Indy and Sparty are back again for “Across the Airwaves”, where we look at interesting and unique comments from our videos and forums. In this episode, we will look at foreign volunteers in the SS, and the Polish experience in World War Two.
In the beginning of this year, the city government of Berlin brought in a rent freeze, a particularly crude form of rent control. Predictably, this led to calls from certain quarters for introducing similar measures here in London. I had several discussions about this, making the standard economic case against rent controls, but to no avail. I was told that I was blinded by neoliberal dogma, that the world is not as simple as my Econ 101 textbook, and that this was a brilliant and necessary measure to rein in the power of greedy landlords and speculators.
The first results are already in now, and they can be interpreted as the revenge of Econ 101. In Berlin, the supply of new rental properties coming on the market has fallen by a quarter compared to last year. No, this is not because of the virus: in other big cities such as Hamburg, Munich and Cologne, supply has increased by a third over the same period.
In fact, the one subsector of Berlin’s rental market which is exempt from the rent cap, namely new-built properties, is not that different from the rental markets of other big cities. In this subsector, the number of new rental properties coming on the market has increased by a quarter. Yet in the main market, where the cap does apply, supply has fallen by almost half – a drastic reduction, which more than cancels out any gains made elsewhere.
There has also been an increase in the number of properties that are up for sale, rather than rent, because while rents have been capped, sales prices have not.
So whether you compare the rent-capped part of Berlin’s rental property market to its counterpart in other cities, to its cap-exempt counterpart in Berlin itself, or to the owner-occupier sector – the result is always the same. The rent cap clearly is having a negative impact on supply, and this is happening astonishingly quickly: even I was not expecting to see any impact in this year, or the next.
None of the arguments against rent controls are new. You can already find them all in Verdict on Rent Control, a book which the IEA published in 1972. The book is actually a collection of papers on the subject, some of which are much older than that. It contains one paper by Milton Friedman and George Stigler on wartime rent controls in the US, which were still lingering after the war had ended. It was first published in 1946, but they were already having the same arguments then that we are still having today.
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When Britain despatched an Expeditionary Force (the BEF) to the Continent in August 1914, the German Kaiser issued an order of the day to his generals to “walk over General French’s contemptible little army”.
But despite being heavily outnumbered, this small force, including many men from the West Midlands, played a vital role in stopping the seemingly overwhelming German advance across Belgium and into France.
Small in size compared with the much larger armies of France and Germany, the BEF was highly effective. This was in stark contrast to the disasters that the British Army had experienced a few years earlier at the start of the Second Boer War (1899-1902) in South Africa.
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Josef Stalin is forming new armies to fight off the German onslaught, and yet it continues gaining ground both in the north and in the south. He also issues Draconian orders to the Red Army concerning any form of surrender.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago (edited)
Orders, orders and more orders this week as both Stalin and Hitler try and get hold of the vast and chaotic situation along the battlefront, but nefarious war crimes and atrocities continue to lurk in the background. We cover the humanitarian crisis created both deliberately and by collateral effects that the war has on the world population in our War Against Humanity series that is now coming out every second week to keep up with the increasing pace of terror. To get the full experience of the chronological developments, follow those formats too:
What happened to deserters in the British Army? Did Chinese and Japanese troops ever engage in sword to sword combat? Why didn’t Germany use poison gas on the battlefield? Find out the answers to all these questions in today’s Out of the Foxholes!
Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Jakub Janiec
Sound design: Marek Kamiński
Colorizations:
Mikołaj Uchman
Visual Sources:
Imperial War Museums: HU 762498, Q 79508, El Alamein 1942, E 18542, B5114, MH 26392, F2845,
Library of Congress
Antoine from Flickr.com
National Archives NARA
Bundesarchive
Narodowe Archiwum Cyfrowe
The icons from Noun Project by: Milinda Courey, Arthur Shlain, Delwar Hossain, ahmad, Muhamad Ulum, Rooty, Simon Child, carlotta zampini, Wonmo Kang, Vectors Point, Eucalyp
Mid-August 1944. The battle for France enters its decisive phase. With the Allied spearheads just 100 km away from Paris, the Résistance prepares for its long-awaited uprising. While collaborators and fascist officials flee the city in panic, many insurgents are eager to immediately rise up against the occupation and fight the Germans in the streets. But there is need for caution. The Germans are still there in force, and they have tanks and machine guns. The fear that this might turn into “another Warsaw” if the Allies don’t show up in time is very real.
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard, and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Archive by: Reuters/Screenocean https://www.screenocean.com
Community Manager: Maria Kyhle
All music by Sabaton
Sources:
– Imperial War Museum: B 9298
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-027-1477-16, Bild_183-2008-0710-500, Bild_183-2003-1112-500
– lubini from freesound.org
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
As Barbarossa unfolds and the Germans take ever more Soviet territory, they have ever fewer planes with which to fly over it. What does this mean for the forces on the ground? What does this mean for their other theaters of war?
Sources:
Bundesarchiv
Stuka by Kaboldy https://commons.wikimedia.org/wiki/Fi…
from the Noun Project: Bomb by A184, explosion by Nico Tzogalis, Deteriorated building by Tokka Elkholy, Skull by Muhamad Ulum, Air Crash by Lee Mette
Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 4”
Max Anson – “Maze Heist”
Philip Ayers – “Trapped in a Maze”
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Last Point of Safe Return”
Winston Churchill and Franklin Roosevelt issue a charter that lays out their thoughts for the future, the Soviets are in trouble on two fronts, and Adolf Hitler repeats his orders to those who failed to heed them the first time.
Sources:
– Bundesarchiv, CC-BY-SA 3.0: Bild_146-2005-0030, Bild_146-1971-070-61
– Imperial War Museum: E 1416, E 7014, E 3450E, E 7008, E 3438E, E 15023
– Narodowe Archiwum Cyfrowe
– Mil.ru
– egor7 from Wikimedia
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago
Although the US has been steadily edging towards more and more support for the Western Allies since outbreak of war almost two years ago, it is this week that an active involvement in WW2 by the United States starts taking form. Let’s be clear though: both the US public, and the US administration are still staunchly opposed to sending in troops and becoming an active belligerent. But the tone of public and political discourse has begun to change, as it becomes increasingly obvious exactly how horrendous the threat is that humanity faces from Naziism.
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Leni Riefenstal’s film techniques were groundbreaking and are still influential today. She did, though, create her most famous works in the service of Adolf Hitler.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Madeline Johnson
Edited by: Monika Worona
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
4 hours ago
Thanks to Madeline Johnson for the research for this episode. In many ways it’s our community who keep TimeGhost going. If you want to be part of this then join the TimeGhost Army on www.patreon.com/timeghosthistory or https://timeghost.tv.
Please let us know what other Bios you’d like to see. And if you have a question about the war you’re dying to have answered, submit it for our Q&A series, Out of the Foxholes at: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.
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Lugers! there are approximately a gazillion different recognized varieties, because the pistol became so popular and iconic. And yet … they all kinda look the same, don’t they? (If you are a Luger collector, don’t answer that!) A great many (I daresay the significant majority) of the Luger variations are minor changes in production details. So, what was involved in the mechanical evolution of the Luger?
Not much, really — which is a testament to the talents of Georg Luger. He got the gun almost totally right on his first try. There are, however, two major variants of the Luger mechanically — the 1900 model and the 1906 model. In this video I will walk through the differences between these two, as well as the initial Borchardt pistol that Luger used as his starting point and a couple other relevant milestones (a Swiss trials gun and a transitional French trials gun). And since they are the most common of the military models, we will also take a quick look at the German Army, Navy, and Artillery models.
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In Japan those in power are divided as to what to do as war with the Western powers looks more and more likely. Meanwhile in the USSR the war gets deadlier and deadlier, but also more and more confusing with leadership conflicts on both sides of the front.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
This war is getting bigger and bigger, and bloodier and bloodier. When we started out on this mega project we already anticipated this, and immediately started to cover the war on multiple fronts to provide the fullest coverage possible,
As Indy says in the episode we publish an essential event of the war every day on our Instagram WW2 Day by Day feed. Often these are events that Indy might not have place to cover here in the weekly videos.
Likewise we cover the humanitarian crisis created deliberately, and by collateral effects that the war has on the world population in our War Against Humanity series that is now coming out every second week to keep up with the increasing pace of terror. So, to get the full experience of the chronological developments, follow those formats too:
Keep safe and stylish with a Red-And-Blue facemask from Volante Design, or DONATE to help students in public schools receive high-quality masks for free — https://bit.ly/2DwE9O7
August of 2020 marks the 75th anniversary of the end of the Second World War. So I wanted to make a video about that. That was a bad idea…
What do you get when a Classically-Minded historian ventures about 2,000 years outside of their comfort zone? A mess. A well-intentioned mess is what you get. BUT a mess that we can learn from! So join me as we dig into the aftermath of the Second World War to analyze the origins of the Cold War and the decolonization of European Empires.
SOURCES & Further Reading: The Cold War by Gaddis, The Wars of French Decolonization by Clayton, British decolonization, 1946-1997 by McIntyre, The Cold War’s Killing Fields by Chamberlin, The Cold War: A Very Short Introduction by McMahon, and “Crash Course European History [Parts 42-47]” by Green.
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.
Overly Sarcastic Productions
1 hour ago (edited)
Some clarifications:
North Africa did of course see conflict, the Pacific did get occupied — even the places that didn’t (eg: India) still paid for the war. Damn double-negatives.
That weird Romania-Hungary-Russia border is a holdover from WWII. The border lasted until 1946 and was changed in 1947. Later in the video you’ll see the more familiar borders.
Indonesia declared Independence in 1945 (Like Vietnam), but the Netherlands didn’t withdraw until 1949, hence my mention of ’49.
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At the end of September 1939, Poland was burning. Trapped in an ever shrinking corridor between the Wehrmacht and the Red Army, the last remaining Polish forces were still holding out. Isolated, short of ammunition and supplies, and without hope for relief. The last Polish Army, the SGO Polesie, was making its way towards the Vistula, as it was cut off by German motorcycle troops. Determined to sell their lives dearly, the SGO Polesie dug in and prepared for a last stand.
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.
Sources:
Paul Otto courtesy Glenn Jewison
University of Wisconsin-Milwaukee Libraries
Bundesarchiv
Imperial War Museums: HU106375
Museum of Warsaw
Narodowe Archiwum Cyfrowe
Centralne Archiwum Wojskowe
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
Sabaton History
2 days ago (edited)
Once again the time has come for the Polish people to show what they’re made of.
This time they’re facing a gargantuan two-headed monster of an enemy and are outnumbered many many times over.
They may not win, they may not even live to see another day — but The Polish will not give up without giving their all.
Spirit of Spartans
Death and glory
Soldiers of Poland
Second to none
So come, bring on all that you’ve got
Come hell, come high water — never stop!
With the help of Indy and the TimeGhost team you can learn more about the Soviet invasion of Poland and the last days of The Polish Defensive War in these two episodes of the “World War Two In Real Time” series:
“The Russians are Coming! – The Soviet Invasion of Poland” – WW2 – 004 – September 22, 1939 https://youtu.be/8vjBp-qyNVE
In China, and the Soviet Union, all sides are causing widespread death to the local civilians. The defending forces are scorching the earth and plundering their own civilians, the attacking armed forces of Japan and Germany are executing planned genocide and mass destruction.
Written and Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson and Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Eesti Kirjandusmuuseum KM EKLA, A-3:107
Yad Vashem 55AO6, 74FO7,
Consiliul National pentru Studierea Arhivelor Securitatii (CNSAS)
USHMM
IWM NA 15129, N 530
from the Noun Project: Skull by Muhamad Ulum
Picture of a victim of starvation during the siege of Leningrad, courtesy George Shuklin
Portrait of Nikolai Moskvin, courtesy goskatalog.ru
Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Yi Nantiro – “Watchmen”
Yi Nantiro – “A Single Grain Of Rice”
Farell Wooten – “Blunt Object”
Reynard Seidel – “Deflection”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”
Philip Ayers – “Under the Dome”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 hours ago (edited)
So here we are — it’s the end of July and the Nazi plan to ethnically cleanse Eastern Europe by genocide and forced migration is now in play, while the deliberate genocide of the Chinese has been in motion for more than three years. It’s easy to write off the massive death in both regions as collateral damage, the millions of PoWs that died as callous carelessness, the overall death toll as part of a desperate defense strategies. But that belies how planned, meticulous and specific both the genocides by Imperial Japan and by Nazi Germany were.
The sources detailing the execution and opposition to these plans in the Soviet Union are relatively easy to access. Already during the war the Allied intelligence services were intercepting most of the communication that outlined death tolls, policies, and events. After the war the comprehensive documentation by the Germans themselves was captured and compiled for the Nuremberg Trials. Although Russia under the current regime choose to obfuscate, and distort their side of the story, the decade after the collapse of the Soviet Union saw the release of enough classified material for us to know the big picture.
The sources on what happened in China are, on the other hand, harder to come by. Unlike Germany, Japan has not been forced to, and has been unwilling to reconcile with what their forefathers did. Historians unearthing these stories face massive opposition by interests that still try to maintain Japanese exceptionalism. In China, the Communist regime never collapsed, and continues to promote a propagandist historiography that distorts the events within a narrative of unilateral heroic struggle by the People’s Red Army against Imperialism. Therefore it’s all the more important that we try to see these events for what they were: a massive tragedy of human suffering caused by ideological chauvinism – there is nothing heroic here, only the sad reality of war, and the terror of hatred to the level of mass murder.
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