In 1981, the social scientist Mancur Olson published his magisterial The Rise and Decline of Nations: Economic Growth, Stagflation, and Social Rigidities. Olson had already won acclaim for The Logic of Collective Action, which explained why some groups received an outsize slice of the political pie. In his new book, Olson turned to the question of why nations fail. His thesis: nations lost dynamism when insiders managed to stack the rules against disruptive outsiders.
Stable societies with unchanged boundaries, Olson observed, “tend to accumulate more collusions and organizations for collective action over time.” Instead of accepting rules that encourage overall growth, these collusive organizations — trade groups and labor unions were paradigmatic examples — fight to keep what they have, slowing down “a society’s capacity to adopt new technologies and to reallocate resources in response to changing conditions,” thus reducing economic efficiency. Decline follows.
Olson pointed to Japanese stagnation under the Tokugawa shogunate, when, “before Admiral Perry’s gunboats appeared in 1854, the Japanese were virtually closed off from the international economy.” Ruling Japanese society, he writes, “were any number of powerful za, or guilds, and the shogunate or the daimyo often strengthened them by selling them monopoly rights.” The guilds “fixed prices, restricted production and controlled entry in essentially the same way as cartelistic organization elsewhere.”
A second example: Great Britain, “the major nation with the longest immunity from dictatorship, invasion and revolution” and, consequently, Olson explained, suffering “this century a lower rate of growth than other large, developed democracies.” In Olson’s view, the weak performance resulted from limits on change established by a “powerful network of special-interest organizations,” which included labor unions, industrial groups, and aristocratic cliques. By the 1970s, after the conservative government of Edward Heath fell in a losing battle with striking miners, many deemed Britain ungovernable. Olson contrasted the British situation with that of postwar Germany and Japan, where the chaos and destruction of wartime defeat wiped away established industrial and retail groups, leaving the field open to newcomers like Soichiro Honda or the Albrecht family (creators of international supermarket giant Aldi), who could work economic magic.
The word “ungovernable” was also used to describe New York in the 1960s and 1970s, when Mike Quill’s transit union ran roughshod over Mayor John Lindsay’s attempts to control public-sector wage growth. New York was a long-established city with lots of political collusion. The old Tammany Hall could broker deals to keep Gotham going, but Lindsay’s successor, Abe Beame, proved too weak to resist any special interest that wanted more spending or government favors. New York’s spending kept rising even as public services worsened, until bankruptcy loomed and public power wound up in the hands of the unelected Municipal Assistance Corporation. Thankfully, New York reformed itself economically, at least to some extent, under Mayors Rudolph Giuliani and Michael Bloomberg, as Britain did under Prime Minister Margaret Thatcher. Sufficiently strong leaders can buck entrenched insiders.
Edward L. Glaeser, “How to Fix American Capitalism”, City Journal, 2020-12-13.
March 30, 2021
QotD: Static societies and disruptive outsiders
March 29, 2021
Caesar in Britain (55 B.C.E.)
Historia Civilis
Published 22 Feb 2017Patreon | http://historiacivilis.com/patreon
Donate | http://historiacivilis.com/donate
Merch | http://historiacivilis.com/merch
Mailing List | http://historiacivilis.com/mailinglist
Twitter | http://historiacivilis.com/twitter
Website | http://historiacivilis.comMusic is:
“Light Thought var 2,” by Kevin MacLeod
“Bird Day,” by Broke For Free
“Drums of the Deep,” by Kevin MacLeod
“Thinking Music,” by Kevin MacLeod
“Flood,” by Jahzzar
“Hallon,” by Christian Bjoerklund
The Bayeux Tapestry – all of it, from start to finish
Lindybeige
Published 18 Oct 2017A complete guide to the story as depicted on the famous Bayeux Tapestry. There is a lot more to it than just the Battle of Hastings.
Support me on Patreon: https://www.patreon.com/Lindybeige
Other than The Adventures of Stoke Mandeville, this is the longest editing job I have ever done. It took eleven very long days of work to put this together from the opportunist footage I snatched when changing trains near the museum where it is on display. The shoot was not without its problems, one of which was the fact that because the tapestry is behind glass, and the museum has many illuminated displays, the reflections in the glass were a bane, and I didn’t manage to get rid of them all. Another was that my stills camera refused to work after taking a small number of pictures. It had always worked fine before, and has always worked fine since. It wasn’t the battery and it wasn’t the SD card. It was a mystery.
For the curious, the edit involved seventeen tracks on the timeline, and has twenty-two animated scenes. Unfortunately, the main animation software I was using could not handle full HD images, and so there is a slight loss of picture quality during most of the animated scenes. You will notice that the close-ups have a better picture quality than the wide shots. This is because they were taken with the camera pushed up against the glass, which improved focussing, and got rid of almost all of the haze and reflections caused by the glass.
It is important to understand that this ‘tapestry’ is a piece of propaganda, and does not tell an accurate version of events. The story I tell here is the one depicted, not what actually happened.
I have enough material for more videos on the tapestry, but am in no great hurry to spend many more days editing this difficult footage. Trying to match the writing and speaking of narration to panning camerawork that had no notion when shot of what might need to be said about some passing scene, was a nightmare, and many editing compromises had to be made, with some scenes skipped past quickly, and others drawn out.
Clarification on the nudity: I said that the figure under the mysterious Cleric and woman was the the only figure displaying genitals on the tapestry. This was misleading. Several animals clearly are pictured with genitals, and on the tapestry in Bayeux today it looks as though a couple of other human figures have genitals. Some of these may have been added later, and these are not being ‘displayed’ as the displaying figure is clearly doing, but look more incidental.
I describe the tall figure emerging from the building with a lance and pennant, being brought his horse, as “William”. It occurred to me after making the video that all the sources I consulted describe this figure as William, but the text does not name him as William, so possibly he is just a Norman knight, representing any and all of the knights setting out for the battle, and that this figure is meant to be “William” could be a modern tradition that has become accepted fact just by repetition.
Buy the music – the music played at the end of my videos is now available here: https://lindybeige.bandcamp.com/track…
Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.
▼ Follow me…
Twitter: https://twitter.com/Lindybeige I may have some drivel to contribute to the Twittersphere, plus you get notice of uploads.
website: www.LloydianAspects.co.uk
March 28, 2021
New Blitzkrieg Against a Wall of 9 Million! – WW2 – 135 – March 27, 1942
World War Two
Published 27 Mar 2021The Allies make plans to bring the war to Germany by possibly attacking in North Africa. Holding Malta might be the key to such adventures, but it is increasingly harder to do. The Soviets and German make plans for adding millions of soldiers to their ranks, while springtime mud has kept the front mostly quiet. The Japanese plans for the conquest of Burma are still advancing, though the fighting this week is especially brutal.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Daniel Weiss
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– Narodowe Archiwum Cyfrowe
– IWM: TR153
– Arrow by Dolly Holmes, Factory by Adrien Coquet – from the Noun ProjectSoundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Johan Hynynen – “Dark Beginning”
– Gunnar Johnsen – “Not Safe Yet”
– Howard Harper-Barnes – “London”
– Philip Ayers – “Ominous”
– Flouw – “A Far Cry”
– Jo Wandrini – “Dragon King”
– Craft Case – “Secret Cargo”
– Howard Harper-Barnes – “Underlying Truth”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
QotD: Laïcité and French Catholicism
As I said, “secularism” isn’t a real thing. I am an optimist when it comes to French Catholicism. There is a rising generation of young Catholics, and they are excellent, and numerous. More and more people are understanding that the only thing modernity offers is consumer crap from China, divorce, and joyless sex at best. The churches on Sunday are full in the big cities. Houellebecq is right; for us, the future is either the foot of the Cross, or submission to Islam. And I think we’re showing we don’t want to submit to Islam …
What people don’t understand about French Catholicism is that while 1905 was certainly a defeat, French Catholics did not simply disappear. They abandoned politics, but they did continue to have children, to bring them up into Catholic schools, etc. so there has always been an important Catholic subculture, including at the elite levels. I am optimistic about the future of Catholicism in France.
Niccolo Soldo, “The Zürich Interviews – Pascal-Emmanuel Gobry: Unrepentant Baguette Merchant”, Fisted by Foucault, 2020-12-02.
March 27, 2021
Battles of Somosierra and Corunna 1808-1809 – Napoleonic Wars
Kings and Generals
Published 17 Feb 2019We are continuing our historical animated documentary series on the Napoleonic Wars with another episode on the Peninsular War, covering the battles of Somosierra and Corunna. Napoleon attempted to take back Madrid and crush the British resistance led by General Moore.
This script was researched and written by Everett Rummage. Check out his brilliant Age of Napoleon podcast – http://bit.ly/2vC3cIE In our opinion, it is the best podcast on the Napoleonic era.
Support us on Patreon: http://www.patreon.com/KingsandGenerals or Paypal: http://paypal.me/kingsandgenerals
We are grateful to our patrons and sponsors, who made this video possible: https://drive.google.com/open?id=1Jlq…
This video was narrated by Officially Devin (https://www.youtube.com/user/OfficiallyDevin)
Machinimas were made on NTW3 mod for Napoleon Total War by Malay Archer (https://www.youtube.com/user/Mathemed…)
✔ Merch store ► teespring.com/stores/kingsandgenerals
✔ Podcast ► Google Play: http://bit.ly/2QDF7y0 iTunes: https://apple.co/2QTuMNG
✔ Twitter ► https://twitter.com/KingsGenerals
✔ Instagram ► http://www.instagram.com/Kings_GeneralsProduction Music courtesy of Epidemic Sound: http://www.epidemicsound.com
#Documentary #Kingsandgenerals #Napoleon
SA80 History: The First L85 Mockups (Sterling and Stoner)
Forgotten Weapons
Published 5 May 2017Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:
http://armamentresearch.com/british-e…
The British military had been working towards a reduced-power cartridge since the end of World War 2, and the ultimate adoption of the FAL/SLR in 7.62x51mm NATO did not end their interest in the concept. It would not be long before the roots of SA80 would take hold, and today we are looking at the very first mockups of the concept that would become the L85A1 and L86A1.
As part of a preliminary study to decide the basic layout and capabilities of a future new individual weapon and light support weapon, five wooden and metal mockups were produced in conventional and bullpup layouts, and also with/without “dropped” stocks to facilitate sighting. The favored mockup was the bullpup seen here, which gave rise to the whole Enfield Weapon System/SA80 family. It is relevant to note that the concept included a universal standard optical sight from the very outset, as this was a cutting edge concept at the time. In addition, note the small features like safety, sling swivels, and magazine catch, as these would vary back and forth through the development program.
After the wooden guns, two functional (or mostly functional) guns were produced. These were standard off-the-shelf rifles converted into bullpup configuration – one Stoner 63 and one Sterling AR18. Neither company was contacted for licensing or technical assistance.
http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
March 26, 2021
Fifty Families Murdered Every Hour – WW2 – WAH 031 – March 1942, pt. 2
World War Two
Published 25 Mar 2021A report on the effect of strategic bombing called the “Dehousing Paper” is spread to justify the targeting of the civilian population of Germany. In Poland, one by one, extermination camps are starting construction. This month, a new one is finished, named Belzec. Here, Jews and other minority undesirables from Poland are gassed.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski, Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Mikołaj Uchman
Daniel Weiss
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
Yad Vashem 1935/15, 3016/2, 1137/217, 10094/1, A4613/1116, 3518/7,1554/1
IWM ART 15747 12, HU 56848, MH 24747, CL 2377, ME(RAF) 3703, HU 107752, C 2364, C 4748, C 4743, HU 74904
Bundesarchiv
Graphic of Vickers Wellington bomber, courtesy of Emoscopes https://commons.wikimedia.org/wiki/Fi…
Graphic of Short Stirling bomber, courtesy of Emoscopes https://commons.wikimedia.org/wiki/Fi…
www.auschwitz.org
www.deathcamps.org
USHMM
Picture of scratches on a wall of a gas chamber at Auschwitz, courtesy of Lasy https://commons.wikimedia.org/wiki/Fi…
from the Noun Project: Watchtower by EliriconSoundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Wendel Scherer – “Growing Doubt”
Peter Sandberg – “Document This 1”
Jon Bjork – “Disposal”
Philip Ayers – “Trapped in a Maze”
Fabien Tell – “Never Forget”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days agoOn the horrors of crafting this, on age restriction, and on covering Allied war crimes – by Spartacus
All episodes of War Against Humanity are difficult to make, but this was an especially harrowing episode to host. When I wrote the conclusion based on Joram’s initial draft, I was composed — it was an intellectual exercise still. That changed once I started giving the words a voice, and as you can see at the end of the episode I had difficulties keeping my composure — when I was done I cried bitterly. But that is how it is supposed to be — the totality of our creation is what brings it home, together with Joram I compile the knowledge, Miki or Karo put it into images under Wieke’s direction, and within all of that it is my job to express it in spoken language as best as I can.
Yes, it is difficult to make and it is difficult to watch — but we sincerely believe that none of us should look away lest we forget. We take upon ourselves to spend hours every week to sift through the minutiae of these events so that we can compress it into 15 minutes every two weeks. We do it not for money, not for fame, and not out of pleasure, but because it needs to be done so that others can spend less time on it than us and still see this time for what it was. It needs to be done by neither glossing over any events, nor the images as horrible as they are. This has two important purposes:
1. driving home that this really happened and
2. defeating any claims towards that we’re just making this up, or exaggerating.
Within that responsibility it is also our duty to report, without prejudice, on what the Allies did that was against human values and rights in this war. We don’t do that because there is an equivalence between events, or to create such an equivalence — we do it for the exact opposite purpose — to show the complete picture and preempt any calls for “what about the bombing of Germany and Hiroshima!?” We do it because we are dedicated to the facts, and the events must be permitted to speak for themselves.We’re doing all of this in a time when the horrors of WW2 are ever further away in the rearview mirror, when survey after survey shows that the younger generation have little or no knowledge of how earth-shattering this war was. An indication of a growing educational gap, and in many of the countries where you are watching it has long been decided that reporting on these atrocities is of especial importance. That includes decisions to also expose younger people to the reality of it despite the graphic nature of the content. In most places these images are purposefully excepted from age restrictions that befall content made for entertainment, that is to say they do not fall under an 18+ restriction. They are regulated as PG 16 or the equivalent, in some places even PG13.
It then troubles us deeply that YouTube chooses to go against the decisions made by democratically elected bodies and restrict this content to over 18 only. It troubles us even more when this leads to the inevitable result that our viewership has dropped by 50% since they started doing that. That is a drop far above the share of our viewers that are under age, because with the restriction comes a reduction in recommendation to view — users that are not logged in and age verified don’t get notified — the content can no longer be embedded on external sites — in some countries it is blocked entirely, regardless of your age — and all of that further decreases the value of the video in YouTube’s algorithms. The result is that the War Against Humanity videos are now an echo chamber where we only reach those that already know the content.
We have spoken to YouTube to remedy this fault, but we have had no success thus far. As a result we have decided to start making a censored version of the videos that we will upload if or when they get age restricted. We already upload all of our content to https://odysee.com/@WorldWarTwo:6 but that is not a place where anyone will find our content by chance. On that note we should point out that the videos only get age-restricted because they are reported to YouTube by the community as inappropriate, offensive, or false. We take umbrage at that, because in effect this means that YouTube is helping those who would like these events to be forgotten, or even deny that they ever happened. It’s a pity; even morally wrong in my viewpoint. It leaves me despondent and the last weeks have been extraordinarily difficult for me — I have questioned my purposes and wondered why I put myself and our team through all of this, if all we’re doing is preaching to the choir. At first it left me sad, but after YouTube’s glib, bureaucratic responses I got depressed. I considered throwing in the towel, but then I would be nothing else than a coward refusing to stand for those who no longer have a voice. So, I will continue, I will resist, and we will fight against anyone that tries to silence us and the dead — because we must not look away, we must never forget.
Spartacus
It is only because of the TimeGhost Army that we can go forward in this battle — join us at https://www.patreon.com/TimeGhostHistory or at Timeghost.tv
Tank Chats #100 | Rolls-Royce Armoured Car | The Tank Museum
The Tank Museum
Published 6 Nov 2020The 100th Tank Chat milestone has been reached as the Rolls-Royce Armoured Car turns 100 years old! In this special edition, everybody’s favourite moustachioed tank historian David Fletcher examines his favourite vehicle in The Tank Museum’s collection: the Rolls-Royce Armoured Car, on its 100th birthday.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP & become a Friend: ►tankmuseumshop.orgTwitter: ► https://twitter.com/TankMuseum
Instagram: ► https://www.instagram.com/tankmuseum/
#tankmuseum #tanks
QotD: The Furies
According to some stories, the Furies were sisters born from the blood of Uranus, the primaeval god of the sky, when he was wounded by his son Cronus*. In other stories, they were the children of Nyx (night). In either case, their primaeval origin set them apart from the other deities of the Greek and Roman pantheons.
Most tales mention three Furies: Alecto (endless), Tisiphone (punishment), and Megaera (jealous rage). Usually imagined as monstrous, foul-smelling hags, the sisters had bats’ wings, coal-black skin, and hair entwined with serpents. They carried torches, whips, and cups of venom with which to torment wrongdoers. The Furies could also appear as storm clouds or swarms of insects.
Jay Currie, “Character meets the Furies”, Jay Currie, 2018-10-08.
March 25, 2021
Modern Artists: The Original Shitposters! | B2W: ZEITGEIST! I E.14 – Winter 1922
TimeGhost History
Published 24 Mar 2021The interwar era has seen an explosion of art movements all vying to offer the most revolutionary response to modern society. The competition is intense and, as we shall see, often spills over into open conflict.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Michał Zbojna
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…Sources:
Some images from the Library of CongressSoundtracks from Epidemic Sound:
“Epic Adventure Theme 3” – Håkan Eriksson
“Crimp” – Hysics
“Substage” – Jay Varton
“Appeased Soundscape 01” – August Wilhelmsson
“Stranger Days” – Alexandra Woodward
“Superior” – Silver Maple
“Rememberance” – Fabien Tell
“Ghost Dungeons” – Ethan Sloan
“Ancient Discoveries” – Gabriel LewisArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
The original idea for this episode came from me (Francis here, hello) stumbling across a passing reference to the 1922 trial of André Breton buried deep in a Wikipedia article. It led me down a huge rabbit hole on the history of the chaotic artists milling around in Paris, New York, Zurich, and beyond.Considering that it also takes place in the same season as the publication of Ulysses, the release of Nosferatu, the birth of Brazillian Modernism, and more, I realized that it was the perfect opportunity to dedicate an entire episode to the weird and wonderful artistic movements of the modern era. If this kind is new to you then consider this episode your introduction to the topic. Indy talks about the Cubist revolution, then Dadaism, Expressionism, and more.
In case all that seems a bit too niche for your liking then look at it this way: if you want to understand how people processed the horrors of the Great War, the rise of mass production, and modern geopolitical machinations, then diving into the art of the time is a great place to start.
Watch the video to find out why.
Boris wanted to be a new Churchill, but instead is shaping up as a cut-rate Cromwell
Bella Wallersteiner on the vast difference between Boris Johnson’s hopes for his premiership and the actual role he’s been playing:
A year has passed since the British public accepted lockdown as the best way to combat the spread of the novel coronavirus, yet we are still living under the strictures of the Coronavirus Act.
In the name of virus protection, we have experienced a level of authoritarianism not seen in this country since the time of Oliver Cromwell – restrictions on freedom of movement, forced closure of businesses, and prohibitions on weddings and funerals have challenged many of our most cherished beliefs about the limits of government power, while the ban on large gatherings means we cannot even legally protest them.
Today, as we mark the anniversary of the first lockdown, we would do well to reflect on just how compliant we have become to what were intended to be “emergency” powers.
Cheery platitudes have ranged from “we’re all in this together” and “we’ll send this virus packing” to the hopelessly inaccurate “it will all be over by Christmas”. But history tells us that governments tend to hold on to additional powers far longer than is necessary.
The Defence of the Realm Act of 1914, for example, granted the government wide-ranging powers in the name of public safety, including heavy censorship of the press and the introduction of rationing. Pub licensing laws remained in place for decades, only relaxed in November 2005.
The Second World War brought The Emergency Powers (Defence) Act 1939 which ceded immense regulatory powers to the government, including provisions “for the apprehension, trial and punishment of persons offending against the Regulations and for the detentions of persons whose detention appears to be expedient to the Secretary of State in the interest of public safety or the defence of the realm”. The Act was finally repealed on 25th March 1959, but the last of the Defence Regulations (which included the maintenance of public order) was not lifted until 31st December 1964.
The Crusade That Ruined Everything
KnowledgeHub
Published 16 Jan 2017Sign Up For One Free Month of ‘The Great Courses Plus’ http://ow.ly/uz5c307Lfvl
The Fourth Crusade was a blunder of epic proportions and ended up ruining one of the greatest empires ever seen in Western civilization. While the Crusades can be tales of knights and religious battle, this was a war of infighting, petty deals and financial debt.
Follow on Twitter: https://twitter.com/AltHistoryHub
Music by Holfix: https://www.youtube.com/user/holfix
The second channel from AlternateHistoryHub. Since I can’t talk about everything on that channel, I decided to have a channel where I can? Geography, history, economics? I can talk about anything, as long as it’s knowledge!
I discuss the different parts of history and try to bring a new perspective on education taught in schools.
QotD: Lucas, the Prince of Darkness
- The Lucas motto: “Get home before dark.”
- Lucas is the patent holder for the short circuit.
- Lucas — Inventor of the first intermittent wiper.
- Lucas — Inventor of the self-dimming headlamp.
- The three position Lucas switch — Dim, Flicker and Off.
- The Original Anti-Theft Device — Lucas Electrics.
- Lucas is an acronym for Loose Unsoldered Connections and Splices
Andrew Stoy, “Joe Lucas, Prince Of Darkness: British Electrical System Jokes”, Jalopnik, 2008-08-04.
March 24, 2021
Eichmann: Mass Murderer or Train Conductor? – WW2 Biography Special
World War Two
Published 23 Mar 2021Adolf Eichmann was one of the masterminds behind the “Final Solution of the Jewish Question”. Or was he? In his trial, he argued to be merely a bureaucrat who was following orders. This episode attempts to shine a light on the real role of this controversial figure.
Did 90 Minutes Decide the Fate of the Jews? – The Wannsee Conference – WAH 027 – January 1942 Pt. 2: https://www.youtube.com/watch?v=Hd1gH…
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson, Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations by:
Daniel Weiss
Spartacus Olsson
Mikołaj UchmanSources:
– Yad Vashem: 3887/1, Y69EO4_, 1605/1431, 102co3, 76/68, 4229/59, 29/56, 73GO3_, 74AO9_, 1922/6, 2749/3, 2986/71, 4229/61, 03/198, 4613/789, 73AO6, 1572/17,
– United States Holocaust Memorial Museum
– Bundesarchiv
– Icons from the Noun Project: freight car by Evgeni Moryakov, School by Adrien Coquet, Watchtower by Eliricon
– Picture of Frontkämpfervereinigung in 1925 courtesy of Wienbibliothek im Rathaus, Tagblattarchiv Fotosammlung, TF-999034
– Picture of Wannsee villa courtesy of JoJan from Wikimedia Commons
– Library of CongressSoundtracks from Epidemic Sound:
– “Rememberance” – Fabien Tell
– “Deviation In Time” – Johannes Bornlof
– “Last Minute Reaction” – Phoenix Tail
– “It’s Not a Game” – Philip Ayers
– “Moving to Disturbia” – ExperiaArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
