Quotulatiousness

October 6, 2020

QotD: Herbert Hoover and the Belgian relief program

Filed under: Britain, Europe, Food, Germany, History, Quotations, WW1 — Tags: , , , , , — Nicholas @ 01:00

Just as Hoover is preparing to rest on his laurels, he receives a cry for help. Germany has occupied and blockaded Belgium. The blockade prevents this tiny, heavily urban country from importing food, and the Belgians are starving. Germany needs its own food for its own armies, and is refusing to help. The Belgians order a thousand tons of grain from Britain, but when their representative comes to pick it up, Britain refuses to let them transport it, nervous at sending food into enemy-occupied territory. During tense negotiations, someone suggests using neutral power America as a go-between. But America is 5,000 miles away and busy with its own problems. So the US Ambassador to Britain asks his new best friend Herbert Hoover if he has any ideas.

Hoover invites Emile Francqui, a Belgian mining engineer he knows, to Britain. Together, they plan a Committee For The Relief of Belgium, intended not just to help transport the thousand tons of grain at issue, but to develop a long-term solution to the impending Belgian famine. Nothing like this has ever been tried before. Belgium has seven million people and almost no food. No government is offering to help, and they don’t have enough money to feed seven million people even for one day, let alone indefinitely. Hoover springs into action …

… by crushing all competing attempts to provide food for Belgium. He attacks the Rockefeller Foundation, which is trying to help, with a blitz of press coverage accusing it of various forms of insensitivity and interference, until it finally backs off. Then he gets to work on the government:

    The letter bore several Hoover watermarks, beginning with its heavy load of facts and figures organized in point form. It noted that myriad relief committees were springing up both inside and outside of Belgium, and urged consolidation. “It is impossible to handle the situation except with the strongest centralization and effective monopoly, and therefore the two organizations [Hoover outside Belgium and Francqui inside it] will refuse to recognize any element except themselves alone.” The letter also contained Hoover’s usual autocratic and slightly paranoid demands for “absolute command” of his part of the enterprise.

Control attained, Hoover springs into action actually feeding Belgium. He launches one of the largest public relations campaigns the world has ever seen, sending letters to newspapers around the world asking for donations. He “urged reporters to investigate the famine conditions in Belgium and play up the ‘detailed personal horror stuff’. He personally arranged for a motion picture crew to capture footage of food lines in Brussels, and he hired famous authors, including Thomas Hardy and George Bernard Shaw, to plead for public support of the rescue effort.” He constantly telegrams his exasperated wife and children, now safely back in Palo Alto, demanding they raise more and more money from the West Coast elite.

He browbeats shipping conglomerates until they agree to ship his food for free, then browbeats railroads until they agree to carry it. By telegraph and letter he coordinates banks, railroads, docks, ships, and relief workers on both sides of the Atlantic. But that’s just the prelude. His real problem is the governments. Britain doesn’t want food shipped to Belgium, because right now the starving Belgians are Germany’s problem, and they don’t want to solve an enemy’s problem for them. But Germany also doesn’t want food shipped to Belgium, because the Belgians are resisting the occupation, and they figure starvation will make them more compliant. Shuttling back and forth across the North Sea, Hoover tries to get them to switch theories: Germany needs to think starving Belgians are their problem which it would be helpful to solve, and Britain needs to think starvation would make Belgians more compliant with the German occupation. In the end, both countries allow the shipments.

He goes on a fact-finding mission to Belgium, and managed to somehow offend everyone in the country that he is, at that very moment, saving from mass starvation […] By 1915, Hoover is, indeed, feeding millions of Belgians, indefinitely, using only private funding. He is also almost broke. Millions of Brits and Americans have given him contributions, from tycoons donating fortunes to ordinary people donating their wages, but it’s not enough. His expenses pass $5 million a month, which would be about $100 million today; all these bills are starting to catch up to him. In an act of supreme sacrifice, Hoover pledges his entire personal fortune as collateral for the Committee’s loans, then takes out more money. The grain shipments continue to flow, but his credit is at its end.

He continues beating on the doors of every government official he can find – British, German, American – demanding help. They all say their budgets are already occupied with the war effort. He begs them, lectures them, tells them that millions of people are doing to die. He goes all the way to the top, finagling an opportunity to meet with British Prime Minister David Lloyd George. Lloyd George later calls Hoover’s presentation “the clearest he had [ever] heard on any subject”, but he can offer only moral support.

What finally works is going to Germany and meeting with their top military brass. The brass are unimpressed; they still think that Belgium starving is as likely to help them as hinder. But the contact spooks top British officials, who agree to meet with Hoover again. Hoover feeds them carefully crafted lies, saying that the German brass have told him that British aid to Belgium would be a disaster to the Central Powers and so they, the Germans, are going to fund everything Hoover wants and more. “Oh no they don’t!” say the British, who promise to give Hoover even more funding than his imaginary German partners. The Committee for the Relief Of Belgium is finally back in the black. And what a black it is:

    The scope and powers of the Committee For Relief of Belgium were mindboggling. Its shipping fleet flew its own flag. Its members carried special documents that served as CRB passports. Hoover himself was granted a form of diplomatic immunity by all belligerents, with the British permitting him to cross the Channel at will and the Germans providing him a document saying “this man is not to be stopped anywhere under any circumstances”. Hoover had privileged access to generals, diplomats, and ministers. He enjoyed personal contacts with the heads of warring governments. He negotiated treaties with the belligerents, advised them on policy, and delivered private messages among them. Great Britain, France, and Belgium would soon be turning over to him $150 million a year, enough to run a small country, and taking nothing for it beyond his receipt. As one British official observed, Hoover was running “a piratical state organized for benevolence.”

Scott Alexander, “Book Review: Hoover”, Slate Star Codex, 2020-03-17.

October 4, 2020

A huge new German Offensive begins – Operation Typhoon! – WW2 – 110 – October 3, 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 3 Oct 2020

Adolf Hitler’s renewed drive on Moscow, the Soviet capital, begins this week, even as the Japanese drive on Changsha ends. But major news this week is the colossal amount of equipment, arms, and ammunition that Britain and the neutral USA plan to ship to the beleaguered Soviet Union.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Norman Stewart – https://oldtimesincolor.blogspot.com/
Klimbim – https://www.flickr.com/photos/2215569…

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
RIA Novosti archive, image #585208
Yad Vashem 3725/4
Picture of Lord Beaverbrook, courtesy Yousuf Karsh, Dutch National Archives
Graphics of Hawker Hurricane, courtesy Martin Čížek https://en.wikipedia.org/wiki/File:Hu…
Graphic of P-39Q Airacobra, courtesy Martin Čížek https://commons.wikimedia.org/wiki/Fi…
From the Noun Project: Skull by Muhamad Ulum, Radar by Econceptive, Mining by Pham Duy Phuong Hung, golds by iconsphere, Diamond by IconMark, puncture by supalerk laipawat, tire by Juan León, wool ball by IconMark, Boots by Atif Arshad, Oil by TTHNga, Needle by artworkbean, Gloves by Berkah Icon, Knife by Vladimir Belochkin, saw by Stepan Voevodin, forceps by IcoLabs, Chest X-ray by Turkkub, pills by Komkrit Noenpoempisut, antibiotics by UNiCORN, Roll by rivercon

Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “Death And Glory 3”
Jon Bjork – “For the Many”
Johannes Bornlof – “Last Man Standing 3”
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Bonnie Grace – “The Dominion”
Johannes Bornlof – “Deviation In Time”
Gunnar Johnsen – “Not Safe Yet”
Rannar Sillard – “March Of The Brave 10”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

October 2, 2020

The Rape of Humanity at Babi Yar – War Against Humanity 019

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 1 Oct 2020

Killing Jews by the thousands becomes the main way of eradicating the Jews in Eastern Europe in August and September 1941. The Mass Murder at Babi Yar in Kiev is yet another escalation in that process.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Check out our TimeGhost History YouTube Channel: https://www.youtube.com/c/timeghost?s…

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Joram Appel and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Post-Production Director: Wieke Kapteijns
Creative Producer: Maria Khyle
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Tzo15 https://commons.wikimedia.org/wiki/Fi…
Mikolaj Uchman
Spartacus Olsson

Image Sources:
Bundesarchiv
Yad Vashem 3725/4, 7717/273, 5705/29, 5705/43, 3150/37, 5705/48, 5705/53, 5705/54, 5705/21, 2725/7, 5705/12, 5705/20, 5705/22, 4788/72, 5705/26, 5705/40, 4613/1055, 3521/134, 3521/133
USHMM
Narodowe Archiwum Cyfrowe
from the Noun Project: Skull by Muhamad Ulum, soldier by Simon Child

Soundtracks from the Epidemic Sound:
Cobby Costa – “Flight Path”
Andreas Jamsheree – “Guilty Shadows 4”
Jon Bjork – “For the Many”
Farell Wooten – “Blunt Object”
Fabien Tell – “Never Forget”
Gunnar Johnsen – “Not Safe Yet”

Sources:
Berkhoff, Karel (ed.), Basic Historical Narrative of the Babi Yar Holocaust Memorial Center (2018).
Desbois, Patrick, The Holocaust by Bullets: A Priest’s Journey to Uncover the Truth Behind the Murder of 1.5 Million Jews (2008).
Fox, Holquist and Martin, The Holocaust in the East: Local Perpetrators and Soviet Responses (2014).
Kay, Alex and David Stahel, Mass Violence in Nazi-Occupied Europe (2018).
Longerich, Peter, The Unwritten Order: Hitler’s Role in the Final Solution (2001)
Longerich, Peter, Holocaust: The Nazi Persecution and Murder of the Jews (2010).
Klee, dressen and Reiss, The Good Old Days: The Holocaust as Seen by its Perpetrators and Bystanders (1991).
Müller, “The Brutalisation of Warfare, Nazi Crimes and the Wehrmacht”, In: Erickson & Dilks, Barbarossa: The Axis and the Allies.
Pieper, Henning, Fegelein’s Horsemen and Genocidal Warfare: The SS Cavalry Brigade in the Soviet Union (2015).
Rutherford, Jeff, Combat And Genocide on the Eastern Front: The German Infantry’s War, 1941-1944 (2014).
Snyder, Timothy, Bloodlands: Europe Between Hitler and Stalin (2010).
United States Holocaust Memorial Museum, Encyclopaedia of Camps and Ghettos, 1933-1945, volume II, Part A (2012).
United States Holocaust Memorial Museum, Encyclopaedia of Camps and Ghettos, 1933-1945, volume II, Part B (2012).

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
3 hours ago
No one should have to go through what the subjects of todays episode went through. Every one of the 33,000 victims of the mass-murder at Babi Yar has their own personal story. They were humans, just like you and me, with memories, interests, hobbies, fears, hopes and loved ones. This is why we tried to make this episode as personal as we could – So that we don’t forget that we’re talking about real people here.

October 1, 2020

Historical Breakdown of A Bridge Too Far – Planning and Failure of Market Garden I RHINELAND 45

The Great War
Published 30 Sep 2020

Support our brand new World War 2 documentary about The Battle of the Rhineland (not to be released on YouTube): https://realtimehistory.net/rhineland45

After last year’s Downfall video (with over 1 million views!) we thought we look at another classic WW2 movie and give you a breakdown about the historical figures and background. Our pick this time: A Bridge Too Far.

» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar

» OUR PODCAST
https://realtimehistory.net/podcast – interviews with World War 1 historians and background info for the show.

» BUY OUR SOURCES IN OUR AMAZON STORES
https://realtimehistory.net/amazon *
*Buying via this link supports The Great War (Affiliate-Link)

» SOURCES
A. Beevor, Arnhem: The Battle for the Bridges (2018)
B. Horrocks, Escape to Action (1960)
R. Neillands, The Battle for the Rhine 1944 (2005)
Builder, Bankes, Nordin, Command Concepts (1999)
www.pegasusarchive.org
www.nam.ac.uk/explore/market-garden
www.iwm.org.uk/history/the-story-of-operation-market-garden-in-photos

» MORE THE GREAT WAR
Website: https://realtimehistory.net
Instagram: https://instagram.com/the_great_war
Twitter: https://twitter.com/WW1_Series
Reddit: https://reddit.com/r/TheGreatWarChannel

»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Matthew Moss
Fact checking: Florian Wittig

Channel Design: Alexander Clark
Original Logo: David van Stephold

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020

From the comments:

The Great War
6 hours ago
Support our brand new World War 2 documentary about The Battle of the Rhineland (not to be released on YouTube): https://realtimehistory.net/rhineland45 *

*We know that some of you don’t like the fact that we upload non-Great War content once in a while. But here are a few fun facts: Last year’s video about THAT scene from Downfall has been one of our most successful videos ever produced. It helped us spreading the word about our crowdfunding campaign last year and it also brought new subscribers to The Great War that hadn’t heard about it. And in the cut-throat world of the YouTube attention economy this is really important for our continued existence. Another “fun” fact: Both this video and the Downfall video were both claimed for copyright violation even though they clearly fall under fair use. We disputed and lost and now there is nothing we can do about the fact that someone else is earning money through our work. Just one of the reasons why it’s increasingly frustrating working with YouTube and why we are exploring other avenues for The Great War and our other projects.

September 29, 2020

Frederick the Great – A First Glance

Filed under: Germany, History, Military — Tags: , , , , , , — Nicholas @ 04:00

Military History not Visualized
Published 22 May 2018

» patreon – https://www.patreon.com/mhv

Frederick the Great – Friedrich der Große – is a very controversial figure. Regarded by many as one of the great field commanders of his time, enlightened, strict, aggressive and militaristic. For a long time he was the example and icon of the Prussian general staff. What were his characteristics, traits, his background and his views on various military issues? After all, he wrote about the principles of war and other aspects.

»» SUPPORT MHV ««
» patreon – https://www.patreon.com/mhv
» paypal donation – https://www.paypal.com/cgi-bin/webscr…
» Book Wishlist https://www.amazon.de/gp/registry/wis…

»» MERCHANDISE – SPOILS OF WAR ««
» shop – https://www.redbubble.com/people/mhvi…

»» SOCIAL MEDIA ««
» minds.com – https://www.minds.com/militaryhistory…
» twitter – https://twitter.com/MilHiVisualized
» twitch – https://www.twitch.tv/militaryhistory…
» RallyPoint – https://www.rallypoint.com/organizati…

Military History for Adults is a support channel to Military History Visualized with a focus personal accounts, answering questions that arose on the main channel and showcasing events like visiting museums, using equipment or military hardware.

» SOURCES «

Showalter, Dennis: Frederick the Great. A Military History. Frontline Books: London, 2016.

Militärgeschichtliches Forschungsamt (Hrsg.): Friedrich der Große und das Militärwesen seiner Zeit. Vorträge zur Militärgeschichte – Band 8. E. S. Mittler & Sohn: Herford – Bonn, 1987.

Clark, Christopher: The Iron Kingdom. The Rise and Downfall of Prussia 1600-1947. Penguin Books: London, 2007.

Citino, Robert M.: The German Way of War. From the Thirty Years’ War to the Third Reich. University Press of Kansas: USA, 2005.

Militärgeschichtliches Forschungsamt (Hrsg.): Deutsche Militärgeschichte 1648-1939 in sechs Bänden – Band 6. Bernard & Graefe Verlag; München, 1983.

Browing, Peter: The Changing Nature of Warfare. The Development of Land Warfare from 1792 to 1945. Cambridge University Press: Cambridge, UK, 2002.

Margiotta, Franklin D.: (Executive Editor): Brassey’s Encyclopedia of Military History and Biography. Brassey’s, Inc.: USA, 1994.

» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”

September 27, 2020

Free from the Nazi Occupation – but for how long can it last? WW2 – 109 – September 26, 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 26 Sep 2020

In former Yugoslavia, the Republic of Uzice breaks free from the German occupation, even as the Germans are mopping up the masses of shattered Soviet Armies after last week’s capture of Kiev. In the north, it really looks as if Leningrad will hold out for the time being, and German troops from both north and south converge on the center for the coming drive on Moscow.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day –https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Mikołaj Uchman
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…

Sources:
– Bundesarchiv, CC-BY-SA 3.0: Bild_146-2005-0176, Bild_183-J21813,
– Narodowe Archiwum Cyfrowe

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

September 26, 2020

Resistance is Futile in Nazi Europe – War Against Humanity 018 – September 1941, Part 1

Filed under: Europe, Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 25 Sep 2020

In the first half of September, Nazi murder campaigns in Vilnius and the Pripet Marshes continue. In the rest of Europe, the Germans tighten their grip on the occupied countries, taking away media privileges and further restricting the freedoms of Jewish populations.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written by: Joram Appel
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina Dołęga & Mikołaj Cackowski

Colorizations by:
– Spartacus Olsson
– Daniel Weiss
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations

Visual Sources:
– Bundesarchiv
– Yad Vashem: 7283-146, 4331-14), 3150-122, 4613-1055, 10470-23, 97, 03-198, 1044-148, 2725_22A, 4788_71
– United States Holocaust Memorial Museum
– Library of Congress
– Imperial War Museums: H6550
– Deutsche Fotothek: 0000149 003
– Picture of Lavrentiy Beria in court courtesy of: Фотограф – Ист.доки https://cutt.ly/Lavrentiy_Beria-
Picture of Cathedral Square and Nikolskaya Street in from Saratov from RusDeutsch
National Archives NARA

Music:
– “Endlessness” – Flouw
– “Weapon of Choice” – Fabien Tell
– “Last Minute Reaction” – Phoenix Tail
– “Moving to Disturbia” – Experia
– “Potential Redemption” – Max Anson
– “Flight Path” – Cobby Costa
– “Break Free” – Fabien Tell
– “Never Forget” – Fabien Tell
– “It’s Not a Game” – Philip Ayers

The Icons from Noun Project: Bar by priyanka, beach by Studio GLD, Bicycle by Henry Haolong Yin, cabaret by Smalllike, Cafe by Eucalyp, Calendar by iconsphere, Children by Sarah Rudkin, curfew by supalerk laipawat, finish line by Luis Prado, Fruit by Eucalyp, guest house by ProSymbols, Helmet by Daniel Turner, Hotel by Nociconist, Immigrants by Luis Prado, Info by Flatart, Library by Jaime Serra, Man by Milinda Courey, Museum by Justicon, Skull by Muhamad Ulum, onion by Jellycons, Park by Made by Made, Passenger Wagon by Peter van Driel, person and house by Rflor, Phone by Leona Grande, potato by Vectors Point, Restaurant by Adrien Coquet, singer by Luis Prado, Store by Fahmi, street by Vadim Solomakhin, Swimming Pool by Vectors Point, Theater by Susannanova, Town Square Clock by Graphic Enginer, Vegetable by Eucalyp, vintage motorcycle by Justine Hammernik, Woman and boy by Studio Het Mes & Zoo by Eugene Dobrik

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 hours ago
A new month and more carnage — we get the question about why so much about the Jews? Why only about the Eastern Front? Well, this is September 1941, many of the things that befell other ethnicities have not yet begun. When they do we will cover them. You’ll also see that some of this is “more of the same” — and in fact, sometimes it’s difficult for us to find a way to not let the tragedy that all this death really represents become trivial through the sheer size and repetition of the drama, yet we feel that it is important to keep it coming, week after week. Recent surveys in several countries show that a majority of people under 30 don’t know the full extent, or sometimes even the existence of the Holocaust. Using YouTube to document how it evolved, step by gruesome step is therefore in our opinion all the more important.

September 25, 2020

From Normandy To The Rhine – Jesse’s Grandfather in WW2 I RHINELAND 45

Filed under: Cancon, Germany, History, Military, WW2 — Tags: , , , , — Nicholas @ 06:00

The Great War
Published 23 Sep 2020

Back Rhineland 45: https://realtimehistory.net/rhineland45

Jesse shares the service history of his grandfather James who fought in the Canadian Army.

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020

September 20, 2020

Another week, another half million for the Germans – WW2 – 108 – September 19, 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 19 Sep 2020

Kiev falls to the Germans, yielding hundreds of thousands of prisoners as whole armies are surrounded, but behind the lines all over German-occupied territories, partisan movements are gaining steam. Meanwhile, in China, Japan launches another campaign against Changsha.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Monika Worona
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Daniel Weiss

Sources:
– Ra Boe / Wikipedia / Lizenz: Creative Commons CC-by-sa-3.0 de
– Mil. ru
– Narodowe Archiwum Cyfrowe
– Estonica

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

September 18, 2020

Édith Piaf during World War Two, Kerensky, & the German Journey to N. Africa – WW2 – OOTF 017

Filed under: Africa, France, Germany, History, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 06:00

World War Two
Published 17 Sep 2020

How did Alexander Kerensky react towards the invasion of the Soviet Union? How were French musicians working during the war? How did Germans get to Africa in 1940? Find out from Indy the answers to all these questions in Out of the Foxholes!

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina Dołęga

Colorizations by:
– Mikołaj Uchman
– Klimbim
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/

Visual Sources:
– Bundesarchive
– Fortepan: 146645
– Library of Congress
– United States Holocaust Memorial Museum
– US National Archive
– B. Huber from German Wikipedia
– Tigidoulaïlaï from Wikimedia
– Picture of Jacques Prévert courtesy of Ruth Bessoudo Courvoisier
– Icons from The Noun Project by: iconsphere, Luke Anthony, Jordan
Alfarishy, Gan Khoon Lay , Alice Design, ProSymbols & Hada Arkanda.

Music:
“The Inspector 4” – Johannes Bornlöf
“Moving to Disturbia” – Experia
“Castles of France” – Cercles Nouvelles
“Memories of Paris” – Trabant 33
“March Of The Brave 10” – Rannar Sillard

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

“The Last Battle” – The Strangest Fight of WWII – Sabaton History 085 [Official]

Filed under: Germany, History, Media, Military, USA, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 17 Sep 2020

On the 5th of May 1945, the Second World War in Europe is literally in its final days. As the German lines and Nazi state collapse into free fall, some Nazi hardliners remain fighting until the very moment surrender is announced. At Castle Itter, the lines are blurred as US and German soldiers fight side by side in a medieval castle, home to some of the highest profile prisoners of the war.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Last Battle” on the album The Last Stand:
https://music.sabaton.net/TheLastStand

Watch the Official Lyric Video of “The Last Battle” here:
https://www.youtube.com/watch?v=BwfJs…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com
Sources:
– Photos of the Itter Castle: Sammlung Risch-Lau, Vorarlberger Landesbibliothek
All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

Germany’s Not-So-Light 5cm LeGrW 36 Light Mortar

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 2 Sep 2018

Sold for $18,400

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

The 5cm 5CM Leichter Granatwerfer 36 was the standard German light infantry mortar going into World War Two. It was designed by Rheinmetall-Borsig in the mid 1930s and adopted in 1936. It fired a 0.9kg / 2 pound mortar bomb with a range of up to 550 meters. In theory, it occupied the same role as the French Mle 1937 50mm light mortar — except it was far heavier than was practical, and substantially more complex to use. The LeGrW 36 weighed in at a hefty 31 pounds (14kg) – nearly four times as much as its French counterpart.

It was a striker fired design, with a trigger lever and thus did not fire immediately upon a round being loaded. It used adjustments in angle to determine range, with a constant projectile velocity (as opposed to venting a varying amount of propellent gas to adjust range). By the middle of the war, it was being pulled out of front-line use, as its weight and relative complexity made it impractical for its intended role.

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

September 17, 2020

Britain’s technological edge in the Battle of Britain

Filed under: Britain, Germany, History, Military, Technology, WW2 — Tags: , , , , — Nicholas @ 03:00

Over at The Register, Gareth Corfield lists some of the advanced technological kit the Royal Air Force had access to during the Battle of Britain in 1940:

Restored Battle of Britain operations room in an underground bunker at former RAF station Uxbridge.
Photo by Ian Mansfield via Wikimedia Commons.

Technology played its part, mostly behind the scenes – yes, we mean the backroom boffins – in equipping Britain to hold firm and defeat the Germans. As today’s commemorations focus on the pilots and ground crew who saw off the Luftwaffe, spare a thought for the technologists whose efforts also saved the western world.

The Chain Home Tower in Great Baddow Chelmsford.
Photo by Stuart166axe via Wikimedia Commons.

Radar and radio

Chief among the technological innovations that gave the RAF the edge was radar. In the 1930s Britain was one of the world leaders in radar (thanks in part to a bizarre and unsuccessful experiment to kill sheep with a death ray) leading to the building of radar stations all around the British coast.

Sir Robert Watson-Watt, today regarded as the father of radar, was instrumental in devising a method of bouncing radio waves off a flying aeroplane to figure out its location. He turned that 1935 concept into the fully operational Chain Home and Chain Home Low air defence networks inside four years.

Without radar, the RAF was totally reliant on humans with binoculars spotting incoming formations of German bombers; radar gave the air force an early warning capability as hostile aircraft formed up over France before crossing the Channel.

Before radar came radio direction-finding. The RAF’s Home Defence Units were first established in the 1920s and mastered the art of pinpointing an aeroplane’s location from radio transmissions made by its pilots. Though less high profile than radar, the HDUs’ activities allowed the RAF to “see” beyond the range of radar as Luftwaffe bomber formations, transmitting to each other over France, formed up ready for a raid over British soil.

Signals intelligence and compsci

Not far behind radar was the crucial role of what was then the Government Communications and Cipher School (GC&CS), based at Bletchley Park. Today the site is home to the National Museum of Computing but in the dark days of the 1940s it was where codebreakers deciphered German military communications.

Breaking Nazi Germany’s encryption was a vast task, and in the days before computers extremely labour intensive; between 9,000 and 12,000 personnel worked at Bletchley during the Second World War. The demands of RAF and other military commanders for speedy decryption of enemy messages directly contributed to the development of early computer science; Alan Turing worked at Bletchley Park, helping devise improvements to electromechanical crypto-breaking machines that resulted in the Bombe, a very early computer.

September 13, 2020

Victory for the Red Army! – WW2 – 107 – September 12, 1941

Filed under: Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 12 Sep 2020

The German invasion of the Soviet Union has taken enormous amounts of territory, but this week the Red Army not only stops the Germans, they score a ringing victory. However, Leningrad comes under siege and Kiev is in great danger, and Adolf Hitler is issuing directives for the next phase of the operation.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Daniel Weiss

Sources:
– Mil.ru
– Bundesarchiv, CC-BY-SA 3.0: Bild_102-08824
– Imperial War Museum: CR 165

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

September 12, 2020

Shooting the ZB-26: A Jewel of an Interwar Light Machine Gun

Forgotten Weapons
Published 27 Oct 2017

Sold for $34,500 (transferrable).

Today we have a chance to do some shooting with a ZB-26, a German-occupation 8mm light machine gun made at Brno in Czechoslovakia. The ZB-26 does not get nearly as much attention as LMGs made by the better known powers during the war, but it is an excellent weapon. In addition to being adopted by the Czech military, the gun was sold to about two dozen other countries and used in significant numbers by the Waffen SS.

As one would expect form its reputation, the ZB was smooth, reliable, and very controllable. For all the reasons discussed in yesterday’s history and disassembly video [here], it is a top notch firearm.

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

« Newer PostsOlder Posts »

Powered by WordPress