Overly Sarcastic Productions
Published 27 Nov 2020Thanks to longtime patron Volt for requesting this topic!
We know their names! We know their symbols! We know there’s a truly staggering number of websites dedicated to their stereotypical personality traits! But what do we know about their stories? Let’s discuss!
FUN FACT I GLOSSED OVER IN THE VIDEO: like I said, it’s REALLY hard to determine when these constellations entered Greece. Most people set the date at 300ish, when Eudoxus codified the Greek calendar based on the Babylonian one — but that clashes with the fact that Heracles’s labors predate that by at least three centuries, and they’ve had those zodiacal themes since that lost epic poem was initially written. We know, therefore, that the Babylonian zodiac entered greece between Homer’s time (when he conspicuously didn’t mention them — and neither did Hesiod in his Astronomia) and Peisander’s time (author of the lost Heracleia), basically the interval between 800 and 600 CE. The phoenician traders carrying that info is a reasonable assumption, especially considering how important the stars are to sailors navigating at night. But it is WILD to me how hard this is to research and how nobody seems to have really explored the timeline here!
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November 28, 2020
Miscellaneous Myths: The Zodiac
QotD: Army recruit training
To-day our platoon once marched, in perfect step, for seven complete and giddy paces, before disintegrating into its usual formation — namely, an advance in irregular échelon, by individuals.
Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.
November 27, 2020
QotD: Popular music and survivorship bias
What brought this to mind was a discussion on Facebook, prompted by my quipping about music:
Man, I just {LISTENED_TO_ALBUM/WENT_TO_CONCERT} by {$GROUP_FROM_MY_TEENS/EARLY_TWENTIES} and they still kicked ass just like they did when they were new.
{$GROUP_LIKED_BY_KIDS_WHO_SHOULD_GET_OFF_MY_LAWN} just won’t have that same kind of staying power.”
Part of that phenomenon is that we’re less likely to form strong emotional connections to specific pieces of music the way we were when we were younger, and part of it is that the music that gets remembered from the good ol’ days is just the good stuff. The year 1968, for instance, had huge chart hits from The Beatles and The Rolling Stones, but also from 1910 Fruitgum Company and Tiny Tim.
The airwaves had plenty of crap in my teens and early twenties, but I prefer to forget that. Say what you will about the Kids These Days, but they aren’t listening to Milli Vanilli … of course, as it turned out, neither were kids back then.
Survivorship Bias is baked right into a lot of hobbies that interface with older things. “Man, they really knew how to build [cameras/pocket knives/watches/revolvers] in the old days!” is skewed by the fact that only the well-built stuff has survived. The handgun counter at the hardware store in a hypothetical Old West town had Colts and Smith & Wessons and Remingtons, and plenty of cheaply-made Victorian equivalents of Hi Points and Jennings, too.
Tamara Keel, “Survivorship Bias”, View From The Porch, 2020-08-24.
November 19, 2020
November 17, 2020
Private SNAFU “Censored” WW2 US Army cartoon
PeriscopeFilm
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Censored is one of 26 Private SNAFU (Situation Normal, All F*cked Up) cartoons made by the U.S. Army Signal Corps to educate and boost the morale of the troops. The SNAFU character was created by Theodore Geisel (Dr. Seuss) and Phil Eastman, and most were animated by Warner Brothers Animation Studios. They were voiced by actors including Mel Blanc and scored by Carl Stalling. This cartoon Censored, depicts the lengths to which Private SNAFU will go to sneak an uncensored letter in the mail — with terrifying results. Fortunately it all turns out to be a dream, but SNAFU is so shaken that he censors his own mail. The film was obviously inspired by the mass censorship of personal letters by the Army during the war, to reduce the chance that enemy spies would be able to gain intelligence by intercepting them.
Much of the military correspondence during the war took place via V-mail, short for Victory Mail. This was a hybrid mail process used as the primary and secure method to correspond with soldiers stationed abroad. To reduce the cost of transferring an original letter through the military postal system, a V-mail letter would be censored, copied to film, and printed back to paper upon arrival at its destination. The V-mail process is based on the earlier British Airgraph process
During World War II, both the Allies and Axis instituted postal censorship of civil and military mail. The largest organizations were those of the United States, though the United Kingdom employed about 10,000 censor staff while Ireland, a small neutral country, only employed about 160 censors. Both blacklists and whitelists were employed to observe suspicious mail or listed those whose mail was exempt from censorship. In the United States censorship was under the control of the Office of Censorship whose staff count rose to 14,462 by February 1943.
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November 15, 2020
QotD: Early successes in recruit training
Still, we are getting on. Number Three Platoon (which boasts a subaltern) has just marched right round the barrack square, without —
(1) Marching though another platoon.
(2) Losing any part or parts of itself.
(3) Adopting a formation which brings it face to face with a blank wall, or piles it up in a tidal wave upon the verandah of the married quarters.
They could not have done that a week ago.
Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.
November 10, 2020
Colonel Joshua L. Chamberlain on Clutch Little Round Top Win | Potomac-N.Virginia Postbattle
Atun-Shei Films
Published 9 Nov 2020Colonel Joshua Lawrence Chamberlain’s postbattle interview following the 20th Maine’s successful defense of Little Round Top at the extreme left of the Union line during the Battle of Gettysburg in the 1863 Civil War season.
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“Joshua Lawrence Chamberlain’s Report on the 20th Maine at Gettysburg” (2020). IronBrigader https://ironbrigader.com/2020/06/29/j…
William B. Styple. Generals in Bronze: Interviewing the Commanders of the Civil War (2005). Belle Grove Publishing, Page 222-227
November 7, 2020
History Summarized: Wales
Overly Sarcastic Productions
Published 6 Nove 2020Wale, Wale, Wale(s), what have we here? I’ll tell you! A look at the oft-forgotten history of Britain’s secret third country Wales, where the population is about 50% bards just by sheer cultural osmosis.
SOURCES & Further Reading: A Concise History of Wales by Jenkins, A History of Wales by Davies
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
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QotD: “Hate speech”
In an attempt to put down “racism”, the concept of “hate terms” was introduced into English law for the first time. This makes many words and expressions unlawful, and punishable by fines and imprisonment. It is the most comprehensive system of censorship since the days of Hitler’s Germany and Stalin’s Russia, and means there are more restrictions on freedom of expression in England than at any other time since Hogarth’s days.
It is, of course, fatal to humour, if enforced and persisted in. For one vital quality of humour is inequality, and striking visual, aural, and physical differences. Differences in sex, age, colour, race, religion, physical ability, and strength lie at the source of the majority of jokes since the beginning of human self-consciousness. And all jokes are likely to provoke discomfort if not positive misery among those laughed at. Hence any joke is liable to fall foul of those laws. The future for humourists thus looks bleak, at the time I write this. The ordinary people like jokes, often crude ones, as George Orwell pointed out in his perceptive essay on rude seaside picture postcards. But are ordinary people, as opposed to minor officials, in charge any more? Democracy doesn’t really seem to work, and people are insufficiently dismayed at its impotence.
Paul Johnson, Humourists: From Hogarth to Noël Coward, 2010.
October 31, 2020
Halloween Special: Edgar Allan Poe
Overly Sarcastic Productions
Published 30 Oct 2015Happy halloween! Today we’re looking into the mind of one of the most well-known horror writers, Edgar Allan Poe!
On today’s roster: “The Pit And The Pendulum”, “The Mask of Red Death”, “The Cask of Amontillado”, and “The Tell-Tale Heart”.
October 30, 2020
Covid Mask – Monster Mash parody – Halloween lightshow 2020
Paul Glozeris
Published 15 Oct 2020lyrics by Dale Officer
H/T to Melanie Nilles for the link.
Halloween Special: H. P. Lovecraft
Overly Sarcastic Productions
Published 31 Oct 2018HAPPY HALLOWEEN IT’S TIME TO GET SPOOKY WITH HISTORY’S MOST PROBLEMATIC HORROR WRITER LET’S GOOOOO
While there’s something to be said for separating the art from the artist, I think there’s a lot of merit in CONTEXTUALIZING the art WITH the artist. Did Lovecraft write some pretty incredible horror? Sure! Was he also a raging xenophobe? Absolutely! Are his perspectives on life connected with the stories he felt compelled to tell? Duh! If you look at Lovecraft’s writing through the lens of his life, clear patterns emerge that allow us to pin down what exactly he built his horror cosmology out of. It’s an invaluable analytical tool that allows us to take apart his writings by getting inside his head. So before you yell at me for Not Separating The Artist From The Art, know that it was completely intentional and I’m not sorry.
3:20 – THE CALL OF CTHULHU
8:40 – COOL AIR
10:36 – THE COLOR OUT OF SPACE
14:38 – THE DUNWICH HORROR
19:32 – THE SHADOW OVER INNSMOUTHPATREON: www.patreon.com/user?u=4664797
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From the comments:
Overly Sarcastic Productions
1 year ago
Hey gang! Can’t help but notice the comment section is a little bit on fire. That’s all good with me, but one recurring complaint I’ve noticed has started to get under my skin – namely that my explanation of non-euclidean geometry was insufficient, or even – dare I say – inaccurate. Now this is a fair complaint, because after a lifetime of experience finding that people’s eyes glaze over when I talk math at them, I concluded that interrupting a half-hour horror video with a long-winded explanation of a mathematical concept wouldn’t go over too well. I put it in layman’s terms and used a simple example to illustrate the point. However, since some of the more mathematically-inclined of you took offense, I now present in full a short (but comprehensive) explanation of what exactly non-euclidean geometry is.First, we axiomatically establish euclidean geometry. Euclidean geometry has five axioms:
1. We can draw a straight line between any two points.
2. We can infinitely extend a finite straight line.
3. We can draw a circle with any center and radius.
4. All right angles are equal to one another.
5. If two lines intersect with a third line, and the sum of the inner angles of those intersections is less than 180º, then those two lines must intersect if extended far enough.Axiom #5 is known as the PARALLEL POSTULATE. It has many equivalent statements, including the Triangle Postulate (“the sum of the angles in every triangle is 180º”) and Playfair’s Axiom (“given a line and a point not on that line, there exists ONE line parallel to the given line that intersects the given point”).
Euclidean geometry is, broadly, how geometry works on a flat plane.
However, there are geometries where the parallel postulate DOES NOT hold. These geometries are called “non-euclidean geometries”. There are, in fact, an infinite number of these geometries, and because the only defining characteristic is “the parallel postulate does not hold”, they can be all kinds of crazy shapes. (As you can see, my explanation of “this is just how geometry works on a curved surface” is quite reductive, but at the same time serves to get the general impression across without going into too much detail.)
An example of a non-euclidean geometry is “Elliptic geometry”, geometry on n-dimensional ellipses, which includes “Spherical geometry” as a subset. Spherical geometry is, predictably enough, how geometry works on the two-dimensional surface of a three-dimensional sphere.
In spherical geometry, “points” are defined the same as in euclidean geometry, but “line” is redefined to be “the shortest distance between two points over the surface of the sphere”, since there is no such thing as a “straight line” on a curved surface. All “lines” in spherical geometry are segments of “great circles” (which is defined as the set of points that exist at the intersection between the sphere and a plane passing through the center of that sphere).
The axiom that separates spherical geometry from euclidean geometry and replaces the parallel postulate is “5. There are NO parallel lines”. In spherical geometry, every line is a segment of a great circle, and any two great circles intersect at exactly two points. If two lines intersect when extended, they cannot be parallel, and thus there are no parallel lines in spherical geometry.
Since the Parallel Postulate is equivalent to Playfair’s Axiom, the fact that no parallel lines exist in spherical geometry negates Playfair’s Axiom, which thus negates the Parallel Postulate and defines spherical geometry as a non-euclidean geometry. Also, since the Triangle Postulate is another equivalent property to the Parallel Postulate, it is thus negated in spherical geometry. Hence, my use in-video of an example of a triangle drawn on the surface of a sphere whose inner angles sum greater than 180º.
Hope that cleared things up (and helped explain why I didn’t want to say “see, non-euclidean geometry is just a geometry where Euclid’s Parallel Postulate doesn’t hold – hold on, let me get the chalkboard to explain what THAT is-” in the video)
Peace!
-R ✌️
QotD: Artillery “duels”
Each afternoon we creep unostentatiously into subterranean burrows, while our respective gunners, from a safe position in the rear, indulge in what they humorously describe as “an artillery duel.” The humour arises from the fact that they fire, not at one another, but at us.
Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.
October 27, 2020
QotD: Trader Joe’s
Remember grocery shopping? You might not have done it in a while, at least in person. But one place that’s fun to shop is Trader Joe’s. Describing itself as “your neighborhood grocery store,” Trader Joe’s has some pretty good products at pretty good prices. It’s the place to go if you like Whole Foods but you can’t afford Whole Foods. The vibe is laid back, the staff is always friendly, there are fun little oddities you can’t get anywhere else, and it has inexpensive but almost always drinkable booze. Usually the biggest problem with shopping at TJ’s is navigating through the crowd of rude liberals who don’t think they need to be civil to other people in real life because they donate to Greenpeace and the Sierra Club.
Jim Treacher, “Trader Joe’s Apologizes for Being Racist”, P.J. Media, 2020-07-20.
October 26, 2020
Kathy Shaidle tells the story of Hamilton’s 1970s cult children’s TV show
I still have fond memories of CHCH TV’s Hilarious House of Frightenstein and Kathy Shaidle clearly does too:
The Hilarious House of Frightenstein was produced in 1971 by our one and only TV station, CHCH. This hour-long, 130-episode kids’ show combined the mid-century sensibility of Famous Monsters of Filmland with the then-hip look and sound of psychedelia: kaleidoscopic “special effects” plus Top 40 hits spun by “The Wolfman,” an affectionate rip-off of legendary DJ Wolfman Jack.
The show’s “plot” concerned a banished count’s attempts to revive his comatose monster, Brucie, but that was just a flimsy excuse to mount a fast-paced series of corny sketches, semi-serious “educational” segments, and — years before The Simpsons and Pixar — “over the kids’ heads” jokes aimed at adults who might find themselves awake at dawn, or earlier.
The part that always puzzled me as a kid was that a local southern Ontario low-budget TV show for kids had international movie star Vincent Price in it. Kathy explains how it happened:
Older and “uncool” (despite receiving the imprimatur of another rising Hollywood director, Roger Corman), Price was out of fashion.
At the same time, CHCH had a limited budget, but wanted and needed some star power for their single camera kid’s show.
Who better to host this “monster mash” than Vincent Price, still one of the all-time great horror-movie icons?
Frightenstein‘s producer tracked down Price, who agreed to work for $3000 a day, one quarter of his usual per-diem appearance rate.
He loved children, he explained simply. And the gig sounded like fun.
CHCH checked their tiny budget. They could only afford Price for four days, tops.
Four days it would have to be.
Everyone signed on the dotted line.
I’ve heard the story of what happened next from different sources, and it never ceases to warm my heart:
Price arrived at the modest TV studio, got into makeup and costume and was handed reams of doggerel poems about some crazy characters he’d never heard of before.
He’d read each piece once, put his head down, then look up at the camera’s red light and utter his lines perfectly in one take.
Next!
New makeup, new costume, same perfect delivery, hour after hour.
Finally, it was time for a break. The weary yet exhilarated crew turned off the cameras and lights.
Then they looked around and realized that Vincent Price had disappeared.
Oh well, they said to each other, what do you expect? He’s a big star and all. Plus he’s, like, 60 years old, so he probably went for a nap…
The studio door opened a few minutes later.
It was Vincent Price and a cab driver, hauling “two-fours” of beer from the nearby Brewer’s Retail.
He handed cold stubbies out to the cast and crew and regaled them with tales of old Hollywood, his days working with Karloff and Peter Lorre and Gene Tierney and Cecil B. DeMille and all the other greats he’d known.










