Quotulatiousness

February 2, 2023

Gerry Rafferty’s “Baker Street” lyrics

Filed under: Britain, Media, USA — Tags: , , — Nicholas @ 03:00

When I first subscribed to Ted Gioia’s Honest Broker substack, I figured I’d find one or two posts a month that I found interesting enough to share on the blog … I have to be careful not to link to several of his posts every week. He writes a lot about the music industry, so when this popped up in my inbox, I assumed it was Ted and got to the point of scheduling it before I realized it was Jon Miltimore instead:

I was recently in a bar having dinner with a friend when Gerry Rafferty’s hit 1978 song “Baker Street” came on. When my friend mentioned that he loved the song, I agreed and noted the song’s powerful lyrics.

“Really?” he responded. “I never paid much attention to the lyrics.”

Most people, of course, remember “Baker Street” for its wailing saxophone, and my friend was no different. Nor was I, for many years. But at some point—I don’t know when—I began to pay attention to the song’s lyrics. They go like this:

    Winding your way down on Baker Street
    Light in your head and dead on your feet
    Well, another crazy day
    You’ll drink the night away
    And forget about everything

    This city desert makes you feel so cold
    It’s got so many people, but it’s got no soul
    And it’s taken you so long
    To find out you were wrong
    When you thought it held everything

    You used to think that it was so easy
    You used to say that it was so easy
    But you’re trying, you’re trying now
    Another year and then you’d be happy
    Just one more year and then you’d be happy
    But you’re crying, you’re crying now

    Way down the street there’s a light in his place
    He opens the door, he’s got that look on his face
    And he asks you where you’ve been
    You tell him who you’ve seen
    And you talk about anything

    He’s got this dream about buying some land
    He’s gonna give up the booze and the one-night stands
    And then he’ll settle down
    In some quiet little town
    And forget about everything

    But you know he’ll always keep moving
    You know he’s never gonna stop moving
    ‘Cause he’s rolling, he’s the rolling stone
    And when you wake up, it’s a new morning
    The sun is shining, it’s a new morning
    And you’re going, you’re going home

The lyrics — in contrast to the seductive sax and upbeat strings and keyboard — are rather dark. It’s not your typical rock/pop song about finding or losing love.

I’ve never heard “Baker Street” explained, but my take on the song is this: It’s about two lonely people in a city. They find comfort in booze, chemicals, and (occasionally) each other. The relationship is probably dysfunctional, but they are struggling to change. Struggling to grow. Struggling to find meaning.

“Baker Street” peaked at #3 in the UK and held the #2 spot in the U.S. for six consecutive weeks. I think part of the reason the song was such a success is because the lyrics touched on something a little deeper than most rock tunes, something that resonated with audiences. And though the song is 40 years old now, I have a hunch it resonates even more now than it did then.

MAC Model 1947 Prototype SMGs

Filed under: France, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 12 Oct 2022

Immediately upon the liberation of France in 1944, the French military began a process of developing a whole new suite of small arms. As it applied to SMGs, the desire was for a design in 9mm Parabellum (no more 7.65mm French Long), with an emphasis on something light, handy, and foldable. All three of the French state arsenals (MAC, MAS, and MAT) developed designs to meet the requirement, and today we are looking at the first pair of offerings from Chatellerault (MAC). These are the 1947 pattern, a very light lever-delayed system with (frankly) terrible ergonomics.

Many thanks to the French IRCGN (Criminal Research Institute of the National Gendarmerie) for generously giving me access to film these unique specimens for you!

Today’s video — and many others — have been made possible in part by my friend Shéhérazade (Shazzi) Samimi-Hoflack. She is a real estate agent in Paris who specializes in working with English-speakers, and she has helped me arrange places to stay while I’m filming in France. I know that exchange rates make this a good time for Americans to invest in Europe, and if you are interested in Parisian real estate I would highly recommend her. She can be reached at: samimiconsulting@gmail.com

(Note: she did not pay for this endorsement)
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February 1, 2023

Surviving on Leather

Filed under: Americas, Britain, Food, History — Tags: , , , , , , — Nicholas @ 04:00

Tasting History with Max Miller
Published 31 Jan 2023
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It’s the job of the music critic to be loudly and confidently wrong as often as possible

Filed under: Britain, History, Media, USA — Tags: , , , , , — Nicholas @ 03:00

Ted Gioia points out that a lot of musical criticism does not pass the test of time … and sometimes it’s shown to be wrong before the ink is dry:

When I was in my twenties, I embarked on writing an in-depth history of West Coast jazz. At that juncture in my life, it was the biggest project I’d ever tackled. Just gathering the research materials took several years.

There was no Internet back then, and so I had to spend weeks and months in various libraries going through old newspapers and magazines — sometimes on microfilm (a cursed format I hope has disappeared from the face of the earth), and occasionally with physical copies.

At one juncture, I went page-by-page through hundreds of old issues of Downbeat magazine, the leading American jazz periodical founded back in 1934. And I couldn’t believe what I was reading. Again and again, the most important jazz recordings — cherished classics nowadays — were savagely attacked or smugly dismissed at the time of their initial release.

The opinions not only were wrong-headed, but they repeatedly served up exactly the opposite opinion of posterity.

Back in my twenties, I was dumbfounded by this.

I considered music critics as experts, and hoped to learn from them. But now I saw how often they got things wrong — and not just by a wee bit. They were completely off the mark.

Nowadays, this doesn’t surprise me at all. I’m painfully aware of all the compromised agendas at work in reviews — writers trying to please an editor, or impress other critics, or take a fashionable pose, or curry favor with the tenure committee, or whatever. But there is also something deeper at play in these huge historical mistakes in critical judgments, and I want to get to the bottom of it.

Let’s consider the case of the Beatles.

When the Beatles went on the road, stories like this followed them everywhere

On the 50th anniversary of Sgt. Pepper’s Lonely Hearts Club Band, the New York Times bravely reprinted the original review that ran in the newspaper on June 18, 1967. I commend the courage of the decision-makers who were willing to make Gray Lady look so silly. But it was a wise move — if only because readers deserve a reminder of how wrong critics can be.

“Like an over-attended child, ‘Sergeant Pepper’ is spoiled,” critic Richard Goldstein announced. And he had a long list of complaints. The album was just a pastiche, and “reeks of horns and harps, harmonica quartets, assorted animal noises and a 91-piece orchestra”. He mocks the lyrics as “dismal and dull”. Above all the album fails due to an “obsession with production, coupled with a surprising shoddiness in composition”. This flaw doesn’t just destroy the occasional song, but “permeates the entire album”.

Goldstein has many other criticisms — he gripes about dissonance, reverb, echo, electronic meandering, etc. He concludes by branding the entire record as an “undistinguished collection of work”, and even attacks the famous Sgt. Pepper’s cover — lauded today as one of the most creative album designs of all time — as “busy, hip, and cluttered”.

The bottom line, according to the newspaper of record: “There is nothing beautiful on ‘Sergeant Pepper’. Nothing is real and there is nothing to get hung about.”

How could he get it so wrong?

What’s the Greatest Machine of the 1980s … the FV107 Scimitar?

Filed under: Britain, History, Military, Weapons — Tags: , , , , — Nicholas @ 02:00

Engine Porn
Published 19 Jan 2015

Light, agile and very fast on all types of terrain, the fabulous Scimitar FV107 armoured reconnaissance vehicle was developed by car manufacturer Alvis, who were asked to build a fast military vehicle that was light enough to be airdropped — simply not an option for full sized battle tanks at the time, which averaged around 13 tonnes. [NR: I think they mean “light tanks” here, as MBTs of the era would have been more like 50+ tons.]

Alvis got the weight down to under 8 tonnes by using a new type of aluminium alloy and minimising armour rating in favour of speed. They built the Scimitar around a 220 horsepower, six cylinder, 4.2 litre Jaguar sports car engine with ground-breaking transmission that allowed differential power to each set of tracks. The result was a sports car of the the military world that might not be the toughest in the field, but could race its way out of trouble at speeds of up to 70 miles an hour.

What makes it great: A revolutionary armoured vehicle that brought the very best of British sports car performance to the battlefield.

Time Warp: The Scimitar was the only armoured vehicle to be used by the British Army in the Falklands War.

This short film features Chris Barrie taking the Scimitar for a spin.
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January 31, 2023

The Allied Flying Aces of World War Two – Documentary Special

Filed under: Britain, Germany, Greece, History, Japan, Military, Russia, USA, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 30 Jan 2023

Young, daring, and handsome, the Allied fighter aces of World War Two have captivated the public with their thrilling exploits. Join us as we take a look at the top scorers! Thanks to Curiosity Stream for sponsoring today’s video.
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January 30, 2023

Eff the WEF | The spiked podcast

spiked
Published 27 Jan 2023

Tom Slater, Fraser Myers and Ella Whelan discuss the World Economic Forum, men in women’s prisons and Facebook’s unbanning of Donald Trump. Plus, Timandra Harkness explains the dangers of the UK’s Online Safety Bill.
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The Royal Marines at War: Rough Weather Landing

Filed under: Britain, History, Military, WW2 — Tags: , — Nicholas @ 02:00

Royal Marines
Published 31 Aug 2012

Rough Weather Landing is a secret film recording of “an experiment by No4 Commando” demonstrating their ability to launch a surprise attack on a seemingly impregnable coastline.

From the comments:

ogdiver
8 years ago
“That’s right lad, you’re going to land from a boat with all the reserve buoyancy of a digestive biscuit onto a rocky shore, in a pounding surf, with a 3″ mortar base plate strapped to your back and tackety boots for swimming. But don’t worry, we’ll give you the the inflated inner tube off an Austin 7 to cling to and we’ll be doing it in daylight for the cameras.” Those blokes were nails.

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January 29, 2023

Anzio Begins – Allies Already Pinned Down – Week 231 – January 28, 1944

World War Two
Published 28 Jan 2023

Some big news is the Allies amphibious offensive to hit the Germans behind their lines at Anzio in Italy, some other big news is that after nearly two and a half years, the Soviets have broken the siege of Leningrad and their twin northern offensives keep pushing back the enemy. Yet more big news is that the Soviets have managed to surround and cut off over 50,000 Axis troops near Korsun. This is one big week of action!
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France’s Ultimate WW1 Selfloading Rifle: The RSC-1918

Filed under: France, History, Military, Weapons, WW1 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 14 Sept 2017

The French RSC-1917 semiauto rifle was a major step forward in arms technology during World War One, offering a reliable and effective self-loading rifle for issue to squad leaders, expert marksmen, and other particularly experienced and effective troops. No other military was able to field a semiauto combat shoulder rifle during this was in anything but very limited numbers. However, the RSC-1917 definitely had some shortcomings:

– It was just too long, at the same size as the Lebel
– The specialized clip was a logistical problem
– The gas system was fragile and difficult to clean or disassemble
– The magazine cover was easily damaged

These issues were all addressed in the Model 1918 upgrade of the rifle, although it was too late to see active service in the Great War. The new pattern was substantially shorter (both the stock and barrel), it used the standard Berthier 5-round clip, it had a substantially strengthened magazine cover, and a much improved gas system.

Today, we will compare the various features of the 1917 and 1918 rifles, and disassemble the 1918 gas system to show how it worked.
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QotD: Questions from the Malleus Maleficarum – “Why would a perfectly just God allow witches to exist?”

Filed under: Europe, History, Quotations, Religion — Tags: , , — Nicholas @ 01:00

Almost half the Malleus is devoted to purely philosophical questions surrounding witchcraft. Paramount among these: why would a perfectly just God allow witches to exist?

The answer probably has something to with the Devil. And you can probably get part of the way by saying that God has a principled commitment to let the Devil meddle in human affairs until the End of Days. But then you get another issue: the Devil was once the brightest of angels. He’s really really powerful. Completely unrestrained, he can probably sink continents and stuff. So why does he futz around helping elderly women kill their neighbors’ cattle?

Put a different way, there’s a very narrow band between “God restrains the Devil so much that witchcraft can’t exist” and “God restrains the Devil so little that witches have already taken over the world”. Prima facie, we wouldn’t expect the amount God restrains the Devil to fall into this little band. But in order to defend the existence of witchcraft, Kramer has to argue that it does.

His arguments ring hollow to modern ears, and honestly neither God nor the Devil comes out looking very good. God isn’t trying to maximize a 21st century utilitarian view of the Good, He’s trying to maximize His own glory. Allowing some evil helps with this, because then He can justly punish it (and being just is glorious) or mercifully forgive it (and being merciful is also glorious). But, if God let the Devil kill everyone in the world, then there would be no one left to praise God’s glory, plus people might falsely think God couldn’t have stopped the Devil if he’d wanted to. So the glory-maximizing option is to give the Devil some power, but not too much.

Meanwhile, the Devil isn’t trying to maximize 21st century utilitarian evil. He’s trying to turn souls away from God. So although he could curse people directly, what he actually wants is for humans to sell their soul to him in exchange for curse powers. So whenever possible he prefers to act through witches.

Scott Alexander, “Book Review: Malleus Maleficarum“, Astral Codex Ten, 2022-10-27.

January 28, 2023

What made the Queen so good at her job?

Filed under: Britain, History — Tags: , , — Nicholas @ 02:00

Lindybeige
Published 24 Sept 2022

Queen Elizabeth II of England (I of Scotland) was very good at her job, but why was this? What are the ideal qualities of a modern constitutional monarch? I stand in a dark shirt and talk.

End photograph by Jazzy Lemon.

It has been pointed out to me that the officers who attempted a coup in Spain in 1981 were ‘Civil Guard’ and not ‘army’ as I said. This is a distinction which exists in Spain but not in Britain.
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QotD: Allied anti-semitism in WW2

Filed under: Britain, History, Politics, Quotations, USA, WW2 — Tags: , , , — Nicholas @ 01:00

The following leaflet (printed) was passed to an acquaintance of mine in a pub:

LONG LIVE THE IRISH!

The first American soldier to kill a Jap was Mike Murphy.
The first American pilot to sink a Jap battleship was Colin Kelly.
The first American family to lose five sons in one action and have a naval vessel named after them were the Sullivans.
The first American to shoot a Jap plane was Dutch O’Hara.
The first coastguardsman to spot a German spy was John Conlan.
The first American soldier to be decorated by the President was Pat Powers.
The first American admiral to be killed leading his ship into battle was Dan Callahan.
The first American son-of-a-bitch to get four new tyres from the Ration Board was Abie Goldstein.

The origin of this thing might just possibly be Irish, but it is much likelier to be American. There is nothing to indicate where it was printed, but it probably comes from the printing-shop of some American organization in this country. If any further manifestos of the same kind turn up, I shall be interested to hear of them.

George Orwell, “As I Please”, Tribune, 1944-12-08.

Orwell’s press card portrait, 1943

January 27, 2023

The return of the revenge of the bride of the Doomsday Clock

Filed under: History, Military, Russia, USA — Tags: , , , , , — Nicholas @ 05:00

It’s amazing how much free publicity you can get by pulling out the hoary old Cold War propaganda tools, as Andrew Potter explains with the re-re-re-introduction of the Doomsday Clock bullshit:

Earlier this week, the Bulletin of the Atomic Scientists moved the hands of its Doomsday Clock ahead by ten seconds, to 90 seconds to midnight. This is the closest the clock has ever been to midnight, and, according to the press release announcing the move: “Never in the Doomsday Clock’s 76-year history have we been so close to global catastrophe.”

If you’re under, say, 40 years of age or so, that paragraph is probably pure gobbledygook, the written equivalent of the squawk of a 2400 baud modem going through its handshaking protocols. But for those of us in the ever-dwindling cohorts of Gen-Xers and Baby Boomers, hearing about the movement of the Doomsday Clock is to be jerked back into a time marked by both profound moral clarity and deep existential anxiety.

A bit of background on the Doomsday Clock might help. It was a creature of the Cold War, founded in 1947 by some of the scientists who had worked on the Manhattan Project to raise public awareness of the threat of nuclear weapons. As the Bulletin puts it, the clock uses “the imagery of apocalypse (midnight) and the contemporary idiom of nuclear explosion (countdown to zero) to convey threats to humanity and the planet”. The decision to move or leave the minute hand of the Clock in place is made each year by the various trustees of the Bulletin, based on their evaluation of the world’s vulnerability to catastrophe.

The clock was initially set at a nice and relaxed seven minutes to midnight, and over the following few decades it was moved closer in response to clear nuclear threats, things like ramped-up testing of new bombs, nuclear proliferation, or rising Cold War tensions. During periods of detente or after the signing of arms reductions treaties, the minute hand would retreat. In 1991, it was moved back to 17 minutes to midnight after the dissolution of the Soviet Union.

For most of the second half of the 20th century, the Doomsday Clock was a healthy reminder of the most salient geopolitical fact of the era, which is that two superpowers were pointing thousands of nuclear weapons at one another.

But like many Cold War relics, the demise of the U.S.S.R. left it scrambling for a raison d’etre. In a bit of clever PR entrepreneurialism, the executive of the Bulletin of the Atomic Scientists turned the clock into a more generalized warning against war, climate change and other ecological or technological threats. The nadir of this shift in mission came on January 23rd 2020, when the Bulletin moved the clock’s hands to 100 seconds to midnight.

As the press release accompanying the ticking of the clock noted at the time, this put humanity “closer than ever” to catastrophe. Given that the clock had kept watch over our drive for self-destruction through the Suez Crisis, the Cuban Missile Crisis, the sabre-rattling Reagan administration, and the terrorist attacks of September 11, 2001, it makes one wonder just what happened in early 2020 to merit such a fearful move.

“House of the Rising Sun” – Hildegard von Blingin’ & Algal the Bard (Bardcore | Medieval Style)

Filed under: France, History, Media — Tags: , — Nicholas @ 02:00

Hildegard von Blingin’
Published 11 Jun 2022

We’re pleased to present you with not one, but two Bardcore covers! Algal played every instrument you hear, and I provided the vocals. You’ll find the other cover, Dust in the Wind, on Algal’s channel in the link below.
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