Quotulatiousness

February 14, 2021

QotD: Pauline Réage’s Story of O

Filed under: Books, France, Quotations — Tags: , , , , , — Nicholas @ 01:00

I’m sitting on a plane and I’m feeling increasingly excited. I’m flushed. My heart rate is up, and I can’t seem to find a comfortable way to sit. My agitation isn’t caused by any nervousness about flying, nor by any fears of contracting COVID-19 during the flight. My disquiet has been triggered by the book I’m reading. The sensations it arouses almost overwhelm me. I find I have to pause every few paragraphs, close the slim volume, and rest it on my lap in order to regain some sense of personal composure. Fiction usually transports my imagination away from myself, but this book is accomplishing the opposite: I feel increasingly aware of my body as I read it, as though being immersed in fiction has drawn me into a moment of privacy with myself. It feels somehow unseemly for the public world of the airplane to intrude on my private sensations. I have to put the book down frequently in order to remind myself that it is no act of indecency for the happy family sitting down the aisle from me to be talking casually, but rather that it is my own sense of secrecy that must be reconciled to the ordinary world around me.

I am reading Story of O, a novel written in 1954 that recounts the titular character’s journey into sexual bondage, violent penetrations, beatings, whippings, burnings, chains, gags, and dungeons. Readers only familiar with the pedestrian 1975 adaption are advised not to be put off — director Just Jaeckin’s film benefits from the lovely Corinne Cléry’s beguiling performance in the title role, but his soft-focus softcore aesthetic (gauzy white linen dresses and a smooth classical guitar soundtrack) miss the tenderness, the elegance, and the literary grace of the source. Graham Greene described Story of O as a “rare thing, a pornographic book well written and without a trace of obscenity”; Brian Aldiss remarked that O makes “pornography (if that is what it is) an art”; even JK Rowling has offered praise for the book, observing that, “If you’ve read Story of O you’ve kind of read the ultimate.” But it is JG Ballard’s description of the novel as “a deeply moral homily … touched by the magic of love” that resonates most powerfully with me. O is a radical instruction in morals (the book has a clear sense of feminine virtue, for one thing), and yet this sexual morality is unlike any I can find in our contemporary expression of sexual ethics, where self-expression is valued more than self-giving.

O is the story of a woman objectified and humiliated, of a woman who submits to being violated by the countless tongues and phalluses and fingers which enter her. The novel is more sensual than suspenseful — although there is a clear narrative, it is not a story driven by plot, but rather by a series of erotic episodes (Geraldine Bedell writing for the Observer described them as written with “a hallucinatory, erotic intensity”). It is a psychologically as well as sexually penetrative story of surrender, of being mastered and of becoming enslaved, especially its first chapter which describes the elegant sexual tortures of the Chateau at Roissy, a kind of playboy mansion with fewer grottos and more dungeons.

It is here that, at the request of her lover René, O acquiesces in her complete submission. The cast of characters is sparse: O and René; Jacqueline, a young model whom O seduces, and Jacqueline’s 16-year-old sister, Natalie, a virgin eager to be initiated into the sexual rites of Roissy; Anne-Marie, an older and more ruthless mistress than are the many men at the Chateau; sundry blondes, brunettes, and redheads arranged alluringly throughout the text; and finally O’s ultimate lover, the sophisticated Sir Stephen, a kind of father-figure to René who ends up laying claim to O, flogging her, shackling her labia with an iron ring, and branding her with his initials as his slave, “a condition,” the narrator tells us, “of which O herself was proud.” As I read of the many exquisite ways O gives herself for men’s uses, I begin to wonder if the book was presenting me not with a picture of masculine sexual fantasies, but with a vision of my own.

The novel was written by the mysterious Pauline Réage, a pseudonym. In what is arguably one of the most successful literary secrets, Réage’s identity was kept hidden for decades. It wasn’t until 40 years after the novel’s publication that the then 86-year-old Dominique Aury, a respected editor and French intellectual, revealed that she was the author. It seems fitting that in a novel of sexual submission, Aury — Dominique, dominance, dominatrix — maintained such strict control over her own identity. Even Dominique Aury was not her “real” name: she was born Anne Desclos, but legally changed it in 1940. Aury’s nested names and identities are like a meta-fictitious exercise in un-making and making the self, for questions of self-identity and self-integrity lie at the heart of her novel.

Marilyn Simon, “My Own Private Chateau — Pauline Réage’s Story of O Revisited”, Quillete, 2020-10-18.

February 13, 2021

Miscellaneous Myths: Hades and Persephone

Filed under: Europe, Greece, History, Humour — Tags: , , — Nicholas @ 04:00

Overly Sarcastic Productions
Published 12 Feb 2021

You asked, I’ve answered! Today let’s discuss greek mythology’s most beloved AND most maligned relationship — but which reputation is truly deserved? You all know where *I* stand on the matter, but today I’ll do my best to justify my hot take that Hades And Persephone Is Romantic Actually.

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MORE cultural appropriation foods!

Filed under: Americas, Europe, Food, History, India, Japan — Tags: , , , , , — Nicholas @ 02:00

J.J. McCullough
Published 14 Nov 2020

How much famous food is just copied from some other country? Thanks to Jack Rackham for the shogun animation!
https://www.youtube.com/channel/UCaQz…

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QotD: Haynes guide to tools of the trade

Filed under: Books, Britain, Humour, Quotations, Technology, Tools — Tags: , , , — Nicholas @ 01:00

HAMMER: Originally employed as a weapon of war, the hammer is nowadays used as a kind of divining rod to locate expensive parts not far from the object we are trying to hit.

ELECTRIC HAND DRILL: Normally used for spinning steel Pop rivets in their holes until you die of old age, but it also works great for drilling mounting holes just above the brake line that goes to the rear wheel.

PLIERS: Used to round off bolt heads.

HACKSAW: One of a family of cutting tools built on the Ouija board principle. It transforms human energy into a crooked, unpredictable motion, and the more you attempt to influence its course, the more dismal your future becomes.

MOLE-GRIPS/ADJUSTABLE spanner: Used to round off bolt heads. If nothing else is available, they can also be used to transfer intense welding heat to the palm of your hand.

OXYACETELENE TORCH: Used almost entirely for lighting various flammable objects in your garage on fire. Also handy for igniting the grease inside a brake-drum you’re trying to get the bearing race out of.

WHITWORTH SOCKETS: Once used for working on older cars and motorcycles, they are now used mainly for impersonating that 9/16″ or 1/2″ socket you’ve been searching for for the last 15 minutes.

DRILL PRESS: A tall upright machine useful for suddenly snatching flat metal bar stock out of your hands so that it smacks you in the chest and flings your beer across the room, splattering it against that freshly painted part you were drying.

WIRE WHEEL: Cleans rust off old bolts and then throws them somewhere under the workbench with the speed of light. Also removes fingerprint whorls in about the time it takes you to say, “F….”

Do it by the book — the real meaning of Haynes instructions.

February 12, 2021

Britain Chooses War Crimes – RAF Strategic Bombing – WAH 028 – February 1942, Pt. 1

World War Two
Published 11 Feb 2021

As the winter of 1942 continues, many Soviet civilians suffer under the German Siege of Leningrad. Meanwhile, the British are shifting their bombing strategy from targeting factories to targeting homes.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
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Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Joram Appel and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/​
Daniel Weiss

Sources:
USHMM
Bundesarchiv
Yad Vashem 2695/7, 5761/12
IWM MH 24747
RIA Novosti archive, image #762, #244
from the Noun Project:
Skull by Muhamad Ulum

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Fabien Tell – “Last Point of Safe Return”
Farrell Wooten – “Blunt Object”
Jo Wandrini – “Dawn Of Civilization”
Wendel Scherer – “Defeated”
Jon Bjork – “Icicles”
Gunnar Johnsen – “Not Safe Yet”
Peter Sandberg – “Document This 1”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
4 hours ago
We are covering the RAF’s bombing campaigns in the War Against Humanity series because it concerns warfare against the civilian population. On previous occasions, we have been accused of relativizing Nazi’s war-crimes by covering Allied atrocities in the same space, but we argue that for a fact-based reporting on how WW2 impacted the civilian population we need to be complete and unbiased.

The facts speak for themselves, and we document those facts that by providing an exhaustive record with equal coverage of all events and parties. Covering one event doesn’t relativize or justify the other and vice versa. We will not tolerate any whataboutism in the comments.

We will also not tolerate a justification of these crimes based on pragmatism, or equal proportionality — on an absolute moral level the goal never justifies the means. In this case we look at our comment section from a 21st century perspective and hold ourselves and anyone using our forums to the modern standards laid down in the laws of war. Explaining, analyzing and discussing war crimes and crimes against humanity is fine, even desired — celebrating, hailing, or justifying them is not.

Nock’s Volley Gun: Clearing the Decks in the 1700s

Filed under: Britain, History, Military, Weapons — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 3 Mar 2018

The Nock Volley Gun was actually invented by an Englishman named James Wilson in 1789, and presented to the British military as a potential infantry weapons. This was declined as impractical, but the Royal Navy found the concept interesting for shipboard use. In 1790 the Navy ordered two prototypes made by the British gunsmith Henry Nock, and finding them suitable, proceeded to oder a total of 500 of the guns (thus forever associating Nock’s name with the gun instead of Wilson’s). A further 100 or so were ordered in 1797, and the guns were in fact issued out to various ships — although accounts of their use in combat are difficult to find.

Unfortunately for Nock, the guns presented a couple of substantial problems in use. One was simply the recoil of firing. A single 32-bore (approximately .55 caliber) round ball over 40 grains of black powder is not a very impressive load, but seven of them firing simultaneously add up to a recoil comparable to 4- or 6-bore rifles, and in a volley gun weighing just 13 pounds (5.9kg). In addition, the guns did not always reliably fire all barrels, especially when dirty. This produced a conundrum: how to determine which barrels had fired and which had not? The practical result was double-loaded barrels, which could be liable to bulge or burst. For these reasons, the weapon was declared obsolete in 1805, and never appeared to play any significant military role.

The gun did receive a new wave of popular awareness in 1960, when the character of Jim Bowie was outfitted with one in the movie The Alamo (against all historical evidence). His easy handling of the weapon and the waves of men he was able to mow down with it brought the gun back into the popular consciousness.

http://www.patreon.com/ForgottenWeapons

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If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

Contact:
Forgotten Weapons
6281 N Oracle #36270
Tucson, AZ 85704

QotD: Repartee

Filed under: France, Humour — Tags: , , , — Nicholas @ 01:00

Clever banter can only be called “repartee” if it’s from the Repartée region of France. Otherwise it’s just sparkling wit.

Daniel Hannan, Twitter, 2020-11-06.

February 11, 2021

Tank Chats #94 | Kettenkrad and Springer | The Tank Museum

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , — Nicholas @ 02:00

The Tank Museum
Published 31 Jan 2020

Here David Willey examines two WW2 German tracked vehicles. The first is the Sd.Kfz. 2, better known as the Kettenkrad, a light tractor. The second, the Springer, a demolition vehicle which was fundamentally a mobile bomb, which shared the Kettenkrad’s running gear and engine.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum

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Twitter: ► https://twitter.com/TankMuseum
Instagram: ► https://www.instagram.com/tankmuseum/
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/

February 10, 2021

One Advantage of Swiss Neutrality: LSD! – WW2 – Reading Comments

World War Two
Published 9 Feb 2021

Another edition of Across the Airwaves, where Indy and Sparty look at interesting and unique comments from our videos. In this episode, they look at gentlemanly declarations of war, Partisan memories, and LSD.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell & Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Daniel Weiss
– Mikołaj Uchman
– JHM Color
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/​

Sources:
– Imperial War Museums: MH 1324, CH 1533, HU111054, TR 1468, MGH 4464
– National Archives NARA
– United States Holocaust Memorial Museum
– Yad Vashem: 4360-99, 2725-5, 4788-73,
– Bundesarchiv
– Picture of Soviet Soldiers with DShK-38 gun courtesy of Leduytoan2003 from Wikimedia Commons
– Picture of 19th Army troops storming Mogile courtesy of Mil.ru

Soundtracks from Epidemic Sound:
– “The Unexplored” – Philip Ayers
– “The Inspector 4” – Johannes Bornlöf
– “London” – Howard Harper-Barnes
– “Document This 1” – Peter Sandberg
– “Dark Beginning” – Johan Hynynen
– “Rubik’s Cube” – From Now On
– “Getaway Rock” – Elliot Holmes

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Napoleonic Wars: Battle of Trafalgar 1805

Filed under: Britain, France, History, Military — Tags: , , — Nicholas @ 02:00

Kings and Generals
Published 5 Nov 2017

Napoleon Bonaparte fought all his battles on land, but no other battle influenced his military and political decisions as the battle of Trafalgar that was fought in 1805 off the coast of Spain between the allied Franco-Spanish fleet lead by the admirals Pierre-Charles Villeneuve and Federico Gravina and the Royal Navy of the United Kingdom commanded by the admirals Horatio Nelson and Cuthbert Collingwood. This is our first video on the War of the Third Coalition and second video in this series. We hope to have much more and cover all the Napoleonic Wars.

Support us on Patreon: http://www.patreon.com/KingsandGenerals or Paypal: http://paypal.me/kingsandgenerals

We are grateful to our patrons, who made this video possible: Koopinator, Daisho, Łukasz Maliszewski, Nicolas Quinones, William Fluit, Juan Camilo Rodriguez, Murray Dubs, Dimitris Valurdos, Félix Gagné-Dion, Fahri Dashwali, Kyle Hooton, Dan Mullen, Mohamed Thair, Pablo Aparicio Martínez, Iulian Margeloiu, Chet, Nick Nasad, Jeyares, Amir Eppel, Thomas Bloch, Uri Sternfeld, Juha Mäkelä, Georgi Kirilov, Moe Mia, Daniel Yifrach, Brian Crane, Muramasa, Gerald Tnay, Hassan Ali and Richie Thierry.

This video was narrated by good friend Officially Devin. Check out his channel for some kick-ass Let’s Plays. https://www.youtube.com/user/Official…

The Machinimas for this video are created by one more friend – ltflak. Check out his channel for some great Let’s Plays and Machinimas: https://www.youtube.com/user/ltflak

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Inspired by: BazBattles, Invicta (THFE), Epic History TV, Historia Civilis and Time Commanders

Machinimas made on the Napoleon Total War

Production Music courtesy of Epidemic Sound and Total War Napoleon: http://www.epidemicsound.com
Songs used:

Epidemicsound:
“Slaves” – Gunnar Johnsén
“At The Front” – Johan Hynynen
“Battle Ostinato 3” – Valdemar Hansen

Total War Napoleon:
Richard Beddow – “Corsica, Humble Beginnings”
Ian Livingstone – “The Battle At Arcole”
Richard Beddow – “HMS Victory
Richard Beddow – “The End”

February 9, 2021

History Summarized: Alexander the Great

Overly Sarcastic Productions
Published 19 Sep 2017

Linguistically speaking, Alexander means “Defender of Men” from the Greek “alexo“, defend, and “aner/ander“, man. I’ll never be able to not internally think of his name as just meaning “Alex-Man”.

Oh, yeah, also he conquered an empire or something? IDK. I stopped paying attention after his bland name.

PATREON: www.patreon.com/OSP

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Shirts – https://overlysarcasticproducts.threa…​
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February 8, 2021

Why Everybody Disagrees on the Efficacy of the English Longbow – A Video Essay

Filed under: Britain, France, History, Military, Weapons — Tags: , , , , , , , — Nicholas @ 04:00

SandRhoman History
Published 7 Feb 2021

Everybody quarrels over the efficacy of the English longbow. Many historians, reenactors and history enthusiasts alike hold the view that arrows piercing armor is a myth. Some base this view on testing as was done for example by Tod from Tod’s workshop. Together with his team, he provided an invaluable data point for this debate. Others, such as traditionalist historians are often open to the possibility of arrows piercing armor, even though they are aware of actual testing of the longbow. In general, the efficacy of a weapon is much more complicated than its mere armor penetration value. So, in this video we’d like to shed light on the whole debate and explain why it is so hard to find common ground on this issue. This is why everybody disagrees on the efficacy of the English longbow.

Patreon: https://www.patreon.com/sandrhomanhis…​

Twitter: https://twitter.com/Sandrhoman

Tod’s Video: ARROWS vs ARMOUR – Medieval Myth Busting https://youtu.be/DBxdTkddHaE​

Tod’s playlist: MEDIEVAL MYTH BUSTING https://youtube.com/playlist?list=PLI…​

Bibliography:
Rogers, C.J., The Efficacy of the English Longbow, 1998.
Devries, K., Medieval Military Technology, 1994.
Bane, M., “English Longbow Testing against various armor circa 1400”, 2006.
Soar, H., Gibbs, J., Jury, C., Stretton, M., Secrets of the English War Bow. Westholme, 2010, pp. 127–151.
Magier, Mariusz; Nowak, Adrian; et al., “Numerical Analysis of English Bows used in Battle of Crécy”. Problemy Techniki Uzbrojenia. 142 (2), 2017, 69–85.

How did the Holy Roman Empire Work?

Filed under: Europe, Germany, Government, History — Tags: , , , , — Nicholas @ 02:00

History Matters
Published 25 Aug 2019

Twitter: https://twitter.com/Tenminhistory
Patreon: https://www.patreon.com/user?u=4973164
Merch: teespring.com/stores/history-matters-…

Special Thanks to the following Patrons for their support on Patreon:

Kevin Sanders
Chris Fatta
Daniel Lambert
Richard Wolfe
Joshua
Tom Loghrin
Warren Rudkin
Andrew Niedbala
Mitchell Wildoer
Blaine Tillack
Bernardo Santos
Matthew
John Garcia
Richard Hartzell
Will Davis-Coleman
Danny Anstess
Henry Rabung
August Block
Perry Gagne
Shaun Pullin
Joooooshhhhh
Vesko Dinev
PaulToon
Kelly Moneymaker
FuzzytheFair
Armani_Banani
Jeffrey Schneider
Byzans_Scotorius
Seth Reeves
Haydn Noble
Josh Cornelius
Gideon Rashkes
Spencer Smith
Cornel Borină
Roberto
Andrew Keeling
Richard Manklow
Chance Cansler
João Santos
Gabriel Lunde
Pierre Le Mouel
anon

How did the Holy Roman Empire work? It was an antiquated mess but it did have a system of government that did work. Sort of. If everyone felt like it.

Sources:

Prussia’s Relations with the Holy Roman Empire, 1740-1786 by Peter H. Wilson.

Benjamin Franklin, Student of the Holy Roman Empire: His Summer Journey to Germany in 1766 and His Interest in the Empire’s Federal Constitution by Jürgen Overhoff.

The Constitution of the Holy Roman Empire after 1648: Samuel Pufendorf’s Assessment in His Monzambano by Peter Schröder.

Bolstering the Prestige of the Habsburgs: The End of the Holy Roman Empire in 1806 by Peter H. Wilson.

February 7, 2021

Pearl Harbor Avenged! – WW2 – 128 – February 6, 1942

World War Two
Published 6 Feb 2021

The Japanese advance in Burma and the Dutch East Indies, but they’ve reached the end of the Malayan Campaign- Singapore, which they have under siege. They now prepare for the final assault. The Allies are going on the offensive at sea, though, in the Marshalls-Gilberts Raids, while on land in the Soviet Union the Red Army launches another series of offensives against the Germans.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Mikołaj Uchman
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/​
– Dememorabilia – https://www.instagram.com/dememorabilia/​
– Norman Stewart – https://oldtimesincolor.blogspot.com/​

Sources:
– National Portrait Gallery
– Ministerie van Defensie
– Arrow by 4B Icons from the Noun Project
– Yad Vashem: 76BO2, 4331_21

Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Fabien Tell – “Last Point of Safe Return”
– Howard Harper-Barnes – “Sailing for Gold”
– Craft Case – “Secret Cargo”
– Rannar Sillard – “Split Decision”
– Flouw – “A Far Cry”
– Johannes Bornlöf – “The Inspector 4”
– Johan Hynynen – “Dark Beginning”
– Edward Karl Hanson – “Spellbound”
– Howard Harper-Barnes- “Underlying Truth”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Roman legion vs Macedonian phalanx

Filed under: Europe, Greece, History, Military — Tags: , , — Nicholas @ 02:00

Epimetheus
Published 13 Aug 2018

Roman legion vs Macedonian phalanx (Macedonian wars)
Battle of Pydna 168 BC and battle of Cynoscephalae 197 BC

Support new videos from Epimetheus on Patreon! 😀
https://www.patreon.com/Epimetheus1776

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