Quotulatiousness

March 4, 2014

“Comedy turned inward and became domesticated [and] smaller”

Filed under: Humour, Media, USA — Tags: , , , — Nicholas @ 08:41

In the New York Post, Kyle Smith discusses the comedians of the 1970s and their modern day successors:

As Chevy Chase might have put it on Saturday Night Live, Harold Ramis is still dead. And with him has gone the finest era of comedy: The ’70s kind.

Ramis was as close to the king of comedy as it gets, as a writer, director and occasional sidekick for Animal House, Meatballs, Caddyshack, Stripes, Ghostbusters, Back to School, National Lampoon’s Vacation and Groundhog Day.

[…]

Taking off with the movie M*A*S*H in 1970 — a huge hit that grossed $450 million in today’s dollars — and its spinoff sitcom, ’70s comedy ruled from an anti-throne of contempt for authority in all shapes. College deans, student body presidents, Army sergeants and officers, country-club swells, snooty professors and the EPA: Anyone who made it his life’s work to lord it over others got taken down with wit.

When the smoke bombs cleared and the anarchy died, comedy turned inward and became domesticated. It also became smaller.

The Cosby Show and Jerry Seinfeld didn’t seek to ridicule those in power. Instead they gave us comfy couch comedy — riffs on family and etiquette and people’s odd little habits.

Now, in the Judd Apatow era, comedy is increasingly marked by two worrying trends: One is a knee-jerk belief, held even by many of the most brilliant comedy writers, that coming up with the biggest, most outlandish gross-out gags is their highest calling.

H/T to Kathy Shaidle for the link.

February 26, 2014

Carl Sagan and when warnings about a new ice age switched to global warming instead

Filed under: Environment, Media, Science — Tags: , , — Nicholas @ 09:44

As a youngster, Robert Tracinski was a huge fan of Carl Sagan’s Cosmos TV series. It was a formative experience for him, yet he found that Sagan’s concerns about global warming were not convincing … because those warnings were actually antithetical to his larger message:

It might seem strange to say it, but I am a global warming skeptic because of Carl Sagan.

This might seem strange because Sagan was an early promoter of the theory that man-made emissions of carbon dioxide are going to fry the globe. But it’s not so strange when you consider the larger message that made Sagan famous.

As with many people my age, Sagan’s 1980 series Cosmos, which aired on public television when I was eleven years old, was my introduction to science, and it changed my life. Cosmos shared the latest developments in the sciences of evolution, astronomy, and astrophysics, but its real heart was Sagan’s overview of the history of science and the distinctive ethos behind the scientific method. Sagan returned again and again to one central theme: that the first rule of science is to follow the evidence wherever it leads, regardless of one’s wishes or preconceptions. He spoke eloquently about the Ancient Greek Pythagoreans and their attempt to suppress the facts about “irrational numbers” that didn’t fit their theory. And he spoke admiringly about the 17th-century astronomer Johannes Kepler, who started out pursuing a theory in which the planets move in circular orbits reflecting the ratios of the perfect Pythagorean solids — and ended up being driven by the evidence to reject this theory and discover completely new laws of planetary motion.

I didn’t end up becoming a scientist, but I absorbed Sagan’s basic lesson and have tried my best to adhere to it in my own field: follow the evidence wherever it leads.

But this can be a difficult rule to follow. It is easy to spot the unexamined assumptions of others, but harder to root out your own prejudices. A few years ago, while watching Cosmos again for the first time in 25 years, I was reminded that Sagan did not always practice what he preached, and his error sheds light on the global warming theory’s original sin against science. It is a sin that has only gotten worse and which explains the scandalous state of today’s debate over global warming.

[…]

This is a bit of a cultural time capsule, preserving the precise moment at which scientific alarmists were switching from warning about a new ice age, in the 1970s, to warning about runaway warming.

February 25, 2014

QotD: The power of the right accent

Filed under: Humour, Media, Quotations, USA — Tags: , , — Nicholas @ 09:57

We assign 20 extra IQ points to anyone who speaks with a British accent, redistributing them from the people who speak with Southern accents.

Dave Weigel, “Shut Up, Piers: Thank goodness Piers Morgan Live is dead. Finally.”, Slate, 2014-02-24

February 2, 2014

Some of the Super Bowl commercials Canadians won’t see on TV

Filed under: Business, Football, Humour, Media — Tags: , , , , , — Nicholas @ 11:13

The audience for the Super Bowl is split between fans of the game (who actually care about the outcome) and fans of the ads (because this is the biggest TV audience, advertisers pull out all the stops and generally try to be genuinely funny). In Canada, thanks to our TV regulations, most of us will see the broadcast of the game itself, but we won’t see the same commercials as our US neighbours … we’ll get the same assortment of crummy ads they’ve been showing since the start of the season, with a few of the US ads as a “teaser”.

Fortunately for those who aren’t interested in the game itself, but like the commercials, the lead-up to the Super Bowl usually includes web release of many of the ads that will air during the broadcast. Here’s a selection put together by the Guardian, including a “behind the scenes” of an ad that won’t get shown … because it was never made:

Go behind the scenes of the Mega Huge Football Ad Newcastle Brown Ale almost made with the mega huge celebrity who almost starred in it. See more at http://www.IfWeMadeIt.com

The VW ad is rather amusing, too:

February 1, 2014

QotD: Captains, Majors, and Colonels

Filed under: Britain, Media, Military, Quotations — Tags: , , , , , — Nicholas @ 09:06

The BBC television show Blackadder is arguably one of the funniest and finest comedies of the late 20th century. Achingly sharp, with jokes that are still funny to this day, it was a four series show which finished with Blackadder Goes Forth set in the First World War. Watching the show today, one is struck by how funny it is, and also worryingly how its anti-establishment jokes aimed at undermining the social structure of the time has become the accepted historical record of the First World War.

The UK has a very strange ‘love hate’ relationship with its military officers — junior ones are portrayed as incompetent (Lieutenant George), Captains are seen as possibly okay (Captain Blackadder), Majors are usually seen retired and with a snifter in their hand (the Major from Fawlty Towers), while Colonels or heaven forbid Generals (General Melchett) are usually seen as inept, incompetent, who do not have a clue about their profession or what it involves. They are seen as people without a clue until the point when they retire, at which point they suddenly become military geniuses, whose angry letters to Broadsheet newspapers warrant being printed on the grounds that they are military commanders who know what they are talking about.

Sir Humphrey, “This is the Captain(s) of Your Ship Speaking… Why there are 260 Captains in the Royal Navy today”, Thin Pinstriped Line, 2013-10-19

January 30, 2014

James T. Kirk, a character who regressed from the first season onwards

Filed under: Media — Tags: , , , — Nicholas @ 09:17

Steve Muhlberger is between major history projects right now, so he takes a bit of time to find out why so many of his friends are fans of the original Star Trek TV series.

So what about the original series? My memory of the original series is that it was not really very good. I was only about 15 when it came on, but I’d already read a lot of high-quality science fiction in print, and I thought that the TV show was not really giving the best selection of science-fiction ideas available. The series was better than most of what was on TV, but most of what was on TV was pretty lame.

Part of me wondered why the series had such a tremendous impact. I knew plenty of people who really loved it.

I’m a bit younger than Steve, so I didn’t watch the original broadcasts on NBC from 1966-69. For me, it was an after-school show in the early 70s that so far as I can remember was not shown in any kind of order. It left me with no sense of how the show changed over time (improving, in some respects). Steve points out one thing that didn’t improve:

A good half of that season focused on exactly one idea, which is not really much of a science fictional idea as much as a horror genre idea. That idea is that universe is filled with things that look like human beings that are actually monsters; or alternatively things that started out as human beings have turned into monsters, sometimes only moral monsters. There’s a lot of betrayal and menace in those early episodes, and they’re not really very good episodes otherwise.

But about halfway through that first season, what people have loved about this series begins to emerge. By that I mean the characters and the interactions between the characters on the ship and particularly on the bridge of the ship start making you really care about what goes on with them.

What really surprised me was that I liked the first season James T Kirk. I have always been someone who put James T Kirk down as a borderline maniac whose prominence in Starfleet reveals a weakness in their whole system, especially the recruiting efforts. My image of Kirk is a rather smug character who relies on his physical charisma (which did not really speak to me) to get his way. But the first season Kirk is not really like that. He’s trimmer, fitter, handsomer and — can’t believe I’m saying this — more intelligent and more philosophical than he was later on in the series or in the movies. He says a lot of things are actually smart. He looks smarter than Spock!

January 29, 2014

YouTube‘s formative nine-sixteenths of a second

Filed under: Football, Media, USA — Tags: , , , , — Nicholas @ 09:19

Marin Cogan explains how less than a second of TV helped to trigger the development of YouTube:

You know what happens next. Justin reaches over, grabs a corner of Janet’s right breast cup and gives it a hard tug. Her breast spills out. It’s way more than a handful, but a hand is the only thing Janet has available to cover it, so she clutches it with her left palm. The breast is on television for 9/16 of a second. The camera cuts wide. Fireworks explode from the stage. Cue the end of halftime. Cue the beginning of one of the worst cases of mass hysteria in America since the Salem witch trials.

[…]

Michael Powell, then the chairman of the Federal Communications Commission, was watching the game at a friend’s house in northern Virginia. He’s a football fan and was excited to relax and watch the game after a rough couple of weeks. “I started thinking, Wow, this is kind of a racy routine for the Super Bowl!” he says, his voice pitching up in bemusement. “He was chasing her kind of with this aggressive thing — not that I personally minded it; I just hadn’t seen something that edgy at the Super Bowl.”

Then it happened. Powell and his friend gave each other quizzical looks. “I looked and I went, ‘What was that?’ And my friend looks at me and he’s just like, ‘Dude, did you just see what I did? Do you think she … ?’ And I kept saying, ‘My day is going to suck tomorrow.'” Powell went home and watched the moment again on TiVo. The same thought kept running through his mind: Tomorrow is going to really suck, he remembers thinking. “And it did.”

[…]

Of course, our children and our children’s children will never need to dig up an actual time capsule to find out about the wardrobe malfunction. As soon as they hear about the time Janet Jackson’s breast was exposed on live TV, they’ll watch it online. And the reason they’ll watch it online is that in 2004, Jawed Karim, then a 25-year-old Silicon Valley whiz kid, decided he wanted to make it easier to find the Jackson clip and other in-demand videos. A year later, he and a couple of friends founded YouTube, the largest video-sharing site of all time.

January 21, 2014

Euthanasia on TV and in real life

Filed under: Health, Liberty, Media — Tags: , , , — Nicholas @ 12:10

It’s been many years since I watched an episode of Coronation Street, so I was a bit surprised to find that the show’s writers are “political”, at least on some issues:

Many a soap-opera storyline has created a news story in itself. So it was in the case of Hayley Cropper, a character on a British soap, Coronation Street. News of what happens to Hayley, in an episode to be shown tonight, created a furore when the press release for the story went out last Tuesday. The dilemma for the writers was how to kill off a character who had been a mainstay of the programme since 1998, when she was introduced as the first transsexual character. The answer, provided by producer Stuart Blackburn, was to have the character dying of pancreatic cancer, but finishing herself off with a cocktail of drugs in an on-screen suicide.

Julie Hesmondhalgh, the actor who plays Hayley, called for a discussion on legalising assisted suicide. She was backed by Sara Wootton, chief executive of Dignity in Dying, who praised the show’s ‘sensible and sensitive handling of assisted dying’. Lord Falconer, whose Assisted Dying Bill will be introduced in the House of Lords in the coming months, penned an article in the Sun. The Sun’s editorial called for a change in the law and the newspaper published the results of a poll indicating that 69 per cent of Britons support the legalisation of assisted suicide for the terminally ill.

[…]

It is difficult not to suspect – despite the even-handedness of the treatment of the issue (the character’s on-screen husband, Roy Cropper, opposes Hayley’s decision) – that the programme is part of the well-funded campaign to legalise assisted suicide. Stuart Blackburn had previously explored the same issue while at a rival soap, Emmerdale. (He perhaps risks becoming the Jack Kevorkian of the soap world.) Hesmondhalgh was forthright about her support for a change in the law in several interviews, and many journalists seem poised to call again for the legalisation of assisted suicide.

But it is entirely appropriate that a fictional plotline is used to promote legalising assisted suicide. The reason that so many people wish to have the ‘right to die’ is based on the morbid imagination of the ‘worried well’, traded on so effectively by right-to-die campaigners. ‘What if it happened to YOU…?’ is the plotline of Dignity in Dying and other organisations that campaign for legalised assisted suicide.

There are arguments on both sides of this issue (personally, I’m in favour of making it legal), but there are concerns that less-than-scrupulous family members might attempt to “hurry” an elderly or infirm parent or relative to a decision that wouldn’t really be voluntary.

It’s also an issue that came up this weekend, as one of my online acquaintances (we’d never met in person, but we both belonged to a special interest mailing list and had had several email discussions) committed suicide with his wife last week. Maarten and Irma apparently faced an unpleasant future in their declining years and mutually decided that their time had come. While euthanasia is legal in the Netherlands, it does not seem that Maarten and Irma followed the letter of the law in their case:

Euthanasia in the Netherlands is regulated by the “Termination of Life on Request and Assisted Suicide (Review Procedures) Act” from 2002. It states that euthanasia and physician-assisted suicide are not punishable if the attending physician acts in accordance with criteria of due care. These criteria concern the patient’s request, the patient’s suffering (unbearable and hopeless), the information provided to the patient, the presence of reasonable alternatives, consultation of another physician and the applied method of ending life. To demonstrate their compliance, the Act requires physicians to report euthanasia to a review committee.

The family is, understandably, not providing a lot of detail but said that they were found in bed, hand in hand and “together, peaceful and loving” but did not specify how they had died.

Becoming dependent on whomever or whatever, or seeing your partner slowly fading away, are situations we do not ever want to contemplate, therefore we have, in good health, clear of mind, together 150 years old, in our own bed, hand in hand, ended our lives.

At risk of sounding trite, I’m saddened that they chose to do this, but I respect their right to make that decision. It cannot have been an easy one. Rest in peace.

January 19, 2014

Obamacare opponents ruthlessly parody the efforts of supporters

Filed under: Humour, Media, Politics — Tags: , , , , — Nicholas @ 10:51

Those who are still opposed to President Obama’s healthcare program will go to any lengths to ridicule and belittle both the program itself and the people who support it. Here, for example is one of the nastiest attempts to drag Obamacare into the public eye in as negative and mocking a fashion as possible.

I’m either on drugs, or the administration is this helplessly stupid. The Tell a Friend — Get Covered campaign, better described as “a tourist trap off Route 66,” began a six-hour live-streamed event Thursday afternoon that was advertised to “include stories, tips, helpful information and other details related to national health care options.” Really, it was as if the audio-visual club got wasted on malt liquor and hijacked public access television.

Get Covered, a partnership among state healthcare exchanges and the Obamacare missionary Enroll America, expertly fails to cater to young people. Its circus began Thursday with a dance-off between Richard Simmons and the contortionist Nathan Barnatt, overseen by the star of an Internet show whose premise is “drunk cooking.” How this is supposed to entice a 27 year old to pay $200 a month for health insurance, or even talk about it, is a question for the gods.

“What’s he doing?” Simmons exclaimed as Barnatt began to shake his body wildly.

“He’s extending his livelihood! That’s what he’s doing!” Hannah Hart, your host and creator of My Drunk Kitchen, responded in an endorsement of cardio.

Oh, c’mon. Is this seriously going to be one of those D-grade infomercials in which the participants force every line back to the bottom one?

“His moves are telling us something,” Barnatt whispered as Simmons took his turn.

“They are, and I think they’re saying, ‘Be flexible about your health insurance options,’” Hart responded.

Yes. Yes, it is.

Oh. Sorry. Apparently this isn’t a sleazy disinformation scheme by opponents. It’s a “good faith” advertising effort by supporters. Carry on, then.

January 17, 2014

QotD: Forming a cabinet in a parliamentary system

Filed under: Britain, Government, Humour, Quotations — Tags: , , — Nicholas @ 08:05

The argument that we must do everything a Minister demands because he has been ‘democratically chosen’ does not stand up to close inspection. MPs are not chosen by ‘the people’ — they are chosen by their local constituency parties: thirty-five men in grubby raincoats or thirty-five women in silly hats. The further ‘selection’ process is equally a nonsense: there are only 630 MPs and a party with just over 300 MPs forms a government and of these 300, 100 are too old and too silly to be ministers and 100 too young and too callow. Therefore there are about 100 MPs to fill 100 government posts. Effectively no choice at all.

Jonathan Lynn, “Yes Minister Series: Quotes from the dialogue”, JonathanLynn.com

January 14, 2014

Colby Cosh is just handing out million-dollar ideas for TV

Filed under: Humour, Media — Tags: , — Nicholas @ 08:36

No, really:

January 11, 2014

Proportionality in media coverage

Filed under: Media, Politics, USA — Tags: , , , , — Nicholas @ 10:41

Jonah Goldberg makes a good point about what the media chooses to focus their attention on, and how it can downplay or amplify the actual importance of a given issue:

You have to wonder how some of the folks in the media can look at themselves in the mirror. The three network news shows have devoted orders of magnitude more coverage to a story about closed lanes on the George Washington Bridge than they have to the IRS scandal. I know this is not a new insight, but WHAT THE HELL!?

The sheer passion the New York Times-MSNBC mob is bringing to a partial road closure is a wonder to behold. What about the children! The chiiiiillllldrennnn!!!!!

But using the IRS to harass political opponents — one of the charges in the articles of impeachment for Richard Nixon — well, that’s complicated. The president didn’t know. The government is so vast. I had a flat tire! A flood! Locusts! It wasn’t his fault! Besides Chris Christie joked about putting down the cones himself! The cones, man! The cones!

But forget about the IRS scandal. Obama’s whole shtick is to pretend that he’s above politics while being rankly political about everything, including his stated desire to “punish our enemies.” By comparison, Chris Christie looks like Diogenes and Cincinnatus rolled into one. From inauguration day forward, this whole crew has behaved like Chicago goons dressed in Olympian garb, and the press has fallen for it.

We don’t need to recycle the whole sordid history of the sequester and the shutdown to remember that this White House sincerely, deliberately, and with malice aforethought sought to make things as painful as possible for millions of Americans. Traffic cones on the George Washington Bridge are a stain on the honor of New Jersey. (Stop laughing!) But deliberately pulling air-traffic controllers to screw with millions of people is just fine? Shafting World War II vets and vacationing families at National Parks is something only crazy right-wingers on Twitter would have a problem with? And keep in mind, it is at least plausible Christie didn’t know what his staff was doing. It is entirely implausible that the president didn’t know about the WWII memorial closure, after the news appeared in the president’s daily briefing (a.k.a. the New York Times).

I’d say I just don’t get it, but I do get it. For the mainstream media, skepticism comes naturally when a Republican is in the crosshairs. It comes reluctantly, slowly, and painfully — if at all — when it’s a Democrat.

The press would be much more useful to the country if it was equally critical of politicians regardless of party affiliation, rather than acting as a propaganda arm for one side. In Canada, replace “Chris Christie” with “Rob Ford” and the story is pretty much the same … everything Ford does goes under the microscope to detect evil intent, wrongdoing, malice, and (blatantly hoped-for) criminality. Other politicians, both on city council and at the provincial level, get so much benefit of the doubt that the press sometimes acts as unpaid PR staff.

Update: David Friedman points out the only evidence in Christie’s favour and does a bit of quick math to point out the costs imposed on New Jersey commuters by this little flexing of the arm of power:

There is only one piece of evidence that I can see in Christie’s favor—the fact that he would have had to be terminally stupid to think he could get away with it.

Of course, that leaves the conclusion that the two people known to be responsible, a high up Christie aid whom he has just fired and the Port Authority official actually responsible for closing down the lanes who has now resigned, both close to Christie, were terminally stupid as well as criminally irresponsible. […]

One other point is suggested by the story, not about Christie but about the Port Authority and government actors more generally. Average weekday traffic volume eastbound on the bridge, found with a little googling, is a bit over 150,000 vehicles. Assume a third of them got delayed by the traffic jam for an hour each. Assume their occupants value their time at ten dollars an hour. Assume one person per vehicle. On those very conservative assumptions, a single Port Authority official, acting in effect on a whim, imposed a cost of two million dollars on New York commuters and it took four days for anyone else in the organization to notice and do something about it. More generous assumptions could easily push the number up to five or ten million.

January 9, 2014

QotD: The civil service delaying process

Filed under: Bureaucracy, Government, Humour, Quotations — Tags: , , , — Nicholas @ 09:24

Any unwelcome initiative from a minister can be delayed until after the next election by the Civil Service 12-stage delaying process:

1. Informal discussions
2. Draft proposal
3. Preliminary study
4. Discussion document
5. In-depth study
6. Revised proposal
7. Policy statement
8. Strategy proposal
9. Discussion of strategy
10. Implementation plan circulated
11. Revised implementation plans
12. Cabinet agreement

Jonathan Lynn, “Yes Minister Series: Quotes from the dialogue”, JonathanLynn.com

January 7, 2014

The “politicization” debate about the First World War

Filed under: Britain, Education, History, Media, Politics, WW1 — Tags: , — Nicholas @ 08:54

In sp!ked, Frank Furedi says that the row in Britain over the centennial of the start of World War 1 isn’t really about the war at all:

Somehow, the First World War has come alive. Suddenly, everyone in Britain seems to have strong views about its causes, meaning and the way it is taught in schools and represented by the entertainment industry.

Boris Johnson, the Conservative mayor of London, is certain that the Germans started the war. Michael Gove, the Conservative secretary of state for education, concurs, insisting that the ‘ruthless social Darwinism of the German elites’ and their ‘aggressively expansionist war aims’ made ‘resistance more than justified’. Gove, who believes Britain fought a ‘just war’ back in 1914, has denounced ‘left-wing academics’ and cynical TV shows like Blackadder for mocking Britain’s role in the conflict.

The Labour Opposition has dutifully done what it always does — attack Gove. Labour’s shadow education secretary, Tristram Hunt, said in response to Gove that ‘few imagined that the Conservatives would be this crass’. He also reminded his opposite number that the left played an honourable role in the Great War. Labour activist Sir Tony Robinson, who played Baldrick in Blackadder, also joined the fray, accusing Gove of ‘slagging off teachers’.

This looks and sounds like a debate about the past — but actually, its main drivers are contemporary conflicts over cultural values and political opinions.

Hunt claims Gove is using history for political ends. No doubt he is right. However, Hunt himself, and other Labour-supporting critics of Gove, fail to acknowledge their own complicity in the politicisation of the current debate on the meaning of the First World War. When they depict Gove’s attack on media cynicism about the war as just another example of him ‘slagging off teachers’, what they’re really doing is continuing today’s education debate under the guise of talking about the past.

January 5, 2014

In the dictionary, the word “narcissism” is defined as “baby boomer default mental state”

Filed under: History, Media, USA — Tags: , , , , , — Nicholas @ 11:22

Okay, it isn’t really (but if you think it is, you’ve probably fallen for the “gullible isn’t in the dictionary” prank as well). In the Wall Street Journal, Terry Teachout discovers that every defining event of the Baby Boom era always comes back to being about the Baby Boomers themselves:

Most “Monty Python” fans are, of course, baby boomers, who have long been a nostalgic lot and are growing more so as they totter toward old age. Witness their tiresomely obsessive fascination with the popular television series of their youth. Likewise their undimmed passion for the rock music of the 1960s and ’70s, which they still love so much that they’ll buy expensive tickets to see wrinkled old codgers play it onstage.

As always with the boomers, this nostalgia contains more than a touch of narcissism. The same narcissism was on display in many of the countless gushy boomer-penned reminiscences occasioned by the 50th anniversary of the Kennedy assassination. An indisputably major historical event, to be sure, but there was also something decidedly creepy about the self-centered tone of those suddenly-my-world-changed pieces, which was deftly skewered by this Onion headline: “Area Man Can Remember Exactly Where He Was, What He Was Doing When He Assassinated John F. Kennedy.” Like everything else in the boomers’ world, Kennedy’s death turned out in the end to have been all about them.

[…]

Not surprisingly, my parents’ generation did everything they could to make life easier for their own children. Was that good for us? I wonder. It certainly didn’t do us any good from a cultural point of view. I’m struck by how few boomers have embraced adult culture in middle age. My impression is that they’d much rather watch sitcoms than read novels, go to the opera or listen to jazz. In large part they’re a cohort of Peter Pans, determined not to grow up any more than they can help. Indeed, not a few of them seem to take a perverse kind of pride in their adolescent enthusiasms. I read the other day that a “Fat Albert and the Cosby Kids” lunch box from 1973 now sells for $1,200 — and that the Smithsonian Institution’s National Museum of American History owns one. I’m not quite sure which of those facts makes me sadder.

If I live long enough, I’ll enjoy finding out how the millennials remember the world of their youth a quarter-century from now. Since they’re having a much harder time earning a living than did their baby-boom parents, I wouldn’t be at all surprised if their attitude ends up being much more like that of the wised-up kids of the Great Depression, especially as regards cultural matters. While I don’t know whether they’ll go in for late Beethoven by the time they reach their 50s, somehow I doubt that watching an ancient episode of “30 Rock” will cause them to recall with fondness the good old bad old days when they were living in crummy studio apartments — or their parents’ basements.

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