In Quillette, George Case outlines the fraught topic of claimed First Nations heritage among Canadians:
“The Pretendians”, a CBC documentary – https://www.cbc.ca/passionateeye/episodes/the-pretendians
Many North Americans have cited such extraction as a conversation piece, an exotic mark of character, or just an intriguing bit of genealogy: among them are singers Cher and Beyoncé, actor Johnny Depp, rockers Jimi Hendrix and Robbie Robertson, baseball great Johnny Bench, and numerous others.
That such backgrounds are both perfectly plausible and difficult to verify tells us something about the history of the human species since 1492. Consensual or coerced relations between Europeans, Africans, and Indigenous people throughout the Americas — even when socially deplored or officially prohibited—must have happened countless times to generate the populace we are today. Most of us, by some measure, are mini-melting pots. And consider, too, today’s routine unions of partners whose great-grandparents might have been horrified at the prospect of “marrying out”: Protestants with Catholics, Jews with Gentiles, Asians with Anglos, and a rainbow of other combinations. Indeed, to oppose such relationships, and the products thereof, is now usually seen as a small-minded prejudice of the ignorant and intolerant.
Unless the opponent happens to be a Native person. In Canada, over the last few years, a rash of scandals have erupted over prominent figures whose claims of Aboriginal heritage have been heatedly disproved, like novelist Joseph Boyden, actress and filmmaker Michelle Latimer, academic Carrie Bourassa, and former judge Mary Ellen Turpel-Lafond. The uproar around “Pretendians” has raised uncomfortable questions around race and politics that the angriest Aboriginals may not have intended in their denunciations. Métis lawyer Jean Teillet has called the phenomenon “the ultimate step in colonialism”, while on The Indigenous Foundation website, Neegahnii Madeline Chakasim has asserted, “To claim Indigenous ancestry and/or claim to be a member of a Nation without any evidence, or claiming Indigeneity for the fun of it, is a complete slap to the face of any existing Indigenous person.” And Ojibwe writer Drew Hayden Taylor explained the message of his 2022 documentary, The Pretendians, by remarking, “In past centuries, the dominant culture has tried to take so many things from us, leaving behind the one thing most important to us: who we are.”
Yet just who are “we”? As with so much else in conventional Canadian wisdom around Native issues, the jealous guarding of authentic Native identity has its logical terminus in a separate-but-equal regime that contradicts the universal impartiality promised to all citizens: sanctioned racial essentialism for Aboriginals, mandatory multiculturalism for everyone else. Never discriminate against, but always discriminate in favor. In principle, all people are to be treated interchangeably, but in practice, one subset of people must be impermeably sealed off from others. At its creepiest, the Pretendian problem has echoes of the one-drop standards that obtained in Nazi Germany and the Jim Crow American South, insofar as sorting the real Natives from the fake ones is determined in part by a biological purity that few other cultures attempt to preserve, much less openly endorse.
It’s also ironic that in many episodes of exposed Pretendians, the purported disadvantage of a Native background — statistically, Canadian Natives are poorer than non-Natives, suffer higher rates of addiction and suicide, and have long been overrepresented in prisons and as victims of crime — is used as a bonus credential in academia or the arts. Schools and other institutions eager to boast of their ameliorative “Indigenization” programs have hired, commissioned works by, or otherwise granted special recognition to applicants based on unchecked claims of Aboriginal ancestry.
Eventually — and inevitably — some of those claims turn out to be flimsy: a vague personal biography here, a tenuous adoption record there, suspicious gaps in government documentation (Canadian Natives are entitled to hold a “Status Indian” card issued by federal or provincial agencies) somewhere else. This has happened across Canada, from Vancouver’s Emily Carr University of Art and Design, where faculty member Gina Adams’s Native lineage was called into question in 2021, to Kingston Ontario’s Queen’s University, where no less than six instructors and staff had their Native self-identification doubted in an anonymous report that came out the same year.
Complicating these situations, however, is that few of these cases seem to have been deliberate frauds. Even the famous imposter Archie Belaney (1888–1938), an Englishman whose Scottish-Apache persona of “Grey Owl” was wholly invented, parlayed his imaginary Native status into genuinely progressive campaigns for wilderness conservation in the early 20th century.
