Overly Sarcastic Productions
Published on 13 Aug 2019“I’ve seen The Rock act before and he’s really fun and charismatic! Surely this movie starring him will be a Good Time!” I thought, foolishly.
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August 14, 2019
Summer Stupidity: Hercules 2014 (Media Review!)
August 13, 2019
Titania McGrath reviews the very best show at the Edinburgh Fringe this year
It is, of course, her own show:
There are over 2,000 shows at this year’s Edinburgh Festival Fringe, but only one that is really worth seeing. Titania McGrath’s Mxnifesto is a tour de force of political oratory that is unlikely to be surpassed in my lifetime. I have seen every single performance, except for the nights I’ve had off (usually when my self-diagnosed PTSD has flared up), and its cultural significance is indisputable. I’d go so far as to suggest that the Edinburgh Fringe should cease after this current year, given that its purpose has now surely been fulfilled.
I was warned against writing this piece. Apparently, it is frowned upon to write a review for your own show. I consider this yet another attempt to silence women’s voices by the forces of heteronormative patriarchy. Why should I, as a proud independent woman, not proclaim my own worth? I will not bend the knee to swaggering males who seek to oppress me with their “opinions”. I will not seek permission before declaring my own genius. Mxnifesto is a fucking masterpiece and I am only awarding it five stars because to give it six it might seem arrogant.
As one walks into the auditorium at the Pleasance Above, a charming little theater space that emphasizes McGrath’s humility, there is a collective tremble of anticipation among the crowd. After all, McGrath has a reputation not only for her wisdom, but also for her righteous anger. Like Joan of Arc, she has successfully fought for justice against incredible odds. But unlike Joan of Arc, she didn’t make the stupid mistake of getting herself burned to death in the process.
From the program description:
Titania McGrath is a radical intersectionalist poet committed to feminism, social justice and armed peaceful protest. As a millennial icon on the forefront of online activism, Titania is uniquely placed to explain to you why you are wrong about everything and how to become truly woke. “The latest genius twist in Britain’s long tradition of satirical spoof” (Daily Express). “Outrageous and hilarious” (Irish Independent). “Brilliant” (Daniel Sloss). “Titania McGrath is a genius” (Spectator). “Hilarious… perfectly captures the joyless tone of the woke Stasi” (Times). “Lampooning the language of social justice is a cheap shot” (Observer).
Hands on with the Sutton Hoo sword I Curator’s Corner Season 5 Episode 1
The British Museum
Published on 5 Aug 2019Sue Brunning and her trusty foam sword (newly dubbed Flexcalibur by commentator Pipe2DevNull) are back for another sword story. This time Sue takes us up close and personal with one of the most famous swords ever discovered.
Sue has also written a blog about Sutton Hoo available here: https://bit.ly/2yQkfYV (there are lots of other great articles there too!)
#CuratorsCorner #SwordswithSue #SuttonHooSue
August 12, 2019
Hogs in History – Creator and Destroyer – Extra History
Extra Credits
Published on 10 Aug 2019Download the World of Tanks game for free https://tanks.ly/2yj0usN and use the invite code
EXTRATANKS1to claim your $15 starter pack.In 1494, among the colonization forces from Spain, eight pigs arrived in Cuba. With multiple uses in culinary and craft trades, as well as their general top-tier hardiness, pigs would naturally propagate themselves throughout the Caribbean, and then to Central, South, and North America — but they were also incredibly destructive.
Visit TierZoo to learn about how OP pigs are: https://www.youtube.com/watch?v=6xbQ2…
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The Battle For Hungary: October – December 1944
Historigraph
Published on 10 Aug 2019Join me in War Thunder! Use my link for a FREE premium aircraft, tank or ship and a three day account boost as a BONUS: https://gjn.link/Historigraph/190810 Also available for free on PlayStation®4 and Xbox One.
If you enjoyed this video and want to see more made, consider supporting my efforts on Patreon: https://www.patreon.com/historigraph
To chat history, join my discord: https://discord.gg/vAFTK2D
I’m indebted to some viewers for helping me out with pronounciation of Hungarian words:
https://www.youtube.com/watch?v=FApWW…
https://www.youtube.com/watch?v=nCG_w…If you are Hungarian, please be charitable as I will still not have the word sounds 100% correct, as I am not a native speaker. I’m not about to put on a bad hungarian accent!
#WarThunder #BattleForHungary #HistorigraphSources:
The Siege of Budapest and the battles that led to it have had precious little written about them (in English!), so the bulk of this video (and the next) comes from one book:
Krisztián Ungváry, Battle for Budapest: 100 Days in World War 2
This is by far the most detailed account of the battle that I could find.
At the Range with the Iconic MP5A3
Forgotten Weapons
Published on 15 Jun 2019http://www.patreon.com/ForgottenWeapons
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The MP5 is widely considered the best submachine gun ever made, for its reliability, its handling, and its closed-bolt delayed-blowback action. It is so widely praised, in fact, that H&K’s efforts to replace it with less expensive polymer submachine guns have largely failed, as their customers simply insist on the MP5.
I have had only a brief bit of experience actually using the MP5 myself, and I wanted to take this opportunity while visiting H&K to fix that. So, does it live up to its reputation?
In a word, yes.
Many thanks to H&K USA for providing me access to this MP5A3, and to Trijicon for graciously providing use of their range!
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754
August 11, 2019
Hail Mussolini, Haile Selassie’s Usurper – WW2 – 050 – August 10 1940
World War Two
Published on 10 Aug 2019This week, the war spreads to Africa, when the Italians invade the British Colony of British Somaliland. While this might seem trivial, it might have tremendous consequences on the remainder of the war.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
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Map animations: EastoryColorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.Sources:
Freepngimg.com
IWM: CH 3484
Sound effect: littlerobotsoundfactoryA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Last week, we saw how one of our flagship episodes was taken down by YouTube. It turned out that this was a mistake by a YouTube worker who erroneously identified our content as hate speech. While we contacted YouTube immediately to protest, they themselves noticed the mistake before we reached the right people. They have since apologized to us and reinstated the episode. You can watch it here: https://youtu.be/DLN8NHXiMy0. We welcome YouTube’s diligence in fighting against extremist hateful content, especially in light of the current tragic events in the US, and we have accepted their apology. However, this does not change the fact that we still face demonetization of many of our videos, connected to lower recommendation of these videos. This is a problematic situation that we deplore – we continue to believe that the best way to fight ignorance and hatred is by education and that is at the heart of what we do here, unfortunately YouTube’s monetization policies continue to stand in the way of that mission.When the episode went down we saw a surge of support from many of you and we are humbly grateful for our dedicated community. The effort you all have made to share our content and support us on Patreon and timeghost.tv is what makes this show possible, and it’s an honor to have you all here. It is your support, both financially and in spirit that keeps us getting up in the morning to face yet another day of the war. Thank You!
Cheers,
The TimeGhost team
“Saying ‘Donald Trump is not my president’ is like saying that your stepfather isn’t your real dad and slamming your bedroom door”
Colby Cosh looks at the oddly immature and childish meme of “Not my President”/”Not my Prime Minister” declarations that seem to be ubiquitous these days:

“Not my president – #iranelection in San Francisco #gr88” by Steve Rhodes is licensed under CC BY-NC-SA 2.0
If you sent me back to grad school I would love to do some proper research into the history of the “Not My President”/”Not My Prime Minister”-type statements that are everywhere now. They do seem especially popular with liberals, although they are not exclusive to them. A strong memetic influence was obviously the multi-city “Not My Presidents Day” protests that followed Donald Trump’s inauguration. But the indignant, huffy insistence that Trump is “not my president” obviously had to gain traction in the first place.
The theme has been taken up internationally: if you Google “not my prime minister” most of the top hits are Boris Johnson-related (no doubt the “Theresa May: not my prime minister” T-shirts and buttons will sell in the online shops at a significant discount now), and the theme has become a formal slogan of street protest in the U.K. Adding “Trudeau” to the search string reveals a few comment threads. The Canadian politician who gets the most “Not my X” action is certainly Doug Ford. In Alberta, Rachel Notley and Jason Kenney have been getting roughly equal helpings of “Not my premier!”, presumably not from the same people. Who knows, maybe there’s someone out there who feels that his real premier is still Harry E. Strom.
In analyzing this emerging cliché, I suppose one could interpret it as a small act of libertarian or even anarchist rebellion. Is anybody really deserving of being “my” prime minister? Should we not all, in the glorious Utopia, be the prime ministers of ourselves? But the psychological force and intention of the statement that Joe Blow is not “my prime minister” or “my president” is not really anarchistic. The implication of the assertion is always that someone else might really deserve the title, or that there existed past statesmen nobody was ashamed to follow and identify completely with. Saying “Donald Trump is not my president” is like saying that your stepfather isn’t your real dad and slamming your bedroom door.
Meanwhile, of course, your stepfather is probably covering the mortgage and cleaning the eavestrough. “Not my X!” is a defection from democracy more than it is a challenge to the idea of the state. Donald Trump is definitely the lawful, constitutional president of the United States of America, and anyway possesses the powers thereof; those who say it ain’t so are making an incantation, trying to will a state of affairs into existence. If enough people say it, maybe it sorta automatically comes true. There is a lot of this kind of attempted magic going around these days.
QotD: Deconstructing “Minoan Crete”
In many ways, “Minoan” Crete seemed like a Freudian paradise. Here the archaeologists unearthed colourful frescoes of naked-breasted women participating in the dangerous “bull-vaulting” game, whilst statuettes of bare-breasted goddesses, holding writhing snakes in each hand, emerged from various parts of the island. Evans spoke glowingly of a pacifist matriarchy that flourished before the coming of the warlike and patriarchal Greeks, and his vision was hugely influential in academic circles for at least half a century. It is a vision which has been humorously outlined by Rebecca Bradley on the dust-cover of her book, Goodbye, Mother: The Warriors of Crete: “Once upon a time, on an olive-strewn island in a wine-dark sea, beautiful people lived in peace under the rule of the Great Goddess and her matriarchal avatars. The like of their palaces was not seen again until the advent of shopping-mall architecture in the twentieth century; their artistry flowered like the saffron blossoms collected by their luscious bare-breasted maidens. This was Minoan Crete, stronghold of the Matriarchy and the Great Goddess, flower child of the ancient world — until those nasty patriarchal Mycenaeans and even nastier Dorians came along and crashed the party. Oh yes, and there’s something about a volcano on Santorini, and a few earthquakes as well, but the rot really set in when the men from the mainland took over.”
Perhaps the most prominent high priestess of the Great Goddess was Lithuanian archaeologist Marija Gimbutas (1921-1994). During the 1950s and 60s Gimbutas developed her so-called “Kurgan Thesis;” basically the idea that the archaeological marker of the arrival in Europe of Indo-European-speakers was to be found in the Bronze Age Kurgan mound burials of the Pontic Steppe, a vast region incorporating most of present-day Ukraine, southern Russia and northern Kazakhstan. Controversially, Gimbutas further claimed that these nomadic Indo-Europeans brought with them a warrior-culture dominated by male sky-gods, which supplanted earlier matriarchal and goddess-worshipping cultures. In this, she echoed ideas already expressed at great length by Robert Graves in his 1948 book The White Goddess. Over the next three decades Gimbutas developed her ideas further in a series of books, articles and lectures delivered at campuses throughout America and Europe, where she was immensely influential amongst the burgeoning women’s movement. Three major works, The Goddesses and Gods of Old Europe (1974), The Language of the Goddess (1989), and The Civilization of the Goddess (1991), presented an overview of her conclusions regarding what she saw as Europe’s primeval matriarchy.
The importance of Gimbutas in the development of the matriarchal myth, and also by extension in the development of modern radical feminism, cannot be overstated. Her archaeological experience and expertise, together with her wide knowledge of linguistics and anthropology, seemed to give academic credibility to the romantic and poetic ramblings of Arthur Evans and Robert Graves. Yet in retrospect it is hard to imagine why anyone with even a modicum of common sense could have been taken in.
There were warning signals everywhere. Right from the beginning, for example, many historians were critical of Evans’ interpretation of Minoan Crete, and a devastating blow was delivered in 1974 when German author Hans Georg Wunderlich published his Wohin der Stier Europa trug? (Where did the Bull carry Europa? published in English in 1975 as The Secret of Crete). Here Wunderlich, a trained geologist, examined the structure of the “palace” of Knossos in Crete in detail and came to the conclusion that the building could never have been a palace for the living. It was, instead, a charnel house, a massive necropolis which doubled as an arena for human sacrifice. For the happy-go-lucky “bull vaulting game”, said Wunderlich, was nothing of the sort: it was a ferocious form of human sacrifice which involved young men and women being gored and trampled to death by a sacred bull. This, said Wunderlich, was the origin of the legend of the Minotaur. Since Wunderlich’s time human sacrifice has been confirmed as an integral part of Cretan religious practice, whilst the supposed “pacifism” which Evans and others had imagined, was exposed as nonsensical.
Emmet Scott, “The Myth of the Primeval Matriarchy”, The Gates of Vienna, 2016-07-13.
August 10, 2019
Enter Yugoslavia Part 2 | BETWEEN 2 WARS I 1929 Part 3 of 3
TimeGhost History
Published on 9 Aug 2019As 1929 approaches, the Kingdom of Serbs, Croats and Slovenes spirals closer and closer to collapse. When the parliament descends into murderous chaos, it is up to King Alexander to decide what to do…
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Hosted by: Indy Neidell
Written by: Francis van Berkel and Spartacus Olsson
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Daniel Weiss
Sound design: Make KaminskiArchive by: Reuters/Screenocean http://www.screenocean.com
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 hour ago
We don’t delete or ban any opinions which disagree with other opinions. We delete comments that contain historical fallacies and political propaganda by antidemocratic organisations, irrespective of political leaning. This means that we do not tolerate any lies or propaganda that forward the agenda of, for instance, Nazis, Fascists, Stalinists, Leninists, other ultra-Marxists or Anarchists. That is within our responsibility according to the laws in our territory which forbids the dissemination of false flag information, propaganda, and symbols connected to organizations that have been found to be unconstitutional and an immediate danger to a democratic, free society by the German courts, in accordance with §86 and §86a of the German Penal Code. The law specifically mentions NDSDAP in §86 and the KPD in §86a (NSDAP is the Nazi Party and KPD the Communist party). Moreover we do not tolerate hate speech, racism, xenophobia, and the denial of proven crimes against humanity. This is in perfect agreement with the opinion forwarded by The US Supreme Court on society’s responsibility to fight against that kind of speech and it is in agreement with numerous EU and EU member state laws against same said speech.
Miscellaneous Myths: Utgard-Loki
Overly Sarcastic Productions
Published on 9 Aug 2019BRAND NEW MYTH-RELEVANT MERCH: https://www.redbubble.com/people/ospy…
In today’s Norse Mythology news: A goat has a very bad day, Loki loses an eating competition and Thor fails to wrestle an old lady, more at 11.
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Sulla’s dictatorships
In New York magazine, Andrew Sullivan portrays the current state of the American Republic in light of the late history of the Roman Republic:

This 54 B.C. coin bears the portrait of the dictator Sulla. The moneyer was Q. Pompeius Rufus, the grandson of Sulla and his home would likely have had portraits of their famous ancestor. Thus, although posthumously struck, the portrait on these coins is probably an accurate representation.
Photo by CNG via Wikimedia Commons.
… zoom out a little more and one obvious and arguably apposite parallel exists: the Roman Republic, whose fate the Founding Fathers were extremely conscious of when they designed the U.S. Constitution. That tremendously successful republic began, like ours, by throwing off monarchy, and went on to last for the better part of 500 years. It practiced slavery as an integral and fast-growing part of its economy. It became embroiled in bitter and bloody civil wars, even as its territory kept expanding and its population took off. It won its own hot-and-cold war with its original nemesis, Carthage, bringing it into unexpected dominance over the entire Mediterranean as well as the whole Italian peninsula and Spain.
And the unprecedented wealth it acquired by essentially looting or taxing every city and territory it won and occupied soon created not just the first superpower but a superwealthy micro-elite — a one percent of its day — that used its money to control the political process and, over time, more to advance its own interests than the public good. As the republic grew and grew in size and population and wealth, these elites generated intense and increasing resentment and hatred from the lower orders, and two deeply hostile factions eventually emerged, largely on class lines, to be exploited by canny and charismatic opportunists. Well, you get the point.
After the overthrow of the monarchy, the new Republic went from strength to strength, struggling against and generally beating and absorbing other city states in the Italian peninsula, eventually rising to face the challenge of Carthage, the dominant power in the western Mediterranean. The eventual Roman victory over Carthage left Rome the superpower of its age, able to dominate and control even the remaining “great” powers of the eastern Mediterranean world. One of the costs of military dominance was an over-reliance on its citizen armies, which eventually changed the entire economy of the Republic, switching from largely small-holding farmers (who were subject to legionary service) to larger slave-worked farms that displaced the families of free citizens from their lands. The result was a constant inflow of impoverished rural citizens to the urban centres, especially Rome itself.
The newly enlarged urban poor found champions to push for reforms to aid them in their plight, the first of whom was Tiberius Gracchus (Extra Credits did a short video series on the Brothers Gracchi: Part I, Part II, Part III, Part IV, Part V, and an extra commentary video). The defeat and death of the Gracchi brothers by agents of the Patrician order led, as you might expect, to yet more polarization and further violent political struggle. This process was hastened by the conflict between Marius and his former protégé Sulla:
As the turn of the first century BCE approached and wars proliferated, with Roman control expanding west and east and south across the Mediterranean, the elites became ever wealthier and the cycle deepened. Precedents fell: A brilliant military leader, Marius, emerged from outside the elite as consul, and his war victories and populist appeal were potent enough for him to hold an unprecedented seven consulships in a row, earning him the title “the third founder of Rome.” Like the Gracchi, his personal brand grew even as republican norms of self-effacement and public service attenuated. In a telling portent of the celebrity politics ahead, for the first time, a Roman coin carried the portrait of a living politician and commander-in-chief: Marius and his son in a chariot.
A dashing military protégé (and rival) of Marius, Sulla, was the next logical step in weakening the system — a popular and highly successful commander whose personal hold on his soldiers appeared unbreakable. Tasked with bringing the lucrative East back under Rome’s control, he did so with gusto, prompting a somewhat nervous Senate to withdraw his command and give it to his aging (and jealous) mentor Marius. But Sulla, appalled by the snub, simply refused to follow his civilian orders, gathered his men, and called on them to march back to Rome to reverse the decision. His officers, shocked by the insubordination, deserted him. His troops didn’t, soon storming Rome, restoring Sulla’s highly profitable command, and forcing his enemies into exile. Sulla then presided over new elections of friendly consuls and went back into the field. But his absence from Rome — he needed to keep fighting to reward his men to keep them loyal — enabled a comeback of his enemies, including Marius, who retook the city in his absence and revoked Sulla’s revocations of command. Roman politics had suddenly become a deadly game of tit for tat.
When Sulla entered Rome a second time, he rounded up 6,000 of his enemies, slaughtered them en masse within earshot of the Senate itself, launched a reign of terror, and assumed the old emergency office of dictator, but with one critical difference: He removed the six-month expiration date — turning himself into an absolute ruler with no time limit. Stocking and massively expanding the Senate with his allies, he neutered the tribunes and reempowered the consuls. He was trying to use dictatorial power to reestablish the old order. And after three years, he retired, leaving what he thought was a republic restored.
Within a decade, though, the underlying patterns deepened, and nearly all of Sulla’s reforms collapsed. What lasted instead was his model of indefinite dictatorship, with the power to make or repeal any law. He had established a precedent that would soon swallow Rome whole.
August 9, 2019
Lightweight Experimental Lanchester SMGs
Forgotten Weapons
Published on 14 Jun 2019http://www.patreon.com/ForgottenWeapons
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George Lanchester was the engineer responsible for originally reverse engineering the German MP28 submachine gun for production by the British, under the designation Lanchester. Once he finished that design work, the gun was put into production by the Sterling Engineering Company, and Lanchester went to work for them as part of the manufacturing process. Once there, he began tinkering with improved designs to reduce the weight of the gun – one of its main drawbacks. He created these three prototypes, but went no further, as government officials ordered him to stop when they discovered this work in 1942. By that time the Sten was in production, and continued development of the Lanchester was seen as a waste of time and resources.
The guns remained in the Sterling company’s reference collection, and elements of the final stock design would resurface in a later prototype design in the 60s. Beyond that, these guns were a simple dead end of design.
Many thanks to the Royal Armouries for allowing me to film and disassemble these unique submachine guns! The NFC collection there – perhaps the best military small arms collection in Western Europe – is available by appointment to researchers:
https://royalarmouries.org/research/n…
You can browse the various Armouries collections online here:
https://royalarmouries.org/collection/
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754
QotD: Early milestones in aviation
… on June 15th 1919 Captain John Alcock and Lieutenant Arthur Brown landed their Vickers Vimy airplane in a bog near Connemara, County Galway and thereby completed the first successful transatlantic flight: They had set off from St John’s, Newfoundland about fourteen hours earlier. What with having to get to the airport three hours early to shuffle through Homeland Security, we haven’t as a practical matter improved much on flight time over the last hundred years. It was also the first transatlantic air mail delivery, as, shortly before takeoff, the Royal Mail decided to give Alcock and Brown a couple of sacks of post for Britain.
A couple of weeks later, on July 6th 1919 the first east-west transatlantic flight landed at Mineola on Long Island. The RAF airship R34 had left East Fortune in Scotland four days earlier, having been hastily converted to hold passengers, and with a plate welded to an engine exhaust pipe to enable it to cook and serve hot food, which is more trouble than most airlines would go to today. A tabby kitten called Wopsie who served as the crew’s mascot stowed away on the flight, and because nobody at the Long Island end knew anything about landing large airships Major E M Pritchard parachuted out a little early, and became the first man to land on North American soil by air from Europe.
These briefly famous men did not get to savor their celebrity for long: Major Pritchard died in 1921 when the R38 airship exploded over the Humber estuary; his body was never found. Captain Alcock, just six months after his triumph and being knighted by George V, died at Rouen in Normandy in December 1919 when his new Vickers Viking crashed en route to the Paris air show.
Mark Steyn, “Come, Josephine, in My Flying Machine”, SteynOnline, 2019-07-07.
August 8, 2019
An excellent illustration of market segmentation
The Wikipedia entry for “market segmentation” defines it this way:

“BEER”by Jonnee is licensed under CC BY-NC-SA 2.0
Market segmentation is the activity of dividing a broad consumer or business market, normally consisting of existing and potential customers, into sub-groups of consumers (known as segments) based on some type of shared characteristics. In dividing or segmenting markets, researchers typically look for common characteristics such as shared needs, common interests, similar lifestyles or even similar demographic profiles.
No single product is going to be universally popular, and it’s generally a bad idea to present it that way. The producers of a new product ideally try to identify the groups of potential customers who are more likely to want to buy the new product, and tailor their advertising to those groups. The more accurately they can identify and communicate with these customer groups, the greater the chances that the product will be a success in the market.
Beer isn’t universally popular (Gasp! Shock! Horror!), so brewers try to identify different kinds of beer drinkers and market their brews to those sub-groups:
The point about a market being that you can put your stuff out there and see who buys it. The buyers will – they are rational beings after all – select from the varied offerings and their selections will be the ones which best increase their utility by their own measurements of that utility. Thus the Shagmenowbigboypint might get a bit more business toward closing time, who knows? Not necessarily entirely female business either.
And even to stop being puerile about it. We’ve only this one system that does provide multiple choices – that’s what a market is. But in order for ever finer meeting of utility it’s necessary for ever finer slices of the market to be addressed. That is, we need to have free market entry so we can find out what it is that actually meets peoples’ desires.
Banning something that appeals to some slice of that market is thus defeating the point and object of that very market’s existence. Sure, lots of women won’t buy a sexist beer. Some will, as will some men. The aim and art of the whole exercise being to allow those who won’t not to, those who will to.
Or, as we can put it, every beer being Shagmenowbigboypint is as bad as no beer being Shagmenowbigboypint.












