce. As such, there are various assumptions and misconceptions around, at least I had plenty of them myself before I took a closer look. So, in this video we will take a deeper dive on how Panzers and Stukas actually coordinated their efforts in Poland 1939, France 1940 and the Soviet Union 1941 (Operation Barbarossa).
“Kommandeure der Luftwaffe” (Commanders of the Air Force) – usually called Koluft.
“Flieger Verbindungsoffiziere” (Pilot Liason Officers) – usually called Flivo.
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Corum, James S.: “The Luftwaffe’s Army Support Doctrine, 1918-1941”. In: The Journal of Military History, Vol. 59, No. 1 (Jan., 1995), p. 53-76
Murray, Williamson: “The Luftwaffe Experience, 1939-1941”. In: Cooling, Benjamin Franklin (ed.): Case Studies in the Development of Close Air Support. Office of Air Force History: Washington DC, United States (1990), p. 71-113
Citino, Robert M.: Blitzkrieg to Desert Storm. The Evolution of Operational Warfare. Kansas University Press: US (2004).
Pöhlmann, Markus: Der Panzer und die Mechanisierung des Krieges: Eine deutsche Geschichte 1890 bis 1945 (Zeitalter der Weltkriege), Paderborn 2016.
Creveld, Martin van; Canby, Steven L.; Brower, Kenneth S.: Air Power and Maneuver Warfare, Air University Press: 1994.
Brütting, Georg: Das waren die deutschen Stuka-Asse. 1939-1945. Motorbuch Verlag: Stuttgart, Germany (1984)
Stahel, David: Operation Barbarossa and Germany’s Defeat in the East. Cambridge University Press: UK (2009)
Das Deutsche Reich und der Zweite Weltkrieg, Band 2: Die Errichtung der Hegemonie auf dem europäischen Kontinent
Das Deutsche Reich und der Zweite Weltkrieg, Band 4: Der Angriff auf die Sowjetunion
Munzel, Oskar: Die deutschen gepanzerten Truppen bis 1945
Corum, James S.: The Roots of Blitzkrieg. Hans von Seeckt and German Military Reform
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IT’S HISTORY
Published 13 May 2015It was the defining moment of the British naval history and let the groundwork for their naval superiority over the next century. Horatio Nelson’s brilliant battle tactics let to a decisive victory over Napoleon’s French Navy. Find out all about the famous Battle of Trafalgar with Indy on IT’S HISTORY.
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IT’S HISTORY is a ride through history – Join us discovering the world’s most important eras in IN TIME, BIOGRAPHIES of the GREATEST MINDS and the most important INVENTIONS.» HOW CAN I SUPPORT YOUR CHANNEL?
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Of course! Tell your teachers or professors about our channel and our videos. We’re happy if we can contribute with our videos.» CREDITS
Presented by: Indy Neidell
Based on the script by: Daniel Hungerford
Directed By: Daniel Czepelczauer
Director of Photography: Markus Kretzschmar
Music: Markus Kretzschmar and Daniel Czepelczauer
Sound Design: Bojan Novic
Editing: Markus KretzschmarA Mediakraft Networks original channel
Based on a concept by Florian Wittig and Daniel Czepelczauer
Executive Producers: Astrid Deinhard-Olsson, Spartacus Olsson
Head of Production: Michael Wendt
Producer: Daniel Czepelczauer
Social Media Producer: Hendrik Sontheim
Social Media Manager: Florian Wittig and Laura PaganContains material licensed from British Pathé
All rights reserved – © Mediakraft Networks GmbH, 2015
Thersites the Historian
Published 25 Jul 2018Quintus Tullius Cicero is best known as the younger brother of Marcus Tullius Cicero who wrote a pamphlet on running for the Consulship, but he was also one of Caesar’s legates in Gaul and a braver than average Roman.
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The French philosophes thought the social classes were divided by the chasm not only of poverty but, more crucially, of superstition and ignorance. They despised the lower orders because they were in thrall to Christianity. The editor of the Encyclopédie, Denis Diderot, declared that the common people had no role in the Age of Reason: “The general mass of men are not so made that they can either promote or understand this forward march of the human spirit.” Indeed, “the common people are incredibly stupid,” he said, and were little more than animals: “too idiotic — bestial — too miserable, and too busy” to enlighten themselves. Voltaire agreed. The lower orders lacked the intellect required to reason and so must be left to wallow in superstition. They could be controlled and pacified only by the sanctions and strictures of religion which, Voltaire proclaimed, “must be destroyed among respectable people and left to the canaille large and small, for whom it was made.”
Keith Windschuttle, “Gertrude Himmelfarb and the Enlightenment”, New Criterion, 2020-02.
The Tank Museum
Published 25 Apr 2020Join Curator David Willey as he takes you on a tour of The Tank Museum’s Tank Story Hall, which houses over 30 key vehicles from Little Willie to Challenger 2. In this section he looks at early Second World War vehicles and gives you a potted history of the Blitzkrieg.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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Thersites the Historian
Published 26 Oct 2017In this video, I try to bring order to the chaos that is feudalism and render it comprehensible.
The Great War
Published 25 Apr 2020Sign up for Curiosity Stream and Nebula – and get 40% off annual plans right now: https://curiositystream.com/thegreatwar
100 years ago at the conference of San Remo, one thing became clear: Great Britain and France wanted control over the Middle East. Justified by the fighting in the previous years and painted as “liberators” of the Middle Eastern minorities, the new map of the Middle East emerged – under the cover of the League of Nations Mandate system.
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Karsh, Efraim & Karsh, Inari, Empires of the Sand: The Struggle for Mastery in the Middle East 1789-1923, (Cambridge, MA : Harvard University Press, 1999)“Dans Le Levant” Le Temps, August 31, 1919 issue, https://gallica.bnf.fr/ark:/12148/bpt…
Lloyd George, David, Memoirs of the Peace Conference, (New Haven : Yale University Press, 1939) vol. 2
“Mounted Rifles Units” New Zealand History, https://nzhistory.govt.nz/war/aucklan…
Paris, Timothy J. Britain, The Hashemites and Arab Rule 1920-1925, (London : Frank Cass, 2003)
Provence, Michael, The Last Ottoman Generation and the Making of the Modern Middle East, (Cambridge : Cambridge University Press, 2017)
O’Neill, Robert, Official History of Australia in the War of 1914–1918, Volume VII – The Australian Imperial Force in Sinai and Palestine, 1914–1918, (Australian War Memorial, 1941)
“King-Crane Commission Digital Collection” Oberlin College Library. http://dcollections.oberlin.edu/cdm/s…
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
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All rights reserved – Real Time History GmbH 2020
World War Two
Published 23 Apr 2020What did soldiers eat on the frontlines? What happened to the French Foreign Legion? And how is the legacy of Alfred Dreyfus handled in the anti-semitic Vichy France? Find out in this exciting episode of Out of the Foxholes!
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Bundesarchiv
German soldiers eating (courtesy Josef Gierse)
Narodowe Archiwum Cyfrowe
IWM E 3799
From the Noun Project: Spam by Jay Adams, Biscuits by Xela Ub, can by Anniken & Andreas, Bread by Vallone Design, Jam by Vichanon Chaimsuk, honey by Marta Ambrosetti, Coffee by Larea, stew by Smalllike, Soup by Ben DavisSoundtracks from the Epidemic Sound:
Trabant 33 – “When in Bavaria”
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “Deviation In Time”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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