World War Two
Published 11 Jul 2020Germany keeps advancing on the eastern front, and yet by now, transport and supply problems are seriously undermining the capability of the German spearheads, even as they pull further away from the infantry. The Syria-Lebanon campaign is coming to an end, though, and an armistice is proposed which would give the Allies victory if accepted.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
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Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Map consultants: Rabih Rached and Patrick AdaimyColorizations by:
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– Walter Frentz
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-187-0203-06A
– Narodowe Archiwum Cyfrowe
– Imperial War Museum: E21340, E 21339
– Mil.ruArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 12, 2020
Restoring Notre Dame – “The matter will be solved in a serene manner, and on time”
Andrew Sullivan breathes a sigh of relief that the French government is going to properly restore the fire-damaged cathedral rather than — shudder — re-imagine it:
A small note of hope. The fiery destruction of the Notre-Dame Cathedral in Paris was one of the more searing occasions for acute depression these past couple of years, and it was not without some stiff competition. Yes, it’s just a building and not a human being. But it is also far more than a building. It’s a reminder to me of what the faith of Europe was once capable of; of a civilization proud, rather than ashamed, of itself; and of a lost world when beauty itself was a virtue and connected to a view of the whole of creation that made sense and provided hope and meaning.
Much of that has disappeared, of course, which is why the physical remains of a previous civilization are so precious. And so I was terrified, to be honest, that our own aesthetically squalid and spiritually devoid ideas of what architecture should be might ruin the rebuilding. And when you take a look at some of the original wackier proposed designs — you can see models for seven modernist monstrosities in this Architectural Digest compilation here — you can see what I was worried about. One tops the cathedral with a greenhouse; another with a swimming pool. One hideous version has the entire roof and new spire made out of stained glass; another re-creates a ball of fire in metallic form. Norman Foster’s design turned the place into a huge greenhouse, or as one Twitter wag put it, like “a conference center in Essex.” This was all because Macron himself hinted that he preferred a “contemporary architectural gesture.”
Mercifully, the chief architect put in charge of the restoration, Philippe Villeneuve, had some strong feelings on the matter. He wanted the original restored in its entirety, period. When I say “strong feelings,” I refer to the following statement he made on television last year: “I will restore it identically, and it will be me, or they will build a modern spire, and it won’t be me.” When President Macron’s somewhat more ambitious adviser on the project, General Jean-Louis Georgelin, testified on the matter to the National Assembly’s cultural-affairs committee, sparks flew when Villeneuve’s statement was brought up. Georgelin said: “The matter will be solved in a serene manner, and on time. I have already explained to the chief architect that he should just shut his big mouth, and I will do it again.” “On time” meant in time for Paris’s hosting of the Olympics in 2024.
And since that time is fast running out, and designing, approving and building a modernist tower would take too long, we found out yesterday that the restoration will be identical after all. It will copy the 19th-century Gothic design exactly. The contemporary gesture that Macron desired will instead be a giant Victorian single finger to all the modernists who would have destroyed it. And who knows how many generations in the future will be thankful.
Two of the “re-imagined” restorations:
July 10, 2020
“Primo Victoria” – The D-Day Landings – Sabaton History 075 [Official]
Sabaton History
Published 9 Jul 2020On D-Day, 6th June 1944, Operation Overlord began. The Western Allies unleashed their gigantic amphibious landing on the coast of Normandy. Preluded by a nightly airborne attack and supported by a massive armada of bombers and fleet artillery, their landing-craft reached the fortified beaches. Against a hail of machine-gun bullets, the Allied soldiers stormed the beaches and overran the German bunkers and trenches. A new front was opened and the battle for France began.
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Listen to “Primo Victoria” on the album Primo Victoria:
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Google Play: http://bit.ly/PrimoVictoriaGooglePlayWatch the Official Lyric Video of “Primo Victoria” here: https://www.youtube.com/watch?v=qVHyl…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean – https://www.screenocean.com
Colorizations by: Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Music by: SabatonSources:
National Archives NARA
Bundesarchiv
US Holocaust Memorial Museum
Imperial War Museums: IWM H 39183, H38244 IWM, 1944_B5234, 944_TR1631, IWM A70 31-1, IWM A70 31-2,EA25734, B 5218, 1944_MH9509, IWM A70 29-1-2, B5225, B5089
Icons from The Noun Project by zidney and Norbert de GraaffAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
July 5, 2020
Light, Mobile, and Deadly: the French Mle 1937 25mm Puteaux AT Gun
Forgotten Weapons
Published 20 Mar 2020http://www.patreon.com/ForgottenWeapons
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After World War One, the French military set up a program to modernize all of its weaponry, and that included a replacement for the Mle 1916 light infantry cannon. An anti-tank gun had not been necessary during the Great War, as Germany never fielded tanks in substantial numbers — but as a pioneer of the modern tank, the French recognized the need for a good AT gun. Taking a lesson from World War One, they wanted a light gun that was flexible and mobile, easily moved around the battlefield and easily concealed from enemy fire. A 25mm cartridge was specified, and both the Hotchkiss company and the Puteaux arsenal created guns to use it. Both were adopted into service, with the Hotchkiss Mle 1934 being a bit heavier and the Puteaux Mle 1937 being a bit lighter, at only about 600 pounds. The Puteaux gun was quite small, easily moved by a horse or virtually any motorized vehicle. It had a long barrel and the 25mm AP projectile had a muzzle velocity of about 3150 fps, making it quite effective on the light and medium tanks of the 1930s. It was also remarkably accurate, and the long barrel and flash hider gave it a very small firing signature. Aiming was done with either a 4x magnified optic or a set of backup iron sights.
A total of 1285 of these guns were made before the armistice of June 1940, and they served ably in the Battle of France. A few were also used by the British before Dunkirk, and after the armistice they were used by German forces in limited numbers, and also supplied to Spain and Finland as military aid (this particular one has a Finnish property tag on it).
Thanks to DriveTanks.com in Uvalde Texas for giving me access to film this Puteaux cannon for you!
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
July 1, 2020
The Somme then and now … in full HD
MC C
Published 1 Aug 2016100 years ago Malins and McDowell exposed their film to the light capturing a moment in time.
It’s very difficult to understand and watch the original film as they were very limited by technology and the danger. Malins risked his life on several occasions making this film, being right on the front line with a huge box camera sticking out above the trench. After watching the film many times, over many years, I wanted to find these locations and stand in their foot prints and re-film.
Some locations were easy to find, some took much research and some I haven’t yet been able to locate, but all the ones in this documentary are within yards to feet of where they filmed originally, none are guesses or just possibilities. I hope you enjoy watching and it helps you to understand please leave comments this is worth more to me than earning money I ask for nothing but love remarks.
June 27, 2020
Maximilien Robespierre: The Reign of Terror
Biographics
Published 5 Jul 2018Maximilien Robespierre promised to usher a fairer, more representative form of government to the French people. What they got was a reign of terror that saw thousands facing the horror of the guillotine.
Visit our companion website for more: http://biographics.org
Credits:
Host – Simon Whistler
Author – Steve Theunissen
Producer – Jack Cole
Executive Producer – Shell HarrisBusiness inquiries to biographics.email@gmail.com
June 26, 2020
“Ghost Division” – Rommel’s 7th Panzer Division – Sabaton History 073 [Official]
Sabaton History
Published 25 Jun 2020In the night of 17 May 1940, confusing reports were reaching French High Command. They spoke of what was thought impossible: The German Army had broken through the Maginot Line in the north. Scattered and panicked soldiers spoke of a “Division Fantôme” – a Ghost Division! It was Generalmajor Erwin Rommel’s 7th Panzer Division that was wreaking havoc in the French rear. In an unauthorized push, Rommel had seized the opportunity to rush the French fortress garrisons by a surprise armor attack straight from the move. Now in open space and with the night sky illuminated by burning French tanks and trucks, it was crucial for the Ghost Division to exploit its tactical victory. Alone and cut off like an island in a sea of enemies, this was easier said than done.
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Listen to “Ghost Division” on the album The Art of War:
CD: http://bit.ly/TheArtOfWarStore
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Apple Music: http://bit.ly/TheArtOfWarAppleMusic
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Google Play: http://bit.ly/TheArtOfWarGooglePlayWatch the Official Lyric Video of “Ghost Division” here:
https://www.youtube.com/watch?v=9FkYx…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Colorizations:
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– Bundesarchiv, CC-BY-SA 3.0: Bild 146-1977-018-13A/Otto, Bild 101I-124-0219-20/Hinz, Bild 146-1972-045-02
– Narodowe Archiwum Cyfrowe
– chieftanruncrush from Freesound.org
– Food vector created by freepik – www.freepik.comAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
June 24, 2020
Napoleon’s Great Blunder: Spain 1808
Epic History TV
Published 16 Jan 2019In 1808, Napoleon’s rivalry with Britain led to an ill-fated intervention in Portugal and Spain, that sparked a nationalist revolt against the French. At Bailén Napoleon’s Empire suffered its first major defeat, and though Napoleon himself then arrived in Spain to reassert French military dominance, he could not prevent the escape of Sir John Moore’s small British army, after its defensive victory at Corunna on 16 January 1809. The British army would return, under new leadership, to play a major part in his downfall.
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The Napoleonic Wars http://geni.us/R5ZI9c
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Peninsular War Atlas http://geni.us/S6Na84z
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June 23, 2020
The “Battle of Dijon”
I post a lot of accounts of ancient and modern wars and battles, but the “Battle of Dijon” actually took place earlier this month and has been widely mischaracterized in the media, as John Lichfield recounts:

Dijon viewed from Saint-Bénigne Cathedral with the Palace of the States of Burgundy, the Notre-Dame and Saint-Michel churches, the Saint-Nicolas tower, the former Saint-Bénigne abbey palace (ENSA), The Lafayette galleries, the old department stores at Le Pauvre Diable and la Ménagère.
Photo by Twibo2 via Wikimedia Commons (caption translated by Google Translate).
Dijon, the capital of Burgundy, rarely attracts the world’s attention. There is Dijon mustard of course. There is Dijon blackcurrant liqueur (Cassis de Dijon). There are many beautiful, old Burgundian streets and buildings. But of all the medium to large cities in France, Dijon (population: 159,000) is surely the least talked about.
Then, abruptly, last weekend Dijon had the great misfortune to become newsworthy. War broke out, we were told, between “Chechen gangs” and “Arab gangs”. The dispute was, some French media reported, about the right to traffic drugs. The Daily Mail announced that the French army had been sent in to restore order. Marine Le Pen compared Dijon to Beirut. Similar “wars between migrant communities” now threatened, she said, all over France.
All these reports were, I believe, wrong or deeply misleading. What did happen in Dijon over four days the other weekend was surreal and disturbing. But the incidents defy simple explanation or political point-scoring. They say, perhaps, more about Chechnya, and the values — good and bad — of exiled Chechens, than they do about the wider racial issues of France. The severity of the violence probably owed something to the frustrations of France’s recent nine weeks of Covid lockdown. The political and media reaction was skewed by the fact that the events occurred while France was in the midst of a debate about race and policing – in the wake of the George Floyd killing in the United States.
On Sunday evening, on the third night of violence in Dijon, President Emmanuel Macron happened to be addressing the nation on TV. He said, among many other things, that he would resist all pressure to splinter France into ethnic communities.
So what had happened over four days in Dijon? There are several conflicting accounts. Here, briefly, are the facts that I have been able to establish.
On 9th June a 15-year-old (some say 16-year-old) boy of Chechen origin was badly beaten up outside a chicha (hookah) bar in central Dijon. His attackers were local men in their 30s of African and North African origin. According to the Chechen version of events, the men were drug-dealers. The injured boy apparently had no connection with drugs. The dealers attacked him because local Chechens were known to be hostile to drug-trafficking. They put a gun in the boy’s mouth and said: “We hate Chechens. We’re going to let you live so you can tell the other Chechens what’s going to happen to them.”
Three days later a convoy of cars arrived in Dijon packed with Chechen men from several other parts of France, as well as Belgium and Germany. Local media and police say that there were 100 of them; the Chechens say that there were only 15. They smashed up the chicha bar, assaulted its owner and then rampaged through the multi-racial Les Grésilles area of council estates just north-east of central Dijon.
June 21, 2020
June 16, 2020
QotD: A thumbnail history of the English language
Languages are anything but static. Some change very slowly, like French — which owes much of its ponderousness to a government department specifically tasked with rooting out heretic words that creep in from the outside. Other languages undergo periods of very rapid change — the English of Chaucer (late 1300s) would be very confusing to Shakespeare (late 1500s and early 1600s). Two hundred years seems like a long period of time, but in the history of an entire country, it’s a drop in the bucket.
English doesn’t just borrow words; it lifts whole phrases and grammatical ideas from other languages without so much as a by-your-leave. With the coming of the Saxons to Britain, Germanic languages crashed headlong into Brythonic and became Old English. Then the Vikings went for a multi-century beer run starting in the late 700s and left behind a bunch of Norse words, because who doesn’t invent a new language every time they go out carousing? In 1066, William the Bastard decided he didn’t like his name, and brought Norman French with him when he went to the town clerk’s office to have his name legally changed to William the Conqueror.
For the next two hundred years, the English upper classes spoke French and the lower classes spoke a zillion dialects of Middle English (travel was difficult for poor people, so regional variations survived). All legal business was done in French, which was often translated on the spot into Latin for the official records. A person couldn’t even submit a legal plea in English until 1362. But with the start of the Hundred Years’ War in 1337, Edward III decided that speaking French was très passé, and began encouraging English as a spoken and written language, with a little French thrown in, just to keep things interesting. And ever since, English has been debating how sophisticated it wants to be, while making rude gestures across the Channel at France and grumbling when the French sneer northwards.
Blake Smith, “A Brief History of English and Why it Matters”, Mad Genius Club, 2018-03-07.
June 15, 2020
The Battle that Saved an Army | Arras 1940 | The Tank Museum
The Tank Museum
Published 17 May 2020Encircled by the Germans in North-West France, the Battle of Arras, 21st May 1940, was a successful Allied counter-attack which allowed French and British troops to be evacuated at Dunkirk. Curator David Willey, presents his talk on the WW2 Battle of Arras from home.
For more on the Blitzkrieg see David’s Tank Story Hall tour https://www.youtube.com/watch?v=eysQa…
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June 14, 2020
The Treaty of Trianon – The Most Controversial of the Peace Treaties I THE GREAT WAR 1920
The Great War
Published 13 Jun 2020Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar
The last of the big peace treaties signed in Paris that finalized the borders in Europe was the Treaty of Trianon. Even at the time, Hungarians considered it a historic injustice while nations such as Czechoslovakia, Romania and Yugoslavia were quite happy with the result. We examine how the treaty was signed and negotiated.
» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar
Merchandise: https://shop.spreadshirt.de/thegreatwar/» SOURCES
Isaiah Bowman, The New World-Problems in Political Geography, (Yonkers-on-Hudson: World Book Company, 1921)Francis Deák & Dezsó Ujváry, Paper and Documents Relating to the Foreign Relations of Hungary, Volume 1; 1919-1920, (Budapest: Royal Hungarian Ministry of Foreign Affairs, 1939)
Conan Fischer, Europe between democracy and dictatorship, 1900-1945, (Chichester: Malden, MA: Wiley-Blackwell, 2011)
Mike Gyula (ed.), Magyar Statisztikai Zsebkönyv, 1940 [Hungarian Statistical Pocket Book 1940], (Központi Statisztikai Hivatal: Budapest, 1940)
Róbert Győri & Charles W.J. Withers, “Trianon and its aftermath: British geography and
the ‘dismemberment’ of Hungary, c.1915-c.1922”, Scottish Geographical Journal, 135:1-2 (2019)Michael Károlyi, Memoirs of Michael Károlyi: Faith Without Illusion (London: Jonathan Cape, 1956)
Jörn Leonhard, Der überforderte Frieden: Versailles und die Welt 1918-1923, (Bonn: bpp, Bundeszentrale für Politische Bildung, 2019)
C.A. Macartney, Hungary and her successors: the treaty of Trianon and its consequences 1919-1937, (London: Oxford University Press, 1937)
Margaret MacMillan, Paris 1919: Six Months That Changed the World, (London: Macmillan, 2019)
Arnold Suppan, The Imperialist Peace Order in Central Europe: Saint-Germain and Trianon, 1919–1920, (Vienna: Austrian Academy of Sciences Press, 2019)
Miklós Zeidler; Thomas J. DeKornfeld; Helen DeKornfeld, “Ideas on Territorial Revision in Hungary, 1920-1945”, East European Monographs, 717, (2010)
Miklós Zeidler, Trianon, (Budapest, Osiris, 2003.)» SOCIAL MEDIA
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
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All rights reserved – Real Time History GmbH 2020
June 13, 2020
The CHAZ is a little bit 1968, a little bit 1789, but perhaps more 1871
Lawrence W. Reed finds the developments in the Capitol Hill Autonomous Zone of Seattle remind him of the Paris Commune:
“‘Autonomous zone’ has armed guards, local businesses being threatened with extortion.”
That was quite a striking headline to behold. My immediate reaction was, “Oh my gosh, the Paris Commune is back!”
Except that it wasn’t Paris, and it wasn’t 1871. It was Seattle, Washington, USA — today. According to multiple reports, radical protesters seized a six-block area of the city. They declared it a police-free fiefdom, posted armed guards at its perimeter, began extorting money from local businesses (normally called “taxation”) and were even requiring residents to provide ID to enter their own homes.
The Paris Commune that lasted just 70 days in the spring of 1871 was born amid the ruins of France’s wartime loss at the hands of Prussia in the fall of the previous year. When the Prussians captured France’s Emperor Napoleon III, the monarchy collapsed, and the French Third Republic was born. In Versailles, just a few miles from Paris, its leaders sat on their hands as Parisians stewed in the toxic juices of defeat, resentment, and a rising tide of Marxist-inspired class warfare. The voices of the big mouths increasingly drowned out those of the more moderate citizens who preferred to get the city back to normal and work for a living.
On March 18, 1871, the socialist radicals seized the upper hand in the City of Lights. They occupied government buildings and ousted or jailed their opposition. It was a “People’s Revolution” (unless you were one of the people who didn’t support it). Karl Marx’s communist scribblings provided the radicals — called “Communards” — with their primary inspiration, but Marx himself later criticized their failure to immediately seize the Bank of France and march on the government in Versailles. In the early days of the Paris Commune, however, he hoped he was witnessing a fulfillment of his own delusions:
The struggle of the working class against the capitalist class and its state has entered upon a new phase with the struggle in Paris. Whatever the immediate results may be, a new point of departure of world-historic importance has been gained.



















