Quotulatiousness

March 17, 2012

Schiaparelli’s ambiguous word choice and the lasting obsession with Mars

Filed under: Books, History, Italy, Media, Science, Space — Tags: , , — Nicholas @ 11:09

Scott Van Wynsberghe reviews the hold that fictitious Mars has held on the imagination since “canals” were observed:

Mars, the most obsessed-about extraterrestrial body in the universe, has come our way again. On March 9, Hollywood unveiled John Carter, the first film adaptation of a famous series of Martian adventures written by Edgar Rice Burroughs, better known as the creator of the jungle hero Tarzan. Burroughs’s Martian yarns act as a portal to 135 years of cultural history that really is out of this world.

The bizarre story of humanity’s modern entanglement with the Red Planet began in 1877, when Italian astronomer Giovanni Schiaparelli reported the existence of “canali” on the Martian surface. In Italian, that word can mean both “channels,” which are natural formations, and “canals,” which are not. According to science writer John Noble Wilford, that ambiguity was never cleared up.

[. . .]

Caught between science fiction and the supernatural, actual scientists were in trouble. French astronomer Camille Flammarion, for example, alternately wrote about Mars and reincarnation (1889) and Mars and science (1892). In 1900, the inventor Nikola Tesla announced that he had monitored transmissions from either Mars or Venus, but he was jeered (biographer Margaret Cheney thinks he was just detecting natural electromagnetic patterns in space). In 1921, radio pioneer Guglielmo Marconi thought he had received a signal from Mars, but that, too, went nowhere. The biggest offender, however, was American astronomer Percival Lowell.

In 1895, Lowell released the first of a series of books proclaiming that Mars was inhabited. The canali, he said, really were canals, supporting a civilization struggling to survive on a dying globe. Although rightly scorned by other astronomers, Lowell was a superb writer and a frequent lecturer — Robert Goddard, the father of American rocketry, heard him speak — so his message spread. (And, in a way, it is still spreading: Think of that recent, much-debunked conspiracy theory about a giant, sculpted face on the Martian surface.)

March 16, 2012

Copyright MathTM

Filed under: Economics, Media, Technology — Tags: , , , — Nicholas @ 13:38

Now remember kids: always buy your movies and other entertainment items legally. You’ll get this kind of experience:

And here’s the reason you pay for a legal copy, rather than being one of those evil pirates:

Update, 21 March: The actual numbers — “by an actual Copyright Mathematician” — behind the Copyright MathTM video.

March 14, 2012

Michael Geist rounds up the changes to Bill C-11

Filed under: Cancon, Law, Liberty, Media, Technology — Tags: , , , , , , — Nicholas @ 11:58

It’s not wonderful, but as he points out, it could have been much worse:

In the days leading up to the clause-by-clause review, many focused on three key issues: no SOPA-style amendments such as website blocking or warrantless disclosure of information, maintaining the fair dealing balance found in the bill, and amending the digital lock provisions. By that standard, the changes could have been a lot worse. The government expanded the enabler provision, though not as broadly as CIMA requested. Virtually all other copyright lobby demands – website blocking, notice-and-takedown, iPod tax, copyright term extension, disclosure of subscriber information – were rejected. Moreover, the provisions supported by consumer and education groups including user generated content protection, time shifting, format shifting, backup copies, Internet provider liability, and statutory damages reform were left untouched. This represents a major victory for the many Canadians and groups such as Open Media that spoke out on these issues.

The fair dealing provision was similarly left unchanged despite a full court press from publishers and copyright collectives who sought elimination of the education category within fair dealing (didn’t happen), inclusion of the Berne three step test in the law (didn’t happen) or a new fair dealing test that overrules the Supreme Court of Canada CCH test (didn’t happen). The expanded fair dealing provision will not cause the horrors claimed by those groups and it is heartening that the government dismissed the misinformation campaign.

The only loss was the least surprising — digital locks. Despite widespread support for compromise legislation and sensible amendments from both the NDP and Liberals, the government rejected any changes. Given the government’s consistent support for digital locks, the ongoing pressure from the U.S., and Prime Minister Harper’s direct intervention on the issue in 2010, amending the digital lock rules presented a major challenge. Government MPs yesterday emphasized the possibility of future new exceptions via regulation but that will be cold comfort in the short term to those with perceptual disabilities, researchers, documentary film makers, consumers, and the many others adversely affected by the restrictive approach. In fact, one NDP MP raised the possibility of constitutional challenges to the bill.

March 11, 2012

Conflicting reviews of John Carter

Filed under: Books, Media — Tags: , , , , — Nicholas @ 10:14

First up, Tim O’Reilly (of O’Reilly Books), who wasn’t impressed with the new movie:

Well, I was disappointed. Here are a few reasons:

1. The character of John Carter was all wrong — brutish and stupid, far from the chivalrous Virginia gentleman of the books. They abandoned the unabashed romanticism of Burroughs in favor of a modern anti-hero whose tortured path to falling in love with Dejah Thoris, a Princess of Mars, was completely unconvincing.

I wonder at this failure to grasp the simplicity of emotion that suffused the golden age of science-fiction. George Lucas nailed it perfectly in the first Star Wars trilogy. Nobility of purpose, idealism, the pure romance of a boy (or girl) who hasn’t yet experienced the complications of the real thing, adventure and the chance to make a big difference against impossible odds: these are the motivations of the genre.

2. Too much spectacle, not enough attention to character and story. And what spectacle there was was undistinguished. There was a certain steampunk grandiosity to the way they did the flying ships of Barsoom that I liked, and there were some stretches of Lake Powell as the River Iss that I found visually compelling.

On the other hand, ESR went in expecting to be disappointed and instead quite enjoyed the movie:

I’ve read all of the Barsoom novels the movie was based on, but they’re not important in the furniture of my imagination in the way that (say) Robert Heinlein’s books are. They’re very primitive pulp fiction which I sought out mainly because of their historical importance as precursors of later and more interesting work. Still, they are not without a certain rude, innocent charm. The heroes are heroic, the villains villainous, the women are beautiful, dying Mars is a backdrop suffused with barbaric splendor, and the prose is muscular and vigorous.

This translation to movie form retains those virtues quite a bit more faithfully than one might have expected. In doing so it reminded me very much of the 2009 Sherlock Holmes movie with Robert Downey Junior (see my review, A no-shit Sherlock). I didn’t get the powerful sense Sherlock Holmes gave me of the lead actors caring passionately about the source material, but the writers of John Carter certainly cared as much. A surprising amount of Burrough’s Barsoomian mythology and language made it into the movie. The barbarian Green Martians are rendered with gratifying unsentimentality, and the sense of Barsoom as an ancient planet with time-deep history and ancient mysteries is well conveyed.

If you’re me, reading the Barsoom novels is also an entertaining exercise in in origin-spotting tropes that would recur in later planetary romances and space operas clear down to the present day. The designers and writers of John Carter are alive to this; there are a number of points at which the movie visually quotes the Star Wars franchise in a funny, underlined way that reminds us that Barsoom was actually the ur-source for many of the cliches that Star Wars mined so successfully.

February 26, 2012

Reason.tv: Margaret Thatcher, Meryl Streep, & The Iron Lady

Filed under: Britain, History, Media — Tags: , , — Nicholas @ 09:08

February 24, 2012

Star Wars in Icelandic saga form

Filed under: History, Humour, Media — Tags: , , , — Nicholas @ 09:04

A Google+ post by ESR led to this delightful post at Tattúínárdœla saga:

Earlier this week I was drawn into an enlightening discussion with my colleague Ben Frey about the complicated textual tradition that lies behind George Lucas’s “Star Wars,” which few outside the scholarly community realize is a modern rendition of an old Germanic legend of a fatal conflict between a father and his treacherous son. Below I present some remarks on the Old Icelandic version of the legend, with some spare comparative notes on the cognate traditions in other old Germanic languages.

The story as presented in George Lucas’s films represents only one manuscript tradition, and a rather late and corrupt one at that — the Middle High German epic called Himelgengærelied (Song of the Skywalkers). There is also an Old High German palimpsest known to scholars, later overwritten by a Latin choral and only partly legible to us today, which contains fragments of a version wherein “Veitare” survives to old age after slaying “Lûc” out of loyalty to the emperor, but is naturally still conflicted about the deed when the son of his daughter Leia avenges the killing on him.

This is also the ending that we infer for the Icelandic Tattúínárdœla saga (the Saga of the People of the Tattooine River Valley), though unfortunately the ending of that saga is lost and has to be reconstructed from the scant remains of the Old High German poem and from references in other sagas (it should be noted that the later chivalric Lúks saga Anakinssonar is derived from another tradition and may well be a translation of a continental epic, probably one closely related to the extant Middle High German Himelgengærelied, from which Lucas’s narrative is drawn). The author of the Old English poem Déor also knows an “Anacan, haten heofongangende” (“Anacen, named the sky-walker”), who later in the poem is referred to by an alternative byname, “sunubana” (“son-killer”), suggesting that the more tragic version of the tale was current among the Anglo-Saxons too. Hammershaimb seems to know a Faroese ballad on the two Himingangarar, but there is no trace of the text of this ballad in any known collection, and it was not known to the last exponents of the Faroese oral tradition in the early twentieth century.

February 23, 2012

Michael Geist on why Canada should not appear in the US piracy watchlist

Filed under: Cancon, Law, Liberty, Media, Technology, USA — Tags: , , , , — Nicholas @ 13:16

You’d think, as Canada ranks 13th in the world for strength of intellectual property protection (much higher than the US at 24th spot), there’d be no question that Canada should not be considered as a “piracy haven”. But you’d be wrong:

In what has become an annual rite of spring, each April the U.S. government releases its Special 301 report — often referred to as the Piracy Watch List — which claims to identify countries with sub-standard intellectual property laws. Canada has appeared on this list for many years alongside dozens of countries. In fact, over 70% of the world’s population is placed on the list and most African countries are not even considered for inclusion.

While the Canadian government has consistently rejected the U.S. list because it “basically lacks reliable and objective analysis”, this year I teamed up with Public Knowledge to try to provide the U.S. Trade Representative Office with something a bit more reliable and objective. Public Knowledge will appear at a USTR hearing on Special 301 today. In addition, last week we participated in meetings at the U.S. Department of Commerce and USTR to defend current Canadian copyright law and the proposed reforms.

The full submission on Canadian copyright is available here. It focuses on four main issues: how Canadian law provides adequate and effective protection, how enforcement is stronger than often claimed, why Canada is not a piracy haven, and why Bill C-11 does not harm the interests of rights holders (critics of Bill C-11 digital lock rules will likely think this is self-evident).

February 20, 2012

Cello Wars

Filed under: Humour, Media — Tags: , , — Nicholas @ 23:33

February 6, 2012

Brazil fights back against celebrity oppression

Filed under: Americas, Economics, Media — Tags: , , , — Nicholas @ 11:25

John Conroy on the recent backlash in Brazil against foreign celebrities using domestic issues as platforms for moralizing:

Film director James Cameron, responsible for Terminator, Titanic and, more recently, Avatar, has been working on a considerable side-project for a few years now. Cameron film fans shouldn’t get their hopes up, however. This side-project is more political than filmic. He has been trying to prevent the Brazilian government from constructing Belo Monte, the world’s third-largest hydroelectric dam, on the Xingu river which runs through the Amazonian rainforest.

[. . .]

But then something very curious happened. Another tribe of Brazilians, normally so fearful of being seen outside of their natural habitat, fought back. Geeky university students and their professors made a film with zero production values undermining every argument used by Cameron, the NGOs, the Kayapo and TV Globo. These are the myths they challenged:

  • The Indians will have nowhere to live. Actually, a student from Brasilia University who has done little else but study the impact of the project on indigenous lands responded that not one of the indigenous lands in the region will be flooded. There are 12 indigenous territories near the project in an area of 56,000 square kilometres with 2,200 indigenous people living on them. That’s two-and-a-half times the size of Wales. Thirty consultative meetings were held in tribal villages and recorded on video.
  • The dam and its reservoirs will flood and destroy 640 square kilometres of rainforest. Not exactly. The reservoirs will cover an area of 502.8 square kilometres of which 228 square kilometres are already within the body of the river itself.
  • The dam will starve the Xingu National Park of water. This is not true. The students displayed a map revealing that the park is in fact 1,300 kilometres up river of the dam.
  • For eight months of the year the region above the dam is nearly a desert making the dam inefficient and only capable of generating a third of its installed capacity. The implication here is that there is insufficient water to drive the turbines at full power. However, during the high-water period of the year, the river empties 28 million litres of water per second at the point of the turbines, creating an extraordinary potential energy generation of 11,233 megawatts (MW). Even at the river’s lowest levels in the month of October, it delivers 800,000 litres per second. The annual average energy production of Belo Monte will be 4,571MW, or 41 per cent of the potential generating capacity, not one third. This will power 40 per cent of Brazil’s entire residential energy consumption.

January 24, 2012

Scottish Americans: nostalgia compounded of Braveheart, whisky tours, and castles

Filed under: Britain, Media, Politics, USA — Tags: , , , , — Nicholas @ 09:35

The BBC looks at the views of Scotland held by Scottish Americans:

It’s the time of year when Americans everywhere get in touch with their Scottish roots, however tangled and distant they might be, as they celebrate Burns Night.

The concept of Scottish identity has recently been invigorated as plans for a referendum on independence take shape in Holyrood. So what do Americans with Caledonian ancestry make of the debate?

[. . .]

Their vision of Scotland is mostly taken from movies like Braveheart, Mel Gibson’s 1995 tale of Scottish rebel William Wallace, who leads an uprising against an English tyrant, says Mr Forbes.

Few have any idea what modern Scotland is like, he adds, and if they do it will have been picked up from dark and twisted tales like Trainspotting or Shallow Grave.

“There are elements of truth in what people believe the whole of Scotland to be but it is not the whole truth. If you look at the marketing of Scotland, you see these broad mountainous vistas, these sparkling lakes, these old castles.

“They don’t talk about the Silicon Glen, they don’t talk about the industry around the northern oil fields.”

[. . .]

Members of a Gaelic speaking society are, apparently, still smarting after their inquiries about promoting the language in Scotland were batted away by Scottish government officials, who told them that more people speak Farsi than Gaelic in modern Scotland.

John King Bellassai, former president of the DC St Andrews Society, says Scottish Americans tend to let romance cloud their judgement when it comes to an independent Scotland

January 22, 2012

The real story of The King’s Speech

Filed under: Australia, Britain, Economics, History, Media — Tags: , — Nicholas @ 12:13

I was going to just tack this on as an update to the last entry (as it’s the same author and a kinda-sorta similar topic), but it deserves to be in its own post. Colby Cosh on the historical reality behind the movie The King’s Speech:

I got the book The King’s Speech for Christmas and just finished it; in the very wide field of “slender material adapted into a thrilling hit movie, on whose strength it is then flogged”, it must be some kind of record-breaker. I enjoyed the book, as a reader with about a degree-and-a-half in European history and a keen interest in the pre-war period, but I do not have the creative imagination to have imagined it as fodder for Hollywood. The plain fact is that Lionel Logue scored his big breakthrough in treating the Duke of York (the future King George VI) very quickly, taking a matter of literally a few weeks in late 1926 to help him overcome his stammer and to raise his oratorical abilities to a standard of adequacy. After that time, Logue was consulted very occasionally, serving the King as a sort of good-luck totem on major occasions like the Coronation.

The men obviously got on well, and for decades His Majesty treated Logue with a touching solicitude. Logue’s life was otherwise uneventful. As even the most unschooled reader must have intuited, most of the stuff of the movie — the shouting match in the street, the poignant reconciliation, the surprise royal visit to Logue’s home — is a fairy tale.

But it’s a rare article by Colby that doesn’t include a juicy bit of economics:

It was only with the return of Australian soldiers from the First World War that Logue’s calling as an elocution teacher began to tilt, almost imperceptibly, toward the bailiwick of medicine. Like chiropractors of today, he was ostensibly able to assist some afflicted people for whom scientifically validated medical care cannot do much good. His looks, along with a bit of actor’s training, must have helped a great deal.

(Incidentally, after Logue climbed to the top of the new discipline with royal help, he shrewdly pulled the ladder up after himself, employing George VI in an effort to establish standards and licensing criteria he could never himself have met when he was starting out. Public-choice economists will find this a textbook example of how health cartels establish “restricted entry” barriers.)

January 20, 2012

Julian Sanchez on SOPA/PIPA: “No matter how bad last season’s crops were, witch burnings are a poor policy response”

Filed under: Economics, Law, Liberty, Media, USA — Tags: , , , , — Nicholas @ 00:08

In a posting at the Cato@Liberty blog, Julian Sanchez discusses the claims of SOPA/PIPA supporters that new legislation is necessary to fight piracy:

Earlier this month, I detailed at some length why claims about the purported economic harms of piracy, offered by supporters of the Stop Online Piracy Act (SOPA) and PROTECT-IP Act (PIPA), ought to be treated with much more skepticism than they generally get from journalists and policymakers. My own view is that this ought to be rather secondary to the policy discussion: SOPA and PIPA would be ineffective mechanisms for addressing the problem, and a terrible idea for many other reasons, even if the numbers were exactly right. No matter how bad last season’s crops were, witch burnings are a poor policy response. Fortunately, legislators finally seem to be cottoning on to this: SOPA now appears to be on ice for the time being, and PIPA’s own sponsors are having second thoughts about mucking with the Internet’s Domain Name System.

That said, I remain a bit amazed that it’s become an indisputable premise in Washington that there’s an enormous piracy problem, that it’s having a devastating impact on U.S. content industries, and that some kind of aggressive new legislation is needed tout suite to stanch the bleeding. Despite the fact that the Government Accountability Office recently concluded that it is “difficult, if not impossible, to quantify the net effect of counterfeiting and piracy on the economy as a whole,” our legislative class has somehow determined that — among all the dire challenges now facing the United States — this is an urgent priority. Obviously, there’s quite a lot of copyrighted material circulating on the Internet without authorization, and other things equal, one would like to see less of it. But does the best available evidence show that this is inflicting such catastrophic economic harm — that it is depressing so much output, and destroying so many jobs — that Congress has no option but to Do Something immediately? Bearing the GAO’s warning in mind, the data we do have doesn’t remotely seem to justify the DEFCON One rhetoric that now appears to be obligatory on the Hill.

The International Intellectual Property Alliance — a kind of meta-trade association for all the content industries, and a zealous prophet of the piracy apocalypse, released a report back in November meant to establish that copyright industries are so economically valuable that they merit more vigorous government protection. But it actually paints a picture of industries that, far from being “killed” by piracy, are already weathering a harsh economic climate better than most, and have far outperformed the overall U.S. economy through the current recession. The “core copyright industries” have, unsurprisingly, shed some jobs over the past few years, but again, compared with the rest of the economy, employment seems to have held relatively stable at a time when you might expect cash-strapped consumers to be turning to piracy to save money.

January 19, 2012

Chris Dodd would like to tell all you scummy pirates that your feeble protest is an abuse of power

Filed under: Law, Liberty, Media, Technology — Tags: , , , , — Nicholas @ 08:57

Cory Doctorow reminds us that former Senator, now head of the MPAA (one of the organizations pushing hardest for the adoption of SOPA and PIPA) has already added so much to your DVD-watching enjoyment:

After all, he is the CEO of the organization responsible for inserting those unskippable FBI warnings (which are highly prejudiced and factually incorrect, advising, for example, that DVDs can’t be rented, even though the law says they can) before every commercial DVD. He’s the CEO of the organization that inserts those insulting PSAs in front of every movie chiding those of us who buy our DVDs because someone else decided to download the same movie for free.

And he’s the CEO of the organization responsible for the section of the DMCA that makes it illegal to build a DVD player that can skip these mandatory, partisan, commercially advantageous messages.

So he knows a thing or two about “abuse of power given the freedoms these companies enjoy in the marketplace today.”

You know, the kind of stuff that makes you feel like this guy:

And here’s the reason you pay for a legal copy, rather than being one of those evil pirates:

January 13, 2012

Movie and music piracy: what’s the real economic cost?

Filed under: Economics, Law, Media — Tags: , , , , — Nicholas @ 09:00

On the Freakonomics blog, Kal Raustiala and Chris Sprigman look at the actual costs of piracy compared to the ludicrous claimed costs:

Supporters of stronger intellectual property enforcement — such as those behind the proposed new Stop Online Piracy Act (SOPA) and Protect IP Act (PIPA) bills in Congress — argue that online piracy is a huge problem, one which costs the U.S. economy between $200 and $250 billion per year, and is responsible for the loss of 750,000 American jobs.

These numbers seem truly dire: a $250 billion per year loss would be almost $800 for every man, woman, and child in America. And 750,000 jobs — that’s twice the number of those employed in the entire motion picture industry in 2010.

The good news is that the numbers are wrong — as this post by the Cato Institute’s Julian Sanchez explains. In 2010, the Government Accountability Office released a report noting that these figures “cannot be substantiated or traced back to an underlying data source or methodology,” which is polite government-speak for “these figures were made up out of thin air.”

More recently, a smaller estimate — $58 billion — was produced by the Institute for Policy Innovation (IPI). But that IPI estimate, as both Sanchez and tech journalist Tim Lee have pointed out, is replete with methodological problems, including double- and triple-counting, that swell the estimate of piracy losses considerably.

January 6, 2012

Michael Geist: help save Canada’s liberal public domain rules

Filed under: Books, Cancon, Law, Liberty, Media — Tags: , , — Nicholas @ 11:56

Canada’s standards for when works enter the public domain are more liberal than those in the US and Europe (that is, we provide shorter — but still generous — periods of copyright protection). Michael Geist says that these standards may be at risk soon:

Canada celebrated New Year’s Day this year by welcoming the likes of Ernest Hemingway and Carl Jung into the public domain just as European countries were celebrating the arrival of James Joyce and Virginia Woolf, 20 years after both entered the Canadian public domain. Canada’s term of copyright meets the international standard of life of the author plus 50 years, which has now become a competitive advantage when compared to the United States, Australia, and Europe, which have copyright terms that extend an additional 20 years (without any evidence of additional public benefits).

In an interesting coincidence, the Canadian government filed notice of a public consultation on December 31, 2011 on the possible Canadian entry into the Trans Pacific Partnership negotiations, trade talks that could result in an extension in the term of copyright that would mean nothing new would enter the Canadian public domain until 2032 or beyond. The TPP covers a wide range of issues, but its intellectual property rules as contemplated by leaked U.S. drafts would extend the term of copyright, require even stricter digital lock rules, restrict trade in parallel imports, and increase various infringement penalties. As I noted last month, if Canada were to ratify the TPP, it would require another copyright bill to undo much of what the government is about to enact with Bill C-11.

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