World War Two
Published 16 Jul 2020What did Spanish Republicans do during the Second World War? How would the Axis have divided Africa? And did Hitler plan to keep Mussolini around after the war? Find out as Indy and the Chair of Infinite Knowledge answer three more intriguing questions in this episode of Out of the Foxholes!
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Or join The TimeGhost Army directly at: https://timeghost.tvSubmit your own question for Out of the Foxholes here: https://community.timeghost.tv/c/Out-…
Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina DołęgaVisual Sources:
Bundesarchiv
US Holocaust Memorial Museums
Library of Congress Geography and Map Division
Nasjonalbiblioteket from Norway
Icons from The Noun Project by: Milinda Courey, Eucalyp, Luis Prado, Gan Khoon Lay, DonBLC, Pavel N and Rigo PeterMusic:
“Deviation In Time” – Johannes Bornlof
“Superior” – Silver Maple
“Underlying Truth” – Howard Harper-BarnesArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 21, 2020
Spanish Republican Exiles – Nazi Colonialism & Hitler + Mussolini ≠ ❤️ – WW2 – OOTF 014
July 19, 2020
July 18, 2020
QotD: Peace can also be the health of the state
War, we libertarians are fond of telling each other, is the health of the state. Peruse the most recent posting here by our own WW1 historian, Patrick Crozier, to see how we often think about such things. So, what about that increasingly obtrusive and kleptocratic Brazilian state that has been putting itself about lately, stirring up misery and libertarianism? There have been no big wars to make the Brazilian state as healthy as it now is, and especially not recently. What of that?
The story Bruno Nardi told made me think of the book that explains how peace is also the health of the state, namely Mancur Olson’s public choice theory classic, The Rise and Decline of Nations. It is years since I read this, but the story that this book tells is of the slow accumulation and coagulation of politics, at the expense of mere business, as the institutions of a hitherto thriving nation gang up together to form “distributional coalitions” (that phrase I do definitely recall). The point being that if you get involved in a war, and especially if you lose a war, the way Germany and Japan lost WW2, that tends to break up such coalitions.
The last thing on the mind of a German trade unionist or businessman, in 1946, was lobbying the government for regulatory advantages or for subsidies for his particular little slice of the German economy. Such people at that time were more concerned to obtain certificates saying that they weren’t Nazis, a task made trickier by the fact that most of them were Nazis. Olson’s way of thinking makes the post-war (West) German and then Japanese economic miracles, and the relative sluggishness of the British economy at that time, a lot more understandable. Winning a war, as Olson points out, is not nearly so disruptive of those distributional coalitions, in fact it strengthens them, as Crozier’s earlier posting illustrates.
Brian Micklethwait, “The view from Brazil is that peace is also the health of the state”, Samizdata, 2018-04-13.
July 17, 2020
“Uprising” – The 1944 Warsaw Uprising – Sabaton History 076 [Official]
Sabaton History
Published 16 Jul 2020August 1944. After nearly 5 years of suffering and oppression at the hands of the Nazis, the Polish resistance in Warsaw was ready to rise up against the German occupation. With the Red Army approaching towards the Vistula from the east, the insurgents planned to take over much of the Polish capital and hold it until help from their Allies arrived. In the early morning hours of August 1, groups of armed young men broke the curfew and stormed official buildings and German warehouses. But as insurgents fought for their lives and future, the outside world however, remained eerily quiet to their pleas for help.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Uprising” on the album Coat Of Arms:
“CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlayWatch the Official Music Video of “Uprising” here:
https://www.youtube.com/watch?v=01IaK…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by SabatonColorizations by Mikołaj Kaczmarek – Kolor Historii – https://www.facebook.com/KolorHistorii/
Sources:
– Imperial War Museum: H 4963.
– Mil.ru
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-S73507, Bild_146-2005-0038, Bild_101I-695-0411-02A, Bild_183-97906, Bild 101I-695-0425-13, Bild_146-1973-113-23, Bild_146-1996-057, Bild_146-1994-054-30
– Liftarn from WikimediaAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
July 16, 2020
Tank Chats #75 M5A1 Stuart | The Tank Museum
The Tank Museum
Published 17 May 2019David Fletcher on the last in the Stuart series. Known unofficially as “Honeys”, the M5A1 Stuart was an improved version of the American’s M3 light tank. They were used by British armoured regiments and by most other Allied armies during WW2. They were fast, reliable and popular with their crews, but outclassed by the German tanks of 1944.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats
July 15, 2020
July 12, 2020
July 11, 2020
The Real James Bond was Balkan – Duško Popov – WW2 Biography Special
World War Two
Published 9 Jul 2020The career of Duško Popov is probably more exciting than any work of fiction. A glamorous and brave spy who plays a central role in the underground intelligence war of the time.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Scott Grimwood
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
Dememorabilia, https://www.instagram.com/dememorabilia/Music:
“Try and Catch Us Now” – David Celeste
“Too Close for Comfort” – Jon Bjork
“Epic Adventure Theme 4” – Håkan Eriksson
“Moving to Disturbia” – Experia
“Other Sides of Glory” – Fabien Tell
“Underlying Truth” – Howard Harper-Barnes
“Spy Game” – Jon SumnerVisual Sources:
National Archives NARA
Library of Congress
Imperial War Museum: CH1461
US Holocaust Memorial Museum
Alexander Altenhof https://commons.wikimedia.org/wiki/Fi…
Icons from The Noun Project: Marco Livolsi, faisal, Smalllike, Adrien Coquet, Fiona OM, Businessman with Suitcase by Fiona, Nick Novell, Luis Prado, Samy Menai, Nithinan, designer468, Marco Livolsi, ProSymbols, Milinda Courey,Icons Producer, Halfazebra, Leona Grande, Vectors Point, Arthur Dias,MRK, Becris, iconcheese, Likous, Markus, ProSymbols, Michael Fischer, priyanka, Adnen Kadri, Baboon designs and LaymikArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 10, 2020
“Primo Victoria” – The D-Day Landings – Sabaton History 075 [Official]
Sabaton History
Published 9 Jul 2020On D-Day, 6th June 1944, Operation Overlord began. The Western Allies unleashed their gigantic amphibious landing on the coast of Normandy. Preluded by a nightly airborne attack and supported by a massive armada of bombers and fleet artillery, their landing-craft reached the fortified beaches. Against a hail of machine-gun bullets, the Allied soldiers stormed the beaches and overran the German bunkers and trenches. A new front was opened and the battle for France began.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Primo Victoria” on the album Primo Victoria:
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlayWatch the Official Lyric Video of “Primo Victoria” here: https://www.youtube.com/watch?v=qVHyl…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean – https://www.screenocean.com
Colorizations by: Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Music by: SabatonSources:
National Archives NARA
Bundesarchiv
US Holocaust Memorial Museum
Imperial War Museums: IWM H 39183, H38244 IWM, 1944_B5234, 944_TR1631, IWM A70 31-1, IWM A70 31-2,EA25734, B 5218, 1944_MH9509, IWM A70 29-1-2, B5225, B5089
Icons from The Noun Project by zidney and Norbert de GraaffAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
July 8, 2020
US M2/M2A1 Flamethrower
Forgotten Weapons
Published 12 May 2016http://www.patreon.com/ForgottenWeapons
After a dismal first attempt at designing a flamethrower (the M1) in 1941, the US Chemical Corps along with several universities and industrial partners put in a lot of research to develop a more usable and effective flamethrower. The result was the M2, which went into production in early 1944. It would prove to be an exceptionally effective weapon in the island-hopping campaign towards the end of the war.
The M2 was arguably the best flamethrower fielded by any military during the war, with a number of excellent design features. These included:
* A constant-pressure regulator to ensure that the range stayed the same from the first to the last shot of a tank of fuel
* An on/off main valve easily accessible to the operator
* A supremely waterproof and reliable pyrotechnic cartridge ignition system
* An auto-shutoff valve which sealed at the nozzle, preventing dribble (and cutting off fuel flow should the operator lose control of the weapon)The M2 would see service into the Vietnam War even as its successor the M9 was being issued. It was a truly outstanding design, and remains viable to this day.
Thanks to Charlie Hobson for showing us the unit and teaching me to fire it, and also thanks to Adaptive Firearms for letting us use their range facilities!
You can find Charlie Hobson’s book, US Portable Flamethrowers here:
http://amzn.to/1SP9yc5
July 6, 2020
July 5, 2020
Light, Mobile, and Deadly: the French Mle 1937 25mm Puteaux AT Gun
Forgotten Weapons
Published 20 Mar 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
After World War One, the French military set up a program to modernize all of its weaponry, and that included a replacement for the Mle 1916 light infantry cannon. An anti-tank gun had not been necessary during the Great War, as Germany never fielded tanks in substantial numbers — but as a pioneer of the modern tank, the French recognized the need for a good AT gun. Taking a lesson from World War One, they wanted a light gun that was flexible and mobile, easily moved around the battlefield and easily concealed from enemy fire. A 25mm cartridge was specified, and both the Hotchkiss company and the Puteaux arsenal created guns to use it. Both were adopted into service, with the Hotchkiss Mle 1934 being a bit heavier and the Puteaux Mle 1937 being a bit lighter, at only about 600 pounds. The Puteaux gun was quite small, easily moved by a horse or virtually any motorized vehicle. It had a long barrel and the 25mm AP projectile had a muzzle velocity of about 3150 fps, making it quite effective on the light and medium tanks of the 1930s. It was also remarkably accurate, and the long barrel and flash hider gave it a very small firing signature. Aiming was done with either a 4x magnified optic or a set of backup iron sights.
A total of 1285 of these guns were made before the armistice of June 1940, and they served ably in the Battle of France. A few were also used by the British before Dunkirk, and after the armistice they were used by German forces in limited numbers, and also supplied to Spain and Finland as military aid (this particular one has a Finnish property tag on it).
Thanks to DriveTanks.com in Uvalde Texas for giving me access to film this Puteaux cannon for you!
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

















