Quotulatiousness

September 27, 2020

CHECKMATE, LINCOLNITES! Confederate DESTROYS Yankee with FACTS and LOGIC

Filed under: History, Humour, Military, USA — Tags: , , , , , , — Nicholas @ 02:00

Atun-Shei Films
Published 23 May 2019

Checkmate, Lincolnites! Debunking the three or four arguments Neo-Confederates always make when they talk about the Civil War.

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QotD: The persuasive power of the newspapers

Filed under: Britain, Media, Politics, Quotations — Tags: , , , — Nicholas @ 01:00

It is a standard part of the mythology that newspapers tell their readers what to believe — and the readers believe them. This is why the left keeps shrieking about the barons controlling the press, it could only be that poisoning of the minds of the proletariat which keeps said left from sweeping all before it in politics. The actual study — you know, science — of how this works is that newspapers follow the prejudices of their readers. The Sun is not socially conservative and rightish in its views because Rupert Murdoch is so but because a large portion of the British working class is so.

Or, as we might put it, the reason the left doesn’t sweep the board with the votes of the proletariat is because large numbers of the proletariat think the left either don’t represent them, or are aware that the left are nuts.

Tim Worstall, “This Will Be An Interesting Test – Geordie Greig To Daily Mail Editor”, Continental Telegraph, 2018-06-08.

September 26, 2020

Sanding The Cabinet | The Cabinet Project #28 | Free Online Woodworking School

Filed under: Tools, Woodworking — Tags: , , , — Nicholas @ 06:00

Matt Estlea
Published 17 Sep 2020

Sanding is a process that can make or break your project. Effective sanding can make the piece feel nice to touch, bring out the contrast in the grain, and clean up the piece to look consistent and refined.

Poor sanding however will produce patchy marks after the finish has been applied. It will cause edges to become rounded, thus loosing the accuracy and crispness we have strived for, and worst of all, be complete irreversible.

This video will teach you how to avoid that.
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My name is Matt Estlea, I’m a 24 year old Woodworker from Basingstoke in England and my aim is to make your woodworking less s***.

I come from 5 years tuition at Rycotewood Furniture Centre with a further 1 year working as an Artist in Residence at the Sylva Foundation. I now teach City and Guilds Furniture Making at Rycotewood as of September 2018.

If you’re interested in studying at Rycotewood, view their courses here:
www.mattestlea.com/rycotewood

I also had 5 years of experience working at Axminster Tools and Machinery where I helped customers with purchasing tools, demonstrated in stores and events, and gained extensive knowledge about a variety of tools and brands. I discontinued this at the start of 2019 to focus solely on video creation and teaching.

During the week, I film woodworking projects, tutorials, reviews and a viewer favourite ‘Tool Duel’ where I compare two competitive manufacturers tools against one another to find out which is best. I also have a Free Online Woodworking School which you should definitely check out!

www.mattestlea.com/school

I like to have a laugh and my videos are quite fast paced BUT you will learn a lot, I assure you.

Lets go make a mess.

Resistance is Futile in Nazi Europe – War Against Humanity 018 – September 1941, Part 1

Filed under: Europe, Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 25 Sep 2020

In the first half of September, Nazi murder campaigns in Vilnius and the Pripet Marshes continue. In the rest of Europe, the Germans tighten their grip on the occupied countries, taking away media privileges and further restricting the freedoms of Jewish populations.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
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Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written by: Joram Appel
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina Dołęga & Mikołaj Cackowski

Colorizations by:
– Spartacus Olsson
– Daniel Weiss
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations

Visual Sources:
– Bundesarchiv
– Yad Vashem: 7283-146, 4331-14), 3150-122, 4613-1055, 10470-23, 97, 03-198, 1044-148, 2725_22A, 4788_71
– United States Holocaust Memorial Museum
– Library of Congress
– Imperial War Museums: H6550
– Deutsche Fotothek: 0000149 003
– Picture of Lavrentiy Beria in court courtesy of: Фотограф – Ист.доки https://cutt.ly/Lavrentiy_Beria-
Picture of Cathedral Square and Nikolskaya Street in from Saratov from RusDeutsch
National Archives NARA

Music:
– “Endlessness” – Flouw
– “Weapon of Choice” – Fabien Tell
– “Last Minute Reaction” – Phoenix Tail
– “Moving to Disturbia” – Experia
– “Potential Redemption” – Max Anson
– “Flight Path” – Cobby Costa
– “Break Free” – Fabien Tell
– “Never Forget” – Fabien Tell
– “It’s Not a Game” – Philip Ayers

The Icons from Noun Project: Bar by priyanka, beach by Studio GLD, Bicycle by Henry Haolong Yin, cabaret by Smalllike, Cafe by Eucalyp, Calendar by iconsphere, Children by Sarah Rudkin, curfew by supalerk laipawat, finish line by Luis Prado, Fruit by Eucalyp, guest house by ProSymbols, Helmet by Daniel Turner, Hotel by Nociconist, Immigrants by Luis Prado, Info by Flatart, Library by Jaime Serra, Man by Milinda Courey, Museum by Justicon, Skull by Muhamad Ulum, onion by Jellycons, Park by Made by Made, Passenger Wagon by Peter van Driel, person and house by Rflor, Phone by Leona Grande, potato by Vectors Point, Restaurant by Adrien Coquet, singer by Luis Prado, Store by Fahmi, street by Vadim Solomakhin, Swimming Pool by Vectors Point, Theater by Susannanova, Town Square Clock by Graphic Enginer, Vegetable by Eucalyp, vintage motorcycle by Justine Hammernik, Woman and boy by Studio Het Mes & Zoo by Eugene Dobrik

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 hours ago
A new month and more carnage — we get the question about why so much about the Jews? Why only about the Eastern Front? Well, this is September 1941, many of the things that befell other ethnicities have not yet begun. When they do we will cover them. You’ll also see that some of this is “more of the same” — and in fact, sometimes it’s difficult for us to find a way to not let the tragedy that all this death really represents become trivial through the sheer size and repetition of the drama, yet we feel that it is important to keep it coming, week after week. Recent surveys in several countries show that a majority of people under 30 don’t know the full extent, or sometimes even the existence of the Holocaust. Using YouTube to document how it evolved, step by gruesome step is therefore in our opinion all the more important.

“… debate is an imperialist capitalist white supremacist cis heteropatriarchal technique that transforms a potential exchange of knowledge into a tool of exclusion & oppression”

Filed under: Media, Politics, USA — Tags: , , , , , — Nicholas @ 03:00

Andrew Sullivan‘s latest look at the ultrawoke:

If you’ve ever wondered why critical theorists and their popularizers never seem to actually expose themselves to direct criticism, this quote might help:

    I get regular invites to debate on various platforms. I always say no. Because debate is an imperialist capitalist white supremacist cis heteropatriarchal technique that transforms a potential exchange of knowledge into a tool of exclusion & oppression.

And also perhaps because debate is one of the most effective tools in rooting out ideological bullshit. Speaking of which, here’s an interview with Judith Butler, the patron saint of wokeness, in which she can actually say, with a straight face: “I am not aware that terf is used as a slur.” “Terf” is short for “Trans-Exclusionary Radical Feminist.” It’s yelled routinely at any dissenter from critical queer and gender theory. Of course it’s used as a slur.

Meanwhile, the 1619 Project has begun finally to implode. Its core argument – that America’s true founding was in 1619 not 1776, because America is in its DNA a slavocracy built on “white supremacy” and not a democracy rooted in the unrealized principle of human equality — has been withdrawn by the editor. Here’s the best summary of the rank dishonesty of the entire thing, from the preternaturally reasonable Conor Friedersdorf. He attempted to engage Nikole Hannah-Jones in good faith, a concept she simply doesn’t comprehend.

I think it’s clear by now that a completely defensible — even important — airing of new scholarship about the evil of slavery, and its profound impact on America, became hijacked at the NYT by the ideology that insists that the United States is inherently white supremacist, that this explains everything about the country, that this has never changed, that no white people were involved in perfecting the union, and that liberal democracy is a front for racism and should be dismantled. Given the extremist politics and unethical behavior of Nikole Hannah-Jones, this is unsurprising. But that this confused, half-baked rant won a Pulitzer and is being used to indoctrinate school kids in critical race theory is a staggering indictment of how corrupted by left-racism American elite journalism now is. In my view, the Pulitzer Board needs to rescind its prize. Fat chance, of course.

But there is hope. There are still reporters at the NYT interested in the truth about woke culture and politics. Nellie Bowles’ dispatch from Portland is a must-read. It’s a glimpse into the totalitarian impulses behind so many on the far left. Chilling.

Perdition to Conspirators! Magnificent 14-Barrel Flintlock

Filed under: Britain, History, Technology, Weapons — Tags: , , — Nicholas @ 02:00

Forgotten Weapons
Published 29 May 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

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Colonel Thomas Thornton was a wealthy and somewhat flamboyant character in England in the late 18th and early 19th century. He commanded a militia unit with which he had some disagreement, and which mutinied against his comment at Roborough Camp in 1795. Some years later, he commissioned this quite unique firearm from Dupe & Company of London.

The gun is a single stock with two flintlock actions, two triggers, and two clusters of seven .30 caliber rifled barrels each. Each trigger fires a complete barrel cluster simultaneously. In addition to the firepower of this very remarkable weapon, he also had it finished in a truly magnificent fashion, including the fantastic line “PERDITION TO CONSPIRATORS” on ons of the barrel clusters — clearly he harbored some resentment towards his unruly militia subordinates even years later.

In addition, he had a second stock made to fit just one lock plate and barrel cluster, for when 14 barrels might be a bit of overkill. That stock is even more decorated that the first, with beautiful wooden relief carvings and the motto “A Verite Gagner“, meaning something to the effect of “Truth From Victory”.

This gun is part of the Liege arms museum’s display of civilian arms, and I’d like to thank them for taking it out of their display so I could show it to you! If you are in Liege, stop in and see the museum:

https://www.grandcurtius.be

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

QotD: A visit to Pyongyang Department Store Number 1

Filed under: Asia, Business, History, Quotations — Tags: , , , — Nicholas @ 01:00

He [Anthony Daniels] sees throughout these Marxist backwaters a physical infrastructure comprising perhaps the most ugly and dehumanizing architecture known to man. The cavernous emptiness of all public spaces and the gigantism of the buildings are designed to intimidate, to belittle and to discourage insurrection by making every crowd seem small. Any pre-Communist architecture not destroyed to make way for these monstrosities is charming only because it is preserved by a lack of economic development, which also, however, ensures its eventual degradation.

What few consumer products he finds are of the very worst quality, with packaging that provides as little information as possible and that destroys all confidence in its contents. Even the material shortage of these products has its uses to the state, however, as they remind the comrade that it is only by the good grace of their leaders that they eat, and when one spends all afternoon queuing for an item that turns out to be unavailable, there is little time or energy left for revolution. Besides, isn’t the desire for consumer goods artificially created by capitalists to enslave the proletariat?

Nowhere is the dishonesty of this last belief (as well as the sheer insanity of modern North Korea) better illustrated than in Daniels’ description of his visit to the creatively-named Pyongyang Department Store Number 1. He wanders into the store without a minder and is dumbstruck by his eventual realization: the entire store is a fake. Although it is a frenzy of activity and is filled with beautifully packaged and artfully arranged consumer goods, no one is actually buying anything. Daniels watches individual “shoppers” go up and down the escalators or exit and re-enter the store in a continuous loop of simulated shopping. At the line for a cash register, cashiers and customers stare aimlessly past each other, unmoving. Under Daniels’ gaze some of them realize they are found out and cast about nervously, wondering what to do next. “I did not know whether to laugh or explode with anger or weep,” he says. “But I knew I was seeing one of the most extraordinary sights of the twentieth century.”

Arnold Beichman, “The Wilder Shores of Marx: Journeys in a Vanishing World”, National Review, 1991-10-21.

September 25, 2020

From Normandy To The Rhine – Jesse’s Grandfather in WW2 I RHINELAND 45

Filed under: Cancon, Germany, History, Military, WW2 — Tags: , , , , — Nicholas @ 06:00

The Great War
Published 23 Sep 2020

Back Rhineland 45: https://realtimehistory.net/rhineland45

Jesse shares the service history of his grandfather James who fought in the Canadian Army.

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020

“In the Name of God” – The History of Terror – Sabaton History 086 [Official]

Filed under: France, History, Media, Russia, USA — Tags: , , , , , , , , — Nicholas @ 04:00

Sabaton History
Published 24 Sep 2020

Terrorism might be one of mankind’s oldest weapons. Since antiquity, horrific violence and assassinations were used to overthrow supposed tyrants and strike fear into the heart of the public.

The French Revolution at the end of the 18th century, saw terrorism evolving into its modern form. Political opponents, counter-revolutionaries, or simply sympathizers of the “old order”, were targeted and eliminated in a wave of terror. Political murder became romanticized.

Throughout the centuries until today, terror persists as a weapon of the few against the masses, in an effort to change society by force. Nothing made that clearer than the terrorist attacks against the United States on 9/11 2001.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “In The Name Of God” on the album Attero Dominatus: https://music.sabaton.net/AtteroDomin…

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Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com
Sources:
– Alfred Grohs

All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

How to Prepare Timber by Hand, Dimension, Flatten and Square Rough Lumber Stock

Filed under: Tools, Woodworking — Tags: , , — Nicholas @ 02:00

John McGrath
Published 26 May 2020

Whats Happening Everyone! in this video I show you how to prepare timber stock by hand, using only a few hand tools.

MY Instagram https://www.instagram.com/man.in.shed/

Man In Shed Tshirt Store https://teespring.com/stores/john-mcg…

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QotD: “Qu’ils mangent de la brioche!” [“Let them eat cake!”]

Filed under: Books, France, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

It’s one of the most famous remarks in history — an instantly recognizable catchphrase to convey haughty indifference to the misfortune of others. And we all know who said it and why: It was Marie Antoinette (1755–1793), the queen whose life was claimed by the French Revolution, dismissing news that the peasants were starving due to the high price of bread.

In the original French, the Queen allegedly said, Qu’ils mangent de la brioche!, which doesn’t quite translate to “let them eat cake.” Brioche is sweet, eggy bread that tastes only vaguely like cake. The translated English word “cake” made Marie Antoinette seem even haughtier than in French. But it’s beside the point, since Marie Antoinette never uttered “let them eat cake” in any language. There is no historical evidence that she ever uttered that phrase. The story is pure invention. It’s a historical legend that rivals the myth of Nero “fiddling” while Rome burned. And yet this outlandish fabrication has shaped our image of Marie Antoinette for more than two centuries.

Compared to other historical falsehoods, this legend is easy to trace to its source. It was the French philosopher Jean-Jacques Rousseau. In book six of his Confessions, written in 1767, Rousseau wrote of a “great princess” who had, when told that the peasants had no bread, replied with those words cited above, Qu’ils mangent de la brioche! Was Rousseau referring to Marie Antoinette? This is impossible. When he wrote that passage, Marie Antoinette was still a girl living at the Habsburg court in Vienna (under her original name, Maria Antonia Josepha Johanna). Rousseau’s story was entirely made up, probably borrowed from another source. And while his book wasn’t published till 1782, this was still seven years before the French Revolution began. In fact, the first time someone (spuriously) put the words “let them eat cake” in Marie Antoinette’s mouth was a half-century later, in a book published by Jean-Baptiste Alphonse Karr, Les Guêpes.

Matthew Fraser, “Marie Antoinette: Figure of Myth, Magnet for Lies”, Quillette, 2020-06-24.

September 24, 2020

Furniture Forensics with a 19th Century Table

Filed under: History, Tools, USA, Woodworking — Tags: , , — Nicholas @ 06:00

Rex Krueger
Published 23 Sep 2020

Rescued from the trash, this table is filled with clues about who made it and how!

More video and exclusive content: http://www.patreon.com/rexkrueger
Plans, t-shirts, and hoodies: http://www.rexkrueger.com/store
(more…)

That Prometheus dude has a lot to answer for…

Filed under: Australia, Environment, USA — Tags: , , — Nicholas @ 05:00

Arthur Chrenkoff on the surprisingly high percentage of wildfires that don’t have a natural origin:

The Green Wattle Creek bushfire moves towards the Southern Highlands township of Yanderra as police evacuate residents from Yanderra Road, 21 December, 2019.
Photo by Helitak430 via Wikimedia Commons

Whatever your position on climate change – majority of experts believe that higher temperatures and drier conditions exacerbate wildfires, both in Australia and America – there is no immediate solution to be found on the global level. If you agree that man-made emissions are driving up temperatures, there is no course of action that will in any substantial way change the climatic conditions for the better over the next few decades (the most ambitious climate change plans talk in terms of slowing down temperature increases, not reversing the trend). Shut down the whole industrial civilisation tomorrow, and the present climate would still lag behind. Talking about wildfires and climate change (as Pelosi, Newsom and many others do) might be a good propaganda for climate action, but it will do nothing for this or any future fiery disasters.

Fortunately, there are much more immediate factors and solutions than shutting down coal and transitioning to renewable energy (themselves decades-long projects). Wildfires are almost exclusively man-made calamities, but not in the way the climate change activists think. Changing climate might indeed be making fires more difficult to contain and extinguish, but it neither starts nor fuels them. We do. Herein, therefore, lie the opportunities to mitigate such disasters as we are witnessing at the moment.

Almost all fires are started by humans

Forests don’t spontaneously combust. And while lightning can often set trees on fire, this accounts for only a very small proportion of all fires.

In Australia, it has been estimated that 87 per cent of 113,000 fires that occurred “in nature” between 1997 and 2009 have been man-made.

In the United States, the latest study from the University of Colorado at Boulder calculates that 97 per cent of fires between 1992 and 2015 that threatened homes (i.e. those happening in the so called “wildland-urban interface”) were started by humans (as were 85 per cent of all fires in “very-low-density housing” areas and 59% of all wildfires in the wild).

A word of caution: man-made does not automatically mean intentional. The scenarios range from broken glass acting as lenses for sun rays or sparks from power lines and machinery, through carelessly discarded cigarette butts and incompletely extinguished bonfires, to amateur back burn attempts getting out of control and – yes – deliberate arson.

During the Australian bushfire crises, I have compiled media reports of around 200 individuals who have been arrested and/or charged in connection with starting fires – many, though not all, on purpose.

In the United States, the cases of arsonists caught by the authorities are mounting, though nowhere near the Australian numbers yet. In Portland, a man was arrested for starting a fire, released, and started another six fires – at this rate, the US might quickly catch up to Down Under.

The End of the European Empires? | The Suez Crisis | Part 5

Filed under: Africa, Britain, France, History, Middle East, Military — Tags: , , , , , — Nicholas @ 04:00

TimeGhost History
Published 23 Sep 2020

Whilst the fighting may be over, the Crisis certainly isn’t. For starters, the three invaders may have agreed to a ceasefire, but aren’t too keen to give up the land they’ve conquered. And even if this is resolved, what lies in wait for the humiliated ex-colonial powers? Ultimately, only one thing does seem certain — irreversible change.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Image Research: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek Kamiński
Maps: Ryan Weatherby

Colorizations:
– Mikolaj Uchman
– Daniel Weiss – https://www.facebook.com/The-Yankee-C…
– Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
National Archives NARA
Images from the UN News and Media
1960s Soviet Film “Egypt our Arab Ally”

From the Noun Project:
– speech_16988 By Juan Pablo Bravo, CL
– Parliament_1658396 By Dimitrios Stamatis, GB
– Money by Gilberto
– Ship by Edward Boatman
– soldier by Wonmo Kang
– oil barrel by Musmellow
– europe By Randomhero
– Income(not dollar)_2897802
– Trade by Adrien Coquet
– Handshake By priyanka, IN
– world by Guilherme Furtado
– telegraph By Luke Anthony Firth, GB
– people by ProSymbols
– documents by Srinivas Agra

Soundtracks from Epidemic Sound:
– “Devil’s Disgrace” – Deskant
– “In the Bank We Trust” – Jon Sumner
– “Searching Through Sand” – Deskant
– “The Inspector 4” – Johannes Bornlöf
– “Crying Winds” – Deskant
– “Scented Nectar” – Rune Dale
– “As the Rivers Collapse” – Deskant
– “Dark Beginning” – Johan Hynynen
– “Guilty Shadows 4” – Andreas Jamsheree

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 days ago (edited)
So that’s the end of our series on the Suez Crisis. It’s been a pretty wild and messy ride, but we think our realtime format gave it a fresh perspective that hasn’t done before.

If you liked that final point Indy made about Churchill and The Beatles, and you want to find out more about decolonisation, then you should look up the work of Bill Schwarz. He was the one who originally made the comparison in his book White Man’s World, and it’s a really fascniating read, if also a bit challenging. Decolonisation is actually becoming a really vibrant field of study in academia and there are a whole host of books available if any of you want to dive into the topic. Europe After Empire by Elizabeth Buettner is an excellent place to start and Fight or Flight by Martin Thomas will be right up your street if you want to learn about the wars of decolonisation and the politics behind them. If you have any other suggestions then feel free to post them below.

Anyway, we hope you enjoyed the series and learnt a thing or two.

I thought we were supposed to speak well of the (politically) dead

Filed under: Books, Britain, Government, Media, Politics — Tags: , , — Nicholas @ 03:00

In The Critic, Nigel Jones examines the soon-to-be-published “political tittle-tattle” of the wife of an MP and junior cabinet minister during David “Dave” Cameron’s premiership:

For anyone who has been holidaying under a rock for the past fortnight and may have missed the furore, I should explain that Lady Swire, daughter of Mrs Thatcher’s former Defence Secretary Sir John Nott, is the wife of ex-Tory MP Sir Hugo Swire, an Old Etonian chum of David Cameron, who somehow failed to be promoted beyond the ranks of junior ministers during his pal’s Premiership, but remained a close confidante and boon holiday companion to the PM. Lady Swire herself is half-Slovenian, and though brought up in the bosom of the Tory establishment, may not be entirely attuned to the evasions, hypocrisy and double standards that make up British political life, which makes her book all the more enjoyable.

Throughout Dave’s inglorious time in office, Lady Swire kept a secret diary detailing intimacies of conversation, banter and badinage, and revealing insights that give – shall we say – a not wholly flattering picture of the ruling Tory clique at play during their most unguarded moments. The bad behaviour, petty jealousies and embarrassing remarks of Dave, George, Boris and Michael and their wives are set down in all their toe-curling cringeworthiness.

The diaries are to be published next week but have been serialised in The Times and reviewed and widely commented on in the rest of the media. The two main targets – the duopoly of Cameron and Osborne – have already expressed their displeasure at the revelations. But all the tut-tutting disapproval of Lady Swire’s profitable indiscretions misses the main point: there is nothing that the British public relishes and enjoys more than an exposé of their leaders with their dignity gone and their metaphorical trousers down.

Moreover, gossip and tittle tattle as set down in diaries often tells us more about the true nature of politics and the motivations and personalities of politicians than a thousand self-serving pompous political memoirs or dull works of dry political analysis. What we really want is gossip – the gamier the better – and all the inconvenient truths our rulers rather we didn’t know.

Very often what we learn from particular epochs of history are the telling anecdotes and juicy titbits revealed by diarists rather than the respectability that the statesmen themselves wish to present and be remembered for. Our picture of the Restoration of the monarchy in 1660, for example, and the very merry court of Charles II, along with the apocalyptic disasters of fire and plague that followed comes largely from the indiscreet journals of Samuel Pepys, Daniel Defoe, and John Evelyn.

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