Quotulatiousness

May 19, 2021

The ginger Windsor loose cannon on “bonkers” free speech protection in the United States

Filed under: Britain, Law, Liberty, USA — Tags: , , , — Nicholas @ 03:00

James Delingpole on the latest unfortunate burble from one of the much lesser members of the House of Windsor:

Prince Harry and Meghan Markle visit Titanic Belfast in March 2018.
Photo from the Northern Ireland Office via Wikimedia Commons.

Prince Harry’s epic stupidity is probably inherited from his presumed father, the Prince of Wales. Prince Charles, too, only got two A levels — a B in History and a C in French — yet somehow strings were pulled to land him a place at Cambridge University (normally it would have required something like three A grades at A Level, plus a decent performance in the entrance exam), where he scraped a lowly 2:2 in History.

There is, of course, nothing wrong with being epically, fabulously, unbelievably stupid. Many upper-class men successfully make their brainlessness part of their comical charm. Where stupidity becomes unattractive and culpable, though, is when it’s deployed to comment on issues far, far above its pay grade, and when it’s afforded undeserved prestige.

No one as thick as Harry, it’s surely a given, ought ever be allowed on to a public platform to pronounce on issues as vital as the protection of free speech. Yet this is exactly what happened when Harry was given space to expound his half-baked views on a podcast. Sure, Harry had the good grace to admit that he hadn’t a clue what he was talking about:

    I don’t want to start going down the First Amendment route because that’s a huge subject and one which I don’t understand because I’ve only been here a short time.

Unfortunately, that didn’t stop him declaring that he thought the First Amendment was “bonkers”.

His explanation as to why he thought so was a bit incoherent, but it seemed to involve his belief that it could be used for something bad called “ideology” and could be used as an excuse to “spread hate”. He added: “Laws were created to protect people.” What I’m guessing Harry was struggling to do was to try to wheel out the woke cliche that while free speech is fine, “hate speech” isn’t fine and should not enjoy constitutional protection. This threadbare argument can be demolished in a second by anyone with more than two A Levels. Essentially if “free speech” laws don’t protect “hate speech” then they are not really free speech protection laws at all.

Like Prince Harry, I wouldn’t consider myself to be an expert on U.S. history. But I do dimly recall that round about the second half of the 18th century America’s colonists successfully freed themselves from rule by one of Prince Harry’s ancestors. The U.S. Constitution — and that pesky First Amendment — was one of the consequences.

May 16, 2021

Gambling machines have come a long way from the “one-armed bandit” days

Filed under: Books, Business, Gaming, Health, USA — Tags: , , , , — Nicholas @ 03:00

This is another reader book review for Scott Alexander’s Astral Codex Ten, looking at Addiction by Design: Machine Gambling in Las Vegas by Natasha Dow Schüll. I’m incredibly risk-averse, so I’ve never even set foot in a casino, but from this review I do not regret my aversion one tiny little bit:

“Hiking the Las Vegas casinos” by davduf is licensed under CC BY-ND 2.0

    Sometimes employees at Netflix think, “Oh my god, we’re competing with FX, HBO, or Amazon” … [W]e actually compete with sleep.

    Reed Hastings

Randomness is addictive, in rats. B. F. Skinner learned that when he created his eponymous rat boxes. The boxes had levers that, when pressed, dispensed food pellets. Rats in boxes where one press resulted in one pellet pressed the lever when hungry. But rats in boxes where one press randomly resulted in no, one, or many pellets, became addicted to pressing the lever. That mammalian attraction to randomness lies at the heart of all gambling.

But machine gambling is not like other kinds of gambling. The book overflows with metaphors straining to describe how machine gambling is the supercharged version of table games like poker, blackjack, and roulette. Machine gambling is deforestation ruining the rainforest of diverse table games. Machines are invasive kudzu outcompeting and killing the native table games. Machine gambling is the crack cocaine to table games’ cocaine.

In about two decades, machine gambling went from being a side attraction to keep wives busy while their husbands played table games to the source of 85% of casino profits. You know how shopping malls have benches for husbands to sit on while their wives shop in stores? Imagine that those benches became the mall. (If you’re reading this in 2025, shopping malls were, uh, a collection of permanent pop-up stores under the same roof.)

The first time I went to Vegas, I knew a few tricks casinos would use to encourage me to gamble too much. I knew the hotel rooms were purposefully cheap, to entice me to visit Vegas. I knew casinos would have neither windows nor clocks, to help me lose my sense of time. I knew they would be full of bright lights and loud sounds, to overstimulate me. I knew nothing. Those tricks are old hat, as quaint as doilies. Machine gambling is a brave new world.

Machine gambling comes in the form of many games, but one example is enough to illustrate the pattern, so let’s discuss slot machines. Slot machines are games with reels with a variety of symbols on them, like cherries, diamonds, or the number 7. (Fun fact: fruit symbols were initially used on slot machines during the prohibition era to disguise them as gum vending machines.) The game is simple. The player spins the reels. If they land to show symbols in a row, the player wins. Because of their simplicity, these machines are favored by new gamblers and tourists.

Back when Moore’s Law was just Moore’s Prediction, slot machines were mechanical devices. The player would pull on a mechanical lever, which caused reels to spin. The reels would eventually slow down and then stop. The symbols in the middle of the screen when the reels stopped dictated whether the player won or lost.

Now, slot machines are digital. The lever, the reels, the symbols — they are all ones and zeros untethered from reality. This gives machine designers a terrifying amount of flexibility. They can optimize the game to maximize its addictivity.

May 15, 2021

Baelin’s Route review, a discussion on why Viva La Dirt League’s Baelin’s Route is such a great story

Filed under: Gaming, Humour, Media — Tags: , , , — Nicholas @ 04:00

Writers Block
Published 10 May 2021

In this video we will discuss why Viva La Dirt League’s movie Baelin’s Route is such a masterpiece of story telling.

Viva La Dirt League — Baelin’s Route https://www.youtube.com/watch?v=PEe-Z…

May 13, 2021

QotD: Blogging

Filed under: Media, Quotations — Tags: , , — Nicholas @ 01:00

A wire story consists of one voice pitched low and calm and full of institutional gravitas, blissfully unaware of its own biases or the gaping lacunae in its knowledge. Whereas blogs have a different format: Clever teaser headline that has little to do with the actual story, but sets the tone for this blog post. Breezy ad hominem slur containing the link to the entire story. Excerpt of said story, demonstrating its idiocy (or brilliance) Blogauthor’s remarks, varying from dismissive sniffs to a Tolstoi-length rebuttal. Seven comments from people piling on, disagreeing, adding a link, acting stupid, preaching to the choir, accusing choir of being Nazis, etc.

I’d say it’s a throwback to the old newspapers, the days when partisan slants covered everything from the play story to the radio listings, but this is different. The link changes everything. When someone derides or exalts a piece, the link lets you examine the thing itself without interference. TV can’t do that. Radio can’t do that. Newspapers and magazines don’t have the space. My time on the internet resembles eight hours at a coffee shop stocked with every periodical in the world — if someone says “I read something stupid” or “there was this wonderful piece in the Atlantic” then conversation stops while you read the piece and make up your own mind.

James Lileks, The Bleat, 2002-10-10.

May 12, 2021

QotD: The true artist

Filed under: Media, Quotations — Tags: , — Nicholas @ 01:00

Being an artist means knowing you’re right when everyone is telling you you’re wrong — but even more, it means knowing you’re wrong when everyone is telling you you’re right.

Christopher Shinn, Twitter, 2018-10-04.

May 10, 2021

QotD: Against the notion of the “Social Contract”

Filed under: Liberty, Politics, Quotations — Tags: , , , , , — Nicholas @ 01:00

As a modern conservative, [Roger] Scruton defends a form of democracy unknown to Aristotle. Following David Hume and Edmund Burke, however, he opposes the idea that the “political order is founded on a contract.” For Scruton, the state of nature is a chimera — an invention of modern political philosophers who had forgotten the debt and gratitude owed to our predecessors. The fictitious state of nature — so central to philosophical liberalism — obscures the fact that membership in a community, with its requisite duties and obligations, is a precondition for meaningful freedom. “Absolute freedom” — doing whatever one wants — is always an invitation to anarchy or tyranny. In the modern world, the nation is the political form that guarantees membership and self-government.

In all of his political writings, Scruton takes on the Left for scorning existing norms and customs, and for promoting a “culture of repudiation.” The Left is “negative.” It dismisses “every aspect of our cultural capital” with the language of brutal invective: accusing every defender of human nature and sound tradition of “racism,” “xenophobia,” “homophobia,” and “sexism.” Like 1984‘s “two minutes of hate,” this language tears down, intimidates, and can never build anything humane or constructive — it is nihilistic to the core. At the same time, Scruton wants to reach out to reasonable liberals who eschew ideology and who still believe in civility and the promise of national belonging. His conservatism can discern the truth in liberalism (another Aristotelian trait) while the partisans of repudiation see half the human race as enemies.

Daniel J. Mahoney, “Beyond the Culture of Repudiation”, Claremont Review of Books, 2018-06.

May 7, 2021

Scott Alexander reviews David Harvey’s A Brief History Of Neoliberalism

Filed under: Books, Economics, History, USA — Tags: , , , , , , — Nicholas @ 03:00

[Update: In the comments, “gunker” explains that this is another of Scott’s reader-contributed book reviews, not one of his own work. My apologies for the mistake.] After a quick rundown of the conventional explanation for the decline and fall of the comfortable post-WW2 US economy in the 1970s, Scott gives an overall appreciation of Harvey’s arguments:

… This treatment is almost the opposite of the way ABHoN describes events. Telling the story this way makes me feel like Jacques Derrida deconstructing some text to undermine the author and prove that they were arguing against themselves all along.

Harvey is an extreme conflict theorist. The story he wants to tell is the story of bad people destroying the paradise of embedded liberalism in order to line their own pockets and crush their opponents. At his best, he treats this as a thesis to be defended: embedded liberalism switched to neoliberalism not primarily because of sound economic policy, but because rich people forced the switch to “reassert class power”. At his worst, he forgets to argue the point, feeling it so deeply in his bones that it’s hard for him to believe anyone could really disagree. When he’s like this, he doesn’t analyze any of the economics too deeply; sure, rich people said something something economics, to justify their plot to immiserate the working classes, but we don’t believe them and we’re under no obligation to tease apart exactly what economic stuff they were talking about.

In these parts, ABHoN‘s modus operandi is to give a vague summary of what happened, then overload it with emotional language. Nobody in ABHoN ever cuts a budget, they savagely slash the budget, or cruelly decimate the budget, or otherwise [dramatic adverb] [dramatic verb] it. Nobody is ever against neoliberal reform — they bravely stand up to neoliberal reform, or valiantly resist neoliberal reform, or whatever. Nobody ever “makes” money, they “extract” it. So you read a superficial narrative of some historical event, with all the adverbs changed to more dramatic adverbs, and then a not-very-convincing discussion of why this was all about re-establishing plutocratic power at the end of it. This is basically an entire literary genre by now, and ABHoN fits squarely within it.

Harvey’s theses, framed uncharitably, are:

1. Embedded liberalism was great and completely sustainable. The global economic system collapsing in 1971 was probably just coincidence or something, and has no relevance to any debate about the relative merit of different economic paradigms.

2. Sure, some people say that the endless recession/stagflation/unemployment/bankruptcy/strikes of the 1970s were bad, but those people are would-be plutocrats trying to seize power and destroy the working class.

3. When cities, countries, etc, ran huge deficits and then couldn’t pay any of the money back, sometimes the banks that loaned them that money were against this. Sometimes they even asked those places to stop running huge deficits as a precondition for getting bailed out. This proves that bankers were plotting against the public and trying to form a dystopian plutocracy.

4. Since we have proven that neoliberalism is a sham with no advantages, we should switch back to embedded liberalism.

Let’s go through these one by one and see whether I’m being unfair.

May 1, 2021

When the libraries failed

Filed under: Books, History, USA — Tags: , , , , — Nicholas @ 03:00

In another of a series of book reviews by Astral Codex Ten readers, Scott Alexander posted this review of Double Fold by Nicholson Baker, which helps to indicate just when libraries — and librarians — lost their mojo:

“Nottingham central library” by JuliaC2006 is licensed under CC BY 2.0

If you enter a major research library in the US today and request to see a century-old issue of a major American newspaper, such as Chicago Tribune, The Wall Street Journal, or major-but-defunct newspapers such as the New York “World”, odds are that you will be directed to a computer or a microfilm reader. There, you’ll get to see black-and-white images of the desired issue, with individual numbers of the newspaper often missing and much of the text, let alone pictures, barely decipherable.

The libraries in question mostly once had bound issues of these newspapers, but between the 1950s and the 1990s, one after another, they ditched the originals in favor of expensive microfilmed copies of inferior quality. They continued doing this even while the originals became perilously rare; the newspapers themselves were mostly trashed, or occasionally sold to dealers who cut them up and dispersed them. As a consequence, many of these publications are now rarer than the Gutenberg Bible, and some 19th and 20th century newspapers have ceased to exist in a physical copy anywhere in the world.

When Double Fold by Nicholson Baker came out in 2001, it was described as The Jungle of the American library system. After 20 years, the book remains universally known, sometimes admired but often despised, among librarians. The reason for their belligerence is that Baker publicly revealed a decades-long policy of destruction of primary materials from the 19th and 20th centuries, based on a pseudoscientific notion that books on wood-pulp paper are quickly turning to dust, coupled with a misguided futuristic desire to do away with outdated paper-based media. As a consequence, perfectly well preserved books with centuries of life still ahead of them were hastily replaced with an inferior medium which has, at the moment that I am writing this review, already mostly gone the way of the dodo. Despite its notoriety among librarians, however, Double Fold is little-known among the general public, even compared to Baker’s other non-fiction and his novels.

This is a shame, since the mass destruction of books and newspapers by libraries in the post-war era deserves to be better known as one of the most egregious failures of High Modernism, comparable with the wackiest plans of Le Corbusier. The story combines an excessive reliance on simplistic mathematical models, wilful ignorance to the desires of actual library-users and scholars, embracement of miniaturization and modernization as terminal values, and an almost complete disregard of 19th century books as historical artefacts. Unlike industrial farms, which can be broken up, and Brasília-style skyscrapers, which can be torn down and replaced with something else, the losses caused by the mass deaccessioning of books and newspapers from libraries were often irreplaceable.

As part of the uproar that followed the book’s publication, the Association of Research Libraries published an online anti-Baker FAQ, and in 2002, the book Vandals in the Stacks? by Richard J. Cox came out, presenting an attempted refutation of Baker’s theses. I have read both of these and discuss Cox’s arguments later on, but I must admit in advance that I was mostly convinced by Baker’s argumentation much more than by that of his opponents. Nonetheless, it is uncommon to have a polemical book receive a book-length response, and anyone interested in Baker’s thesis is advised to check out Cox as well.

April 25, 2021

QotD: “The Great Satan”

Filed under: Books, Economics, Politics, Quotations, USA — Tags: — Nicholas @ 01:00

As soon as you see the recommendation from Noam Chomsky on the cover of the book, you can pretty much guess where McQuaig is coming from. I refer to the Chomskyan school of thought as American Monist: in short, the only actor on the world stage is America. It is the sole source of evil and depredation. Everyone else is motivated solely by love and concern for humanity, whilst America is, singularly, motivated only by greed, lust for power and a general animus for all things good, sunny and nice. Only America acts; everyone else is acted upon by the Hegemon, and can’t be blamed for the consequences of their actions. America is the Primus Mobilis. And America is bad. So, for example, the notion that an economy-based increased lust for oil is driving foreign policy is solely a characteristic of America; no other nation on earth appears to give a shit about oil. Certainly not France, Russia or China; McQuaig hardly mentions them. While McQuaig is forced to acknowledge that French, Russian and Chinese support for Saddam (and attendant undermining of UN sanctions) was related in some fashion to the oil deals they had each struck with Iraq, she airily dismisses the role that oil plays in their respective foreign policies. So the “oil as the root of all evil” trope is batted away in the space of two sentences when talking about other countries, but more than 300 pages are required to explain how oil and America are mutually catalyzing demon twins. When the rapaciousness of oil companies is discussed, it is almost exclusively American oil companies which are named; hardly ever any of the European, Russian or other oil companies. Because those other oil companies don’t possess the true indicia of evil, you see: they don’t stamp their barrels “Made in the USA”.

Bob Tarantino, “LIB Review: It’s the Crude, Dude”, Let It Bleed, 2005-03-05.

April 8, 2021

Andrew Doyle defends freedom of speech in his new book

In The Critic, Simon Evans reviews Free Speech And Why It Matters by Andrew Doyle (who is perhaps best known on this side of the pond for his ultrawoke Twitter persona “Titania McGrath”):

    When I am weaker than you, I ask you for Freedom, because that is according to your principles; when I am Stronger than you, I take away your freedom because that is according to my principles.
    Frank Herbert, Children of Dune

It is most peculiar. If the counter-culture had a dominant theme, it was the right to criticise the establishment and to question orthodoxy of all kinds. Back in the Sixties, it was central to its mission to Expand your Consciousness, man. And it worked. Walls came tumbling down. Yet now, everywhere you look, it seems the elements of society — students, academics, comedians — that one would most naturally associate with that freedom of expression, are introducing caveats and qualifiers to that principle faster than you can cry “Stop Little Pol-Pot, Stop!” They are turning, before our very eyes, into actual scolds.

It must be supposed that what was once the siege army, camped outside the moat like Occupy Wall Street, has captured the castle, for they are demanding that the walls be re-erected. That “hate” speech be distinguished from free speech and dealt with accordingly. That freedom of speech need not mean freedom from consequences. And a general suspicion is at large, among the young, that free speech is some sort of artefact of complacent boomer self-indulgence, like Steely Dan and second homes. No longer counter-culture, but decidedly counter-revolutionary.

I’m a comedian, and these have been strange times for our trade. Brexit saw comedians side with the mirthless neo-liberal consensus, against the humorous, sceptical grumble of the common rabble. The same thing happened in America, with bar-room stand-ups horrified by the vulgarity of Trump. And now the latest revision sees many of my fellow jesters and fools unsure whether people can really be trusted with free speech.One might have thought this issue had been settled long ago, in this country, and in liberty’s favour. But no, it seems we need to sharpen our tools once again, and Andrew Doyle’s new book is an excellent place to start.

Making the case for the defence, Doyle’s book is terse, restrained and as carefully argued as a QC’s summing-up in a top-drawer courtroom drama. Whether his command of the material comes from his doctorate in Renaissance literature or his experience of defending the comedy character Titania McGrath from infuriated wokerati, who knows? It is a beautifully balanced and comprehensive overview that will of course be read by no one who needs to hear it.

It is admirably historically literate. Doyle takes a quote from Milton’s Areopagitica as his epigram, with the old poet, declaiming over the din of the Civil War, as defiant as Satan himself, “Give me liberty to know, to utter, and to argue freely according to conscience, above all liberties.”

This sets the tone for the whole book, but Doyle also presents arguments intended to appeal to those who insist that we live in a society. With the compromises that entails. This was most famously recognised by notorious cis-hetero white man and free speech absolutist John Stuart Mill, who was surveying the world from the heights of Victorian Exceptionalism when he published the still unsurpassed On Liberty.

The Weird Years of The Simpsons (1989-1994)

Filed under: Humour, Media, USA — Tags: , , , — Nicholas @ 02:00

J.J. McCullough
Published 2 Jan 2021

The show struggled for five years to figure out what kind of show it wanted to be, and how to treat its characters. It could have been much weirder than it was.

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April 5, 2021

The Ahuman obsession

Filed under: Books, Politics — Tags: , , , — Nicholas @ 03:00

Theodore Dalrymple considers the work of an English professor who advocates for the extinction of the human race:

Professor MacCormack’s main idea seems to be that the only way to save the planet from destruction is for humanity not to reproduce itself and thereby to die out within a generation or two. She wants to make the world safe for the worms and the wasps, though her scheme would be hard luck on those species that parasitize only Man. They would have to die out too. But, as the Reverend Charles Caleb Colton put it in 1821, “Let no man presume to think that he can devise any plan of extensive good, unalloyed with evil.” If Man dies out, so too will Wuchereria bancrofti, one of the filarial parasites that cause elephantiasis, along with other such species, but I suppose that this is but a small price to pay for the immense benefit overall wrought by the extinction of Mankind.

Naturally, I sent for her latest book, The Ahuman Manifesto: Activism for the End of the Anthropocene. Thanks to the epidemic all the libraries were shut, though in other respects the virus’ efforts to end the Anthropocene were, from the professor’s rather special point of view, feeble or pathetic, with only 2,000,000 deaths so far and 6,998,000,000 to go. If I wanted to read the book, I would have to buy it.

I am an obsessional reader; that is to say, when I start a book I feel obliged to read it through from cover to cover. Moreover, I would rather read anything than nothing at all. Once in Los Angeles I was stuck in a hotel bedroom with nothing to read but the yellow pages (there were still telephone directories in those days), from which I learned a humiliating lesson. Books have long been at the center of my life, but I discovered how unimportant they are in the lives of most people. There was about half a page devoted in the yellow pages to bookshops, but scores to private detectives. No wonder Philip Marlowe chose Los Angeles as his place of work.

But Professor MacCormack’s book defeated me, not only sapping my will to read further but inducing a state almost of catatonia. It certainly cured me, at least temporarily, of my obsessional desire to finish any book that I have started. Her style made The Critique of Pure Reason seem as light and witty as The Importance of Being Earnest. She appears to think that the English plural of manifesto is manifesti rather than manifestos; I admit that it conjured up in my mind a new Italian dish, gnocchi manifesti.

Open the book at any page and you will find passages that startle by their polysyllabic meaninglessness combined with the utmost crudity. By chance, I opened the book to page 144 and my eye fell on the following:

    The multiplicity of becoming-cunt as an assemblage reassembles the tensors upon which it expresses force and by which force is expressed upon its various planes and dimensions.

I have known deteriorated schizophrenic patients to speak more sensibly and coherently than this.

March 11, 2021

Substack is “‘incredibly dangerous and damaging’ to ‘one of the few failsafes against anti-democratic maneuvers'”

Filed under: Business, Media — Tags: , , , — Nicholas @ 03:00

At The Line, Matt Gurney discusses Substack in the light of extreme criticism by, among others, UCLA professor of information studies Dr. Sarah T. Roberts:

It wasn’t long ago that Jen Gerson and I wrote damn similar columns within days of each other. She was writing here, at The Line, and I was writing at my personal blog, Code 47. We both discussed Substack, the digital publishing company you’re reading at this very moment — The Line is currently hosted on Substack.

Or, if you prefer, Substack is a “a dangerous direct threat to traditional news media” and “a threat to journalism.”

That is the view of Dr. Sarah T. Roberts, a professor of information studies at UCLA, who unloaded on Substack (and some of those who use it) in a recent Twitter thread. You can read it here, and should, but for our purposes, Roberts argues that Substack is bad because it lets journalists who have come up through the traditional newsroom system bail on it, stop bothering with the trouble of an editor, “cash out” on the reputation they earned in newsrooms, and transform themselves from a “journalist” to that vastly lower order of life, “an opinion writer, at best.” Ouch!

Roberts makes an explicit appeal to her Twitter followers: do not pay for Substack content. Do not write for Substack. (She does carve out exceptions for purely personal blogs on trivial topics.) But Substack as a journalism venture is, in her view, “incredibly dangerous and damaging” to “one of the few failsafes against anti-democratic maneuvers … We really can’t afford to lose [journalism] right now.”

This is my summary of what she said — perhaps she’d quibble with it, which is why I’m encouraging you, all of you, to go read her original thread. Get it in her own words and judge for yourself if I’ve been fair.

Assuming I’ve passed your muster, like, yikes. Where to start?

Roberts is, of course, as entitled to her views as any one, and if she hates Substack with a fiery passion, that’s totally fine. And I think there is some truth to her argument, as Jen and I both noted in our earlier pieces: there no doubt are some people with big profiles, who built those profiles working for traditional newsrooms, who will bail on that job to go make money — maybe lots of money! — on Substack. This is a threat to legacy media organizations, who are more reliant than ever on a few key contributors, who serve not only as click magnets, but also human avatars of an outlet’s brand. Roberts’ argument is on the money here.

But the sum of what she left out of her argument is so gigantic that it practically warrants a Substack of its own.

March 9, 2021

QotD: Canadian culture

Everywhere one turns one sees a tendency toward mimesis — we tend to copy rather than invent — qualified by intellectual emptiness. In other words, it may be that the vacancy of the Canadian mind reflects the vacancy of the Canadian landscape. Of course, much of the land is variegated — lakes, rivers, forests, the impressive mountain ranges running down the length of “beautiful British Columbia” — in the same way, metaphorically speaking, that we can boast a number of resonating exceptions to the staple of tepid cultural and intellectual sameness.

One thinks of novelist Mordecai Richler, poet Irving Layton, critical minds Harold Innis, Marshall McLuhan and Northrop Frye, musicians Leonard Cohen and Gordon Lightfoot. Our founding father, Sir John A. Macdonald, was the ne plus ultra of our political class; there has been none like him since, which may explain why he is now on posthumous trial for war crimes and a hue and cry has gone up to remove his statues and rename eponymous schools.

The constitutive factor, however, exceptions aside, is the “howling emptiness” of a vast landmass that may partially account for the emptiness of our intellectual topography — if, as Jared Diamond had argued in Guns, Germs and Steel, geography governs the development of culture and spirit.

Any nation the preponderance of whose citizens regularly elects left-wing political parties; accepts single-payer healthcare; believes in the efficacy of the welfare state; endorses the hoax of global warming; accommodates swarms of third-world immigrants and refugees who have no love for or understanding of a country becoming an open-to-all multicultural tombola with the highest proportionate rate of immigrants in the Western world; has allowed its educational industry, from pre-school to graduate school, to be corrupted possibly beyond retrieval by lockstep Leftism, “diversity and inclusion,” and “social justice” claptrap; has caved to the feminist and campus-rape fable; dutifully takes CBC Leftist propaganda as gospel; has fallen for the 16th Century meme of the “Noble Savage” in its dealings with the aboriginal peoples; extravagantly celebrates a second-rate rock band like The Tragically Hip and names a street after it; reads (when it does read) tedious scribblers like the acclaimed Joseph Boyden and Ann-Marie MacDonald; and gives a complete ignoramus like Justin Trudeau a majority government on the strength of name and coiffure, cannot be regarded as informed, well-educated or in any way distinguished. Unlike the U.S., there are no cracks, to quote Leonard Cohen, where the light gets in. The Canadian political, cultural and academic spectrum has gone dark from end to end.

David Solway, “The Canadian Mind: A Culture So Open, Its ‘Brains Fall Out'”, PJ Media, 2018-10-10.

February 28, 2021

QotD: The essential role of writers like Twain and Mencken

Filed under: Humour, Politics, Quotations, USA — Tags: , , , , , — Nicholas @ 01:00

Mencken lived in horror of the American people, “who put the Hon. Warren Gamaliel Harding beside Friedrich Barbarossa and Charlemagne, and hold the Supreme Court to be directly inspired by the Holy Spirit, and belong ardently to every Rotary Club, Ku Klux Klan, and anti-Saloon League, and choke with emotion when the band plays ‘The Star-Spangled Banner.'” Much of that horror was imaginary, and still is. But we must have horror, especially in politics. How else to justify present and familiar horror except but by reference to a greater horror? In this year’s election, each candidate’s partisans already have been reduced to making the argument that while their own candidate might be awful, the other candidate is literally akin to Adolf Hitler. Yesterday, I heard both from Clinton supporters and Trump supporters that the other one would usher in Third Reich U.S.A. “Don’t tell yourself that it can’t happen here,” one wrote.

A nation needs its Twains and Menckens. (We could have got by without Molly Ivins.) The excrement and sentimentality piles up high and thick in a democratic society, and it’s sometimes easier to burn it away rather than try to shovel it. But they are only counterpoints: They cannot be the leading voice, or the dominant spirit of the age. That is because this is a republic, and in a republic, a politics based on one half of the population hating the other half is a politics that loses even if it wins. The same holds true for one that relies on half of us seeing the other half as useless, wicked, moronic, deluded, or “prehensile morons.” (I know, I know, and you can save your keystrokes: I myself am not running for office.) If you happen to be Mark Twain, that sort of thing is good for a laugh, and maybe for more than a laugh. But it isn’t enough. “We must not be enemies,” President Lincoln declared, and he saw the republic through a good deal worse than weak GDP growth and the sack of a Libyan consulate.

Kevin D. Williamson, “Bitter Laughter: Humor and the politics of hate”, National Review, 2016-08-11.

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