Extra Credits
Published on 17 Mar 2018The man now known as Genghis Khan, leader of all Mongols, was ready to show the world what he was made of. He acted in fairness towards his own people and happily began integrating Chinese citizens and their culture, but showed no mercy to those who opposed him.
March 18, 2018
Genghis Khan – Beginnings of the Great Mongol Nation – Extra History – #5
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March 12, 2018
Genghis Khan – Khan of All Mongols – Extra History – #4
Extra Credits
Published on 10 Mar 2018Temüjin had a plan: a set of strategies to keep amassing wealth and followers for himself while keeping unity between all the disparate Mongol tribes he was collecting. But Jamukha and Ong Khan had other plans…
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March 10, 2018
Carl Jung, “the Madame Blavatsky of psychotherapy”
A few notes on Carl Jung, by Anthony Daniels (more often known by his pen name, Theodore Dalrymple), commenting on a biography from several years ago:
What exactly were [Jung’s] achievements? Oddly enough, although this biography is more than 800 pages long (649 of them are text, each of them so closely printed that they are the equivalent of two normal pages), by the time you finish it you will nevertheless be hard put to say. You will know a lot about the petty quarrels and squabbles in which Jung repeatedly engaged, and about the details of his domestic life, but relatively little about why any of these things matter in the first place. The author therefore assumes not only a familiarity with Jung’s ideas, and a sympathy towards them, but that the reader also assumes that Jung is worthy of such a lengthy biography. This is not an assumption I share, and though the book is written in serviceable prose, it contains not a single humorous remark. From very early on, therefore, I picked it up with some words that Macaulay wrote in a review of a two-volume biography of Lord Burleigh echoing through my mind like the insistent snatch of a tune (I quote from memory): Compared with the labour of reading these volumes, all other labour, the labour of thieves on the treadmill, the labour of children in the mines, the labour of slaves on the plantation, is but a pleasant recreation. That Miss Bair has been diligent is indisputably true; that her diligence has been wisely applied, unfortunately, is a more open question.
Some men are born charlatans, some achieve charlatanry, and some have charlatanry thrust upon them. Jung was decidedly not born a charlatan — or at least, he was not one throughout the whole of his career. True, he grew up in a family with a more than average number of table-rappers, which no doubt inclined him later to the study of the esoteric (for it certainly never occurred to him to wonder why the esoteric was, in fact, esoteric), and was subjected in his youth to that Teutonic windiness which comes so easily, though no means inevitably, to those who think and write in the German language. There is nothing quite like esoteric windiness for creating a penumbra of profundity, to which bored society ladies are drawn like flies to dung: and this no doubt explains how he became the Madame Blavatsky of psychotherapy. At the same time, however, he received a thorough grounding in classics as well as in science, spoke four languages fluently, could read Latin as if it were his native tongue, was not bad at Greek, and contributed several expressions to our daily discourse — complex, collective unconscious, archetypes, animus and anima, persona, introvert and extrovert — which by itself is far more than most of us will ever achieve. This is not the same as saying, however, that he contributed to human knowledge: for it is perfectly possible to give names to non-existent entities.
[…]
One of his patients, who has gone down in history as the solar-phallus man, thought (among many other strange things) that there was a phallus that emerged from the sun, and that by causing this solar appendage to move, he controlled the weather, particularly the wind. Jung subsequently discovered, in his reading about ancient myths, that there was a Persian Mithraic belief of exactly the same kind as his patient’s. Now his patient was not a well-educated or widely read man, so it seemed to Jung impossible that he had learnt of the Mithraic myth from external sources. He therefore concluded that the form of myths was almost — as we should now put it — hard-wired into the human psyche, and he called these forms archetypes. The collective unconscious was full of such archetypes.
Jung was a preternaturally unclear writer and thinker: he would never say anything clearly when obfuscation would do. Whether this was from lack of talent or an unconscious appreciation that clarity led to the possibility of contradiction and even refutation, no one can say, but the precise nature of archetypes, their ontological status as it were, has remained unclear ever since. At any rate, the solar-phallus man’s delusion, which he quoted for the rest of his long life, was the rock on which his theory was built: a somewhat inadequate basis for an entire, far-reaching theory about the mental life of all of humanity. But Jung’s theorizing was always like an inverted pyramid: a mountain of speculation resting on a pin-prick of fact.
There were obvious problems with the theory of archetypes. The theory suggested itself to Jung because of the exact, or very close, correspondence between the madman’s delusion and the original Mithraic myth: but how close did correspondences have to be before they were manifestations of archetypes, which were more platonic forms than actual contents of the mind? Only an analyst can say, of course, and there is no public criterion other than the analyst’s authority.
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March 5, 2018
Genghis Khan – The Debut of Temüjin Khan – Extra History – #3
Extra Credits
Published on 3 Mar 2018Jamukha and Temüjin were officially fighting for control of the Mongolian steppes, appointing themselves the titles of “khan.” But each man practiced wildly different strategies to gain prestige — Jamukha showed no mercy, but Temüjin took a more egalitarian route.
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February 26, 2018
Genghis Khan – The Rivalry of Blood Brothers – Extra History – #2
Extra Credits
Published on 24 Feb 2018When Temüjin needed help to find his kidnapped wife, Börte, his blood brother and friend Jamukha came to his aid, and the two eventually combined their camps and families. But peace would not last long…
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February 23, 2018
Timothy Sandefur’s Frederick Douglass: Self-Made Man
Jonathan Bean responds to a negative review of Sandefur’s new biography in the New York Times:
Frederick Douglass, whose bicentennial birthday fell on Valentine’s Day, is one of the great figures in American history, a hero whose legacy is celebrated even by those who might otherwise contest his actual ideas.
Illustrating this truth, the New York Times marked the occasion by publishing a largely negative review of Timothy Sandefur’s new biography, Frederick Douglass: Self-Made Man — a book that depicts the African-American ex-slave and social reformer as a classical liberal who championed individual liberty based upon natural rights, self-reliance, and Rule of Law.
The book reviewer, Yale University historian David W. Blight, criticizes Sandefur and other “conservatives” for “co-opting” Douglass. (Sandefur is a self-described libertarian, but in Blight’s mind, ‘libertarian’ and ‘conservative’ are distinctions without a difference.) In making this complaint, Blight demonstrates his confusion as to the meaning of “the Right” and classical liberalism.
Blight concedes that Douglass was a “radical thinker and a proponent of classic 19th-century political liberalism” who “loved the Declaration of Independence” and “the natural-rights tradition.” On these issues, Blight’s view is consistent with Sandefur’s libertarian interpretation of Douglass.
Yet, Blight goes on to protest that the libertarians (or conservatives — he conflates the two groups) are wrong to co-opt Douglass because the great abolitionist “believed that freedom was safe only with the state and under law.”
But this view of freedom’s security is not one that libertarians would dispute. To say otherwise is to make a classic straw man argument.
[…]
Blight’s review gets two things about political classification especially wrong. First, classical liberalism is neither Left nor Right. Throughout history, classical liberals have extolled “unalienable Rights,” individual freedom from government control, the U.S. Constitution as a guarantor of freedom, color-blind law, and capitalism. These values distinguish classical liberalism from left-wing liberalism, with its emphasis on group rights, equality of outcomes, and hostility to free-market capitalism. They also put classical liberals squarely in opposition to nativists and white supremacists who used the law as a weapon to exclude “undesirable” immigrants or separate the races in the American South.
Second, “libertarianism” — the modern descendant of classical liberalism — is not and never has been a “do-nothing” philosophy. Classic liberals (or libertarians) were activists for abolishing slavery, eradicating segregation, defending immigrants’ rights, passing anti-lynching measures, and much more. Indeed, although they recognized the role that law played in protecting the exercise of liberty, it was the law that so often violated the inalienable rights of Americans. Classical liberals fought slavery, segregation, pernicious immigration quotas, internment, and “affirmative action” because these government measures denied individuals equal protection of the law.
Blight’s conceptual errors may account for why he sometimes badly misreads his subject. He claims, for example, that Douglass loved “the reinvented Constitution — the one rewritten in Washington during Reconstruction, not the one created in Philadelphia in 1789.” This is a gross mischaracterization of Douglass’s views.
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February 19, 2018
Genghis Khan – Temüjin the Child – Extra History – #1
Extra Credits
Published on 17 Feb 2018As a child, Temüjin was afraid of the world, saddened by its cruelty and an outcast from his own tribe. But his mother, Hoelun, passed on her risk-taking personality to him, a boy who would one day become the famed conqueror Genghis Khan.
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February 17, 2018
How a Concubine became the Empress of China – Wu Zetian l HISTORY OF CHINA
IT’S HISTORY
Published on 5 Aug 2015Wu Zetian was the first and only Empress of China. Skillfully, she worked her way up, entering the imperial court of Emperor Tang Taizong as a concubine. After his death she would marry his son, Emperor Kaozong. Later she would ruthlessly dethrone two of her own sons and take power herself, effectively introducing an interregnum to the Tang dynasty. During her very own Zhou dynasty she was known as a kind and fair ruler and made Buddhism state religion. Learn all about the Biography of one of the most popular and at the same time merciless women in Chinese history in today’s episode of IT’S HISTORY.
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December 15, 2017
Josephine Baker
I think I first heard of Josephine Baker in the Al Stewart song from his Last Days of the Century album:
At Open Culture, Josh Jones has a brief biography of Josephine Baker that touches on most of the salient points of her career and life:
There has maybe never been a better time to critically examine the granting of special privileges to people for their talent, personality, or wealth. Yet, for all the harm wrought by fame, there have always been celebrities who use the power for good. The twentieth century is full of such figures, men and women of conscience like Muhammad Ali, Nina Simone, and Paul Robeson — extraordinary people who lived extraordinary lives. Yet no celebrity activist, past or present, has lived a life as extraordinary as Josephine Baker’s.
Born Freda Josephine McDonald in 1906 to parents who worked as entertainers in St. Louis, Baker’s early years were marked by extreme poverty. “By the time young Freda was a teenager,” writes Joanne Griffith at the BBC, “she was living on the streets and surviving on food scraps from bins.” Like every rags-to-riches story, Baker’s turns on a chance discovery. While performing on the streets at 15, she attracted the attention of a touring St. Louis vaudeville company, and soon found enormous success in New York, in the chorus lines of a string of Broadway hits.
Baker became professionally known, her adopted son Jean-Claude Baker writes in his biography, as “the highest-paid chorus girl in vaudeville.” A great achievement in and of itself, but then she was discovered again at age 19 by a Parisian recruiter who offered her a lucrative spot in a French all-black revue. “Baker headed to France and never looked back,” parlaying her nearly-nude danse sauvage into international fame and fortune. Topless, or nearly so, and wearing a skirt made from fake bananas, Baker used stereotypes to her advantage — by giving audiences what they wanted, she achieved what few other black women of the time ever could: personal autonomy and independent wealth, which she consistently used to aid and empower others.
Throughout the 20s, she remained an archetypal symbol of jazz-age art and entertainment for her Folies Bergère performances (see her dance the Charleston and make comic faces in 1926 in the looped video above). In 1934, Baker made her second film Zouzou (top), and became the first black woman to star in a major motion picture. But her sly performance of a very European idea of African-ness did not go over well in the U.S., and the country she had left to escape racial animus bared its teeth in hostile receptions and nasty reviews of her star Broadway performance in the 1936 Ziegfeld Follies (a critic at Time referred to her as a “Negro wench”). Baker turned away from America and became a French citizen in 1937.
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November 23, 2017
Frankenstein: Plutarch’s Lives – Extra Sci Fi – #4
Extra Credits
Published on 21 Nov 2017Mary Shelley drew heavily from the style of biography first pioneered by Plutarch, creating characters like Victor Frankenstein and the monster whose lives parallel each other, but whose differing circumstances lead them to embody very different values.
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March 10, 2017
The two Elon Musks – the savvy businessman and the crony capitalist
In The Federalist, Eric Peters describes the ways Elon Musk and his SpaceX crew manage to profit from government subsidies in the process of putting their Falcon rockets into space:
Image from SpaceX website.
Today, the National Aeronautics and Space Administration specializes in putting taxpayer dollars into the pockets of crony capitalist chieftains such as Elon Musk, whose SpaceX operation manages to get NASA to pay him to use its launch pads and other infrastructure — all provided at taxpayer expense. He also doesn’t cut NASA in when he uses its facilities — our facilities — to launch rockets carrying private cargo, meaning he effectively gets paid for it twice.
That’s once in the check he gets from the private business whose cargo his rocket is carrying; then again in the de facto subsidy he gets for the free use of NASA’s equipment at the Kennedy Space Center in Florida. Why isn’t Elon paying the freight, as opposed to blowing it up?
Incidentally, that happens a lot. Over the past five years alone, SpaceX has lost the same number of rockets as NASA did space shuttles over the 30 years it operated them. And the shuttle wasn’t a money-making machine for politically connected crony capitalists such as Musk. Taxpayers funded it, but no private citizens got a check from taxpayers.
The shuttle even made some money for taxpayers. Private businesses paid NASA to carry satellites into orbit, recovering some of the cost of building that infrastructure. The shuttle also did things useful for the public, like put the Hubble telescope in orbit. It has given humanity an unprecedented view of the universe, and not on pay-per-view.
I read a biography of Elon Musk soon after it was published … and it did a good job of pushing a more sympathetic view of its subject than the linked article above.
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November 30, 2016
QotD: Napoleon’s misogynistic views
… “What do most ladies have to complain of? Don’t we acknowledge they have souls … They demand equality! Pure madness! Woman is our property … just as the fruit tree belongs to the gardener.” Only inadequate education could make a wife think she was on the same level as her husband. Convinced of “the weakness of the female intellect”, he considered his brother Joseph extraordinary in enjoying the other sex’s company as well as their bodies — “He’s forever shut away with some woman reading Torquato Tasso and Aretino.”
However gracefully phrased, his opinion of adultery revealed utter cynicism. In the end it is “a joke behind a mask … not by any means a rare phenomenon but a very ordinary occurrence on the sofa”. He had surprisingly modern views on women as soldiers. “They are brave, incredibly enthusiastic and capable of the most frightful atrocities … In a real war between men and women the only thing which would handicap women would be pregnancy, since the women of the people are just as strong as most men.” (In this he was far more progressive than the Führer.)
Desmond Seward, Napoleon and Hitler: A comparative biography, 1988.
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September 5, 2016
Another fascinating historical character – Julie d’Aubigny, Mademoiselle La Maupin
After briefly recounting the you-couldn’t-make-it-up life of…
… a fellow called Ignaz Trebitsch-Lincoln (Wikipedia biography here), who was (variously) a Jewish, Presbyterian, Buddhist, spy, British MP, Nazi, propagandist, and would-be Balkan oil cartel mogul. Oh, I forgot to mention: claimed reincarnation of the Dalai Lama and Japanese-backed candidate for the Emperor of China. (Not bad for a poor shtetl boy who started out as a Hungarian orthodox Jewish yeshiva student.) Nothing about this man makes any sense whatsoever unless he’s a character from a movie script written by Thomas Pynchon for Woody Allen.
Charles Stross then outlines the life of an even earlier gender-bending character from the French royal court (we’d already been introduced to the Chevalier d’Eon last month):
This was going to be a bumper-pack of implausible larger-than-life characters from history, but I sort of overran my target. If you want some homework, though, you could do a lot worse than read up on Julie d’Aubigny, Mademoiselle La Maupin (1673-1707), cross-dressing swordswoman, opera diva, lethal duelist and seducer of nuns (and briefly mistress of Maximillian II Emanuel, Elector of Bavaria).
As wikipedia notes, dead-pan, “due to Mademoiselle de Maupin’s beautiful voice, her acting skill, and her androgynous appearance, she became quite popular with the audience, although her relationship with her fellow actors and actresses was sometimes tempestuous … Her Paris career was interrupted around 1695, when she kissed a young woman at a society ball and was challenged to duels by three different noblemen. She beat them all, but fell afoul of the king’s law that forbade duels in Paris” (so she fled to Brussels and waited for the fuss to die down while having an affair with a foreign head of state).
Or, as Badass of the Week puts it, “Julie D’Aubigny was a 17th-century bisexual French opera singer and fencing master who killed or wounded at least ten men in life-or-death duels, performed nightly shows on the biggest and most highly-respected opera stage in the world, and once took the Holy Orders just so that she could sneak into a convent and bang a nun. If nothing in that sentence at least marginally interests you, I have no idea why you’re visiting this website.” Nothing particularly unusual here: just another 17th century bisexual Annie Lennox clone and opera star with a side-line in sword-fighting.
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August 3, 2016
The scandal of the Chevalier d’Eon
In Atlas Obscura, Linda Rodriguez McRobbie tells the story of the French soldier, diplomat and spy, the Chevalier d’Eon (also known as Mademoiselle la Chevaliere d’Eon):
Mademoiselle de Beaumont or The Chevalier D’Eon. (Photo: Library of Congress/LC-DIG-ds-03347)
When the Chevalier d’Eon left France in 1762, it was as a diplomat, a spy in the French king’s service, a Dragoon captain, and a man. When he returned in July 1777, at the age of 49, it was as a celebrity, a writer, an intellectual, and a woman — according to a declaration by the government of France.
What happened? And why?
The answer to those questions is complex, obscured by layers of bad biography, speculation and rumor, and shifting gender and psychological politics in the years since, as well as d’Eon’s own attempts to reframe his story in a way that would make sense to his contemporary society. (Note: In consultation with d’Eon’s biographer, I have decided to use the male pronoun when talking about d’Eon before the gender shift and the female pronoun after.) Professor Gary Kates of Pomona College is one of the first modern academics to look closely at the life — or lives — of the Chevalier d’Eon, in his comprehensive biography Monsieur d’Eon Is a Woman. Kates had access to d’Eon’s personal papers, a treasure trove of manuscripts, diaries, financial records, documents, and letters housed at the University of Leeds, and his work is widely considered the best place to start when considering d’Eon.
The story Kates tells is a complex narrative, involving Ancien Regime intrigue, secret spy rings, political necessity, burgeoning celebrity culture, and nascent feminism. The meaning of d’Eon’s transformation has been dissected for centuries; feminist writer Mary Wollstonecraft praised d’Eon in their lifetime and contemporary trans groups have named themselves in d’Eon’s honor.
Even so, Kates cautions that the history of this fascinating figure is far from complete. “I don’t think I’ve written the definitive book on d’Eon,” he says. How could he? This is a person who lived enough for three lifetimes.
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April 3, 2016
Terry Teachout on the first two volumes of the authorized Thatcher biography
I read the first volume of Charles Moore’s authorized biography and I was impressed. I’m halfway through the second volume and I’m not enjoying it quite as much as the first. I think that’s a combination of the first volume covering the era I was most interested in (the 1960s and 70s, and the Falklands War) and the second volume covering a lot more of the domestic intricacies of British politics during the 1980s (an “inside baseball” view which I don’t find all that compelling). Terry Teachout didn’t bog down in the middle of volume two, and reports that he’s very impressed with Moore’s work:
Forgive the cliché, but I couldn’t put either book down. I stayed up far too late two nights in a row in order to finish them both — and I’m by no means addicted to political biographies, regardless of subject.
A quarter-century after she left office, Thatcher remains one of the most polarizing figures in postwar history. Because of this, I don’t doubt that many people will have no interest whatsoever in reading a multi-volume biography of her, least of all one whose tone is fundamentally sympathetic. That, however, would be a mistake. Not only does Moore go out of his way to portray Thatcher objectively, but Margaret Thatcher: The Authorized Biography is by any conceivable standard a major achievement, not least for the straightforward, beautifully self-effacing style in which it is written. It is, quite simply, a pleasure to read. Yes, it’s detailed, at times forbiddingly so, but it is, after all, an “official” life, and the level of detail means that you don’t have to know anything about the specific events discussed in the book to be able to understand at all times what Moore is talking about. I confess to having done some skipping, especially in the second volume, but that’s because I expect to return to Margaret Thatcher at least once more in years to come.
One way that Moore leavens the loaf is by being witty, though never obtrusively so. His “jokes” are all bone-dry, and not a few of them consist of merely telling the truth, the best possible way of being funny. […]
He also conveys Thatcher’s exceedingly strong, often headstrong personality with perfect clarity and perfect honesty (or so, at any rate, it seems from a distance). At the same time, he puts that personality in perspective. It is impossible to read far in Margaret Thatcher without realizing that no small part of what made more than a few of Thatcher’s Tory colleagues refer to her as “TBW,” a universally understood acronym for “That Bloody Woman,” was the mere fact that she was a woman — and a middle-class woman to boot. Sexual chauvinism and social snobbery worked against her from the start, not merely from the right but from the left as well (Moore provides ample corroborating evidence of the well-known fact that there is no snob like an intellectual snob). That she prevailed for so long is a tribute to the sheer force of her character. That she was finally booted from office by her fellow Tories says at least as much about them as it does about her.
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