Jeeves — my man, you know — is really a most extraordinary chap. So capable. Honestly, I shouldn’t know what to do without him. On broader lines he’s like those chappies who sit peering sadly over the marble battlements at the Pennsylvania Station in the place marked “Inquiries.” You know the Johnnies I mean. You go up to them and say: “When’s the next train for Melonsquashville, Tennessee?” and they reply, without stopping to think, “Two-forty-three, track ten, change at San Francisco.” And they’re right every time. Well, Jeeves gives you just the same impression of omniscience.
As an instance of what I mean, I remember meeting Monty Byng in Bond Street one morning, looking the last word in a grey check suit, and I felt I should never be happy till I had one like it. I dug the address of the tailors out of him, and had them working on the thing inside the hour.
“Jeeves,” I said that evening. “I’m getting a check suit like that one of Mr. Byng’s.”
“Injudicious, sir,” he said firmly. “It will not become you.”
“What absolute rot! It’s the soundest thing I’ve struck for years.”
“Unsuitable for you, sir.”
Well, the long and the short of it was that the confounded thing came home, and I put it on, and when I caught sight of myself in the glass I nearly swooned. Jeeves was perfectly right. I looked a cross between a music-hall comedian and a cheap bookie. Yet Monty had looked fine in absolutely the same stuff. These things are just Life’s mysteries, and that’s all there is to it.
But it isn’t only that Jeeves’s judgment about clothes is infallible, though, of course, that’s really the main thing. The man knows everything. There was the matter of that tip on the “Lincolnshire.” I forget now how I got it, but it had the aspect of being the real, red-hot tabasco.
“Jeeves,” I said, for I’m fond of the man, and like to do him a good turn when I can, “if you want to make a bit of money have something on Wonderchild for the ‘Lincolnshire.'”
He shook his head.
“I’d rather not, sir.”
“But it’s the straight goods. I’m going to put my shirt on him.”
“I do not recommend it, sir. The animal is not intended to win. Second place is what the stable is after.”
Perfect piffle, I thought, of course. How the deuce could Jeeves know anything about it? Still, you know what happened. Wonderchild led till he was breathing on the wire, and then Banana Fritter came along and nosed him out. I went straight home and rang for Jeeves.
“After this,” I said, “not another step for me without your advice. From now on consider yourself the brains of the establishment.”
“Very good, sir. I shall endeavour to give satisfaction.”
And he has, by Jove! I’m a bit short on brain myself; the old bean would appear to have been constructed more for ornament than for use, don’t you know; but give me five minutes to talk the thing over with Jeeves, and I’m game to advise any one about anything.
P.G. Wodehouse, “Leave it to Jeeves”, My Man Jeeves, 1919.
May 20, 2021
QotD: Jeeves
May 19, 2021
Racism of the US Army – Fighting for Freedom? – WW2 Special
World War Two
Published 18 May 2021While the US was fighting for freedom and liberty across the globe, their home country and armies are still deeply segregated, causing minority groups in the USA to fight not one but two wars.
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The ginger Windsor loose cannon on “bonkers” free speech protection in the United States
James Delingpole on the latest unfortunate burble from one of the much lesser members of the House of Windsor:

Prince Harry and Meghan Markle visit Titanic Belfast in March 2018.
Photo from the Northern Ireland Office via Wikimedia Commons.
Prince Harry’s epic stupidity is probably inherited from his presumed father, the Prince of Wales. Prince Charles, too, only got two A levels — a B in History and a C in French — yet somehow strings were pulled to land him a place at Cambridge University (normally it would have required something like three A grades at A Level, plus a decent performance in the entrance exam), where he scraped a lowly 2:2 in History.
There is, of course, nothing wrong with being epically, fabulously, unbelievably stupid. Many upper-class men successfully make their brainlessness part of their comical charm. Where stupidity becomes unattractive and culpable, though, is when it’s deployed to comment on issues far, far above its pay grade, and when it’s afforded undeserved prestige.
No one as thick as Harry, it’s surely a given, ought ever be allowed on to a public platform to pronounce on issues as vital as the protection of free speech. Yet this is exactly what happened when Harry was given space to expound his half-baked views on a podcast. Sure, Harry had the good grace to admit that he hadn’t a clue what he was talking about:
I don’t want to start going down the First Amendment route because that’s a huge subject and one which I don’t understand because I’ve only been here a short time.
Unfortunately, that didn’t stop him declaring that he thought the First Amendment was “bonkers”.
His explanation as to why he thought so was a bit incoherent, but it seemed to involve his belief that it could be used for something bad called “ideology” and could be used as an excuse to “spread hate”. He added: “Laws were created to protect people.” What I’m guessing Harry was struggling to do was to try to wheel out the woke cliche that while free speech is fine, “hate speech” isn’t fine and should not enjoy constitutional protection. This threadbare argument can be demolished in a second by anyone with more than two A Levels. Essentially if “free speech” laws don’t protect “hate speech” then they are not really free speech protection laws at all.
Like Prince Harry, I wouldn’t consider myself to be an expert on U.S. history. But I do dimly recall that round about the second half of the 18th century America’s colonists successfully freed themselves from rule by one of Prince Harry’s ancestors. The U.S. Constitution — and that pesky First Amendment — was one of the consequences.
Why Did We Stop Wearing Hats?
Karolina Żebrowska
Published 28 Apr 2020should we bring hats back? what do you think?
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QotD: School is prison for kids
I try to review books in an unbiased way, without letting myself succumb to fits of emotion. So be warned: I’m going to fail with this one. I am going to get angry and write whole sentences in capital letters. This is one of the most enraging passages I’ve ever read.
School is child prison. It’s forcing kids to spend their childhood — a happy time! a time of natural curiosity and exploration and wonder — sitting in un-air-conditioned blocky buildings, cramped into identical desks, listening to someone drone on about the difference between alliteration and assonance, desperate to even be able to fidget but knowing that if they do their teacher will yell at them, and maybe they’ll get a detention that extends their sentence even longer without parole. The anti-psychiatric-abuse community has invented the “Burrito Test” — if a place won’t let you microwave a burrito without asking permission, it’s an institution. Doesn’t matter if the name is “Center For Flourishing” or whatever and the aides are social workers in street clothes instead of nurses in scrubs — if it doesn’t pass the Burrito Test, it’s an institution. There is no way school will let you microwave a burrito without permission. THEY WILL NOT EVEN LET YOU GO TO THE BATHROOM WITHOUT PERMISSION. YOU HAVE TO RAISE YOUR HAND AND ASK YOUR TEACHER FOR SOMETHING CALLED “THE BATHROOM PASS” IN FRONT OF YOUR ENTIRE CLASS, AND IF SHE DOESN’T LIKE YOU, SHE CAN JUST SAY NO.
I don’t like actual prisons, the ones for criminals, but I will say this for them — people keep them around because they honestly believe they prevent crime. If someone found proof-positive that prisons didn’t prevent any crimes at all, but still suggested that we should keep sending people there, because it means we’d have “fewer middle-aged people on the streets” and “fewer adults forced to go home to empty apartments and houses”, then MAYBE YOU WOULD START TO UNDERSTAND HOW I FEEL ABOUT SENDING PEOPLE TO SCHOOL FOR THE SAME REASON.
I sometimes sit in on child psychiatrists’ case conferences, and I want to scream at them. There’s the kid who locks herself in the bathroom every morning so her parents can’t drag her to child prison, and her parents stand outside the bathroom door to yell at her for hours until she finally gives in and goes, and everyone is trying to medicate her or figure out how to remove the bathroom locks, and THEY ARE SOLVING THE WRONG PROBLEM. There are all the kids who had bedwetting or awful depression or constant panic attacks, and then as soon as the coronavirus caused the child prisons to shut down the kids mysteriously became instantly better. I have heard stories of kids bullied to the point where it would be unfair not to call it torture, and the child prisons respond according to Procedures which look very good on paper and hit all the right We-Are-Taking-This-Seriously buzzwords but somehow never result in the kids not being tortured every day, and if the kids’ parents were to stop bringing them to child prison every day to get tortured anew the cops would haul those parents to jail, and sometimes the only solution is the parents to switch them to the charter schools THAT FREDDIE DEBOER WANTS TO SHUT DOWN.
I see people on Twitter and Reddit post their stories from child prison, all of which they treat like it’s perfectly normal. The district that wanted to save money, so it banned teachers from turning the heat above 50 degrees in the depths of winter. The district that decided running was an unsafe activity, and so any child who ran or jumped or played other-than-sedately during recess would get sent to detention — yeah, that’s fine, let’s just make all our children spent the first 18 years of their life somewhere they’re not allowed to run, that’ll be totally normal child development. You might object that they can run at home, but of course teachers assign three hours of homework a day despite ample evidence that homework does not help learning. Preventing children from having any free time, or the ability to do any of the things they want to do seems to just be an end in itself. Every single doctor and psychologist in the world has pointed out that children and teens naturally follow a different sleep pattern than adults, probably closer to 12 PM to 9 AM than the average adult’s 10 – 7. Child prisons usually start around 7 or 8 AM, meaning any child who shows up on time is necessarily sleep-deprived in ways that probably harm their health and development.
School forces children to be confined in an uninhabitable environment, restrained from moving, and psychologically tortured in a state of profound sleep deprivation, under pain of imprisoning their parents if they refuse. The only possible justification for this is that it achieves some kind of profound social benefit like eliminating poverty. If it doesn’t, you might as well replace it with something less traumatizing, like child labor. The kid will still have to spend eight hours of their day toiling in a terrible environment, but at least they’ll get some pocket money! At least their boss can’t tell them to keep working off the clock under the guise of “homework”! I have worked as a medical resident, widely considered one of the most horrifying and abusive jobs it is possible to take in a First World country. I can say with absolute confidence that I would gladly do another four years of residency if the only alternative was another four years of high school.
Scott Alexander, “Book Review — The Cult of Smart”, Astral Codex Ten, 2021-02-17.
May 18, 2021
What is Maskirovka? Russian Military Deception #Military101
Military History Visualized
Published 5 May 2017A short introduction into Russian Military Deception — called Maskirovka. “Maskirovka is most simply defined as a set of processes designed to mislead, confuse, and interfere with accurate data collection regarding all areas of Soviet plans, objectives, and strengths or weaknesses.” (Smith, Charles L.: “Soviet Maskirovka“, in: Airpower Journal – Spring 1988)
Military History Visualized provides a series of short narrative and visual presentations like documentaries based on academic literature or sometimes primary sources. Videos are intended as introduction to military history, but also contain a lot of details for history buffs. Since the aim is to keep the episodes short and comprehensive some details are often cut.
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Maier, Morgan: A Little Masquerade: Russia’s Evolving Employment of Maskirovka
http://cgsc.contentdm.oclc.org/cdm/si…Smith, Charles L.: “Soviet Maskirovko“, in: Airpower Journal – Spring 1988
http://www.airpower.maxwell.af.mil/ai…Lindley-French, Julian: NATO: Countering Strategic Maskirovka. Canadian Defence & Foreign Affairs Institute. (2015)
Glantz: The Red Mask: The Nature and Legacy of Soviet Military Deception in the Second World War
https://en.wikipedia.org/wiki/Russian…
Keating, Kenneth: The Soviet System of Camouflage
http://www.dtic.mil/dtic/tr/fulltext/…Krueger, Daniel: Maskirovka – What’s in it for us?
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SMLE MkI***: The Updated Early Lee Enfields (and Irish Examples!)
Forgotten Weapons
Published 3 Feb 2021http://www.patreon.com/ForgottenWeapons
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When the British adopted a new high-velocity spitzer bullet for the .303 cartridge, they had to update their rifles to use it. Specifically, the sights had to be recalibrated for the flatter trajectory of the new MkVII ammunition. In addition, the sight picture was changed from a barleycorn front and V-notch rear to the more precise square front post and rear U-notch.
These rifles are quite scarce, but several thousand were brought into the US in the early 1960s as surplus from Ireland. These Irish examples all had new serial numbers applied when the were sent to Ireland by the British in the 1920s, and they are in two different batches (one in MkI*** configuration, and one with the MkIII rear sight). We will take a look at both patterns today as well, so you can see the difference between the much more available Irish type and the pure British version.
Contact:
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Tucson, AZ 85740
QotD: The imaginary problem of having “too much” choice
In the early 20th century critics attacked product variety as being wasteful — a sign that markets were less efficient than central planning. Hence, the Chinese wore Mao suits, Americans got uniformly round automobile headlights and British authorities “rationalized” furniture designs.
A famous scene in the film Moscow on the Hudson has Robin Williams as a Soviet immigrant collapsing at the sight of an American coffee aisle, circa 1984. Imagine what would happen in Starbucks.
A free economy multiplies variety, the better to serve buyers with different tastes and different needs and to give people the chance to experience different goods at different times. Arguing that this plenitude is inefficient went out decades ago. The problem with markets, the detractors now say, is that all these choices make us unhappy.
Virginia Postrel, “I’m Pro-Choice”, Forbes, 2005-03-28.
May 17, 2021
Christopher Hitchens – On EconTalk discussing George Orwell [2009]
CaNANDian
Published 25 Sep 2012Christopher Hitchens talked with EconTalk host Russ Roberts about George Orwell. Drawing on his book Why Orwell Matters, Hitchens talked about Orwell’s opposition to imperialism, fascism, and Stalinism, his moral courage, and his devotion to language. Along the way, Hitchens made the case for why Orwell matters.
Download audio: http://www.econtalk.org/archives/2009…
An older BBC dramatization on the slave trade that seems to have gone down the memory hole
At Samizdata, Niall Kilmartin wondered why the BBC hadn’t gotten around to showing a 1970s historical series through the year-and-more of the pandemic lockdowns. He doesn’t mention the name of the series, and an unusually unhelpful BBC site search didn’t turn up a name but IMDB suggests it was 1975 and the series was called The Fight Against Slavery:
Fifty years ago, the BBC screened a dramatised documentary series about the fight to abolish the slave trade. Even a year of the virus limiting new series, at a time of great BBC eagerness to talk about racism, has not made them screen it again.
– I see one reason why they have not: the series displayed sleazy white slave traders and abusive white slave owners prominently, but it also showed white people eager to end the slave trade and (much worse) black people eager to continue it. It included the king of Dahomey’s threat: “if you do not allow me to sell you my slaves, their fate will be a great deal worse” (a very brief scene of the Dahomey murder spectacle lent meaning to his remark). After abolition was voted, it showed a white slave trader assuring the Dahomans, as a drug dealer might his suppliers, “It is one thing for parliament to pass a law …”, hinting at the Royal Navy’s long and hard campaign to enforce it.
– Only recently did I spot another reason why they would not want to show it again – the scene in which a corrupt old white slave trader warns his young colleague that “it’s more than your life’s worth” to doubt the ability of their slave-selling hosts to count very accurately the quantity of trade goods being handed over in exchange, and to assess their quality knowledgeably. The traders well knew that Africans counted two plus two as four, just as they did. Any trader who imagined that black ability to add diverged enough from white to enable an attempt to short-change them had learned otherwise long before the 1780s.
– The southern Confederacy thought the same. Until its death throes, it forbade enlisting a southern black as a Confederate soldier because, as one Confederate senator put it, “If blacks can make good soldiers then our whole theory of slavery is wrong.” (Perhaps also because even southern white Democrats realised that southern black desire to fight against blacks being freed was likely to be a very minority taste.) But there was one exception. Every regiment had its regimental band, which played to set the pace at the start and end of marches, used trumpets to signal commands in battle – and fought when other duties did not supervene. From its start to its end, Confederate law said any black could enlist as bandsman, with the same pay and perquisites as a white – a very rare example of formal legal equality. (Playing music requires the ability to count time. For the woke, “dismantling the legacy of the Confederacy” apparently includes dismantling its realisation – shared by the Victorian composer Dvorak – that blacks often excelled in music so much as to overcome prejudice against black ability. Today, it’s “racist” to value instrumental skill.)
“Politically correct” has meant “actually wrong” ever since the first commissar explained to the first party comrade that it was neither socialist nor prudent to notice a factual error in the party line. “Structurally racist” is PC’s modern companion. No longer are the woke content merely to imply (“mathematics is racist”, “punctuality is racist”, “politeness is racist”) that blacks can’t count, can’t tell the time and can only behave crudely. They’re starting to say it in words of fewer syllables.
If I’d scrolled down to the comments, I’d have discovered that Natalie Solent had also dug up the name of the series:
Natalie Solent (Essex)
May 10, 2021 at 4:30 pm
Outstanding post, Niall. Was the BBC series you mentioned “The Fight Against Slavery“, written and narrated by Evan Jones? I have not seen it – given that I was ten or eleven in 1975 my parents probably thought I was too young too see it.However someone called “InternetPilgrim” has put up three videos of the series on YouTube. There is a link to Part I here, Part II here and Part III here, so I will try to remedy that lack soon.
History Summarized: Africa
Overly Sarcastic Productions
Published 7 Jul 2017THE DANGER OF A SINGLE STORY: https://youtu.be/D9Ihs241zeg
It’s been brought to my attention that I made two mistakes: 1) Yes, I disappear at 18:26. Not sure how that happened. 2) At 12:25 I use a map of Africa that with some weird borders. That’s my bad. But if you look at a legit map of Africa, you’ll see the same straight lines in the places that I marked them.
(Remember: making mistakes is ok, so long as we learn from them)The Epic of Mwindo sure was cool, huh? This video is here to show you all about the lovely continent that it came from: Africa! And BOY are there a lot of misconceptions about it.
This video was produced with assistance from the Boston University Undergraduate Research Opportunities Program.
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QotD: Orpheus and Eurydice
The Greek myths […] could not tell us of the conquest of Death by Love, because they could not know it yet; but they did know what it was not. They — the Greeks with their legends — were not just pessimistic. They were heroic pessimists.
Orpheus descends into Hades to retrieve his bride, Eurydice. In the account we read in Virgil’s Georgics, the point of the tale is already slightly smoothed, blunted. Orpheus has made the mistake of looking back on her countenance, when he is almost home. He has emerged in the sun, but she is still in the shadows. As he looks back, she recedes, disappears; she is now lost forever. In modern “education” we used to weep for the tragedy. He almost succeeded. It is a tragedy, strictly in the Roman pagan sense.
But it was a tragedy in the Greek sense, first. If we go instead to Plato, and listen to the aristocratic Phaedrus in the Symposium, we learn that Orpheus was thoroughly in the wrong, in his attempt to retrieve Eurydice. He was bound to be punished. His mistake was not a technicality. His living descent into Hades was a challenge not only to the gods, but to nature, and to the truth of things. His love for Eurydice, so affecting in his mournful dirges — moving everyone to tears — was not true love. A coward, he would not die for it.
Hades has presented him with a wraith, in Eurydice’s outward form. Inevitably, this illusion would dissolve in the sunlight. And the fate of Orpheus was now set — the fate of an eloquent softie, who loves an imaginary woman — a woman he had created from the start. He will die at the hands of the real ones he rejected. He will be torn apart by the Maenads, as by wild beasts. His lyre will be destroyed. This is the fate of our shallow romantic star; the pretty boy whose lyre and whose voice had once been an enchantment.
Boethius deals with that backward gaze, in the Consolations of Philosophy. We who seek to lead into the light of the upper day — we triumphalist philosophers — are bound to look back into the Tartarean cave. And when we do, the clarity of our “vision” will be obscured; then ruined, totally. To guide we must be guided; or all will be lost.
David Warren, “A backward glance”, Essays in Idleness, 2021-02-09.
May 16, 2021
Joseph Stalin Jumps the Gun – 142 – May 16, 1942
World War Two
Published 15 May 2021The Soviets pre-empt a German offensive with one of their own in the south of the Eastern Front, but that’s not the only fighting. The skies over Malta and the waters of the Gulf of St. Lawrence are full of action. Meanwhile, two races against time — and the Japanese — come to an end in India.
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Gambling machines have come a long way from the “one-armed bandit” days
This is another reader book review for Scott Alexander’s Astral Codex Ten, looking at Addiction by Design: Machine Gambling in Las Vegas by Natasha Dow Schüll. I’m incredibly risk-averse, so I’ve never even set foot in a casino, but from this review I do not regret my aversion one tiny little bit:

“Hiking the Las Vegas casinos” by davduf is licensed under CC BY-ND 2.0
Sometimes employees at Netflix think, “Oh my god, we’re competing with FX, HBO, or Amazon” … [W]e actually compete with sleep.
Reed Hastings
Randomness is addictive, in rats. B. F. Skinner learned that when he created his eponymous rat boxes. The boxes had levers that, when pressed, dispensed food pellets. Rats in boxes where one press resulted in one pellet pressed the lever when hungry. But rats in boxes where one press randomly resulted in no, one, or many pellets, became addicted to pressing the lever. That mammalian attraction to randomness lies at the heart of all gambling.
But machine gambling is not like other kinds of gambling. The book overflows with metaphors straining to describe how machine gambling is the supercharged version of table games like poker, blackjack, and roulette. Machine gambling is deforestation ruining the rainforest of diverse table games. Machines are invasive kudzu outcompeting and killing the native table games. Machine gambling is the crack cocaine to table games’ cocaine.
In about two decades, machine gambling went from being a side attraction to keep wives busy while their husbands played table games to the source of 85% of casino profits. You know how shopping malls have benches for husbands to sit on while their wives shop in stores? Imagine that those benches became the mall. (If you’re reading this in 2025, shopping malls were, uh, a collection of permanent pop-up stores under the same roof.)
The first time I went to Vegas, I knew a few tricks casinos would use to encourage me to gamble too much. I knew the hotel rooms were purposefully cheap, to entice me to visit Vegas. I knew casinos would have neither windows nor clocks, to help me lose my sense of time. I knew they would be full of bright lights and loud sounds, to overstimulate me. I knew nothing. Those tricks are old hat, as quaint as doilies. Machine gambling is a brave new world.
Machine gambling comes in the form of many games, but one example is enough to illustrate the pattern, so let’s discuss slot machines. Slot machines are games with reels with a variety of symbols on them, like cherries, diamonds, or the number 7. (Fun fact: fruit symbols were initially used on slot machines during the prohibition era to disguise them as gum vending machines.) The game is simple. The player spins the reels. If they land to show symbols in a row, the player wins. Because of their simplicity, these machines are favored by new gamblers and tourists.
Back when Moore’s Law was just Moore’s Prediction, slot machines were mechanical devices. The player would pull on a mechanical lever, which caused reels to spin. The reels would eventually slow down and then stop. The symbols in the middle of the screen when the reels stopped dictated whether the player won or lost.
Now, slot machines are digital. The lever, the reels, the symbols — they are all ones and zeros untethered from reality. This gives machine designers a terrifying amount of flexibility. They can optimize the game to maximize its addictivity.










