History Buffs
Published 21 May 2021Thank you guys so much for your patience. Quarantine has made somethings difficult and I know its been a while but it’s finally here! I hope you enjoy it!
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May 24, 2021
History Buffs: Midway Part One
The hard core of “mostly peaceful protest” activists
In the most recent Libertarian Enterprise, Sarah Hoyt explains why the same people seem to show up at “mostly peaceful” riots protests in so many different cities and even in the rare cases they’re arrested, are quickly bailed out again:

“antifa 8973ag” by cantfightthetendies is licensed under CC BY 2.0
One of the advantages of the collectivists is that they organize like nobody’s business, while we liberty minded … Well — pats heads all around — well, you guys are adorable, but the individualists failed to organize, okay.
Now, while many of you translate this to a paramilitary clash and panic, don’t. Most of their supporters aren’t nor will they commit violence, unless the can do it when no one is looking, sneakily, and against someone old, disabled, frail or very young.
Most of their supporters are in fact the “go alongs to get along” who just want to be “nice people” by siding with lunatics who want to put a boot on their necks. Oh, they also want to be smart because their college professors told them every “very smart” person believes in Marxism. This is why at the back of their brains every single one of the infantile “activists” thinks he or she will be in charge and not one of the lumpenpoletariat. No, they have never looked at actual communist countries, and if they did, as their panic at the Xi-flu proved, they don’t get statistics or numbers at all.
So, yeah, the people they are using and weaponized-and-paid psychopaths, whom they bus from city to city. They’re armed and well organized partly because they do this all time and are given weapons and training. They’re very fearsome FOR ONE CITY AT A TIME.
In other words they are a Potemkin army, raging across the country to intimidate the citizens. Which is why they have to punish Kyle Rittenhouse, because he pierced the paper silhouette. And why blue states refuse to arrest the rioters. They have very few of them. They’re the precious.
It does work on corporations and — apparently — Supreme Court Judges who, being in a highly social profession just buy what the news tell them and don’t investigate anything for themselves.
Look, I don’t think this bullshit will hold. And it’s part of the reason I think we’re going to have a brief, intense, localized clash.
This is not the seventies. They really had a majority of the indoctrinated youth then, and the youth then were a majority. With the attendant side effect that the youth then hadn’t been raised as little emperors, because they were the all-too-precious single offspring.
Those were the real Marxist riots. This is the Memorex. And like Chinese troops clashing with Indian troops, their rank and file are more likely to cry for their mommies, if they meet real opposition.
They have the psychos they train and bus around and which have a rap sheet long as their arm, and then they have the daft survivals of the sixties, at protests with their oxygen bottles and walkers.
And they have the get alongs. Who are useless in battle, but quite good at coordinated action on other fronts.
QotD: The internet is rewiring our brains
… there’s a reason 99.998% of the Internet is porn, and that reason is: The Internet, itself, has rewired our brains.
Yeah, I’m a history guy, not a biologist, and no, I can’t show you the specific spots on the fMRI that prove it, but look, you can test this yourself. Ever been around kids? It’s easiest to see in the early grades, so go to a daycare or afterschool program. Trust me, you can pick out right away, with 100% accuracy, the kids who spend more than 3 hours a day at daycare. This is not a knock on daycare providers, lots of whom are good, dedicated people doing hard work. Rather, it’s a knock on the situation, because if a kid’s in daycare that long, it means the parents both work long-hour, high-stress jobs. How do you think the kid’s home life is, under those conditions?
You know as well as I do that when the kid gets home from day care, he gets plunked in front of a tv, a video game, an iPad, a smartphone, some kind of glowing box. That’s what’s rewiring their brains. That’s not “ADHD,” which doesn’t really exist. “ADHD” is a cope, a bit of shorthand, to describe what’s actually going on, which is: These kids’ heads have been rewired. They need constant stimulation. Everything needs to be in five-minute chunks for them, because they’ve never known anything different. Asking them to sit down and pay attention for any length of time – say, in a 60 minute lecture, like our old Prussian (from the 18th century!) system requires – is like asking one of us to suddenly run a marathon, or bench press 300 lbs. It can’t be done; we don’t have the equipment.
Severian, “Bio-Marxism Grab Bag”, Founding Questions, 2021-01-21.
May 22, 2021
Guns in the Movies – like this S&W Model 29
Forgotten Weapons
Published 10 Feb 2017Today we have not so much an examination of a specific firearms, but rather a look at how Clint Eastwood’s film portrayal of Dirty Harry Callahan drove a huge wave of popularity of the Smith & Wesson Model 29 — “the most powerful handgun in the world.”
http://www.patreon.com/ForgottenWeapons
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May 21, 2021
May 20, 2021
The Birth Control Movement and Eugenics – A Curious Link | B2W: ZEITGEIST! I E.18 – Winter 1923
TimeGhost History
Published 19 May 2021In the winter of 1923, a controversial activist takes a Catholic doctor to trial for libel. The proceedings capture a much bigger moment in the history of the interwar period: the controversial — but inherent — link between birth control and eugenics.
(more…)
May 18, 2021
What is Maskirovka? Russian Military Deception #Military101
Military History Visualized
Published 5 May 2017A short introduction into Russian Military Deception — called Maskirovka. “Maskirovka is most simply defined as a set of processes designed to mislead, confuse, and interfere with accurate data collection regarding all areas of Soviet plans, objectives, and strengths or weaknesses.” (Smith, Charles L.: “Soviet Maskirovka“, in: Airpower Journal – Spring 1988)
Military History Visualized provides a series of short narrative and visual presentations like documentaries based on academic literature or sometimes primary sources. Videos are intended as introduction to military history, but also contain a lot of details for history buffs. Since the aim is to keep the episodes short and comprehensive some details are often cut.
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Maier, Morgan: A Little Masquerade: Russia’s Evolving Employment of Maskirovka
http://cgsc.contentdm.oclc.org/cdm/si…Smith, Charles L.: “Soviet Maskirovko“, in: Airpower Journal – Spring 1988
http://www.airpower.maxwell.af.mil/ai…Lindley-French, Julian: NATO: Countering Strategic Maskirovka. Canadian Defence & Foreign Affairs Institute. (2015)
Glantz: The Red Mask: The Nature and Legacy of Soviet Military Deception in the Second World War
https://en.wikipedia.org/wiki/Russian…
Keating, Kenneth: The Soviet System of Camouflage
http://www.dtic.mil/dtic/tr/fulltext/…Krueger, Daniel: Maskirovka – What’s in it for us?
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May 17, 2021
An older BBC dramatization on the slave trade that seems to have gone down the memory hole
At Samizdata, Niall Kilmartin wondered why the BBC hadn’t gotten around to showing a 1970s historical series through the year-and-more of the pandemic lockdowns. He doesn’t mention the name of the series, and an unusually unhelpful BBC site search didn’t turn up a name but IMDB suggests it was 1975 and the series was called The Fight Against Slavery:
Fifty years ago, the BBC screened a dramatised documentary series about the fight to abolish the slave trade. Even a year of the virus limiting new series, at a time of great BBC eagerness to talk about racism, has not made them screen it again.
– I see one reason why they have not: the series displayed sleazy white slave traders and abusive white slave owners prominently, but it also showed white people eager to end the slave trade and (much worse) black people eager to continue it. It included the king of Dahomey’s threat: “if you do not allow me to sell you my slaves, their fate will be a great deal worse” (a very brief scene of the Dahomey murder spectacle lent meaning to his remark). After abolition was voted, it showed a white slave trader assuring the Dahomans, as a drug dealer might his suppliers, “It is one thing for parliament to pass a law …”, hinting at the Royal Navy’s long and hard campaign to enforce it.
– Only recently did I spot another reason why they would not want to show it again – the scene in which a corrupt old white slave trader warns his young colleague that “it’s more than your life’s worth” to doubt the ability of their slave-selling hosts to count very accurately the quantity of trade goods being handed over in exchange, and to assess their quality knowledgeably. The traders well knew that Africans counted two plus two as four, just as they did. Any trader who imagined that black ability to add diverged enough from white to enable an attempt to short-change them had learned otherwise long before the 1780s.
– The southern Confederacy thought the same. Until its death throes, it forbade enlisting a southern black as a Confederate soldier because, as one Confederate senator put it, “If blacks can make good soldiers then our whole theory of slavery is wrong.” (Perhaps also because even southern white Democrats realised that southern black desire to fight against blacks being freed was likely to be a very minority taste.) But there was one exception. Every regiment had its regimental band, which played to set the pace at the start and end of marches, used trumpets to signal commands in battle – and fought when other duties did not supervene. From its start to its end, Confederate law said any black could enlist as bandsman, with the same pay and perquisites as a white – a very rare example of formal legal equality. (Playing music requires the ability to count time. For the woke, “dismantling the legacy of the Confederacy” apparently includes dismantling its realisation – shared by the Victorian composer Dvorak – that blacks often excelled in music so much as to overcome prejudice against black ability. Today, it’s “racist” to value instrumental skill.)
“Politically correct” has meant “actually wrong” ever since the first commissar explained to the first party comrade that it was neither socialist nor prudent to notice a factual error in the party line. “Structurally racist” is PC’s modern companion. No longer are the woke content merely to imply (“mathematics is racist”, “punctuality is racist”, “politeness is racist”) that blacks can’t count, can’t tell the time and can only behave crudely. They’re starting to say it in words of fewer syllables.
If I’d scrolled down to the comments, I’d have discovered that Natalie Solent had also dug up the name of the series:
Natalie Solent (Essex)
May 10, 2021 at 4:30 pm
Outstanding post, Niall. Was the BBC series you mentioned “The Fight Against Slavery“, written and narrated by Evan Jones? I have not seen it – given that I was ten or eleven in 1975 my parents probably thought I was too young too see it.However someone called “InternetPilgrim” has put up three videos of the series on YouTube. There is a link to Part I here, Part II here and Part III here, so I will try to remedy that lack soon.
May 15, 2021
Baelin’s Route review, a discussion on why Viva La Dirt League’s Baelin’s Route is such a great story
Writers Block
Published 10 May 2021In this video we will discuss why Viva La Dirt League’s movie Baelin’s Route is such a masterpiece of story telling.
Viva La Dirt League — Baelin’s Route https://www.youtube.com/watch?v=PEe-Z…
May 13, 2021
QotD: Blogging
A wire story consists of one voice pitched low and calm and full of institutional gravitas, blissfully unaware of its own biases or the gaping lacunae in its knowledge. Whereas blogs have a different format: Clever teaser headline that has little to do with the actual story, but sets the tone for this blog post. Breezy ad hominem slur containing the link to the entire story. Excerpt of said story, demonstrating its idiocy (or brilliance) Blogauthor’s remarks, varying from dismissive sniffs to a Tolstoi-length rebuttal. Seven comments from people piling on, disagreeing, adding a link, acting stupid, preaching to the choir, accusing choir of being Nazis, etc.
I’d say it’s a throwback to the old newspapers, the days when partisan slants covered everything from the play story to the radio listings, but this is different. The link changes everything. When someone derides or exalts a piece, the link lets you examine the thing itself without interference. TV can’t do that. Radio can’t do that. Newspapers and magazines don’t have the space. My time on the internet resembles eight hours at a coffee shop stocked with every periodical in the world — if someone says “I read something stupid” or “there was this wonderful piece in the Atlantic” then conversation stops while you read the piece and make up your own mind.
James Lileks, The Bleat, 2002-10-10.
May 12, 2021
Looking at a highly influential document among progressive groups
Matthew Yglesias on Tema Okun’s “The Characteristics of White Supremacy Culture” and its role in furthering progressive emotions over what they consider to be the most racist society in human history (that is, the modern west but especially the United States):
Debating abstractions is difficult and frustrating, and the discourse about “wokeness” and “cancel culture” has become a snakepit of semantic debates, bad-faith actors, and people of goodwill talking past each other.
So I want to talk instead about one specific document, not because I think it’s the most important document in the world, but because I don’t really see anyone who I read and respect talking about it even though I’ve seen it arise multiple times in real life.
I’m talking about “The Characteristics of White Supremacy Culture” by Tema Okun, which I first heard of this year from the leader of a progressive nonprofit group whose mission I strongly support. He told me that some people on the staff had started wielding this document in internal disputes and it was causing big headaches. Once I had that on my radar, I heard about it from a couple of other nonprofit workers. And I saw it come up at the Parent Teacher Association for my kid’s school.
It’s an excerpt from a longer book called Dismantling Racism: A Workbook for Social Change Groups that was developed as a tool for Okun’s consulting and training gigs.
But today, even though it’s not what I would call a particularly intellectually influential work in highbrow circles — even ones that are very “woke” or left-wing — it does seem to be incredibly widely circulated. You see it everywhere from the National Resource Center on Domestic Violence to the Sierra Club of Wisconsin to an organization of West Coast Quakers.
Which is to say it’s sloshing around quite broadly in progressive circles even though I’ve never heard a major writer, scholar, or political leader praise or recommend it. And to put it bluntly, it’s really dumb. In my more conspiratorial moments, I wonder if it’s not a psyop devised by some modern-day version of COINTELPRO to try to destroy progressive politics in the United States by making it impossible to run effective organizations. Even if not, I think the document is worth discussing on its own terms because it is broadly influential enough that if everyone actually agrees with me that it’s bad, we should stop citing it and object when other people do. And alternatively, if there are people who think it’s good, it would be nice to hear them say so, and then we could have a specific argument about that. But while I don’t think this document is exactly typical, I do think it’s emblematic of some broader, unfortunate cultural trends.
H/T to Colby Cosh for the link.
QotD: The true artist
Being an artist means knowing you’re right when everyone is telling you you’re wrong — but even more, it means knowing you’re wrong when everyone is telling you you’re right.
Christopher Shinn, Twitter, 2018-10-04.
May 11, 2021
QotD: The (disappointing) sex lives of the rich and famous
I suspect […] one of the main reasons rock stars, who really can have the super hot model, always end up cheating on her — because it’s not really her. In their minds, they became rock stars specifically to get that kind of girl … but that’s the thing: That kind of girl doesn’t exist. She’s a 2D image, heavily photoshopped. Oh, I’m sure Supermodel X really IS hot in real life, but she’s also just a person, which means she farts and snores and wakes up with bed head and all that. Plus, rock stars really do live with the equivalent of their own personal Photoshop, in the form of a small army of flunkies who make all of life’s routine frustrations go away. So it must be even more maddening to find out that the Cover Girl really does have myriad small blemishes, because, you know, she’s a real person, and not the fantasy you signed up for when you signed that big record deal.
Severian, “Junkies”, Rotten Chestnuts, 2021-01-18.













