Quotulatiousness

May 9, 2021

Carrier vs. Carrier – The Battle of the Coral Sea – WW2 – 141 – May 9, 1942

World War Two
Published 8 May 2021

This week sees a major clash between the naval forces of the Japanese and the Allies. Both sides take big damage, though on the tactical level it is a victory for the Japanese. Operationally, however, they must postpone their attacks towards Port Moresby. They are busy making plans all the while, though, for their upcoming attack against Midway Atoll in the Central Pacific. They also finally have success ending an offensive this week with the conquest of the Philippines when Corregidor falls. Japan’s ally Germany begins an offensive of their own this week on the Kerch Peninsula. The Allies, for their part, launch an offensive of their own this week against Vichy French-held Madagascar, and they take the main port, Diego Suarez.

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Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Daniel Weiss
– Mikołaj Uchman
– Norman Stewart – https://oldtimesincolor.blogspot.com/​
– Dememorabilia – https://www.instagram.com/dememorabilia/​

Sources:
– IWM A 9471
– Narodowe Muzeum Cyfrowe

Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Jo Wandrini – “To War!”
– Fabien Tell – “Last Point of Safe Return”
– Brightarm Orchestra – “On the Edge of Change”
– Reynard Seidel – “Rush of Blood”
– Craft Case – “Secret Cargo”
– Gunnar Johnsen – “Not Safe Yet”
– Edward Karl Hanson – “Spellbound”
– Johan Hynynen – “One More Thought”
– Rannar Sillard – “March Of The Brave 4”
– Johan Hynynen – “Dark Beginning”
– Phoenix Tail – “At the Front”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

May 7, 2021

The Nazi Invasion of Canada?! – WW2 – On the Homefront 009

Filed under: Britain, Cancon, Economics, History, Military, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 6 May 2021

What would happen if Nazi Germany invaded Canada? You don’t need to imagine. In 1942, the government of Mackenzie King launched a propaganda effort that simulates Canada falling under Hitler’s yoke. Why? For the war economy of course!

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Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Anna Deinhard
Written by: Fiona Rachel Fischer and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…​
Daniel Weiss

Sources:
IWM Art.IWM PST 18495, CH 27, CH 3231, CH 6831, HU 88386, HU 104482
nationaal archief
Photo Album of F.V. Light (1923-2000)

Soundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Johannes Bornlof – “The Inspector 4”
Howard Harper-Barnes – “Prescient”
Max Anson – “Ancient Saga”
Howard Harper-Barnes – “Sailing for Gold”
Philip Ayers – “Please Hear Me Out”
Jo Wandrini – “Puzzle Of Complexity”
Reynard Seidel – “Deflection”
Rannar Sillard – “March Of The Brave 4”
Phoenix Tail – “At the Front”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
1 day ago
As you can see in the video, the efforts to raise money to pay for the war were extremely high. But when we read about the stuff that was going on in Winnipeg on “If-Day”, we were really surprised — talk about “playing” war! Of course, this top-notch high-effort propaganda had quite the impact on the citizens of Winnipeg, because — let´s be honest — who wouldn´t be frightened by any kind of Nazi invasion? And they did not spare any effort to get the details right, too. What is your impression of If-Day? Have you heard of it before? Please let us know in the comments!

Cheers, Fiona

P.S. If you want to watch the short film starring Donald Duck which Anna mentions in the video, click right here: https://www.youtube.com/watch?v=XNMrMFuk-bo&ab_channel=8thManDVD.com%E2%84%A2CartoonChannel

Tank Chats #106 | Panzer IV | The Tank Museum

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , , , , , — Nicholas @ 02:00

The Tank Museum
Published 11 Sep 2020

Join The Tank Museum’s Curator David Willey as he discusses the Sd.Kfz 161, better known as Panzer IV: the most numerously produced tank by Germany during the Second World War.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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#tankmuseum #tanks

QotD: Battleship gunnery in WW2

Filed under: Britain, Germany, History, Military, USA, Weapons, WW2 — Tags: , , — Nicholas @ 01:00

Capital ships could also only defeat their opponents’ armour IF they could find them and hit them accurately. Which was hardly a given, as only the British – with the eight WWI 15″ guns on Warspite — and Germans — with the nine modern 11″[!] guns on Scharnhorst — actually hit any moving target at 26,000 yards or more. (Both in relatively clear conditions in daylight, and both well inside the theoretical 35,000-45,000 yard full range of most battleship guns.)

[Three years later, in foul weather at night during the Battle of North Cape, the Germans had their fears that British radar had advanced far beyond theirs in gunfire direction completely confirmed, when Scharnhorst was pounded to scrap by Duke of York and a few cruisers in a battle where even the British cruisers could engage and score hits at ranges that didn’t allow Scharnhorst to reply accurately.]

No other navy came even close to hitting anything actually moving at any speed at 26,000 yards (though West Virginia managed within about 15% of it with 22,800 yards using the latest radar at Surigao Strait in late ’44). Certainly not the radar-deficient Italians and Japanese.

At night, or in bad weather, that meant radar-efficient nations had an unsurpassable advantage, particularly for fast moving targets at sea like those hit by Warspite and Scharnhorst.

[Although one USN 16″ battleship peppered stationary French targets in a port at even longer ranges, some USN engagements — like Guadalcanal — were at Jutland distances, if not closer. (5,000-8,000 yards, even though the US ships had radar … Which would have been fine if the USN had been consciously doing a Matapan-style 3,500 yard ambush, but South Dakota‘s radar and other power went down to “electrical fault”, and she accidentally wandered within 5,000 yards and was battered at close range, “leaving the ship in Lee’s words ‘deaf, dumb, blind, and impotent'”. Fortunately Washington‘s working radar allowed her to sneak up on the Japanese and win the battle.) ]

At Surigao Straits those USN battleships with more modern radar — the late war rebuilds West Virginia, California and Tennessee — spotted the enemy at over 30,000 yards, and opened fire at 22,000 yards, actually getting some hits with the opening salvos! But some ships with less effective radar — Maryland (eight 16″) — had to wait for visual sightings of shell splashes before joining in, and Pennsylvania (twelve 14″) with her older Mark III radar, failed to spot the enemy at all.

How many and how big your guns are, or what their range is, doesn’t matter a damn if you never see your opponent!

[Though please note, in every battle of the war, the navy which has the choice — either through speed in daylight, or radar superiority at night or in heavy weather — always closed the range to their maximum advantage (if not to point-blank where possible) before engaging.]

So instead of endlessly debating the value of ten or twelve 14″ versus eight 15″ or 16″ or even nine 11″ or 16″; or of 20 degree versus 30 degree or 40 degree elevation; or of heavier slower shells versus lighter faster ones: I tend to accept that most heavy guns could penetrate most armour, and just wonder whether they could only hit anything in good light and good weather, or if they were completely blind in the wrong conditions?

Nigel Davies, “Real Battleships for WWII – Part I – defining a battleship”, rethinking history, 2021-01-23.

May 6, 2021

The Royal Canadian Navy – Sinking you, but politely

Filed under: Britain, Cancon, History, Military, WW1, WW2 — Tags: , , , , , — Nicholas @ 02:00

Drachinifel
Published 27 Jan 2021

A brief history of the Royal Canadian Navy from its origins to the end of WW2.

Sources:
https://archive.org/details/seaisatourgatesh00germ
https://www.canada.ca/en/navy/services/history/naval-service-1910-2010.html
Legion Magazine – “Over The Side: The Courageous Boarding Of U-94”
www.amazon.co.uk/No-Higher-Purpose-Operational-1939-1943/dp/1551250616
www.amazon.co.uk/Canadas-Navy-Century-General-Interest/dp/0802042813/

Free naval photos and more – www.drachinifel.co.uk

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Want to talk about ships? https://discord.gg/TYu88mt

Want to get some books? www.amazon.co.uk/shop/drachinifelDrydock

Episodes in podcast format – https://soundcloud.com/user-21912004

Music – https://www.youtube.com/c/NCMEpicMusic

May 5, 2021

The Greatest Spy Story Almost Never Told – WW2 – Spies & Ties 02

Filed under: Europe, Germany, History, Military, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 4 May 2021

A spy story almost forgotten to history that is key to understanding the espionage campaign that was waged as Hitler, Stalin, Roosevelt, and Churchill publicly directed the frontlines. Coming together here are the histories of cryptography, Nazi double-agents, and nuclear weapons.
(more…)

May 2, 2021

Japan – One Battle from Victory? – 140 – May 2, 1942

Filed under: Britain, China, Germany, History, Japan, Military, Pacific, Russia, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 1 May 2021

Now Burma and control of the Burma Road have fallen to the Japanese. Can nothing stop them? The Allies are thinking about maybe using the Solomon Islands as a base to build to try and fight back, but to do that they’ll need control of the Coral Sea, but both sides are sending warships there since the Japanese plan to take Port Moresby. The Allies are aware of this, however, since they have the advantage of being able to read a substantial part of Japan’s radio traffic. It is a week of foreshadowing not just there, but also as the Allies send ships to take Madagascar from the Vichy French and the Soviets prepare to launch an offensive in the south of the Eastern Front.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Daniel Weiss
– Norman Stewart – https://oldtimesincolor.blogspot.com/​

Sources:
– IWM JAR 1240, A 9483

Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Fabien Tell – “Other Sides of Glory”
– Brightarm Orchestra – “On the Edge of Change”
– Edward Karl Hanson – “Spellbound”
– Johan Hynynen – “Dark Beginning”
– Rannar Sillard – “Split Decision”
– Dream Cave – “The Beast”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

April 30, 2021

The Horrors of Partisan Warfare – WAH 033 – April 1942, Pt. 2

World War Two
Published 29 Apr 2021

April 1942 sees bombing campaigns in Germany and Britain, as well as German anti-partisan actions in the Balkans and Eastern Europe.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
Klimbim https://www.flickr.com/photos/2215569…​
Mikołaj Uchman
Spartacus Olsson
Daniel Weiss

Sources:
IWM MH 24764, HU 36196, Q(HS) 256, D 16649
Yad Vashem 48AO3, 953, 86FO2, 3116/71
Bundesarchiv
Tito giving a speech in Foča, courtesy of Музеј Старе Херцеговине
Narodowe Archiwum Cyfrowe
Star of David, courtesy of Jacek Proszyk https://commons.wikimedia.org/wiki/Fi…​
Picture of Gustav Braun von Stumm, courtesy of Thomas Föhl https://www.geni.com/photo/view/60000…​

Soundtracks from the Epidemic Sound:
Wendel Scherer – “Defeated”
Johan Hynynen – “Dark Beginning”
Jon Bjork – “Disposal”
Christian Andersen – “Barrel”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Gavin Luke – “Drifting Emotions 3”
Jon Bjork – “Icicles”
Gunnar Johnsen – “Not Safe Yet”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Update: TimeGhost had to repost a censored version of this episode and provided this explanation:

World War Two
1 hour ago (edited)
The original version of this video was age restricted by YouTube for containing pictures of dead bodies. We do not feel that it is correct to document these events by finessing history and self censoring, but YouTube has left us no choice. We have several problems with these age restrictions, but let’s start off with what an age restriction means on YouTube. In theory it simply restricts the video from anyone who isn’t over 18 and logged in to the YouTube platform, but in effect it does much more than that;

1. It takes the video out of most subscribers’ feeds and notification lists
2. In some countries like for instance South Korea, for legal reasons it is not accessible at all, for anyone
3. YouTube ranks it lower in their recommendation engines sending out recommendations to view to only a fraction of the ‘normal’ recommendations
4. It can no longer be viewed off YouTube as an embedded video – meaning that it won’t display even on our own website
5. It gets a boiler plate informing the viewer that the content has been “identified by the community as offensive to some viewers”
6. On many mobile devices it cannot be shared with the YouTube app
7. In countries were legal proof of age is required for adult content you have to provide a driver’s license, or credit card proving you are over 18

In effect that means that YouTube is soft censoring the video from a large section of potential viewers. The result is that we get around half, or less of the views on videos that are age restricted. And we should note that according to YouTube’s own system more than 90% of our viewers are over 18, so it’s not just an effect of losing underage viewers.

Now, this content is without any doubt hard to watch, but it’s educational content based on solid facts, documented through crystal clear academic research. It is about the crimes against humanity during WW2. It documents events that are to this day in 2021, denied by sympathizers of extreme ideologies. Because of the special importance for new generations to learn about these events, many countries, especially in the EU and North America, do not require in their youth protection laws or media regulation that this kind of content shall be for 18+ only. To the contrary many countries have these topics, told just as graphically as we document them on their school curriculum for ages 13 and above. Moreover, YouTube has in their own community guidelines a provision that allows for displays of violence, dead bodies, and so on in an educational context also for under 18s.

So in effect YouTube is here choosing to restrict, even censor content of high educational importance although they are not legally required to do so, and they have their own provisions to allow it to be unrestricted. Why do they do that? Well, we can’t read their minds, but we have some indications that;

A) they ere on the side of caution to avoid ANY legal risk.
B) They fear any kind of content that has to do with extremism, even when unmasking it after the advertising boycotts they faced a couple of years back.
C) when the community complains they put extra weight on those complaints

It is item C that troubles us the most. We have over 500 videos on our channels – very many of them contain graphic images of death and violence for reasons of the topics we document. Among these videos, a few dozen have been age restricted, while the rest have not. The common denominator between the age restricted videos is that they document events, or phenomena that unmask extremism by historical Communists, Nazis, and Imperialists. Its is difficult to not see the common interest by sympathizers of these groups and YouTube. If you want something suppressed, and there’s an easy way to just get it suppressed by just pressing a button – is it not reasonable to assume that you would use that button? We’re not conspiracy mythologists, we don’t believe there is a conspiracy here, but just by creating a simple path to fulfill different, but in effect common interests YouTube has made it easy for deniers of crimes against humanity, and war crimes to suppress information about these events.

We have explained to YouTube that inadvertently they are supporting the exact kind of hateful extremism they are fighting against with their other sword arm. We have implored them to lift the age restrictions in the interest of what society has decided: that content like this needs to be freely accessible in the public space. Despite an otherwise good and healthy relationship to the platform operators who are after all our distribution partners,, we have been met with standard replies, and a denial for our request.

Once again we express our dismay, sadness, and disappointment that YouTube chooses to restrict access to content that should serve a greater good; that we do not forget the victims of atrocities and extremism so that we can learn from our past and improve our societies.

Never Forget.

April 29, 2021

“Tokyo Rose” – WW2 Traitor or Victim?

Filed under: Australia, History, Japan, Military, Pacific, USA, WW2 — Tags: , , — Nicholas @ 04:00

Mark Felton Productions
Published 28 Apr 2021

This is the story of “Tokyo Rose”, a Japanese-American from LA who broadcast propaganda for the Japanese during WW2. Was she a traitor or a victim?

Dr. Mark Felton is a well-known British historian, the author of 22 non-fiction books, including bestsellers Zero Night and Castle of the Eagles, both currently being developed into movies in Hollywood. In addition to writing, Mark also appears regularly in television documentaries around the world, including on The History Channel, Netflix, National Geographic, Quest, American Heroes Channel and RMC Decouverte. His books have formed the background to several TV and radio documentaries. More information about Mark can be found at: https://en.wikipedia.org/wiki/Mark_Fe…​
Visit my audio book channel ‘War Stories with Mark Felton’: https://youtu.be/xszsAzbHcPE​

Help support my channel:
https://www.paypal.me/markfeltonprodu…​
https://www.patreon.com/markfeltonpro…​

Disclaimer: All opinions and comments expressed in the “Comments” section do not reflect the opinions of Mark Felton Productions. All opinions and comments should contribute to the dialogue. Mark Felton Productions does not condone written attacks, insults, racism, sexism, extremism, violence or otherwise questionable comments or material in the “Comments” section, and reserves the right to delete any comment violating this rule or to block any poster from the channel.

April 28, 2021

The Royals at War – WW2 Special

Filed under: Britain, History, Italy, Japan, Military, WW2 — Tags: , , , — Nicholas @ 04:00

World War Two
Published 27 Apr 2021

From inspiring their subjects to plotting international strategy, the world’s monarchies still have a crucial role to play in their country’s war effort during the Second World War. As you’ll find out, some sovereigns are much more successful at this than others.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Astrid Deinhard
Written by: Fiona Rachel Fischer
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Daniel Weiss
– Mikołaj Uchman
– Norman Stewart – https://oldtimesincolor.blogspot.com/​
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/​
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man

Sources:
– National Archives NARA
– National Portrait Gallery
– FDR Presidential Library & Museum
– Imperial War Museums: HU 55966, H 1971,
– Girl Guides of Canada
– Narodowe Archiwum Cyfrowe
– Australian War Memorial: AWM 4067471

Soundtracks from the Epidemic Sound:
– “Other Sides of Glory” – Fabien Tell
– “London” – Howard Harper-Barnes
– “Break Free” – Fabien Tell
– “Last Point of Safe Return” – Fabien Tell
– “Weapon of Choice” – Fabien Tel
– “Please Hear Me Out” – Philip Ayers
– “Disciples of Sun Tzu” – Christian Andersen
– “Dragon King” – Jo Wandrini
– “Remembrance” – Fabien Tell
– “Ominous” – Philip Ayers

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
1 day ago (edited)
With recent events surrounding the death of Prince Phillip, the British Royal Family has been front-and-center of the worldwide news cycle as of late. In 2021, it is rare for the royals to be at the center of people’s lives, but this wasn’t the case in the days of World War Two. Even though the age of kingdoms was largely over when war came around, sovereigns still had a role to play in their country’s war effort all over the world.

In this episode, we are taking a closer look at the role royalty played during the war. Is there still a monarchy where you live and if so, what is your experience with it? We would love to hear about that in the comments!

April 25, 2021

Allied Intelligence cracks Japanese codes! – 139 – WW2 – April 25, 1942

Filed under: Britain, Germany, History, Japan, Military, Pacific, Russia, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 24 Apr 2021

After last week’s Doolittle Raid on Tokyo, pretty much the entire Japanese fleet is sent out looking for American ships. They do not find them, but the enormous amount of radio traffic they generate is a treasure trove for Allied codebreakers to work on. The Allies ship 46 British Spitfire planes to Malta … and all of them are destroyed by the Axis within 48 hours. Germany begins bombing tourist and cultural destinations in Britain, and to make things even worse for the British this week, they realize they can’t hold Burma and are now making tracks for India, with the Japanese Army in hot pursuit.

Get Collectibles here: https://timeghost.tv/collectibles/​

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Mikołaj Uchman
– Daniel Weiss

Sources:
– National Portrait Gallery
– Naval History and Heritage Command
– Book by Rob Crosswell, Arrow by 4B Icons – from the Noun Project
– Russian International News Agency

Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Howard Harper-Barnes – “Underlying Truth”
– Edward Karl Hanson – “Spellbound”
– Craft Case – “Secret Cargo”
– Johan Hynynen – “Dark Beginning”
– Andreas Jamsheree – “Guilty Shadows 4”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

April 23, 2021

Taiwan Under Occupation, Axis Solidarity, and U-Boats in the Med – WW2 – OOTF 022

Filed under: China, Europe, Germany, History, Japan, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 22 Apr 2021

Ever wonder what life was like in Taiwan during the Second World War? Or if German U-Boats were active in the Mediterranean? You can find out the answers in this episode of Out of the Foxholes!

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Ian Sowden, Lewis Braithwaite, Timothy Smith
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Ian Sowden, Lewis Braithwaite, Timothy Smith
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory​)

Sources:
David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries
Chapman University Digital Commons

Soundtracks from the Epidemic Sound:
Yi Nantiro – “Watchman”
Max Anson – “Ancient Saga”
Skrya – “First Responders”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

April 22, 2021

The Winter War

Filed under: Europe, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 03:00

In Quillette, Sean McMeekin outlines the disaster of the first Soviet offensive against Finland in the opening battles of the 1939-40 Winter War:

While Finland, with a tiny population of scarcely 3.5 million, could hardly have threatened the Soviet colossus, it had fought fiercely for independence during the Russian Civil War, conquering Helsinki in April 1918 and dealing the Reds a series of painful blows. The Finnish White Guards — as the Bolsheviks referred to the forces then commanded by the redoubtable Gustaf Mannerheim — had also, Stalin remembered, worked with German troops and collaborated with the British Baltic fleet. Had Mannerheim’s connections with the Germans not been so strong, the British might have lent his Finnish guards more support in the critical days of fall 1919, when Petrograd nearly fell to the Whites. But this was small consolation to Stalin, who mostly remembered the humiliation of losing Finland and Finnish double-dealing with outside powers. The fear that Finland might once again invite in a power hostile to the USSR, whether Britain or Germany, was never far from Stalin’s mind.

When Molotov summoned a Finnish delegation to the Kremlin on October 12th, 1939, Stalin made a personal appearance to heighten the intimidation factor, and he handed the Finns a brutal ultimatum demanding, among other things, “that the frontier between Russia and Finland in the Karelian Isthmus region be moved westward to a point only 20 miles east of Viipuri, and that all existing fortifications on the Karelian Isthmus be destroyed.” Stalin made it clear that this was the price that Finland had to pay to avoid the fate of Poland.

Aggressive and insulting as the Soviet demands on Finland were, Stalin and Molotov fully expected them to be accepted. As the Ukrainian party boss and future general secretary Nikita Khrushchev later recalled, the mood in the Politburo at the time was that “all we had to do was raise our voice a little bit and the Finns would obey. If that didn’t work, we could fire one shot and the Finns would put up their hands and surrender.” Stalin ruled, after all, a heavily armed empire of more than 170 million that had been in a state of near-constant mobilization since early September. The Red Army had already deployed 21,000 modern tanks, while the tiny Finnish Army did not possess an anti-tank gun. The Finnish Air Force had maybe a dozen fighter planes, facing a Red Air armada of 15,000, with 10,362 brand-new warplanes built in 1939 alone. Finnish Army reserves still mostly drilled with wooden rifles dating to the 19th century. By contrast, the Red Army was, in late 1939, the largest in the world, the most mechanized, the most heavily armored, and the most lavishly armed, even if surely not — because of Stalin’s purges — the best led.

[…]

Just past dawn on November 30th, Stalin’s undeclared war against Finland began with a furious artillery barrage on all fronts, followed by the scream of warplanes overhead. The only difference between the bald acts of territorial aggression in Finland and Poland was that the Soviet blitzkrieg was less efficient. Soviet medium bombers — mostly SB-2s cautiously dropping one-ton payloads from heights of 3,000 feet or more — weren’t especially accurate. In Helsinki, Russian bombers failed to knock out a single docking bay, airfield runway, Finnish warplane, or oil tank (although one airport hangar was destroyed). A stray bomb hit the Soviet legation building. According to eyewitnesses, Red fighter pilots strafed Helsinki suburbs as well, “machine-gunning women and children who had fled their houses to the fields.” Similar scenes of horror were repeated in Viipuri (Vyborg), as well as in provincial towns such as Lahti, Enso, and Kotka.

Meretskov’s landward assault on the Karelian Isthmus fared poorly. During the interval between the border incident of November 26th and the Russian onslaught early on November 30th, Mannerheim had wisely evacuated most of the civilian population. A series of clever booby traps were set for the invaders, including “pipe mines” — steel tubes crammed with explosives buried in snowdrifts and set off by hidden trip wires. The most effective defense of all was the Molotov cocktail, first used in Spain but ingeniously updated by the Finns, who would fill liquor bottles with a blend of gasoline or kerosene, tar, and potassium chloride. In fits of derring-do, Finnish soldiers on skis would drop these into the turrets of advancing tanks, ram branches or crowbars into the tank treads, or slice holes in the ice to sink them. Despite boasts in the Russian high command that the campaign would be over in 12 days, by mid-December, most of the Soviet Seventh and Thirteenth Armies were still blundering along short of the Mannerheim Line. On December 17th, in fact, the Thirteenth Army actually went into reverse, retreating after bloody losses in a clash at Taipale. By then, even the tiny Finnish Air Force of old Dutch Fokker fighters had joined the rout, knocking down Soviet bombers — one Finnish ace took out six in four minutes — and doing wonders for the morale of the Finns below. Further north, the Soviet Ninth Army was nearly destroyed in a battle near a burned-out Suomussalmi on December 9th. One Finnish ski sniper, a farmer named Simo Häyhä, personally killed, according to (improbable) legend, more than 500 Russians[*]. Wounded Russians overwhelmed the hospitals of Leningrad. One overworked Soviet surgeon complained in early December that he was dealing with nearly 400 wounded Red Army soldiers every day.

* The story of Simo Häyhä was set to music by Sabaton in their song “White Death” on the Coat of Arms album. Indy Neidell discussed the history behind the music in a Sabaton History video in 2019.

April 18, 2021

America Strikes Back – Tokyo in Flames – WW2 -138 – April 18 1942

World War Two
Published 17 Apr 2021

The Doolittle Raid is just a little bombing raid over Tokyo that doesn’t do that much physical damage. It does, however, have big repercussions — partly in terms of future offensive plans for the Japanese fleet, and partly in terms of the thousands of Chinese lives taken in reprisals for allowing the US bombers to land in China. There is small scattered action on the Eastern Front, more Japanese advances in Burma, and a French VIP escapes captivity in Germany and heads for Switzerland and freedom.

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Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Mikołaj Uchman
– Norman Stewart – https://oldtimesincolor.blogspot.com/​

Sources:
– Stan S. Katz
– IWM: IND 3595
– Image of ‘The Fortress of Königstein from the North-West’ by Bernardo Bellotto, © National Gallery of Art, Washington

Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Howard Harper-Barnes – “London”
– Jo Wandrini – “Dragon King”
– Dream Cave – “The Beast”
– Reynard Seidel – “Rush of Blood”
– Wendel Scherer – “Out the Window”
– Brightarm Orchestra – “On the Edge of Change”
– Gunnar Johnsen – “Not Safe Yet”
– Johan Hynynen – “Dark Beginning”
– Philip Ayers – “Trapped in a Maze”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Boys Mk I Anti-Tank Rifle at the Range

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 2 Jan 2021

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

(Edit: Tungsten carbine is, of course *denser* than steel, not lighter. Sorry.)

I have done several previous videos on the Boys antitank rifle, but never actually fired one — until today! We’re out at the range with a MkI Boys and five rounds of its .55 Boys ammunition. So let’s see if it’s as painful to shoot as people say …

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

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