Forgotten Weapons
Published 12 Dec 2025The Beretta Model 38 SMG was a very successful design, and a folding-stocked version of it was a natural development. Beretta first made a prototype of such a thing in 1941, but it never went into production — possibly because Italy ceased to have an effective paratrooper corps after El Alamein. However, many of the design elements from this experiment saw use in the simplified 38/42 and 38/44 models of the Beretta SMG. Late in the war, a small batch of folding-stocked guns were actually produced (one source says about 200) specifically for the RSI. This was the puppet government Germany operated in northern Italy after the country surrendered to Allied forces.
This particular example came out of the Balkans, and managed to acquire a Yugoslav national crest along the way — although I don’t know the details of how. Thanks to Limex for giving me access to this extremely rare piece to film for you guys!
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May 3, 2026
The Extremely Rare Folding Stock Beretta 38/43
QotD: Communism, nationalism and literature
“Literature as we know it”, Orwell wrote in “Inside the Whale”, “is an individual thing, demanding mental honesty and a minimum of censorship”. It’s the “product of the free mind, of the autonomous individual”. This is why Orwell argued that “a writer does well to keep out of politics. For any writer who accepts or partially accepts the discipline of a political party is sooner or later faced with the alternative: toe the line, or shut up.”
According to Orwell, “As early as 1934 or 1935 it was considered eccentric in literary circles not to be more or less ‘left’, and in another year or two there had grown up a left-wing orthodoxy that made a certain set of opinions absolutely de rigueur on certain subjects”. In other words, many writers became communists, which meant they constantly had to decide whether to toe the line or shut up, depending on the circumstances: “Every time Stalin swaps partners”, Orwell wrote, “‘Marxism’ has to be hammered into a new shape … Every Communist is in fact liable at any moment to have to alter his most fundamental convictions, or leave the party. The unquestionable dogma of Monday may become the damnable heresy of Tuesday, and so on.”
Orwell also explained how communism replaced the patriotic and religious feelings that members of the English intelligentsia believed they had transcended: “All the loyalties and superstitions that the intellect had seemingly banished could come rushing back under the thinnest of disguises. Patriotism, religion, empire, military glory — all in one word, Russia. Father, king, leader, hero, savior — all in one word, Stalin”. Is it any wonder that Orwell, witnessing these endless intellectual and moral contortions, the shameless propaganda, and the constant stream of wartime lies and distortions, was drawn to a writer who didn’t regurgitate any orthodoxies or toe any lines? Miller gave his readers “no sermons, merely the subjective truth”.
Matt Johnson, “George Orwell, Henry Miller, and the ‘Dirty-Handkerchief Side of Life'”, Quillette, 2020-10-05.
May 2, 2026
Making Real English Toffee from 1881
Tasting History with Max Miller
Published 5 Dec 2025Rich, sweet pieces of Victorian Era toffee
City/Region: Everton, England
Time Period: 1881Around Christmas, my house is full of candy and baked goods, and for me, toffee is one of the quintessential Christmas treats. Possibly invented by Molly Bushell in 1753 in Everton, just outside of Liverpool, toffee can be hard like the recipe we’re making here or of a softer, chewier variety.
While either option is delicious, this recipe is specifically for the hard style of Everton toffee. It’s a really simple recipe (the hardest part is waiting for it to come up to temperature), and is such a rich, decadent treat. The lemon extract adds a layer of acidic complexity to the toffee, but it doesn’t taste of lemon.
Feel free to dress yours up by adding some nuts to the dish before you pour the toffee over it, or sprinkle some chocolate chips over the toffee while it’s still hot so that they melt.
Everton Toffee.
Put one pound of brown sugar and one tea-cupful of cold water into a pan well rubbed with good fresh butter. Set it over a slow fire, and boil until the sugar has become a smooth, thick syrup, then stir into it half a pound of butter, and boil for half an hour. When sufficiently boiled, it may be tested by dropping some on a plate, and if it dries hard and can easily be removed, the toffee is ready for flavouring. For this purpose, add twenty or thirty drops of essence of lemon. Pour the toffee into a wide well-buttered dish. If liked, vinegar may be substituted for the water, then the lemon may be omitted.
— Cassell’s Dictionary of Cookery, England, 1881
QotD: Yes, the US Civil War was about slavery
… it might be useful to have a primer on the events leading up to the […] US Civil War. This is not the stuff they teach in school, kids, so don’t copy/paste it for your term papers, lest you get sent to the school psychologist and get put on all kinds of happy pills.
Preliminary: Yes, the […] Civil War was about slavery. I know it’s fashionable for the Very Clever Boys […] to deny this, but that’s the difference between “a grownup’s understanding of complex events” and “being a sperg that should’ve been shoved in a lot more lockers in high school”. There’s a difference between “necessary” and “sufficient” conditions, as well as between “proximate” and “final” causes.
Slavery was the proximate cause of the First Civil War, the sufficient condition. The final cause, the necessary condition, was the same one that causes pretty much all the really nasty wars — two not-dissimilar-enough peoples living too close to each other. It’s the same reason English and Scots have never gotten along (feel free to go re-read Albion’s Seed here) — familiarity breeds contempt, as the old saying goes. They’re close enough to each other that outsiders really can’t grok what the big deal is, which is always a recipe for disaster.
Same thing between the Puritan religious fanatics of New England and the honor-obsessed planters of the Old South. Had the US developed horizontally instead of vertically — if they’d been able to put the Rocky Mountains between them, say — they’d be two separate nations, with fairly cordial relations …
Severian, “1846-1861”, Founding Questions, 2022-06-25.
April 30, 2026
Where did Dovetails come from?
Rex Krueger
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The History of BROWN SAUCE: HP Sauce, A1 Sauce, OK Sauce and Chef Sauce
Tweedy Misc
Published 7 Nov 2025Have you ever wondered how British “brown sauce” came about? What is it made from? Who invented it? When was it invented? Which brown sauce is the oldest? When did we start calling it “brown sauce”?
In this video we look into what exactly brown sauce is (and isn’t), we look into ingredients of a number of iconic brands (and some supermarket own brands) and explore the history of the five brown sauces which defined the category: A1 Sauce, OK Sauce, HP Sauce, Daddies Favourite Sauce and Chef Sauce.
Some links to Wikipedia etc in case it helps figure out what this is all about:
https://en.wikipedia.org/wiki/Brown_s…
https://en.wikipedia.org/wiki/HP_Sauce
https://en.wikipedia.org/wiki/A.1._Sauce
https://en.wikipedia.org/wiki/Daddies
https://en.wikipedia.org/wiki/OK_Sauce
https://en.wikipedia.org/wiki/Chef_Br…If you’re finding the wobbling bottles are a problem for you, here’s a version of the video without any wobbling: • History of Brown Sauce (No Wobbling!)
This video was made using Davinci Resolve 20, with a lot of the still images made using Canva.
Chapters:
0:00 Introduction
0:16 What is brown sauce?
2:33 Supermarket own brand brown sauces
4:02 History of brown sauce
4:48 A1 Sauce
10:49 OK Sauce
15:31 HP Sauce
17:06 Daddies Favourite Sauce
19:06 Chef Sauce
23:50 Conclusion
April 29, 2026
The Korean War Week 97: A Peace Proposal Package – April 28, 1952
The Korean War by Indy Neidell
Published 28 Apr 2026There is what should be major news this week as the UN gives the Communists a peace proposal package at long last that addresses the remaining three issues to solve. It does not seem that it will be accepted by the Communist side, though, with the only sticking point being the issue of POW repatriation. There’s also still more unrest and protest at Koje-Do POW camp. And it looks like we’ll be getting a new UN forces commander, since Matt Ridgway will soon head to Europe to take over NATO command there.
00:00 Intro
00:24 Recap
00:56 Truman and Ike
02:34 April 28th
07:14 POW Rations
10:37 Notes
11:05 Summary
11:20 Conclusion
T31: Garand’s Bizarre Bullpup
Forgotten Weapons
Published 10 Dec 2025The T31 was John Garand’s last project during his employment at Springfield Armory. It was proposed in 1948 as a bullpup configuration rifle to minimize muzzle blast and flash. It was a select-fire rifle with a 20-round detachable box magazine and basically every aspect of the design was unorthodox. The original gas system was more pneumatic than anything else, with the whole handguard tube filling with gas when it cycled. The recoil spring is a clockwork type in the buttstock, and the bolt uses a tilting wedge to lock.
At initial testing it ran into reliability problems after 2300 rounds. Upon disassembly, the found nearly an entire pound of powder fouling in the gas tube. This led to the gun being rebuilt with a tappet type gas system, and that’s the gun we have today to look at. Only two examples were made before Garand retired in 1953, and nobody took over the project when he left.
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QotD: The battlefield role of the general in pre-modern battles
We have to start not with tactics or the physics of shouting orders, but with cultural expectations. First, we need to establish some foundations here. First, in a pre-modern battle (arguably in any battle) morale is the most critical element of the battle; battles are not won by killing all of the enemies, but by making the enemies run away. They are thus won and lost in the minds of the soldiers (whose minds are, of course, heavily influenced by the likelihood that they will be killed or the battle lost, which is why all of the tactics still matter). Second, and we’ve actually discussed this before, it is important to remember that the average soldier in the army likely has no idea if the plan of battle is good or not or even if the battle is going well or not; he cannot see those things because his vision is likely blocked by all of his fellow soldiers all around him and because (as discussed last time) the battlefield is so large that even with unobstructed vision it would be hard to get a sense of it.
So instead of assessing a battle plan – which they cannot observe – soldiers tend to assess battle commanders. And they are going to assess commanders not against abstract first principles (nor can they just check their character sheet to see how many “stars” they have next to “command”), but against their idea of what a “good general” looks like. And that idea is – as we’re about to demonstrate – going to be pretty dependent on their culture because different cultures import very different assumptions about war. As I noted back in the Helm’s Deep series, “an American general who slaughtered a goat in front of his army before battle would not reassure his men; a Greek general who failed to do so might well panic them.” An extreme example to be sure, but not an absurd one. In essence then, a general who does the things his culture expects from him is effectively performing leadership as we’ve defined it above.
But the inverse of this expectation held by the soldiers is that generals are not generally free to command however they’d like, even if they wanted to (though of course most generals are going to have the same culturally embedded sense of what good generalship is as their soldiers). Precisely because a general knows his soldiers are watching him for signs that he is their idea of a “good general”, the general is under pressure to perform generalship, whatever that may look like in this cultural context. That is going to be particularly true because almost all of the common models of generalship demand that the general be conspicuous, be available to be seen and observed by his soldiers. As a result, cultural ideals are going to heavily constrain what the general can do on the battlefield, especially if they demand that the general engage personally in combat.
Different sorts of generals
We can actually get a sense of a good part of the range simply by detailing the different expectations for generalship in ancient Greek, Macedonian and Roman societies and how they evolved (which has the added benefit of sticking within my area of expertise!).
On one end, we have what we might call the “warrior-hero general”. This is, for instance, the style of leadership that shows up in Homer (particularly in the Iliad), but this model is common more broadly. For Homer, the leaders were among the promachoi – “fore-fighters”, who fought in the front ranks or even beyond them, skirmishing with the enemy in the space between their formations (which makes more sense, spatially, if you imagine Homeric armies mostly engaging in longer range missile exchanges in pitched battle like many “first system” armies).
The idea here is not (as with the heroes of Homer) that the warrior-hero general simply defeats the army on his own, but rather that he is motivating his soldiers by his own conspicuous bravery, “leading by example”. This kind of leadership, of course, isn’t limited to just Homer; you may recall Bertran de Born praising it as well:
And I am as well pleased by a lord
when he is first in the attack,
armed, upon his horse, unafraid,
so he makes his men take heart
by his own brave lordliness.On the opposite end of the spectrum, there is the pure “general as commander” ideal, where the commanding general (who may have subordinates, of course, who may even in later armies have “general” in the name of their rank) is expected to stay well clear of the actual fighting and instead be a coordinating figure. This style […] is fairly rare in the pre-gunpowder era, but becomes common afterwards. Because in this model the general’s role is seen primarily in terms of coordinating various independently maneuvering elements of an army; a general that is “stuck in” personally cannot do this effectively. And it may seem strange, but violating these norms with excessive bravery can provoke a negative response in the army; confederate general Robert E. Lee attempted to advance with an attack by the Texas Brigade at the Battle of the Wilderness (May 6, 1864) only to have his own soldiers refuse to advance until he retired to a more protected position. Of course this sort of pure coordination model is common in tactical video games which only infrequently put the player-as-general on the battlefield (or even if the “general” of the army is represented on the battlefield, the survival of that figure is in no way connected to the player’s ability to coordinate the army).
In practice, pre-modern (which is to say, pre-gunpowder) generals almost never adopt this pure coordination model of generalship. The issue here is that effective control of a gunpowder army both demands and allows for a lot more coordination. Because units are not in melee contact, engagements are less decisive (units advance, receive fire, break, fall back and then often reform to advance again; by contrast a formation defeated in a shock engagement tends not to reform because it is chased by the troops that defeated it), giving more space for units to maneuver in substantially longer battles. Moreover, units under fire can maneuver, whereas units in shock generally cannot, which is to say that a formation receiving musket or artillery fire can still be controlled and moved about the field, but a unit receiving sword strikes is largely beyond effective command except for “retreat!”
In between these two extremes sits variations on what Wheeler terms a “battle manager”, which is a bit more complex and we’ll return to it in a moment.
What I want to note here is that these expectations are going to impact where the general is on the battlefield and thus what he can do to exert command. A general in a culture which expects its leaders to be at the front leading the army has the advantage of being seen by at least some of his soldiers (indeed that is the point – they need to see him performing heroic leadership), but once engaged, he cannot go anywhere or command anyone. This is also true, by the by, in cultures where the general is expected to be on foot to show that they share in the difficulties and dangers of the infantry; this is fairly rare but for much of the Archaic and Classical periods, this was expected of Greek generals. Even if a general on foot isn’t in combat directly, their ability to see or move about the battlefield is going to be extremely limited.
On the flipside, a general who is following the “commander” ideal is likely to be in the rear, perhaps in an elevated position for observation. The obvious limitation here is that such a commander is going to struggle to display leadership because no one can see them (everyone is facing towards the enemy, after all). But that also impacts their ability to command – no one is looking at them so if they want to change their plans on the fly they need to send word somehow to subordinate officers who are with or in front of the battle line who can then use their visibility to communicate those orders to the troops.
Bret Devereaux, “Collections: Total Generalship: Commanding Pre-Modern Armies, Part II: Commands”, A Collection of Unmitigated Pedantry, 2022-06-03.
April 28, 2026
Echoes of Spain in the 1930s
On the social media site formerly known as Twitter, Christian Heiens discusses how the Spanish Republic disintegrated in the lead up to the Spanish Civil War:
After the Spanish Right won the 1933 elections, Communists in Asturias launched a revolution, killing thousands before the army was deployed to finally put an end to the chaos.
They did the same thing in Catalonia, and when that too was quelled, they engaged in a low-level terrorist campaign all over the country, planting bombs, sabotaging infrastructure, assassinating newspaper editors and political figures, and staging general strikes all over Spain.
They kept doing this until they finally won the 1936 election, at which point the Left went full mask-off and began unleashing thousands of criminals into the streets, ransacking businesses, dragging conservatives out of their homes to beat them, and going into the countryside to expropriate private property. The entire country descended into a state of near-total anarchy in a matter of months.
The Left spent years agitating for a Marxist revolution in Spain and refused to obey the legal system because they saw the Spanish Republic as a mechanism to achieve Leftism, not as a neutral system intended to uphold democracy, the constitution, or the rule of law.
And thus, any deviation from the march towards Leftism was seen as an illegitimate act of treason and proof of an imminent fascist takeover of the state. As a result, ANY electoral victory by the Right was inherently treated as illegal by the Left, and ANY attempt to actually govern in accordance with Right-wing principles was seen as just cause to engage in violent insurrection.
You cannot have a country like this for long. If one side treats the process as illegitimate unless it produces their desired ideological outcome, they will inevitably win unless they’re physically stopped.
“Depression Era” Water Pie
Tasting History with Max Miller
Published 4 Nov 2025Custard-like pie with vanilla and nutmeg
City/Region: Fulton, Missouri
Time Period: 1908While water pies have made the rounds on the internet as a Depression-era food, they were around long before the 1930s. In the decades leading up to the Great Depression, there was a series of smaller depressions, so there was plenty of opportunity for people to feel the need to make water pie.
This is surprisingly good with a texture like the filling of a pecan pie. Because the main ingredients are water and sugar, whatever flavorings you use are really important. The nutmeg and vanilla I use here are delicious, but the sky’s the limit. You could use citrus, flower waters, other spices, or basically anything that sounds good to you. Be sure to let the pie cool completely in order for it to set up to its soft custard-like texture.
Water Pie.
One cup sugar, two tablespoons of flour mixed well with the sugar, then add one-half cup of hot water, lump of butter and flavoring, cook until it becomes thick, then pour into your prepared paste and bake slowly.
— Mrs. Hollis Crews, Fulton Weekly Gazette, March 6, 1908Plain Paste
1 1/2 cups flour
1/4 cup lard
1/4 cup butter
1/2 teaspoon salt
Cold water
Wash butter, pat, and form in circular piece. Add salt to flour, and work in lard with tips of fingers or case knife. Moisten to dough with cold water; ice water is not an essential, but is desirable in summer. Toss on board dredged sparingly with flour, pat, and roll out; fold in butter as for puff paste, pat, and roll out. Fold so as to make three layers, turn half-way round, pat, and roll out; repeat. The pastry may be used at once; if not, fold in cheese cloth, put in covered tin, and keep in cold place, but never in direct contact with ice. Plain paste requires a moderate oven. This is superior paste and quickly made.
— The Boston Cooking School Cook Book by Fannie Farmer, 1896
QotD: The cultural history of the Tidewater and Deep South regions of the United States
The first nation [as described in American Nations, by Colin Woodard] that struck my interest was Tidewater, earliest of the English nations. (El Norte and New France, as Woodard names them, are the remnants of colonial empires that predate English settlement in North America.) Founded on the shores of the Chesapeake Bay by gentlemen from southern England, and with a sizeable population influx a generation later from Royalists who had found themselves on the losing side of the English Civil War, Tidewater began with an aristocratic ethos. Its gentlemen wanted to recreate the rural manor life of the English landowners: ruling benevolently over their estates and the tenants who inhabited the associated villages, presiding over the courts and local churches, hunting and visiting their neighbors and paying for the weddings and funerals of the poor. To play the role of the peasantry in this semi-feudal system, they imported indentured servants from among the English poor. But unlike English villagers, who were engaged in a variety of subsistence farming endeavors or local forms of production in much the same way that their ancestors had been, the indentured servants of Tidewater were mostly put to work farming tobacco for export.
This may not seem like a huge difference — does it really matter if you’re growing wheat or tobacco, if you’re farming someone else’s land? — but it had profound implications for what happened after the indenture. In theory, the formerly-indentured should have taken on the role of either the English tenant farmer (think Emma‘s Robert Martin) or yeoman/freeholder (a small-time landowner but not of the scale or social class to be a “gentleman”). In practice, though the colony was a plantation economy exporting a cash crop: there was very little local manufacturing, since it was so easy for a ship from London or Bristol to sail right up to some great landowner’s dock on the river and unload whatever he might have ordered. Independent small-scale farmers simply couldn’t compete for tobacco export with their larger neighbors, and especially not if they also had to pay rent. But luckily for them, they had something no Englishman had had for centuries: empty land nearby. Or, you know, sort of empty. (Several of the rebellions in early Virginia were fought over the colonial government’s refusal to drive the Indians off the land former servants wanted to settle.) They could just leave.
The obvious solution for the Tidewater elites — the clear way for gentlemen to maintain an aristocratic lifestyle without a peasantry tied to the land — was African slaves. And here’s the important difference between Tidewater and it neighboring nation, the Deep South: Tidewater turned to slavery in the hopes of perpetuating their social structures, while the Deep South was envisioned from the first as a slave society.
The Deep South had been founded in the 1670s by Barbados sugar planters who ran out of room on their tiny island and were now exporting their particularly brutal combination of slave gangs and sugarcane to the coastal lowlands around Charleston Harbor. (Like the Tidewater gentry, the Barbadians had originally experimented with indentured servants from Britain, but they were worked to death so rapidly that the authorities objected.) The planter class quickly became phenomenally wealthy — by the American Revolution, per capita wealth in the Deep South was four times that of Tidewater and six times either New York or Philadelphia, and the money was much more concentrated than anywhere else in the colonies — but unlike the manorial idyll of Tidewater, with its genteel pursuits and colonial capitals all but abandoned when the legislature was out of session, the Deep South planters spent as much time as possible in the city.
Charles Town (later Charleston), South Carolina, modeled on the capital of Barbados, was filled with theaters, taverns, brothels, cockfighting rings, private clubs, and shops stocked with goods imported from London. Life in the city was a constant churn of social engagements, signalling, and status competition: in 1773, a pseudonymous correspondent wrote in the South Carolina Gazette that “if we observe the Behavior of the polite Part of this Country, we shall see, that their whole Lives are one continued Race; in which everyone is endeavouring to distance all behind him, and to overtake or pass by, all before him; everyone is flying from his Inferiors in Pursuit of his Superiors, who fly from him with equal Alacrity …” The planters of the Deep South had no interest in being lords of their estates, which were managed by overseers, or indeed in their land or the people who worked it. Certainly there existed poor whites in the colonies of the Deep South, but they never entered into the conversation: where Tidewater imagined agricultural labor performed by the English “salt of the earth” but had to fall back on slaves, the Deep South always planned on slaves.
This may not seem like an important difference, especially if you’re a slave,1 but it matters a great deal for national character. Culture, after all, lives as much in a people’s values and ideals as in their daily routines: a culture that praises loyalty to clan and family will behave very differently from one that lauds fair dealing with strangers. And the Deep Southern ideal, the nation’s vision of how life ought to be, was more or less Periclean Athens: a tremendous efflorescence of wealth, art, and personal distinction for the great and the good, with no consideration whatsoever for the slaves and metics who made up the bulk of the population. A good life meant leisure and luxury, wealth and freedom, the full exploration of personal capacity for the few and who cares about the many. The Tidewater ideal, on the other hand, was basically the Shire: bucolic, rural, politically dominated by a cousinage of great families who shared a profound sense of noblesse oblige and populated by a virtuous, hardworking yeomanry who knew their place but were worthy of their betters’ respect.
Did that world actually exist? Of course not, neither here or in its English model,2 any more than the Puritans’ commonwealth in Massachusetts Bay was a new Zion inhabited by saints. But a culture’s picture of how life ought to be determines its reaction to changing circumstance, and Tidewater pictured an enlightened rural gentry ruling benevolently over lower orders who nevertheless mattered. In contrast to the aggressively middle class northern nations, the fiercely independent Appalachians, and the elite-centric Deep South, Tidewater imagined itself as an aristocracy. And it was the only one among the American nations.
Tidewater had a disproportionate influence on the early United States, contributing far more than its fair share of early statesmen and generals as well as a healthy dose of the philosophical underpinnings for many of our founding documents. Unfortunately for the lowland Virginia gentlemen, however, they were hemmed in to the west by the hill people of Greater Appalachia: when the other nations began to expand deeper into the continent after 1789, Tidewater was stuck in its starting position. Soon the nation that had been “the South” on the national stage was dwarfed by Greater Appalachia (more than doubled between 1789 and 1840) and especially by the Deep South (ten times larger). When the young United States began to polarize over the issues of slavery, Tidewater — by then a minority in Maryland, Delaware, North Carolina, and even Virginia3 — had to retreat to the political protection of the Deep South and began to lose its cultural distinctiveness. It never really emerged again as its own ideological force.
Jane Psmith, “REVIEW: American Nations, by Colin Woodard”, Mr. and Mrs. Psmith’s Bookshelf, 2024-02-19.
- Though it actually mattered a great deal to slaves, who were imported to the Deep South in great waves only to be worked to death; the enslaved population of Tidewater, by contrast, increased steadily over the entire antebellum period.
- Though I will point out that Akenfield suggests the total immiseration of the tenant farmers in the early 20th century has something to do with the land being owned by rich farmers and implies that the local gentry are more generous employers.
- West Virginia’s eventual secession back to the Union would put Tidewater back in the majority there.
April 27, 2026
Abstract Expressionism “… wasn’t even real art … just a psyop”
When I first got married, we had several friends in the Toronto arts community, and while I enjoyed their company, for the most part I heartily disliked their art. Everything seemed to be consciously designed to be unpleasant to look at: jagged, rusty metallic edges, weird proportions, bilious colour choices, and so on. I was assured more than once that this was what “art” was meant to be: if it didn’t evince a strong reaction, it wasn’t doing its job. On Substack, Celina discusses the claim that modern art was actually a psyop sponsored by, inter alia the CIA:
Abstract Expressionism is arguably the most famous American art movement of the 20th century.
There’s a 95% chance you’ve seen a painting by Jackson Pollock, Willem de Kooning, or Mark Rothko, even if you didn’t know their names.
And if you’ve spent any time online, you’ve probably heard the rumours:
They were funded by the CIA.
It was all propaganda.
It wasn’t even real art … just a psyop.That sounds absurd.
Except … there is a large, large grain of truth behind it.
Manufacturing Consent
After the First World War, the journalist Walter Lippmann helped pioneer the view that the control of information and, more importantly, the control of public response, had become essential to the stability of modern democracy. This was especially true in moments when the state required certain reactions from the public, as it did during wartime. Lippmann, who famously popularised the phrase “the manufacture of consent“, argued that representative government could no longer function without the deliberate use of mass communication in the supposed service of the public good:
That the manufacture of consent is capable of great refinements, no one, I think, denies. The creation of consent is a very old act, which was supposed to have died out with the appearance of democracy, but it has not died out. It has, in fact, improved enormously in technique, because it is now based on analysis rather than on rule of thumb. And so, as a result of psychological research, coupled with the modern means of communication, the practice of democracy has turned a corner. A revolution is taking place, infinitely more significant than any shifting of economic power.1
Lippmann’s ideas about the “manufacture of consent” would not remain theoretical for long. After the Second World War, they were tested on an unprecedented scale by the American establishment.
Poets, philosophers, critics, and intellectuals became participants in it. They were recruited, funded, and mobilised to form the cultural front line of a struggle against the Soviet Union. But this was not a conventional war. There were no trenches, no battlefields, no declarations.
Instead, it was a war of ideas, fought in publishing houses, universities, art galleries, and across the airwaves. At the centre of this effort stood the Congress for Cultural Freedom.
And its story reveals just how far a democracy was willing to go in shaping what its citizens and the world would come to believe.
- Lippmann, W. (1922). Public opinion. Harcourt, Brace and Company.
Tolerance
On the social media site formerly known as Twitter, InfantryDort explains why tolerating people who want to kill you is a fatal mistake:
There is no such thing as coexistence in a scenario where people want to murder you.
The side that is the least tolerant of the other, wins. Every time.
Intolerance is the mindset of the victor.
Therefore the leftist ideologue will win in this scenario, barring some renewed resolve.
You see the signs every day.
> Their “politicians” dog whistle for murder and jail
> Their “media” dog whistles for murder and jail
> Their “protestors” will scream DEATH TO TYRANTS at you while you’re fleeing an active assassination attempt against youYou forget, we all seem to forget, that THIS ideology during the Spanish Civil War in 1936, caused people to dig up the bodies of dead nuns for very public desecration.
You can’t comprehend the level of hate that it takes to do something like that. None of us can. But they can.
So they will win, because we tolerate it.
And tolerance is a poisonous virtue when intolerance is pointing a gun at your head.
Tolerance is a noble thing among the civilized. Against the butcher, it is only a prettier name for death. When violence enters the room, tolerance becomes surrender.
We get what we tolerate. And we tolerate everything.
He’s quite right about the exhumation and desecration of the bodies of nuns during the Red Terror in Spain:

Pillaging and desecration of Catholic church institutions by supporters of the Republicans; the corpses of nuns from a monastery in Barcelona were ripped out of graves and displayed on a wall.
Celina wrote about the Red Terror recently.
UOTCAF – EP 003 – PPCLI (Patricias)
Stormwalker Group
Published 5 Dec 2025Join Mario Gaudet, former Army Reservist and military brat, in Episode 3 of “Units of the CAF” as we delve into the legendary Princess Patricia’s Canadian Light Infantry (PPCLI).
Discover their early history, unique uniform quirks and cap badge story, plus their valor in WW1, WW2, the Cold War, and Afghanistan — featuring the most decorated soldiers from each era.
Sources:
•General PPCLI History: https://www.canada.ca/en/department-n…
•Sgt. George Harry Mullin VC (WW1): https://vcgca.org/our-people/profile/…
•Maj. John Keefer Mahony VC (WW2): https://veterans.gc.ca/en/remembrance…
•Sgt. Tommy Prince MM (Cold War/Korea): https://en.wikipedia.org/wiki/Tommy_P…
•WO Patrick Tower SMV (Afghanistan): https://en.wikipedia.org/wiki/Patrick…
•Additional Regimental Details: https://ppcliassn.ca/ppcli-the-regime…#PPCLI #CanadianArmy #MilitaryHistory #CAF #WW1 #WW2 #KoreanWar #Afghanistan #VictoriaCross #Veterans #CanadianForces






