Quotulatiousness

July 21, 2020

Spanish Republican Exiles – Nazi Colonialism & Hitler + Mussolini ≠ ❤️ – WW2 – OOTF 014

Filed under: Africa, France, Germany, History, Italy, Military, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 16 Jul 2020

What did Spanish Republicans do during the Second World War? How would the Axis have divided Africa? And did Hitler plan to keep Mussolini around after the war? Find out as Indy and the Chair of Infinite Knowledge answer three more intriguing questions in this episode of Out of the Foxholes!

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Submit your own question for Out of the Foxholes here: https://community.timeghost.tv/c/Out-…

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina Dołęga

Visual Sources:
Bundesarchiv
US Holocaust Memorial Museums
Library of Congress Geography and Map Division
Nasjonalbiblioteket from Norway
Icons from The Noun Project by: Milinda Courey, Eucalyp, Luis Prado, Gan Khoon Lay, DonBLC, Pavel N and Rigo Peter

Music:
“Deviation In Time” – Johannes Bornlof
“Superior” – Silver Maple
“Underlying Truth” – Howard Harper-Barnes

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 19, 2020

Barbarossa: a Wehrmacht Soap Opera – WW2 – 099 – July 18 1941

World War Two
Published 18 Jul 2020

As the German armed forces stretch further and further into the USSR, the Wehrmacht command doesn’t seem to agree where they are really going. In the Middle East, the Fascist French forces are delivered a hard blow as the Allied Syrian campaign comes to an end.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Map consultants: Rabih Rached and Patrick Adaimy

Colorizations by:
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Norman Stewart – https://oldtimesincolor.blogspot.com
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization
– Cassowary Colorizations – https://www.cassowarycolor.com
– Denis Marinov from Wikimedia

Sources:
– Narodowe Archiwum Cyfrowe
– Imperial War Museum: TR 1762
– Bundesarchiv, CC-BY-SA 3.0: Bild_146-1971-068-10, Bild_101I-009-0882-04, Bild_101I-209-0090-29, Bild_183-B0716-0005-002, Bild_183-B0716-0005-003, Bild_146-1974-170-23.

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 18, 2020

QotD: Peace can also be the health of the state

War, we libertarians are fond of telling each other, is the health of the state. Peruse the most recent posting here by our own WW1 historian, Patrick Crozier, to see how we often think about such things. So, what about that increasingly obtrusive and kleptocratic Brazilian state that has been putting itself about lately, stirring up misery and libertarianism? There have been no big wars to make the Brazilian state as healthy as it now is, and especially not recently. What of that?

The story Bruno Nardi told made me think of the book that explains how peace is also the health of the state, namely Mancur Olson’s public choice theory classic, The Rise and Decline of Nations. It is years since I read this, but the story that this book tells is of the slow accumulation and coagulation of politics, at the expense of mere business, as the institutions of a hitherto thriving nation gang up together to form “distributional coalitions” (that phrase I do definitely recall). The point being that if you get involved in a war, and especially if you lose a war, the way Germany and Japan lost WW2, that tends to break up such coalitions.

The last thing on the mind of a German trade unionist or businessman, in 1946, was lobbying the government for regulatory advantages or for subsidies for his particular little slice of the German economy. Such people at that time were more concerned to obtain certificates saying that they weren’t Nazis, a task made trickier by the fact that most of them were Nazis. Olson’s way of thinking makes the post-war (West) German and then Japanese economic miracles, and the relative sluggishness of the British economy at that time, a lot more understandable. Winning a war, as Olson points out, is not nearly so disruptive of those distributional coalitions, in fact it strengthens them, as Crozier’s earlier posting illustrates.

Brian Micklethwait, “The view from Brazil is that peace is also the health of the state”, Samizdata, 2018-04-13.

July 17, 2020

“Uprising” – The 1944 Warsaw Uprising – Sabaton History 076 [Official]

Filed under: Europe, Germany, History, Media, Military, WW2 — Tags: , , , , , — Nicholas @ 06:00

Sabaton History
Published 16 Jul 2020

August 1944. After nearly 5 years of suffering and oppression at the hands of the Nazis, the Polish resistance in Warsaw was ready to rise up against the German occupation. With the Red Army approaching towards the Vistula from the east, the insurgents planned to take over much of the Polish capital and hold it until help from their Allies arrived. In the early morning hours of August 1, groups of armed young men broke the curfew and stormed official buildings and German warehouses. But as insurgents fought for their lives and future, the outside world however, remained eerily quiet to their pleas for help.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Uprising” on the album Coat Of Arms:
“CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlay

Watch the Official Music Video of “Uprising” here:
https://www.youtube.com/watch?v=01IaK…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton

Colorizations by Mikołaj Kaczmarek – Kolor Historii – https://www.facebook.com/KolorHistorii/

Sources:
– Imperial War Museum: H 4963.
– Mil.ru
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-S73507, Bild_146-2005-0038, Bild_101I-695-0411-02A, Bild_183-97906, Bild 101I-695-0425-13, Bild_146-1973-113-23, Bild_146-1996-057, Bild_146-1994-054-30
– Liftarn from Wikimedia

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

July 16, 2020

Tank Chats #75 M5A1 Stuart | The Tank Museum

Filed under: History, Military, USA, Weapons, WW2 — Tags: , — Nicholas @ 02:00

The Tank Museum
Published 17 May 2019

David Fletcher on the last in the Stuart series. Known unofficially as “Honeys”, the M5A1 Stuart was an improved version of the American’s M3 light tank. They were used by British armoured regiments and by most other Allied armies during WW2. They were fast, reliable and popular with their crews, but outclassed by the German tanks of 1944.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum

Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats

July 15, 2020

Barbarossa, Hitler’s and Stalin’s Hell on Earth – War Against Humanity 014 – July 1941, Part 01

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , , , , — Nicholas @ 06:00

World War Two
Published 14 Jul 2020

When the German armed forces invade the USSR, they come with an order to exterminate from Hitler. Now the defending Soviet armed forces receive similar orders from Stalin. The bloodshed that follows defies human imagination.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Spartacus Olsson
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Klimbim – https://www.flickr.com/photos/2215569…

Sources:
Bundesarchiv
Yad Vashem 55AO6, 145CO2, 142GO5, 1019/2, 5648/40, 143EO1, 5648/39, 73BO2, 74FO7, 2725/17, 1564/2, 4360/49, 90DO9, 90DO8, 1278/19, 112GO7, 97GO2, 1597/11, 145CO1, 80DO5, 145AO, 5138/95
USHMM
Vilna Gaon State Jewish Museum

Soundtracks from the Epidemic Sound:
Skrya – “First Responders”
Philip Ayers – “Trapped in a Maze”
Farrell Wooten – “Mystery Minutes”
Cobby Costa – “From the Past”
Cobby Costa – “Flight Path”
Gunnar Johnsen – “Not Safe Yet”
Farrell Wooten – “Blunt Object”
Fluow – “Endlessness”
Jon Bjork – “Icicles”
Jon Bjork – “For the Many”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
8 hours ago (edited)
However hard it is to watch this horror, it’s important that we document it, and learn from it. Each and everyone of us can, and we must for the sake of ourselves and our fellow human beings do so. The steps that led the people involved in these atrocities to this point were small, sometimes innocent, or at least uninformed decisions that took many years to reach this level of inhumanity. It starts with denying facts, imagining conspiracies as the root of your own problems, and demonizing your imagined enemies. In this void you are already on a slippery slope that may lead into the abyss. On that note, the events depicted here are based on solid research, and verified sources that are irrefutable. Wherever there is uncertainty, we have mentioned it. The purpose of this documentation is neither to scapegoat any one side, nor exonerate anyone from blame. These are the facts. This is what happened. Think about that, because the perpetrators here were like us, they didn’t come out of their mother’s womb with the intent to torture and murder anyone. And the victims were also like all of us, ordinary people just trying to get on with their lives according to their best ability. They had dreams and goals in life, some of them political perhaps, but mostly they just got on with their everyday life, banal and difficult as that might be, until they ended up in the hands of someone who had learnt to hate them without even knowing them. Remember that – this could have been anyone of us, on both sides of the events. To have that humility is the beginning of a journey to do good.

Spartacus

PS. and if you wonder how we put up with making this kind of content; it’s difficult. I cried bitterly after recording this, and tears still well up when I think about it. While we write it’s easier to turn off, switch on the coping mechanisms, pretend that its just absurd facts and numbers. But when you act out the words… that what defies imagination is suddenly horribly real.

July 12, 2020

Free French vs. Fascist French – WW2 – 098 – July 11 1941

Filed under: Britain, France, Germany, History, Italy, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 11 Jul 2020

Germany keeps advancing on the eastern front, and yet by now, transport and supply problems are seriously undermining the capability of the German spearheads, even as they pull further away from the infantry. The Syria-Lebanon campaign is coming to an end, though, and an armistice is proposed which would give the Allies victory if accepted.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Map consultants: Rabih Rached and Patrick Adaimy

Colorizations by:
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
– Walter Frentz
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-187-0203-06A
– Narodowe Archiwum Cyfrowe
– Imperial War Museum: E21340, E 21339
– Mil.ru

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 11, 2020

The Real James Bond was Balkan – Duško Popov – WW2 Biography Special

Filed under: Britain, Europe, Germany, History, Military, USA, WW2 — Tags: , , , — Nicholas @ 06:00

World War Two
Published 9 Jul 2020

The career of Duško Popov is probably more exciting than any work of fiction. A glamorous and brave spy who plays a central role in the underground intelligence war of the time.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Scott Grimwood
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
Dememorabilia, https://www.instagram.com/dememorabilia/

Music:
“Try and Catch Us Now” – David Celeste
“Too Close for Comfort” – Jon Bjork
“Epic Adventure Theme 4” – Håkan Eriksson
“Moving to Disturbia” – Experia
“Other Sides of Glory” – Fabien Tell
“Underlying Truth” – Howard Harper-Barnes
“Spy Game” – Jon Sumner

Visual Sources:
National Archives NARA
Library of Congress
Imperial War Museum: CH1461
US Holocaust Memorial Museum
Alexander Altenhof https://commons.wikimedia.org/wiki/Fi…
Icons from The Noun Project: Marco Livolsi, faisal, Smalllike, Adrien Coquet, Fiona OM, Businessman with Suitcase by Fiona, Nick Novell, Luis Prado, Samy Menai, Nithinan, designer468, Marco Livolsi, ProSymbols, Milinda Courey,Icons Producer, Halfazebra, Leona Grande, Vectors Point, Arthur Dias,MRK, Becris, iconcheese, Likous, Markus, ProSymbols, Michael Fischer, priyanka, Adnen Kadri, Baboon designs and Laymik

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 10, 2020

“Primo Victoria” – The D-Day Landings – Sabaton History 075 [Official]

Filed under: Britain, France, Germany, History, Media, Military, USA, WW2 — Tags: , , , , , — Nicholas @ 06:00

Sabaton History
Published 9 Jul 2020

On D-Day, 6th June 1944, Operation Overlord began. The Western Allies unleashed their gigantic amphibious landing on the coast of Normandy. Preluded by a nightly airborne attack and supported by a massive armada of bombers and fleet artillery, their landing-craft reached the fortified beaches. Against a hail of machine-gun bullets, the Allied soldiers stormed the beaches and overran the German bunkers and trenches. A new front was opened and the battle for France began.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Primo Victoria” on the album Primo Victoria:
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlay

Watch the Official Lyric Video of “Primo Victoria” here: https://www.youtube.com/watch?v=qVHyl…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean – https://www.screenocean.com
Colorizations by: Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Music by: Sabaton

Sources:
National Archives NARA
Bundesarchiv
US Holocaust Memorial Museum
Imperial War Museums: IWM H 39183, H38244 IWM, 1944_B5234, 944_TR1631, IWM A70 31-1, IWM A70 31-2,EA25734, B 5218, 1944_MH9509, IWM A70 29-1-2, B5225, B5089
Icons from The Noun Project by zidney and Norbert de Graaff

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

July 8, 2020

The Luftwaffe and Barbarossa – WW2 Special

Filed under: Germany, History, Military, WW2 — Tags: , , , — Nicholas @ 06:00

World War Two
Published 7 Jul 2020

Unlike the German Army, which for the most part had many idle months over the past year, the German Air Force — the Luftwaffe — has seen constant action in the Battle of Britain and the Mediterranean Theater. How did this affect its preparations and plans for the invasion of the Soviet Union?

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Dememorabilia – https://www.instagram.com/dememorabilia/
Cassowary Colorizations https://www.flickr.com/photos/cassowa…

Sources:
Messerschmitt Bf 110, courtesy ElwoodB https://commons.wikimedia.org/wiki/Fi…
Junkers_Ju_87B-2_Stuka by Kaboldy https://commons.wikimedia.org/wiki/Fi…
Bundesarchiv
IWM E 3064E, E 3066E, A 4153

Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Johannes Bornlof – “The Inspector 4”
Reynard Seidel – “Deflection”
Philip Ayers – “Trapped In A Maze”
Rannar Sillard – “March Of The Brave 4”
Fabien Tell – “Last Point Of Safe Return”
Johan Hynynen – “Dark Beginning”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

H.G. Wells, fortunately for his reputation, is mostly remembered for his science fiction writings

Filed under: Books, Britain, History, Politics, WW2 — Tags: , , , , , , — Nicholas @ 03:00

I was well into my twenties before I found out that H.G. Wells the science fiction writer was only a small slice of his career. I picked up a one-volume edition of his Outline of History, but it didn’t seem to have the same interest for me that The War of the Worlds or The Time Machine had done (and honestly, it was Jeff Wayne’s musical interpretation of War of the Worlds that pushed me to read any of his writing). His analysis of the events of his day fell well short of his reputation, as George Orwell pointed out:

In March or April, say the wiseacres, there is to be a stupendous knockout blow at Britain … What Hitler has to do it with, I cannot imagine. His ebbing and dispersed military resources are now probably not so very much greater than the Italians’ before they were put to the test in Greece and Africa.

    The German air power has been largely spent. It is behind the times and its first-rate men are mostly dead or disheartened or worn out.

    In 1914 the Hohenzollern army was the best in the world. Behind that screaming little defective in Berlin there is nothing of the sort … Yet our military “experts” discuss the waiting phantom. In their imaginations it is perfect in its equipment and invincible in its discipline. Sometimes it is to strike a decisive “blow” through Spain and North Africa and on, or march through the Balkans, march from the Danube to Ankara, to Persia, to India, or “crush Russia”, or “pour” over the Brenner into Italy. The weeks pass and the phantom does none of these things — for one excellent reason. It does not exist to that extent. Most of such inadequate guns and munitions as it possessed must have been taken away form it and fooled away in Hitler’s silly feints to invade Britain. And its raw jerry-built discipline is wilting under the creeping realisation that the Blitzkrieg is spent, and the war is coming home to roost.

These quotations are not taken from The Cavalry Quarterly but from a series of newspaper articles by Mr. H. G. Wells, written at the beginning of this year and now reprinted in a book entitled Guide to the New World. Since they were written, the German Army has overrun the Balkans and reconquered Cyrenaica, it can march through Turkey or Spain at such time as may suit it, and it has undertaken the invasion of Russia. How that campaign will turn out I do not know, but it is worth noticing that the German general staff, whose opinion is probably worth something, would not have begun it if they had not felt fairly certain of finishing it within three months. So much for the idea that the German Army is a bogey, its equipment inadequate, its morale breaking down, etc. etc.

What has Wells to set against the “screaming little defective in Berlin”? The usual rigmarole about a World State, plus the Sankey Declaration, which is an attempted definition of fundamental human rights, of anti-totalitarian tendency. Except that he is now especially concerned with federal world control of air power, it is the same gospel as he has been preaching almost without interruption for the past forty years, always with an air of angry surprise at the human beings who can fail to grasp anything so obvious.

[…]

Mr. Wells, like Dickens, belongs to the non-military middle class. The thunder of guns, the jingle of spurs, the catch in the throat when the old flag goes by, leave him manifestly cold. He has an invincible hatred of the fighting, hunting, swashbuckling side of life, symbolised in all his early books by a violent propaganda against horses. The principal villain of his Outline of History is the military adventurer, Napoleon. If one looks through nearly any book that he has written in the last forty years one finds the same idea constantly recurring: the supposed antithesis between the man of science who is working towards a planned World State and the reactionary who is trying to restore a disorderly past. In novels, Utopias, essays, films, pamphlets, the antithesis crops up, always more or less the same. On the one side science, order, progress, internationalism, aeroplanes, steel, concrete, hygiene: on the other side war, nationalism, religion, monarchy, peasants, Greek professors, poets, horses. History as he sees it is a series of victories won by the scientific man over the romantic man.

In addition to being a surprisingly consistent one-note proponent of the same solution to every problem, he was, as Michael Coren relates, a nasty piece of work in his personal life:

There’s an anecdote concerning H.G. Wells that rather exemplifies his character. A London theatre in the 1920s. Wells was approached by a nervous, eager young fan. “Mr. Wells, you probably don’t remember me”, he said, holding out his hand. “Yes, I bloody do!” replied Wells, and rudely turned his back. Personality aside, Wells also embraced anti-Semitism, racism, and social engineering, and in this atmosphere of outrage and iconoclasm it’s surprising that he hasn’t been more targeted for symbolic removal. Then again, perhaps not. Because while the undoubtedly gifted author said and believed some dreadful things he was also a man of the left. And when it comes to cancel culture, socialism is the ultimate prophylactic.

George Bernard Shaw said of his nastiness and his ugly views, “Multiply the total by ten; square the result. Raise it again to the millionth power and square it again; and you will still fall short of the truth about Wells — yet the worse he behaved the more he was indulged; and the more he was indulged the worse he behaved.”

In fact, for much of the 20th-century eugenics was a creature of the left as much if not more than the right. Shaw himself, Sydney and Beatrice Webb and many other left-wing intellectuals were convinced that for the lives of the majority to improve there had to be a harsh control of the minority.

Wells argued that the existing social and economic structure would collapse and a new order would emerge, led by “people throughout the world whose minds were adapted to the demands of the big-scale conditions of the new time … a naturally and informally organized educated class, an unprecedented sort of people.” The “base,” the class at the bottom of the scale, “people who had given evidence of a strong anti-social disposition,” would be in trouble. “This thing, this euthanasia of the weak and the sensual, is possible. I have little or no doubt that in the future it will be planned and achieved.” He wrote of, “boys and girls and youth and maidens, full of zest and new life, full of an abundant joyful receptivity … helpers behind us in the struggle.” Then chillingly, “And for the rest, these swarms of black and brown and dingy white and yellow people who do not come into the needs of efficiency … I take it they will have to go.”

US M2/M2A1 Flamethrower

Filed under: History, Military, USA, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 12 May 2016

http://www.patreon.com/ForgottenWeapons

After a dismal first attempt at designing a flamethrower (the M1) in 1941, the US Chemical Corps along with several universities and industrial partners put in a lot of research to develop a more usable and effective flamethrower. The result was the M2, which went into production in early 1944. It would prove to be an exceptionally effective weapon in the island-hopping campaign towards the end of the war.

The M2 was arguably the best flamethrower fielded by any military during the war, with a number of excellent design features. These included:

* A constant-pressure regulator to ensure that the range stayed the same from the first to the last shot of a tank of fuel
* An on/off main valve easily accessible to the operator
* A supremely waterproof and reliable pyrotechnic cartridge ignition system
* An auto-shutoff valve which sealed at the nozzle, preventing dribble (and cutting off fuel flow should the operator lose control of the weapon)

The M2 would see service into the Vietnam War even as its successor the M9 was being issued. It was a truly outstanding design, and remains viable to this day.

Thanks to Charlie Hobson for showing us the unit and teaching me to fire it, and also thanks to Adaptive Firearms for letting us use their range facilities!

You can find Charlie Hobson’s book, US Portable Flamethrowers here:
http://amzn.to/1SP9yc5

July 6, 2020

The Healthcare Crisis of 1941 – WW2 – On the Homefront 005

Filed under: Britain, Germany, Health, History, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 2 Jul 2020

When WWII breaks out many parts of the world are still missing population-wide healthcare. The pressure of the war deteriorates healthcare services even further. By 1941, both the British Commonwealth and Germany are facing an outright healthcare crisis on the home front.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Anna Deinhard
Written by: Fiona Rachel Fischer and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Sources:
IWM D 2373, D 2318, B 14299, D 2315, D 2078, D 14318, D 2334
Narodowe Archiwum Cyfrowe
Bundesarchiv
Wellcome Images no. L0028759
From the Noun Project: london by Pablo Fernández Vallejo, Patient by Miho Suzuki-Robinson, Patient by Binpodo, Doctor by Wilson Joseph, Hospital by Hare Krishna, School by David, Apartment by Victoruler, Bus by Eucalyp
University of Liverpool Faculty of Health & Life Sciences

Soundtracks from the Epidemic Sound:
Farrell Wooten – “Blunt Object”
Johannes Bornlof – “Deviation In Time”
Skrya – “First Responders”
Gunnar Johnsen – “Not Safe Yet”
Johannes Bornlof – “The Inspector 4”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Rannar Sillard – “March Of The Brave 4”
Cobby Costa – “From the Past”
Fabien Tell – “Last Point of Safe Return”
Cobby Costa – “Flight Path”
Andreas Jamsheree – “Guilty Shadows 4”
Jo Wandrini – “Puzzle of Complexity”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago (edited)
It might be surprising that the global healthcare crisis of 2020 has an immediate relationship to WW2, but it does. Although, when you look at it, it’s logical — with every crisis humanity learns a little — it was still a little bit of a surprise to us how direct this relationship was when researching and writing this episode. Was it surprising to you too?

On the topic of writing, this is the first episode by our new co-writer, Fiona Rachel Fischer, who will now be a regular contributor to the On the Homefront series — please give her a warm welcome.

July 5, 2020

Wehrmacht 1/3 of Way to Moscow – WW2 – 097 – July 4 1941

World War Two
Published 4 Jul 2020

Operation Barbarossa continues this week but is already running into problems that are gonna be hard to fix. The Japanese are thinking future war strategy, while the British set up a focused research program on nuclear power and atom bombs…

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Map consultants: Rabih Rached and Patrick Adaimy

Colorizations by:
– Daniel Weiss
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Cassowary Colorizations
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…

Sources:
– SA-Kuva
– museum.ru
– National Portrait Gallery
– Weight by Vadim Solomakhin from the Noun Project
– Imperial War Museum: FL1204
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-186-0199-12A, Bild_101I-208-0027-04A, Bild_183-B10901
– Yad Vashem Photo Archives, 46405, https://photos.yadvashem.org/photo-de…

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Light, Mobile, and Deadly: the French Mle 1937 25mm Puteaux AT Gun

Filed under: France, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 20 Mar 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

After World War One, the French military set up a program to modernize all of its weaponry, and that included a replacement for the Mle 1916 light infantry cannon. An anti-tank gun had not been necessary during the Great War, as Germany never fielded tanks in substantial numbers — but as a pioneer of the modern tank, the French recognized the need for a good AT gun. Taking a lesson from World War One, they wanted a light gun that was flexible and mobile, easily moved around the battlefield and easily concealed from enemy fire. A 25mm cartridge was specified, and both the Hotchkiss company and the Puteaux arsenal created guns to use it. Both were adopted into service, with the Hotchkiss Mle 1934 being a bit heavier and the Puteaux Mle 1937 being a bit lighter, at only about 600 pounds. The Puteaux gun was quite small, easily moved by a horse or virtually any motorized vehicle. It had a long barrel and the 25mm AP projectile had a muzzle velocity of about 3150 fps, making it quite effective on the light and medium tanks of the 1930s. It was also remarkably accurate, and the long barrel and flash hider gave it a very small firing signature. Aiming was done with either a 4x magnified optic or a set of backup iron sights.

A total of 1285 of these guns were made before the armistice of June 1940, and they served ably in the Battle of France. A few were also used by the British before Dunkirk, and after the armistice they were used by German forces in limited numbers, and also supplied to Spain and Finland as military aid (this particular one has a Finnish property tag on it).

Thanks to DriveTanks.com in Uvalde Texas for giving me access to film this Puteaux cannon for you!

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

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