Quotulatiousness

August 7, 2020

“40:1” Pt. 2 – Another Polish Last Stand – Sabaton History 079 [Official]

Filed under: Europe, Germany, History, Media, Military, Russia, WW2 — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published 6 Aug 2020

At the end of September 1939, Poland was burning. Trapped in an ever shrinking corridor between the Wehrmacht and the Red Army, the last remaining Polish forces were still holding out. Isolated, short of ammunition and supplies, and without hope for relief. The last Polish Army, the SGO Polesie, was making its way towards the Vistula, as it was cut off by German motorcycle troops. Determined to sell their lives dearly, the SGO Polesie dug in and prepared for a last stand.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “40:1” from the album The Art Of War:
https://music.sabaton.net/TheArtOfWar

Watch the Official Music Video of “40:1” here:
https://www.youtube.com/watch?v=epeQw…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
Paul Otto courtesy Glenn Jewison
University of Wisconsin-Milwaukee Libraries
Bundesarchiv
Imperial War Museums: HU106375
Museum of Warsaw
Narodowe Archiwum Cyfrowe
Centralne Archiwum Wojskowe

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago (edited)
Once again the time has come for the Polish people to show what they’re made of.

This time they’re facing a gargantuan two-headed monster of an enemy and are outnumbered many many times over.

They may not win, they may not even live to see another day — but The Polish will not give up without giving their all.

Spirit of Spartans
Death and glory
Soldiers of Poland
Second to none

So come, bring on all that you’ve got
Come hell, come high water — never stop!

With the help of Indy and the TimeGhost team you can learn more about the Soviet invasion of Poland and the last days of The Polish Defensive War in these two episodes of the “World War Two In Real Time” series:

“The Russians are Coming! – The Soviet Invasion of Poland” – WW2 – 004 – September 22, 1939
https://youtu.be/8vjBp-qyNVE

“Poland is Crushed” – WW2 – 005 – 29 September, 1939
https://youtu.be/OOPiUaakSXM

August 6, 2020

Post WWII United Kingdom – Cold War Documentary

The Cold War
Published 11 Apr 2020

Our historical documentary series on the history of the Cold War continues with a video on the post-World War II situation in the United Kingdom

Support us on Patreon: https://www.patreon.com/thecoldwar or Paypal: http://paypal.me/TheColdWar

✔ Merch store ► https://teespring.com/stores/thecoldwar
✔ Instagram ► http://www.instagram.com/thecoldwartv

#ColdWar #UK #WorldWar

August 5, 2020

Generalplan Ost, the Nazi plan to kill the Slavs – War Against Humanity 015 – July 1941, Part 02

Filed under: China, Europe, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 4 Aug 2020

In China, and the Soviet Union, all sides are causing widespread death to the local civilians. The defending forces are scorching the earth and plundering their own civilians, the attacking armed forces of Japan and Germany are executing planned genocide and mass destruction.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson and Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Daniel Weiss
Spartacus Olsson
Klimbim – https://www.flickr.com/photos/2215569…
Mikolaj Uchman

Sources:
Eesti Kirjandusmuuseum KM EKLA, A-3:107
Yad Vashem 55AO6, 74FO7,
Consiliul National pentru Studierea Arhivelor Securitatii (CNSAS)
USHMM
IWM NA 15129, N 530
from the Noun Project: Skull by Muhamad Ulum
Picture of a victim of starvation during the siege of Leningrad, courtesy George Shuklin
Portrait of Nikolai Moskvin, courtesy goskatalog.ru

Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Yi Nantiro – “Watchmen”
Yi Nantiro – “A Single Grain Of Rice”
Farell Wooten – “Blunt Object”
Reynard Seidel – “Deflection”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”
Philip Ayers – “Under the Dome”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
3 hours ago (edited)
So here we are — it’s the end of July and the Nazi plan to ethnically cleanse Eastern Europe by genocide and forced migration is now in play, while the deliberate genocide of the Chinese has been in motion for more than three years. It’s easy to write off the massive death in both regions as collateral damage, the millions of PoWs that died as callous carelessness, the overall death toll as part of a desperate defense strategies. But that belies how planned, meticulous and specific both the genocides by Imperial Japan and by Nazi Germany were.

The sources detailing the execution and opposition to these plans in the Soviet Union are relatively easy to access. Already during the war the Allied intelligence services were intercepting most of the communication that outlined death tolls, policies, and events. After the war the comprehensive documentation by the Germans themselves was captured and compiled for the Nuremberg Trials. Although Russia under the current regime choose to obfuscate, and distort their side of the story, the decade after the collapse of the Soviet Union saw the release of enough classified material for us to know the big picture.

The sources on what happened in China are, on the other hand, harder to come by. Unlike Germany, Japan has not been forced to, and has been unwilling to reconcile with what their forefathers did. Historians unearthing these stories face massive opposition by interests that still try to maintain Japanese exceptionalism. In China, the Communist regime never collapsed, and continues to promote a propagandist historiography that distorts the events within a narrative of unilateral heroic struggle by the People’s Red Army against Imperialism. Therefore it’s all the more important that we try to see these events for what they were: a massive tragedy of human suffering caused by ideological chauvinism – there is nothing heroic here, only the sad reality of war, and the terror of hatred to the level of mass murder.

August 2, 2020

Japan is Getting Hungry, Barbarossa is Confused – WW2 – 101 – August 1, 1941

World War Two
Published 1 Aug 2020

Japan needs resources for its seemingly endless war in China, but where to look for them? And who might have a problem with it? Meanwhile in the Soviet Union, Hitler’s forces have been diverted from the Moscow Road, and are on the move in the north and the south.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Daniel Weiss

Sources:
– Mil.ru
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0 – Bild_101I-265-0024-21A, Bild 146-1976-080-13A
– Yad Vashem 1295/1

Soundtracks from the Epidemic Sound:
Gunnar Johnsen – “Not Safe Yet”
Rannar Sillard – “Easy Target”
Johannes Bornlof – “Magnificent March 3”
Fabien Tell – “Break Free”
Brightarm Orchestra – “On the Edge of Change”
Wendel Scherer – “Growing Doubt”
Philip Ayers – “Under the Dome”
Philip Ayers – “Trapped in a Maze”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

August 1, 2020

QotD: Voluntary self-censorship

Obviously it is not desirable that a Government department should have any power of censorship (except security censorship, which no one objects to in wartime) over books which are not officially sponsored. But the chief danger to freedom of thought and speech at this moment is not the direct interference of the M.O.I. [Ministry of Information] or any official body. If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country, intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.

Any fair‐minded person with journalistic experience will admit that during this war official censorship has not been particularly irksome. We have not been subjected to the kind of totalitarian “co-ordination” that it might have been reasonable to expect. The press has some justified grievances, but on the whole the Government has behaved well and and has been surprisingly tolerant of minority opinions. The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines — being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that “it wouldn’t do” to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralized, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right thinking people will accept without question. It not exactly forbidden to say this, that or the other but it is “not done” to say it, just as in mid‐Victorian times it was “not done” to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.

At this moment what is demanded by the prevailing orthodoxy is an uncritical admiration of Soviet Russia. Everyone knows this, nearly everyone acts on it. Any serious criticism of the Soviet regime, any disclosure of facts which the Soviet Government would prefer to keep hidden, is next door to unprintable. And this nation-wide conspiracy to flatter our ally takes place, curiously enough, against a background of genuine intellectual tolerance. For though you are not allowed to criticize the Soviet Government, at least you are reasonably free to criticize our own. Hardly anyone will print an attack on Stalin, but it is quite safe to attack Churchill, at any rate in books and periodicals. And throughout five years of war, during two or three of which we were fighting for national survival, countless books, pamphlets and articles advocating a compromise peace have been published without interference. More, they have been published without exciting much disapproval. So long as the prestige of the U.S.S.R. is not involved, the principle of free speech has been reasonably well upheld. There are other forbidden topics […] but the prevailing attitude toward the U.S.S.R is much the most serious symptom. It is, as it were, spontaneous, and is not due to the action of any pressure group.

The servility with which the greater part of the English intelligentsia have swallowed and repeated Russian propaganda from 1941 onward would be quite astounding if it were not that they have behaved similarly on several earlier occasions. On one controversial issue after another the Russian viewpoint has been accepted without examination and then publicized with complete disregard to historical truth or intellectual decency. To name only one instance, the B.B.C. celebrated the twenty-fifth anniversary of the Red Army without mentioning Trotsky. This was about as accurate as commemorating the battle of Trafalgar with out mentioning Nelson, but evoked no protest from the English intelligentsia. In the internal struggles in the various occupied countries, the British press has in almost all cases sided with the faction favored by the Russians and libeled the opposing faction, sometimes suppressing material evidence in order to do so. A particularly glaring case was that of Colonel Mihailovich, the Jugoslav Chetnik leader. The Russians, who had their own Jugoslav protégé in Marshal Tito, accused Mihailovich of collaborating with the Germans. This accusation was promptly taken up by the British press: Mihailovich’s supporters were given no chance of answering it, and facts contradicting it were kept out of print. In July, 1943, the Germans offered a reward of 100,000 gold crowns for the capture of Tito, and a similar reward for the capture of Mihailovich. The British press “splashed” the reward for Tito, but only one paper mentioned (in small print) the reward for Mihailovich; and the charges of collaborating with the Germans continued. Very similar things happened during the Spanish civil war. Then, too, the factions on the Republican side which the Russians were determined to crush were recklessly libeled in the English leftwing press, and any statement in their defense, even in letter form, was refused publication. At present, not only is serious criticism of the U.S.S.R. considered reprehensible, but even the fact of the existence of such criticism is kept secret in some cases. For example, shortly before his death Trotsky had written a biography of Stalin. One may assume that it was not an altogether unbiased book, but obviously it was saleable. An American publisher had arranged to issue it and the book was in print — I believe the review copies had been sent out — when the U.S.S.R. entered the war. The book was immediately withdrawn. Not word about this has ever appeared in the British press, though clearly the existence of such a book, and its suppression, was a news item worth a few paragraphs.

George Orwell “The Freedom of the Press”, 1945 (written as the introduction to Animal Farm, but not published in Orwell’s lifetime).

July 31, 2020

Operation Barbarossa – How much Intelligence do you need? – WW2 Special

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 06:00

World War Two
Published 30 Jul 2020

Josef Stalin was warned time and again from a variety of sources of the German plans for invading the Soviet Union, and yet, he did NOT heed those warnings.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Klimbim – https://www.flickr.com/photos/2215569…
Cassowary – https://www.flickr.com/photos/cassowa…

Sources:
Narodowe Archiwum Cyfrowe
Bundesarchiv
Archive of I.M. Bondarenko
Mil.ru
From the Noun Project: Letter by Mochammad Kafi

Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Deviation In Time”
Max Anson – “Maze Heist”
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Jon Bjork – “For the Many”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”
Trabant 33 – “When in Bavaria”
Howard Harper-Barnes – “London”
Mythical Score Society – “Infinity Pool & Pool Tables”
The Fly Guy Five – “Cocktail Hour”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

“Coat Of Arms” – The Greco-Italian War – Sabaton History 078 [Official]

Filed under: Europe, Greece, History, Italy, Media, Military, WW2 — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published 30 Jul 2020

Morning of October 28th, 1940.

The Italian ambassador to Greece had entered the house of Greek Prime Minister Ioannis Metaxas. An unacceptable ultimatum in hand, he demanded subjugation under Italian rule. Refusal would mean war. An ardent Ochi! was the answer. No, the Greek would not bow to fascist demands, but instead fight for the defense of their country and their honor. What followed were months of bitter fighting in the harsh environment of Epirus and the Macedonian mountains.

The Greco-Italian War.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Coat Of Arms” on the album Coat Of Arms:
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlay

Watch the Official Music Video of “Coat Of Arms” here:
https://youtu.be/wtax3Fl-UZo

The episode of WW2 in Real-Time Indy was talking about: https://www.youtube.com/watch?v=GYznP…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
Imperia War Museums: 205197881
Diplomatic and Historical Archive Department
Italian map by F l a n k e r from Wikimedia
The icons from Noun Project: Oksana Latysheva, Wichai Wi, baken studio, ProSymbols

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

July 28, 2020

Tank Chats #76 Tetrarch Tank | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 31 May 2019

Tetrarch tanks were flown over on D-Day, 6th June, 1944, for the invasion of France during WW2. Find out more with David Fletcher.

Originally adopted by the British Army as a light tank it became the first British airborne tank.
Many thanks to Vitaly Kuzmin for providing the image of the Tetrarch at Kubinka https://www.vitalykuzmin.net

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum

Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/

Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #DDay75 #tankchats

July 26, 2020

The Wehrmacht – an Army on Horseback – WW2 – 100 – July 25 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 25 Jul 2020

Although we may picture panzers when we think of the German Army in WW2, it was very much an army that relied on horses — especially in the east — for a large part of its supplies and logistics, and the horse situation on the Eastern Front has grown dire. Japan’s economic situation has also grown dire and they are now looking south for new sources of raw materials.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Cassowary Colorizations – https://www.cassowarycolor.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Sources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-L24469, B_145_Bild-F016202-15A, Bild_101I-695-0424-07A, Bild_183-L19885
– Imperial War Museum: Art.IWM PST 16102, C 2228
– Archives municipales de Brest

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 25, 2020

“The Ballad of Bull” Pt.2 – Combat Medics – Sabaton History 077 [Official]

Sabaton History
Published 24 Jul 2020

Sometimes war is killing, sometimes war is saving lives.

In the first episode we have seen Leslie “Bull” Allen become a hero, not through the death of his enemies, but by saving his comrades’ lives. And there were others like him. Soldiers and medics, whose first duty it was to preserve lives during war, even when it meant endangering their own safety. Here are three short stories of men and women, who served as medics at the front line of the Second World War, and became heroes to their country.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Ballad of Bull” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGoogleP

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton

Colorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Sources:
– Photos of Desmond Doss Courtesy of the Desmond Doss Council
– Frame vector created by milano83 – www.freepik.com
– Arkiv i Nordland
– P.Fisxo from Wikimedia

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
The medical staff in war — combat medics, field surgeons and nurses, ambulance drivers and medevac crews — are often the unsung heroes of war, literally and figuratively.

That doesn’t mean that they don’t deserve to be remembered and their sacrifices honored. There are undoubtedly many instances of exceptional bravery among the medical staff of wars throughout history — for which they rightly should be praised. But they should also be remembered for their everyday work in trenches or field hospitals, in jungles and deserts, at sea or in mid-air. Treating a seemingly endless stream of incoming wounded, trying to give relief to those in pain, comfort to those in agony, and hope to to those who have lost theirs — day in and day out, for as long as the war will last.

If you missed part one of “The Ballad of Bull” you can see it right here.

July 24, 2020

Winston Churchill and the 1943 Bengal famine

Filed under: Britain, Economics, History, India, Japan, WW2 — Tags: , , , , — Nicholas @ 05:00

Christopher Howarth on a recent BBC production that threw facts out the window in a rush to condemn British Prime Minister Winston Churchill for the famine in Bengal during 1943:

A 1945 map of Bengali districts as of 1943.
Famine Inquiry Commission (1945): Report on Bengal via Wikimedia Commons.

This argument was put forward by the BBC’s own Yogita Limaye, an Indian engineer and reporter on Women’s safety, based on the book Inglorious Empire by Shashi Tharoor, who was interviewed to give his opinion that Churchill was an “odious figure of reprehensible views and racist attitudes.”

No doubt the narrative of British evil and oppression is believed in India and elsewhere, but that does not make it true or worthy of the BBC reporting it as fact without any semblance of balance. The BBC failed its licence fee paying audience in two main regards, namely, conceptually and factually.

The British ruled India, one of the largest populations on earth, for well over two centuries. Good and bad things happened, just like everywhere else ever. You can join the dots to create whatever picture you like – Dr Tharoor chose the picture he wished to create. Why is the Bengal famine uniquely interesting to a BBC audience in 2020 over say a mini-series on British Railways and development in India? BBC presenters are demonstrably more interested in the first narrative: this is a major conceptual failing on their part. Being equal mixtures primitivism and solipsism. Always the borderline racist Western assumption is that “we” did things to “them”: we had agency, they were passive brutes. They are boring, we are endlessly interesting. Let’s talk about us. However even the slightest knowledge of the British-in-India teaches one that “we” did nothing without them. How on earth could we? There were famously few of us.

Yet it’s the second great BBC failing – over accuracy – which is so especially galling. On the actual allegation the BBC is plain wrong. Churchill was not responsible for the Bengal famine as any actual delving into the facts would have shown. Note well that they didn’t even try.

In 1943 Britain was at war with Japan, who were at the gates of India having occupied Burma, a major supplier of grain to Bengal. Important facts. Bengal was in the grips of a famine, nobody disputes that. But Churchill was not responsible, neither for the weather nor the agriculture nor the Japanese aggression.

Even the BBC did not allege that Churchill instigated the famine, the charge sheet is that he refused to help when he could. There were “stockpiles [of food] in the UK” and shipping which was retained in the northern hemisphere, prioritised for use there. Stockpiles of food in the UK in 1943? Even if there was the food and shipping, transporting US corned beef to Bengal would have been ludicrous. If there was shipping and protection from Japanese naval assault the food would have come from the rest of India. So why was food not transported from other parts of India to Bengal?

Prime Minister Winston Churchill greets Canadian PM William Lyon Mackenzie King, 1941.
Photo from Library and Archives Canada (reference number C-047565) via Wikimedia Commons.

War Diplomats, Japanese/Soviet Neutrality, and why not Sweden? – WW2 – OOTF 015

Filed under: Britain, Europe, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 23 Jul 2020

What happened to Allied ambassadors? And how did Hitler react to the Soviet-Japanese Neutrality Pact? And why didn’t he invade Sweden? Once again, Indy is in the Chair of Infinite Knowledge answering all your exciting questions about World War Two!

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Daniel Weiss

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
Portrait of Charles Howard Smith, courtesy National Portrait Gallery

Soundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Fabien Tell – “Other Sides of Glory”
Johannes Bornlof – “The Inspector 4”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 23, 2020

George Orwell’s “What is Fascism?”

Filed under: Britain, History, Media, Politics, WW2 — Tags: , — Nicholas @ 04:00

TIK
Published 21 Jul 2020

George Orwell wrote a short piece in 1944 asking the question: What is Fascism? George Orwell (Eric Arthur Blair) died in 1950. His work is technically not in the PUBLIC (STATE) domain in the UK until the end of this year. If Orwell’s estate wishes to make a Fascist-copyright claim on this video, feel free. I’m not monetizing it anyway, and will simply take the video down.

To see yesterday’s suppressed video on Greece under Fascist and National Socialist rule in WW2, click here https://youtu.be/oT2NPAoXeSk

To learn why the word PUBLIC means STATE, click here https://youtu.be/ksAqr4lLA_Y

If you’re looking for a Graphic Designer, here’s a good one: https://www.terriyoungdesigns.co.uk/

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📚 BIBLIOGRAPHY / SOURCES 📚

Full list of all my sources https://docs.google.com/spreadsheets/…

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⭐ SUPPORT TIK ⭐

Want to ask a question? Please consider supporting me on either Patreon or SubscribeStar and help make more videos like this possible. For $5 or more you can ask questions which I will answer in future Q&A videos. Thank you to my current Patrons! You’re AWESOME! https://www.patreon.com/TIKhistory or https://www.subscribestar.com/tikhistory

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ABOUT TIK 📝

History isn’t as boring as some people think, and my goal is to get people talking about it. I also want to dispel the myths and distortions that ruin our perception of the past by asking a simple question – “But is this really the case?”. I have a 2:1 Degree in History and a passion for early 20th Century conflicts (mainly WW2). I’m therefore approaching this like I would an academic essay. Lots of sources, quotes, references and so on. Only the truth will do.

This video is discussing events or concepts that are academic, educational and historical in nature. This video is for informational purposes and was created so we may better understand the past and learn from the mistakes others have made.

Full text of Orwell’s “What is Fascism?”, first published in Tribune in 1944 is available here.

July 22, 2020

Operation Barbarossa – The German Plans to Lose the War – WW2 Special

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 21 Jul 2020

The planning for Barbarossa, the German invasion of the Soviet Union, took nearly a year and went through a variety of scenarios. The basic plan was finalized in December 1940, and that month General Friedrich Paulus ran a series of war games to test its feasibility. Today we’ll look at his conclusions.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Mikołaj Cackowski, Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Cassowary Colorizations – https://www.flickr.com/photos/cassowa…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Teppeny – https://www.instagram.com/teppeny.color/

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
SA Kuva
from the Noun Project: Target by RITASYA, soldier by Wonmo Kang

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Johan Hynynen -” Dark Beginning”
Johannes Bornlof – “Death and Glory 3”
Rannar Sillard – “March Of The Brave 4”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 21, 2020

The Destruction of Convoy PQ17: Merchant Ships Left Defenceless

Filed under: Britain, Germany, History, Military, Russia, USA, WW2 — Tags: , , , , , — Nicholas @ 06:00

Historigraph
Published 18 Jul 2020

For unlimited access to the world’s top documentaries and non­fiction series go to http://go.thoughtleaders.io/166892020… and use the promo code ‘historigraph‘ to get 30 days free access.

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Music:

“Rynos Theme” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/b…

The Descent by Kevin MacLeod
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