World War Two
Published 20 Jun 2020The Allies continue advancing into Vichy French Syria, but they are halted and pushed back by Erwin Rommel at the Halfaya Pass in Libya. Meanwhile, the last preparations are being made for Operation Barbarossa. It will begin in two days.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Adrien Fillon – https://www.instagram.com/adrien.colo…Sources:
– Imperial War Museum: E 6022, CM 923
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-443-1599-20
– Hawker Hurricane shape by Martin Čížek from Wikimedia
– Narodowe Archiwum Cyfrowe
– SA-Kuva
– Bundesarchiv, CC-BY-SA 3.0: Bild 101III-Wiegand-119-12 / WiegandArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
June 21, 2020
Burma Victory (1945)
PeriscopeFilm
Published 31 May 2016Support Our Channel: https://www.patreon.com/PeriscopeFilm
Made in 1945, BURMA VICTORY is a British documentary about the Burma Campaign during World War Two. It was directed by Roy Boulting. The introduction to the film outlines the geography and climate of Burma, and the extent of the Japanese conquests. The film then describes the establishment of the South East Asian Command (SEAC) under Mountbatten, “a born innovator and firm believer in the unorthodox”, and gives a comparatively detailed account of subsequent military events, including the Battle of Imphal-Kohima and Slim’s drive on Mandalay, Arakan landings, the northern offensive of the Americans and Chinese under Stilwell, and the roles played by Chindits and Merrill’s Marauders. The film ends with the capture of Rangoon and the Japanese surrender. The film focuses on the difficulties of climate, terrain, the endemic diseases of dysentery, malaria, etc., the vital role of air supplies, the shattering of the myth of Japanese invincibility and the secondary role of the Burma campaign in overall Allied strategy.
This film represents a British look at the campaign and was the pet project of Admiral Lord Louis Mountbatten, Supreme Allied Commander, South-East Asia, and he planned it as a joint Anglo-American production. But this scheme foundered over the inability of the U.S. leadership and British to agree on the main theme of the film. The British wanted it to concentrate on the drive southwards to liberate Burma. The Americans, anxious not to be seen to be participating in the restoration of the British Empire, wanted to emphasize the heroic building of the Ledo Road and the drive northwards to relieve the Chinese. In the end the two sides went their separate ways. The Americans produced the Ronald Reagan narrated film The Stilwell Road and the British made Burma Victory. It was the final production of the Army Film and Photographic Unit (AFPU) and was directed, like Desert Victory (1943), by Roy Boulting. Not released until after the war was over, it was hailed and promoted as “the real Burma film”.
The Burma Campaign in the South-East Asian theatre of World War II was fought primarily between the forces of the British Empire and China, with support from the United States, against the forces of the Empire of Japan, Thailand, and the Indian National Army. British Empire forces peaked at around 1,000,000 land, naval and air forces, and were drawn primarily from British India, with British Army forces (equivalent to 8 regular infantry divisions and 6 tank regiments), 100,000 East and West African colonial troops, and smaller numbers of land and air forces from several other Dominions and Colonies. The Burmese Independence Army was trained by the Japanese and spearheaded the initial attacks against British Empire forces.
The campaign had a number of notable features. The geographical characteristics of the region meant that factors like weather, disease and terrain had a major effect on operations. The lack of transport infrastructure placed an emphasis on military engineering and air transport to move and supply troops, and evacuate wounded. The campaign was also politically complex, with the British, the United States and the Chinese all having different strategic priorities.
South East Asia Command (SEAC) was the body set up to be in overall charge of Allied operations in the South-East Asian Theatre during World War II. Admiral Lord Louis Mountbatten served as Supreme Allied Commander of the South East Asia Command from October 1943 through the disbandment of SEAC in 1946.
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com
June 20, 2020
Soviet Gender Equality Was a Scam – WW2 – On the Homefront 004
World War Two
Published 19 Jun 2020The future looks bright for soviet women in the 1910s, they have the right to vote and they’re on track for social emancipation. Yet this doesn’t last long. Soon, the demands of the nation will rob them of these promises.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Anna Deinhard
Written by: Isabel Wilson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations by:
Klimbim
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Visual Sources:
Library of Congress
Adam Jones from Flickr: https://www.flickr.com/photos/adam_jo…Icons from The Noun Project: Sandhi Priyasmoro, Sarah Rudkin, Andrew Doane, Vectors Market, Adrien Coquet, ProSymbols, Luke Anthony Firth, Russia Woman & Gan Khoon Lay
Music:
“March Of The Brave 10” – Rannar Sillard
“Disciples of Sun Tzu” – Christian Andersen
“Deviation In Time” – Johannes Bornlof
“Other Sides of Glory” – Fabien Tell
“The Inspector 4” – Johannes Bornlöf
“Sailing for Gold” – Howard Harper-Barnes
“London” – Howard Harper-Barnes
“Split Decision” – Rannar SillarResearch sources:
– Lenin On the Emancipation of Women (1965), pp. 63–4. First Published July 1919, as a pamphlet
– Selected Writings of Alexandra Kollontai, Allison & Busby, 1977, First Published 1921, as a pamphlet, trans Alix Holt.
– Wendy Goldman, “Recasting the vision: The resurrection of the family”. In Women, the State and Revolution: Soviet Family Policy and Social Life, 1917–1936, (Cambridge Russian, Soviet, and Post-Soviet Studies, (1993) pp. 296-336), p.310Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Two books on WW2 – which is the memoir and which the novel?
Lindybeige
Published 4 Mar 2018Two books I have read recently. When is a book a memoir and when is it a novel? WW2 from two different perspectives.
Support me on Patreon: https://www.patreon.com/Lindybeige
The books:
From the City, From the Plough by Alexander Baron (Bernstein)
The Last Panther by Wolfgang Faust (Chris Ziedler)Buy the music – the music played at the end of my videos is now available here: https://lindybeige.bandcamp.com/track…
Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.
▼ Follow me…
Twitter: https://twitter.com/Lindybeige I may have some drivel to contribute to the Twittersphere, plus you get notice of uploads.
website: http://www.LloydianAspects.co.uk
June 19, 2020
What Actually Is Blitzkrieg? – WW2 Special
World War Two
Published 18 Jun 2020When the Nazi war machines tears through Poland, France, and the Soviet Union, people will call it Blitzkrieg. But what is Blitzkrieg and is it anything that unique?
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Adam Adkins
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig… (edited)
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Dememorabilia – https://www.instagram.com/dememorabilia/
Musvage https://commons.wikimedia.org/wiki/Fi…
Klimbim https://www.flickr.com/photos/2215569…Sources:
Portrait of Basil Liddell-Hart, courtesy National Portrait Gallery
Portrait of Douglas McGarel Hogg, courtesy National Portrait Gallery
IWM H 20697, Q 6337, D 1966
Bundesarchiv
from the Noun Project: Target by RITASYA, documents by DinosoftLab, Tank by mbok sumirna, Armored Car by Martin, Plane by Graphic Enginer, transceiver by Eucalyp
Breaking A Wall Down (With A Hammer) by scampsie https://freesound.org/people/scampsie…Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Last Man Standing 3”
Reynard Seidel – “Deflection”
Fabien Tell – “Last Point of Safe Return”
Hakan Eriksson – “Epic Adventure Theme 4”
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Death And Glory”
Bonnie Grace – “The Dominion”
Bonnie Grace – “Imperious”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
June 18, 2020
Shooting the Thompsons: Comparing the 1921, 21/28, and M1A1
Forgotten Weapons
Published 17 Oct 2018http://www.forgottenweapons.com/shoot…
http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
Having gone through the whole series of Thompson submachine guns, now it’s time to take them out to the range! I was quite curious to see how the different variations would handle side by side, since they have several significant differences. The Cutt’s Compensator and the changing rate of fire can both be expected to have a noticeable impact on the shootability of the guns.
I went in expecting to prefer the World War Two M1A1 pattern, and was rather surprised to find myself actually liking the 1921 model best. Its very high rate of fire actually worked very well, with less noticeable vibration and sight disruption than either of the other types. Its sights are close to useless, and it is both heavy and awkward to handle — but I can see why it developed the following it has!
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
June 17, 2020
Tank Chats #73 Sentinel | The Tank Museum
The Tank Museum
Published 26 Apr 2019As Australia and New Zealand mark ANZAC day this week, The Tank Museum presents a Tank Chat on the Australian Sentinel tank.
The AC1 Sentinel cruiser tank was designed by Australia during the Second World War. Only 65 of these tanks were produced during WW2, as the Australians were eventually supplied with Allied tanks.
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June 15, 2020
The Battle that Saved an Army | Arras 1940 | The Tank Museum
The Tank Museum
Published 17 May 2020Encircled by the Germans in North-West France, the Battle of Arras, 21st May 1940, was a successful Allied counter-attack which allowed French and British troops to be evacuated at Dunkirk. Curator David Willey, presents his talk on the WW2 Battle of Arras from home.
For more on the Blitzkrieg see David’s Tank Story Hall tour https://www.youtube.com/watch?v=eysQa…
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Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/
June 14, 2020
The Iconic American WW2 Thompson: the M1A1
Forgotten Weapons
Published 15 Oct 2018https://www.forgottenweapons.com/the-…
http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
While the US Army was satisfied with the Thompson as a fighting weapon in World War Two, it was most certainly not happy with the gun’s exorbitant price tag. The Thompson was a very expensive gun, and the Army wanted to see that change. In March of 1942, engineers at the Savage factory submitted a simplified version for Army consideration, and it was accepted and adopted the very next month. Savage would transition from M1928A1 production to the new M1 pattern in June and July of 1942.
This new M1 Thompson had eliminated at last the unique and unnecessary Blish lock system in favor of a simple blowback action delayed only by bolt mass. In addition to greatly simplifying the production of bolt components, this also allowed the receiver internal shape to be much simplified. A further simplification would follow shortly, as the hammer and floating firing pin were replaced by a fixed firing pin milled into the bolt face in October of 1942 – this new type being designated the M1A1. Another 715,000 M1 and M1A1 Thompsons would be produced by Savage and Auto-Ordnance by February of 1944, when the Thompson was finally replaced by the yet cheaper M3 “Grease Gun”.
This is the fourth in a 5-part series on the development of the Thompson…
Note: I refer to the M1A1 in this video as a transferrable gun; it is actually a pre-May dealer sample. Sorry!
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
June 12, 2020
June 11, 2020
World War Two Heats Up: The M1928A1 Thompson SMG
Forgotten Weapons
Published 11 Oct 2018https://www.forgottenweapons.com/worl…
http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
By 1939, Auto-Ordnance was thoroughly bankrupt, having about $400 in assets and a debt of more than $1.2 million to the estate of the late Thomas Ryan, it’s original financier. Ryan had died in 1929, but the company shareholders had prevented his estate from forcing the sale of the company for a decade. In 1939 they could hold out no longer, and the company was sold to one Russell Maguire, a high profile corporate raider.
Maguire, however, saw the potential of a submachine gun company on the brink of a new world war, and negotiated a contract with the Savage Arms Company to begin new production of Thompsons (the original Colt guns from 1921 having finally all sold). Orders began to come in from Europe, and new Model of 1928 Thompsons were sold to France, Sweden, and most substantially, the United Kingdom. The US military would also start buying Thompsons in quantity (designated the M1928A1), but the UK orders (paid for in bullion) were a massive source of profits for the company.
Auto-Ordnance would roll some of these profits back into the company, buying an old automotive brake factory in Bridgeport Connecticut and tooling up their own production of receivers and trigger frames to supplement Savage’s production. A number of changes were progressively made to the guns to simplify and speed up their manufacture, including smooth barrels, stamped ejectors, vastly simplified rear sights, and horizontal front grips. By the time the M1928A1 was replaced by the M1 Thompson, more than 1.1 million had been made by AO and Savage combined. The Thompson had at last found it’s purpose!
This is the third of a 5-part series on the development of the Thompson…
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
June 10, 2020
US Racism Against Germans, South African Neutrality and the Occupation of the Maginot – OOTF 013
World War Two
Published 9 Jun 2020Did the neutral US discriminate against German- and Italian-Americans? And exactly how pro-Axis was South Africa? And what happened to the Maginot Line after the Fall of France? Find out as Indy answers three more of your interesting questions in this episode of Out of the Foxholes!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Norman Stewart – https://oldtimesincolor.blogspot.com/
Klimbim – https://www.flickr.com/photos/2215569…
Albert Einstein by Wayne DeganSources:
IWM Q 101768, TR 1262, Q 72178
Narodowe Archiwum Cyfrowe
Bundesarchiv
Les Bergers des Pierres – Moselle Association
from the Noun Project: id by Flatart, Fingerprint Recognition by Olena Panasovska, people by ProSymbolsSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “The Inspector 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Tank Chats #72 M3A1 Stuart | The Tank Museum
The Tank Museum
Published 13 Apr 2019David Fletcher talks through the next Stuart in the series and explains the differences between the variants.
The Stuart is an Second World War American light tank and was supplied to Britain and other Commonwealth countries during WW2 under lend-lease.Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats

















