Quotulatiousness

March 14, 2012

The culture of Goldman Sachs

Filed under: Economics, History, Humour, USA — Tags: , — Nicholas @ 11:31

Joshua M. Brown responds to the “why I’m leaving x” meme, specifically about Goldman Sachs variants:

The “culture” of Goldman Sachs was, is and always will be about making money, often at the expense of a client. Do you even know where the term “wirehouse” originally came from? Let me help you out with that. In the 1920’s, there was no CNBC or internet — there was only news delivered by wire and cable, stock market news and prices included. The “wirehouse” firms like Goldman would transmit stock and bond prices to their far-flung offices around the country from Wall Street where the action was taking place. It is a peculiar and yet telling fact of history that during the Crash of 1929, not a single major Wall Street brokerage firm went under. Wanna know why? Because when the sell-off began, they dumped all their holdings prior to wiring the news out to the rest of the investing public and their clientele across the country. Sound familiar, motherfucker? THAT is your firm’s culture, going back a hundred and fifty years.

Deal with it or leave and open an Etsy store.

March 12, 2012

Bad Romance: Women’s Suffrage

Filed under: History, Liberty, USA — Tags: , , , — Nicholas @ 15:00

Bad Romance: Women’s Suffrage is a parody music video paying homage to Alice Paul and the generations of brave women who joined together in the fight to pass the 19th Amendment, giving women the right to vote in 1920.

H/T to Katherine Mangu-Ward for the link.

The hidden dangers of driving an antique BMW Isetta

Filed under: Europe, Germany, History, Media, Technology — Tags: , , — Nicholas @ 00:04

March 11, 2012

Tim Worstall on “Protestant” and “Catholic” laws

Filed under: History, Law, Religion — Tags: , , , — Nicholas @ 10:41

No, not the differing flavours of Christianity themselves, but more their different approaches to understanding and interpreting the law:

The Protestant revolution was, in part (it never does to strain these analogy/simile things too much) that the Bible, when in the vernacular, as clear an outline of God’s will as any should need. Intervention was not needed, a man could commune directly with the Word and the Will of God.

On the matter of the law I am a Protestant. As rigid and unyielding as any Puritan, Lutheran or Calvinist. With a twist of course: the law must be written so that it can be understood directly, without that intervention of the priestly caste of lawyers, accountants, diversity advisors or bureaucrat’s helplines.

If you cannot write a law with the clarity of “thou shalt not kill” then go away and think through what it is that you’re trying to enact, the language that you are using to do so until you can, with clarity, tell us what it is that we must not do at fear of time in pokey.

That modern society is complex is no excuse. If you cannot write simple and simply understood laws then better that we have fewer laws.

That the Puritans went gargantuanly off the rails by using their new found revelations of God’s Will to tell everyone else what to do is true. But I do find it interesting that our new would be ruling class, the nomenklatura, are adopting such a Catholic view of the law. We’ll make it all so complex that no individual can understand it and thus there is the necessity of that nomenklatura to tell people what to do in detail by “interpreting” it.

Music control freaks? The Nazis got there well before you

Filed under: Europe, Germany, History, Liberty, Media — Tags: , , , , — Nicholas @ 10:27

J.J. Gould in The Atlantic a couple of months ago, but brought to my attention by the folks at BoingBoing:

Skvorecky left no shortage of legacies to remember him by, but one of the more notable themes in his nonfiction writing is an emphasis on, as Welch puts it, “the oftentime minute similarities between applied fascism and communism.” And some of Skvorecky’s more notable variations on that theme in turn are found in his recollections and insights on the common totalitarian hatred of, among all things, jazz.

[. . .]

Anyone who finds this proposition fascinating won’t, I promise, be disappointed to read the rest of this book, or for that matter all of Talkin’ Moscow Blues: Essays About Literature, Politics, Movies, and Jazz. But maybe the single most remarkable example of 20th-century totalitarian invective against jazz that Skvorecky ever relayed was here in the intro to The Bass Saxophone, where he recalls — faithfully, he assures us (“they had engraved themselves deeply on my mind”) — a set of regulations, issued by a Gauleiter — a regional official for the Reich — as binding on all local dance orchestras during the Nazi occupation of Czechoslovakia. Get this:

  1. Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of the repertoires of light orchestras and dance bands;
  2. in this so-called jazz type repertoire, preference is to be given to compositions in a major key and to lyrics expressing joy in life rather than Jewishly gloomy lyrics;
  3. As to tempo, preference is also to be given to brisk compositions over slow ones so-called blues); however, the pace must not exceed a certain degree of allegro, commensurate with the Aryan sense of discipline and moderation. On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated;
  4. so-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs);
  5. strictly prohibited is the use of instruments alien to the German spirit (so-called cowbells, flexatone, brushes, etc.) as well as all mutes which turn the noble sound of wind and brass instruments into a Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.);
  6. also prohibited are so-called drum breaks longer than half a bar in four-quarter beat (except in stylized military marches);
  7. the double bass must be played solely with the bow in so-called jazz compositions;
  8. plucking of the strings is prohibited, since it is damaging to the instrument and detrimental to Aryan musicality; if a so-called pizzicato effect is absolutely desirable for the character of the composition, strict care must be taken lest the string be allowed to patter on the sordine, which is henceforth forbidden;
  9. musicians are likewise forbidden to make vocal improvisations (so-called scat);
  10. all light orchestras and dance bands are advised to restrict the use of saxophones of all keys and to substitute for them the violin-cello, the viola or possibly a suitable folk instrument.

March 10, 2012

More on the story of the WWII poster “Keep Calm and Carry On”

Filed under: Books, Britain, History, Media, WW2 — Tags: , — Nicholas @ 00:02

That looks like my kind of book shop! If/when I’m next in Alnwick, I’ll have to stop in for a visit.

Earlier item about the poster here.

March 8, 2012

The “SteamPunkiest” railcar ever

Filed under: History, Railways, Randomness, Technology — Tags: , , — Nicholas @ 12:21

A few pictures from RR Picture Archives by Marty Bernard, showing the most Steampunk-appropriate railway vehicle, the McKeen Motor Car. This example is painted in Virginia & Truckee markings:

Click to see full size image at RR Picture Archives

(more…)

March 5, 2012

New TV shows to “glamourize” archaeology

Filed under: History, Media, Science, USA — Tags: , , , — Nicholas @ 14:26

This sounds particularly dire, on multiple levels:

On 20 March, Spike TV will premiere a new show called American Digger, while a show called Diggers on the National Geographic Channel made its debut 28 February. Both shows “promote and glorify the looting and destruction of archaeological sites,” Society for American Archaeology (SAA) President William F. Limp wrote in a message posted earlier this week to the SAA listserv.

The premise of American Digger, which is being hosted by a former professional wrestler, was laid out in a recent announcement by Spike TV. A team of “diggers” will “scour target-rich areas, such as battlefields and historic sites, in hopes of striking it rich by unearthing and selling rare pieces of American history.” Similar locales are featured in National Geographic’s Diggers. In the second episode, set in South Carolina, Revolutionary War and War of 1812 buttons, bullets, and coins were recovered at a former plantation.

After viewing the first two episodes of Diggers, Iowa’s State archaeologist John Doershuk posted a review to the American Cultural Resources Association listserv, in which he lamented: “The most damaging thing, I think, about this show is that no effort was made to document where anything came from or discussion of associations — each discovered item was handled piece-meal.”

H/T to A Blog About History for the link.

March 4, 2012

“Assuming this account is accurate, this was a war crime”

Filed under: Americas, Britain, History, Law, Military — Tags: , , , , , — Nicholas @ 11:46

Heresy Corner on the story being serialized in the Daily Mail from Tony Banks:

Banks says that “we simply did not have the resources to take prisoners” and “they had started the war and they had not shown much respect for the white flag when they had shot my three mates who went forward to take the surrender at Goose Green.” Neither is an excuse recognised by the Geneva Convention.

To issue an order to take no prisoners is a fundamental violation of the principles of international law and thus a war crime. Section 40 of Additional Protocol I of the Geneva Conventions provides that soldiers who have clearly expressed an intention to surrender (for example by raising their arms or waving a white flag) are considered to be hors de combat and they must be given quarter (i.e. allowed to peacefully surrender). The officer who gave that order is not named but presumably Banks, along with other surviving members of his unit, knows who it was.

[. . .]

Assuming this account is accurate, this was a war crime. The fact that the Paras involved plainly knew that it was a war crime (hence the “brief argument”) exacerbates rather than mitigates their guilt. One soldier killed this boy in cold blood and the others covered up for him. That makes them all guilty, morally and legally. The fact that this took place thirty years ago is no reason why it cannot now be investigated and the perpetrators brought to trial. At the very least Banks should be taken in for questioning.

The continuing musical influence of Charles Mingus

Filed under: History, Media, USA — Tags: , — Nicholas @ 00:06

A post from a few weeks back, but still relevant:

Charles Mingus was recognized in his lifetime as a virtuoso bassist, accomplished pianist and bandleader. Today his enduring legacy may be as a major 20th-century composer. To grasp some sense of his growing importance, consider the fact that his entire body of work has been acquired by the Library of Congress. This is not only a first for jazz, but also for an African-American composer. At this death he left behind more than 100 albums and over 300 compositions — music that is still considered far ahead of its time. In the field of jazz, his is the largest legacy of composition in American music after Duke Ellington.

To think of Mingus as a jazz musician is correct — at least to a certain degree, but the term should be understood in its broadest sense. He was influenced by composers of many different stripes, and it wouldn’t be hard to find passages with as much kinship to Debussy as to gospel and blues. Imagine hearing jazz performed by bassoon, flute, bass clarinet and horn, and you begin to get the subtlety of this composer. Yes, of course, the saxophones, brass and rhythm sections are there too, but this is music that surprises at every turn. Listening beyond the instrumental colors takes us into a world whose treatment of harmony and time is truly unique. Mingus can easily shift between an almost stately blues pace to a double time passage that could have belonged to bebop, and just as fluently, he can take us back out of that hectic rate to his original pace without the least amount of discomfort to the listener. His chord changes are advanced, unpredictable and yet entirely “right” to the ear. To improvise in Mingus is to reach well beyond the tonal palette of traditional “changes”. His is a truly original voice.

I know very little about music, but I’ve loved almost every Mingus piece I’ve heard. He quickly became one of my favourite jazz performers.

March 3, 2012

To Americans, Canada is a “dull but slavishly friendly neighbour, sort of like a great St. Bernard”

Filed under: Cancon, History, Military, USA — Tags: , , , — Nicholas @ 12:13

Conrad Black takes up the cudgel to berate Max Boot for his dismissive description of Canada:

The estimable American military writer Max Boot, a guerrilla-war expert associated with the Council on Foreign Relations in New York, wrote in Commentary magazine last month that Canada is a country that most Americans consider a “dull but slavishly friendly neighbour, sort of like a great St. Bernard.”

That’s true. The world knows Canada as a comparatively blameless country that has not been the author of atrocities on the scale even of other democracies such as the British at Amritsar, the French under the German occupation or in Algeria, or the outrages routinely committed in the United States against African-Americans even after what Abraham Lincoln called “the bondsman’s 250 years of unrequited toil” (slavery).

[. . .]

And yet Max Boot’s few words (contained in a review of Eliot A. Cohen’s new book, Conquered into Liberty: Two Centuries of Battles Along the Great Warpath that Made the American Way of War) are quite offensive. Because a nationality is apparently similar to a large region of his own countrymen should not be a subject of disparagement. And an unsurpassed record as a loyal ally should not be the butt of pejorative acerbities. The insult is magnified by coming from Boot, who is a very courteous man, not at all the bumptious opinionated “Ugly American” of the news talk shows and elsewhere with which the world is painfully familiar; and by being a gratuitous throwaway in a review of a book about frontier skirmishing on the Canadian-American border from the 17th to 19th centuries.

[. . .]

The book Max Boot was reviewing (by journeyman strategist Elliot Cohen) extols the military talents of the peoples on both sides of the Canada-U.S. border, especially on the route of Lake Champlain and Fort Ticonderoga (or Carillon), south of Montreal. No invasion in either direction was ever successful. The French in Canada were defeated only when the British went up the St. Lawrence, and neither post-French Canada nor America, colonies or republic, has ever been successfully invaded by each other or anyone else. Despite the recourse to tail-wagging, canine domesticity as a simile, both Cohen and Boot affirm that Canadians, French and English, and their overseas kin, have defended this slavishly friendly country with implacable determination and success.

Three persistent myths about the Great Depression, the New Deal, and World War 2

Filed under: Economics, Government, History, USA, WW2 — Tags: , , , — Nicholas @ 00:08

Historian Stephen Davies names three persistent myths about the Great Depression. Myth #1: Herbert Hoover was a laissez-faire president, and it was his lack of action that lead to an economic collapse. Davies argues that in fact, Hoover was a very interventionist president, and it was his intervening in the economy that made matters worse. Myth #2: The New Deal ended the Great Depression. Davies argues that the New Deal actually made matters worse. In other countries, the Great Depression ended much sooner and more quickly than it did in the United States. Myth #3: World War II ended the Great Depression. Davies explains that military production is not real wealth; wars destroy wealth, they do not create wealth. In fact, examination of the historical data reveals that the U.S. economy did not really start to recover until after WWII was over.

March 2, 2012

Privateers? In our Maritimes? It’s more likely than you think

Filed under: Cancon, History, Military, USA — Tags: , , , — Nicholas @ 11:05

Pirates and Privateers is a half hour documentary airing Sunday, March 4, 2012 at 12 Noon on CBC Land and Sea, that explores the rough-and-tumble history of piracy and privateering in the Maritimes.

Britain’s railway engineering heritage

Filed under: Architecture, Britain, History, Railways, Technology — Tags: , — Nicholas @ 00:02

Sarah Bakewell at the Guardian on the wonderful products of the railway building era in Britain:

Once I saw merely bridges, tunnels and stations, and mostly I didn’t even notice these, so busy was I rushing to get over or through them. Now, I see a delicate ecosystem of rivets, cleats, plates, gussets, joggles, spans, arches, ribs of attenuated iron and steel.

Scholars can already study railway archives in repositories all over the country, but Network Rail has just put part of its beautiful archive of Victorian and Edwardian infrastructure diagrams on the web. This amounts to an invitation to anyone, anywhere, to contemplate such images out of sheer curiosity and love of beauty. They give us plans of the high-level bridge at Newcastle upon Tyne, with its columns trailing down the screen like tall sepia waterfalls, and Bristol’s neo-gothic Temple Meads station, in ethereal ink outline. The Forth bridge of 1890 appears side on, elongated and webby as if someone had pulled a string cat’s cradle as far as it would go. Its vertical columns climb visibly week by week; target dates are marked at each level, like the tracking of a child’s growth against a wall.

Maidenhead bridge, designed in brick by Isambard Kingdom Brunel in 1839, has two middle arches spanning the river in great cheetah leaps. They were lower and broader than anything previously constructed in brick, and the Great Western Railway’s directors feared the bridge would collapse: they insisted on the bridge’s temporary timber supports remaining even after it opened. Annoyed, Brunel secretly lowered the supports a bit so they did not actually support anything.

(All links in the original article.)

March 1, 2012

A “Confederation theme park”? The jokes write themselves

Filed under: Cancon, Government, History, Humour — Tags: , , , , , — Nicholas @ 10:59

In the National Post, Lorne Gunter has a bit of fun with the notion of what kind of attractions to put in a theme park celebrating Confederation:

“It’s easy to mock Preston Manning’s idea for a Confederation Theme Park … for starters, it’s somewhat odd to see the pro-small-government, West-wants-in Reform Party founder to be proposing a large government expenditure on a historically slanted amusement park to be located, of all places, in Ottawa.”

So said the Ottawa Citizen’s Mark Sutcliffe — two years ago!

It’s still easy to mock.

Although ultimately endorsing Mr. Manning’s idea (in his own altered form), Sutcliffe called the project “Epcot Centre on the Ottawa River,” a dig at the multinational exposition at Disney World in Orlando, Fla. (The one lasting impression I have of Epcot is that every pavilion was tedious and getting from one to the other required a lot of uncomfortable, fruitless walking. Hey, maybe that would be a good blueprint for a celebration of Confederation after all.)

Sutcliffe had his own satirical ideas of what rides a Confederation Park might offer. There could be “Universal (Health Care) Studios” and the “Sovereignty Movement Roller Coaster” that soared to the same dizzying highs and plunged to the same gut-turning lows as Quebec nationalism has experienced over the past 40 years. Patrons could also “board the Avro Arrow as it sits on the runway and never takes off!”

[. . .]

Imagine the joy on tots faces when Mom and Dad tell them that instead of going to central Florida for Pirates of the Caribbean, It’s a Small World (gad, I still have that cloying song stuck in my head), Space Mountain, Splash Mountain and Typhoon Lagoon, they’ll be heading to Ottawa in February to watch an animatronic debate between robot John A. Macdonald and robot Joseph Howe over the British North America Act’s division of federal and provincial powers at the authentic recreation of Charlottetown’s Founders’ Hall at the PEI display.

Then there’ll be a ride on the Drop of Western Alienation Doom; the Endless Trip to the Sovereignty-Association Dentist (sponsored by “money and the ethnic vote”); the Constitutional Reform Merry-go-round (also dubbed the Canada Round); topped off by the Centre-of-the-Universe Centrifuge where riders strap themselves into cars resembling Canada’s regions and the entire contraption revolves around Toronto.

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