Quotulatiousness

March 20, 2019

Over-Analyzing The Iconic Duel in The Princess Bride: How Accurate is It?

Filed under: Europe, History, Media — Tags: , , , — Nicholas @ 02:00

Skallagrim
Published on 16 Feb 2019

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Have you ever wondered what Inigo Montoya and Westley chatter about while dueling with swords? What is Bonetti’s Defense? Does Thibault really cancel out Capo Ferro? And how realistic is the fighting overall?

You’ll find out in this video.

From the comments:

Skallagrim
2 days ago

Yes, you caught me… Should have said Thibault’s treatise was published in 1630. He did not write it after his death…

Although that would be pretty badass. Imagine you’re so dedicated to the art of fencing that you become a lich just to finish your work.

March 14, 2019

How Hollywood Helped Hitler | Between 2 Wars | 1926 Part 2 of 2

Filed under: Germany, History, Media, USA — Tags: , , , , , , — Nicholas @ 06:00

TimeGhost History
Published on 13 Mar 2019

The rise of the media superstar and the rise of Naziism had a lot to do with each other. The early death of one of the first media superstars, Rudolph Valentino in 1926 shows us exactly how and why.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Directed by: Astrid Deinhard
Written by: Spartacus Olsson
Produced by: Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post Production Director: Wieke Kapteijns
Edited by: Wieke Kapteijns
Research by: Spartacus Olsson

Colorized Pictures by Olga Shirnina
https://klimbim2014.wordpress.com

Video Archive by Screenocean/Reuters http://www.screenocean.com

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 hours ago
After a week of radio silence, we’re back with another Between Two Wars episodes. We’re continuing in the spirit of where we left off, and enter the crazy and hyped-up world of superstars. We hope that you like our video! If you do, please consider supporting us on Patreon or via our website timeghost.tv. We are still only just managing to cover the minimum that is required to produce this content. Every dollar truly counts. -> https://www.patreon.com/TimeGhostHistory

March 8, 2019

Stephen Fry on Political Correctness and Clear Thinking

Filed under: Britain, Education, Liberty, Media, Politics, USA — Tags: , , , , — Nicholas @ 02:00

The Rubin Report
Published on 4 Apr 2016

Stephen Fry (actor and comedian) joins Dave Rubin for a quick discussion about political correctness, clear thinking, V for Vendetta, free speech, and his decision to quit Twitter.

This is a bonus edition of ‘The Sit Down’ on The Rubin Report, filmed on the set of Larry King Now.

What are your thoughts? Comment below or tweet to Dave: https://twitter.com/RubinReport

Watch more on Ora TV: http://www.ora.tv/rubinreport

Find us on Patreon: https://www.patreon.com/rubinreport?ty=h

******
Stephen Fry
Actor, Author, and Comedian
******
Care about free speech? Tired of political correctness? Like discussions about big ideas? Watch Dave Rubin on The Rubin Report. Real conversations, unfiltered rants, and one on one interviews with some of the most interesting names in news and entertainment. Comedians, authors, and influencers join Dave each week to break down the latest in politics and current events. Real people, real issues, real talk.

February 24, 2019

The Hobbit: The Desolation of Warners (Part 3/2)

Filed under: Books, Media — Tags: , , , , , — Nicholas @ 02:00

Lindsay Ellis
Published on 20 Apr 2018

Nothing is pure.

From the comments:

Special Agent Washing Tub
2 months ago

Me; * watching this and feeling my childhood shatter*
“Why does it hurt so much?”
Lindsay: “BECAUSE IT WAS REAL.”

February 23, 2019

The Hobbit: Battle of Five Studios (Part 2/2)

Filed under: Books, Media — Tags: , , , — Nicholas @ 02:00

Lindsay Ellis
Published on 3 Apr 2018

So we’ve looked into what the problems were with these movies, the question now is … why? What happened, Peter Jackson? WHAT HAPPENED?

From the comments:

app
5 months ago

That interview clip with John Callen near the end broke my heart. I also grew up with the hobbit and was bored to tears by the movies. But I never thought about the actors of the Dwarves and how important it was that they got pushed aside. The hobbit could have been amazing if it was this band of actors, dressed like dwarves, trying to reclaim their culture and finding out what that really means. It’s a pure idea, and ironically it was corrupted by greed… you reminded me what I loved about the book! :'(

February 22, 2019

The Hobbit: A Long-Expected Autopsy (Part 1/2)

Filed under: Books, Media — Tags: , , , — Nicholas @ 02:00

Lindsay Ellis
Published on 27 Mar 2018

In which we look back at The Hobbit trilogy and try to give it a fair shake.

Twitter: @thelindsayellis
Patreon: https://www.patreon.com/loosecanon

From the comments:

J Girl
9 months ago

Who else is waiting for the next video to be titled “part 2/3” as a slap in the face to the fact that they switched it from two movies to three

February 19, 2019

LOONEY TUNES (Looney Toons): Rookie Revue (1941)

Filed under: History, Humour, Military, USA — Tags: , , , — Nicholas @ 02:00

8thManDVD.com™ Cartoon Channel
Published on 8 Dec 2013

Random gags around military life, set on an army base. A bugler uses a jukebox to play reveille. In formation, one private has a great deal of trouble remembering what comes after “3”; after he gets it, he decides not to go for the $32 question. In the mess hall, the machine gunners machine gun their food while the bombers catch falling biscuits. The infantry marches for miles – past a “next time, take the train” billboard. The camouflage troops march by, invisibly. We see training substitutes: wooden guns, cars marked “tank” and, alas, a banner marked “parachute” deployed in mid-jump. More training: aerial games (of tic-tac-toe). The anti-aircraft division has target practice, on an aerial shooting gallery. Finally, in an elaborate process, a general provides firing instructions to a big gun; when it hits his own building, he says, “I’m a baaad general.”

8thManDVD.com and all content © 2013 ComedyMX LLC. All rights reserved. Unauthorized use is prohibited.

The looney tunes (commonly mistaken as Looney Toons) series features characters such as bugs bunny, daffy duck & porky pig. The looney tunes cartoons, movies and new looney tunes show have been produced for years. The looney tunes full episodes, produced by the official looney tunes are available on DVD and TV.

February 15, 2019

QotD: The swordfight from The Princess Bride

Filed under: Media, Quotations — Tags: , , , — Nicholas @ 01:00

I cannot, however, pass by that period without noting one moment of excellence; The Princess Bride (1987). Yes, this is classic stagy Hollywood high-line, consciously referring back to precedents including the Flynn/Rathbone scene from fifty years earlier – but in this context there’s no sense of anachronism because the movie is so cheerfully vague about its time period. The swords are basket-hilted rapiers in an ornate Italo-French style that could date from 1550 to their last gasp in the Napoleonic Wars. The actors use them with joy and vigor – Elwes and Patinkin learned to fence (both left- and right-handed) for the film and other than the somersaults their fight scene was entirely them, not stunt doubles. It’s a bright, lovely contrast with the awfulness of most Hollywood sword choreography of the time and, I think, part of the reason the movie has become a cult classic.

Eric S. Raymond, “A martial artist looks at swordfighting in the movies”, Armed and Dangerous, 2019-01-13.

February 11, 2019

QotD: Gandhi’s conflicted views of war and pacifism

Filed under: History, India, Media, Quotations — Tags: , , , — Nicholas @ 01:00

… the real center and raison d’être of Gandhi is ahimsa, nonviolence, which principle when incorporated into vast campaigns of noncooperation with British rule the Mahatma called by an odd name he made up himself, satyagraha, which means something like “truth-striving.” During the key part of his life, Gandhi devoted a great deal of time explaining the moral and philosophical meanings of both ahimsa and satyagraha. But much as the film sanitizes Gandhi to the point where one would mistake him for a Christian saint, and sanitizes India to the point where one would take it for Shangri-la, it quite sweeps away Gandhi’s ethical and religious ponderings, his complexities, his qualifications, and certainly his vacillations, which simplifying process leaves us with our old European friend: pacifism. It is true that Gandhi was much impressed by the Sermon on the Mount, his favorite passage in the Bible, which he read over and over again. But for all the Sermon’s inspirational value, and its service as an ideal in relations among individual human beings, no Christian state which survived has ever based its policies on the Sermon on the Mount since Constantine declared Christianity the official religion of the Roman empire. And no modern Western state which survives can ever base its policies on pacifism. And no Hindu state will ever base its policies on ahimsa. Gandhi himself — although the film dishonestly conceals this from us — many times conceded that in dire circumstances “war may have to be resorted to as a necessary evil.”

It is something of an anomaly that Gandhi, held in popular myth to be a pure pacifist (a myth which governments of India have always been at great pains to sustain in the belief that it will reflect credit on India itself, and to which the present movie adheres slavishly), was until fifty not ill-disposed to war at all. As I have already noted, in three wars, no sooner had the bugles sounded than Gandhi not only gave his support, but was clamoring for arms. To form new regiments! To fight! To destroy the enemies of the empire. Regular Indian army units fought in both the Boer War and World War I, but this was not enough for Gandhi. He wanted to raise new troops, even, in the case of the Boer and Kaffir Wars, from the tiny Indian colony in South Africa. British military authorities thought it not really worth the trouble to train such a small body of Indians as soldiers, and were even resistant to training them as an auxiliary medical corps (“stretcher bearers”), but finally yielded to Gandhi’s relentless importuning. As first instructed, the Indian Volunteer Corps was not supposed actually to go into combat, but Gandhi, adamant, led his Indian volunteers into the thick of battle. When the British commanding officer was mortally wounded during an engagement in the Kaffir War, Gandhi — though his corps’ deputy commander — carried the officer’s stretcher himself from the battlefield and for miles over the sun-baked veldt. The British empire’s War Medal did not have its name for nothing, and it was generally earned.

Richard Grenier, “The Gandhi Nobody Knows”, Commentary, 1983-03-01.

February 7, 2019

Dunkirk (2017) | Based on a True Story

Filed under: Britain, Europe, History, Media, Military, WW2 — Tags: , , , — Nicholas @ 02:00

The Cynical Historian
Published on 25 Jan 2018

Dunkirk is a 2017 war film written, directed, and produced by Christopher Nolan that depicts the Dunkirk evacuation of World War II. Its ensemble cast includes Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy, Barry Keoghan, Kenneth Branagh, Cillian Murphy, Mark Rylance, and Tom Hardy. The film is a British, American, French, and Dutch co-production, and was distributed by Warner Bros.
————————————————————
Wiki:
Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue, as Nolan sought instead to create suspense from cinematography and music. Filming began in May 2016 in Dunkirk and ended that September in Los Angeles, when post-production began. Cinematographer Hoyte van Hoytema shot the film on IMAX 65 mm and 65 mm large-format film stock. Dunkirk has extensive practical effects, and employed thousands of extras as well as historic boats from the evacuation, and period aeroplanes.
————————————————————
Hashtags: #History #Dunkirk #WWII #Review #BasedOnATrueStory #PhoneyWar

December 17, 2018

QotD: Woodrow Wilson’s repressive regime

Filed under: History, Liberty, Quotations, USA, WW1 — Tags: , , , , — Nicholas @ 01:00

Not surprisingly, such intellectual kindling was easy to ignite when World War I broke out. The philosopher John Dewey, New Republic founder Herbert Croly, and countless other progressive intellectuals welcomed what Mr. Dewey dubbed “the social possibilities of war.” The war provided an opportunity to force Americans to, as journalist Frederick Lewis Allen put it, “lay by our good-natured individualism and march in step.” Or as another progressive put it, “Laissez faire is dead. Long live social control.”

With the intellectuals on their side, Wilson recruited journalist George Creel to become a propaganda minister as head of the newly formed Committee on Public Information (CPI).

Mr. Creel declared that it was his mission to inflame the American public into “one white-hot mass” under the banner of “100 percent Americanism.” Fear was a vital tool, he argued, “an important element to be bred in the civilian population.”

The CPI printed millions of posters, buttons, pamphlets, that did just that. A typical poster for Liberty Bonds cautioned, “I am Public Opinion. All men fear me!… [I]f you have the money to buy and do not buy, I will make this No Man’s Land for you!” One of Creel’s greatest ideas – an instance of “viral marketing” before its time – was the creation of an army of about 75,000 “Four Minute Men.” Each was equipped and trained by the CPI to deliver a four-minute speech at town meetings, in restaurants, in theaters – anyplace they could get an audience – to spread the word that the “very future of democracy” was at stake. In 1917-18 alone, some 7,555,190 speeches were delivered in 5,200 communities. These speeches celebrated Wilson as a larger-than-life leader and the Germans as less-than-human Huns.

Meanwhile, the CPI released a string of propaganda films with such titles as The Kaiser, The Beast of Berlin, and The Prussian Cur. Remember when French fries became “freedom fries” in the run-up to the Iraq war? Thanks in part to the CPI, sauerkraut become “victory cabbage.”

Under the Espionage Act of 1917 and the Sedition Act of 1918, Wilson’s administration shut down newspapers and magazines at an astounding pace. Indeed, any criticism of the government, even in your own home, could earn you a prison sentence. One man was brought to trial for explaining in his own home why he didn’t want to buy Liberty Bonds.

The Wilson administration sanctioned what could be called an American fascisti, the American Protective League. The APL – a quarter million strong at its height, with offices in 600 cities – carried government-issued badges while beating up dissidents and protesters and conducting warrantless searches and interrogations. Even after the war, Wilson refused to release the last of America’s political prisoners, leaving it to subsequent Republican administrations to free the anti-war Socialist Eugene V. Debs and others.

Jonah Goldberg, “You want a more ‘progressive’ America? Careful what you wish for: Voters should remember what happened under Woodrow Wilson”, Christian Science Monitor, 2008-02-05.

December 7, 2018

The Anti-Authoritarian Politics of Harry Potter

Filed under: Books, Liberty, Media — Tags: , , , — Nicholas @ 04:00

Foundation for Economic Education
Published on 6 Dec 2018

JK Rowling’s wizarding world isn’t all wands, charms, and transfigurations. The magical universe inhabited by characters like Harry Potter and Newt Scamander is rife with the dangerous incompetence of adults, unchecked corruption, and appalling abuses of power, and not just by Voldemort or Grindelwald.

_____________
Written & Produced by Sean W. Malone
Edited by Arash Ayrom & Sean W. Malone

November 11, 2018

How Peter Jackson ‘Brought To Life’ WW1 Footage In His New Film | RATED

Filed under: Britain, History, Military, WW1 — Tags: — Nicholas @ 02:00

Forces TV
Published on 10 Oct 2018

Lord Of the Rings director Peter Jackson has seen footage of a mine explosion that his own grandfather was only a hundred yards away from on the Western Front at the time. He saw the footage while making his new film They Shall Not Grow Old.

October 23, 2018

Finding Meaning in The Incredibles

Filed under: Liberty, Media — Tags: , — Nicholas @ 02:00

Foundation for Economic Education
Published on 4 Oct 2018

What sustains people through difficult times is a sense of meaning, not happiness or wealth. In The Incredibles, Bob had to learn to find the same level of meaning in being a husband and father as he did in being a superhero. How do you find meaning in your life?

October 16, 2018

QotD: I’m All Right Jack

Filed under: Britain, History, Media, Quotations — Tags: , , , — Nicholas @ 01:00

I’m All Right Jack is a film delicately poised between two very different cultural moments. The opening scene looks back to the war, the heyday of collective endeavour and national solidarity, but the song — both in content and style — seems to look forward to a new era of aggressive hedonism and unashamed self-interest.

At the time, though, what attracted most attention was Peter Sellers’s hilarious performance as the obstreperous trade unionist Fred Kite (“We do not and cannot accept the principle that incompetence justifies dismissal”), which delighted many cinemagoers and won him a BAFTA. Not surprisingly, it went down very badly with union leaders and left-wing reviewers, but the Boultings were unrepentant. In an article for the Daily Express, they explained their reasoning:

    As individuals we believe in Britain because Britain has always stood for the individual.

    Nowadays there seem to be two sacred cows — Big Business and Organized Labour. Both are deep in a conspiracy against the individual — to force us to accept certain things for what in fact they are not. Both are busy feathering their nests most of the time. And to hell with the rest of us…

    AFter all, who is King in the Welfare State? That humourless, faceless monster — the official, the bureaucrat, the combine executive.

    Certainly a great deal has changed since we used to be Angry Men before the war … But at the end of this huge revolution we are not so sure that the losses have not been as great as the gains.

    For example, the tendency to think of people not as human beings but as part of a group, a bloc, a class.

The Boultings knew, of course, that this would annoy some poeple. But the great strength of the “average Briton”, they insisted, lay in “laughing at his leaders and institutions. We believe our films reflect the popular attitude and mood. Their success seems to prove our point.”

Since I’m All Right Jack is in black and white, it is easy to forget how bracingly modern it must have seemed, not just to the Queen and Harold Macmillan, but to the large audiences who flocked to see it in the autumn of 1959. It was released only ten years after Passport to Pimlico, but the difference in mood and tone can hardly be exaggerated. It is not just a question of colletivism versus individualism, but the social context that those two ideas reflected. The Ealing film was made against a background of austerity; the Boultings’ film is drenched in consumerism. In the early scenes of Passport to Pimlico, we find ourselves in a world of rationing and restrictions, bomb damage and dereliction. What kicks off the action, in fact, is the accidental detonation of an unexploded German bomb. But I’m All Right Jack is set in the late 1950s, a world awash with appliances and advertising, in which wartime austerity is merely a fading memory. The narrator tells us that at long last “industry, spurred by the march of science in all directions, was working at high pressure to supply those viatl needs for which the people had hungered for so long”. But when Ian Carmichael’s blundering hero gets a job in industrial management, he soon finds out what these “vital needs” are: Num-Yum chocolate bars and Detto washing powder, each with its own irritatingly catchy jingle.

Dominic Sandbrook, The Great British Dream Factory: The Strange History of our National Imagination, 2015.

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