Drachinifel
Published 25 May 2019The Flower class, ASW corvettes of the Royal Navy, are today’s subject.
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October 23, 2021
Flower class corvettes – Guide 124
QotD: Patum Peperium, the Gentleman’s Relish
… a word of warning, Gentleman’s Relish is an acquired taste. One look at the sludgy paste is enough to deter many. And then there is its pungent smell. Brave men have been known to blanch at it. Yet, once these initial reservations are overcome, you will discover a delicate paste that rivals Marmite in its deliciousness.
Opinions differ as to how and when you should eat Gentleman’s Relish. According to the Ritz, breakfast is the time to enjoy its piquant flavour, preferably on thinly sliced, brown toast. I prefer to eat it for tea, on white toast with a little mustard and cress. Mrs Beeton suggests that anchovy paste is usually spread on toast as “an excellent bonne bouche which enables gentlemen at wine-parties to enjoy their port with redoubled gusto”.
It was originally created in 1828 by John Osborn, an English provision merchant in Paris. Like any good marketing man, he created a grandiose name from a fictitious fudge of Latin and Greek implying pepper paste, to tempt his fashion-conscious customers into buying it. It only became known as Gentleman’s Relish once his son brought the business to London. According to Elsenham, its current manufacturer, it is still made according to the original recipe. It imports the finest Spanish anchovy fillets, which have been packed in barrels of salt and left to mature for 18 months. Once suitably fruity, they are rinsed in brine and gently cooked before being cooled and blended with butter and rusk. A secret blend of spices and herbs is then added.
Sybil Kapoor, “Spreading the word”, The Guardian, 2001-02-18.
October 22, 2021
Explaining why British police clearly favour road-blocking protestors over the rights of ordinary Britons
In The Critic, Andrew Tettenborn believes it can be traced back to a change in the oath that new police constables take and the changed emphasis in police training to support that change:
Last week Insulate Britain magnanimously announced it would suspend its forcible road-blocking campaign. Apart from noting the impudence of this announcement (remember the IRA sanctimoniously calling its Christmas ceasefires, as if this were something we should be grateful for?), commentators on Twitter, the tabloid press and indeed many of the general public, have found another question troubling. Why, in the face of deliberate criminality aimed at discommoding ordinary people (most of whom will have been less well-off than many of the protesters), did the police hold back, at times apparently chatting with the obstructionists and threatening with arrest any exasperated driver who tried to take steps to remove them? We aren’t told, but we can make some educated guesses.
[…]
Nearly twenty years ago in 2002, there was a subtle, little-reported but very symbolic change in the oath sworn by all constables on appointment. Instead of the 19th century undertaking to serve the Queen “without fear or favour, malice or ill-will” in the course of keeping the peace and preventing crime, there is now a much more tendentious promise preceding the duty to keep the peace: namely, to act with “fairness, integrity, diligence and impartiality, upholding fundamental human rights and according equal respect to all people”. This requirement, thoroughly reflected as it is in police training today and imbued in policing culture, has two effects.
One is that all officers must keep at the front of their minds not only the law of the land but also two other guidelines: considerations of fairness and equality (whatever those mean), and human rights laws — something peculiarly complex and frequently opaque, even to lawyers. Human rights laws involve a subtlety well beyond the average constable called out to police a tense situation. Put yourself in the position of a policeman, faced with a choice whether to intervene in a case involving illegality and an intent to inconvenience people, but where no-one is actually engaging in violence — exactly the situation with Insulate Britain or Extinction Rebellion. You might well think that, if you wish to avoid future trouble and possible complaints of discrimination or unfairness, discretion and inaction would be the better part of valour.
Thanks to the pervasiveness of human rights culture, the constable’s traditional function of upholding the law ceases to be a black-and-white matter, and becomes a potential mire of conflicting duties. Even if the letter of the law says you should arrest a middle-aged protester or at least drag them off the M25 to prevent them obstructing it, there is always a possibility that someone somewhere will hold that this was contrary to their human rights. Once again, a cautious police officer intent on avoiding disciplinary hearings and a possible black mark, may well conclude that it is better to let sleeping dogs lie (at least for the moment), condone the illegality and avoid possible violence.
The police constable on the scene is extremely well advised to avoid doing anything that might possibly be construed as infringing on the human rights of everyone at the scene, for fear of becoming the scapegoat if clever lawyers convince a judge or jury that the police acted contrary to their revised oath.
L-34 Sampo: Aimo Lahti’s Rejected Masterpiece
Forgotten Weapons
Published 30 Jun 2021http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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Finland’s standard light machine gun going into the Winter War was the LS-26, a gun which did not succeed in field use. It was complex and cumbersome, and Finnish troops quickly replaced it with captured Russian DP-27 LMGs. Part of the problem of the LS-26 was its recoil-operated design. Finnish military authorities specified a recoil-operated mechanism for their LMG in light of the success of the recoil-operated heavy Maxim guns in Finnish service. Gas operation was quickly recognized as a superior system for light machine guns, but too late to stop adoption of the LS-26.
In the early 1930s, Aimo Lahti did design a gas-operated LMG, heavily influenced by the Czech ZB-26 system. A handful of prototypes were made by VKT, looking for both Finnish military acceptance and international sales. The gun was made in several calibers, most notably 7.62x54R for Finland and 7.92x57mm Mauser for export. However, bureaucratic issues prevented its consideration by the Finnish Army, and the timing was too late for exports. The L-34 was significantly lighter and simpler than the LS-26, and it was performed quite well in Finnish trials — which did not happen until the 1950s. By that time, the Finnish military was looking for an intermediate-caliber belt-fed gun, and the L-34 was not suitable regardless of its performance.
Many thanks to Sako for providing me access to film this L-34 from their reference collection!
Contact:
Forgotten Weapons
6281 N. Oracle 36270
Tucson, AZ 85740
QotD: Post-traumatic stress disorder (PTSD) in the ancient (or medieval) world
PTSD is more than feeling bad about being in a war, or grief at the loss of a buddy. Here are the diagnostic guidelines. Note how a diagnosis requires one intrusion symptom (involuntary and instrusive memories, dreams, flashbacks, marked physiological reactions) and persistent avoidance of stimuli associated with the trauma and two negative alterations in cognition and mood associated with the trauma and two marked alterations in arousal and reactivity associated with the trauma. A lot of the examples being cited in the comments do not come anywhere near meeting that criteria. As I read and understand that, an individual who is voluntarily recounting the trauma – much less re-exposing themselves to it by going out to fight again – without significant reactions (read the guidelines – these are really very significant reactions) doesn’t fit the criteria. They may well have another form of mental wound, mind you; grief, fear, loss, guilt and so on are all very real things. But they do not, by our current medical definition, have this wound. Specificity here is necessary because we aren’t asking a question about grief or loss or guilt – feelings which all humans feel at one point or another – but about a very specific mental wound that combat (or other trauma) may inflict.)
That is often not the impression that you would get from a quick google search (though it does seem to be the general consensus of the range of ancient military historians I know) and that goes back to arguments ex silentio. A quick google search will turn up any number of articles written by folks who are generally not professional historians declaring that PTSD was an observed phenomenon in the deep past, citing the same small handful of debatable examples. But one thing you learn very rapidly as a historian is that if you go into a large evidence-base looking for something, you will find it.
That’s not a species of research positivity – it’s a warning about confirmation bias, especially if you do not establish a standard of proof before your investigation. It is all too easy to define down your definition of “proof” until the general noise of the source-base looks like proof. In this case, we have to ask – before we go looking – what would evidence of PTSD in ancient societies (I’m going to start there because it is where I am best informed) look like?
Well, ancient societies engaged in a lot of warfare. Among the citizenry – the sort of fellows who write to us and are written about in our sources – combat experience was almost ubiquitous. That only really changes as we get into the Roman Empire, as violence levels both decline generally and are pushed to the frontier via a professional army. The percentage of veterans in the citizen population (again, citizen here is an important caveat, but then those fellows basically are our primary source base) probably equaled that of the WWI generation in Britain or France, except all the time (there’s a point in the Second Punic War where the Roman censors went through the entire rolls, checking to see how many had managed to avoid military service and found only a few thousand in a citizen body of c. 150,000 adult males). So what ought we expect from our sources? We should expect to see signs of PTSD everywhere. It should be absolutely pervasive in a source-base produced almost entirely by, for and about combat veterans, in societies where military mortality exceeded modern rates by a robust margin.
And it simply isn’t there. There is one very frequently cited account in Herodotus (Hdt. 6.117) of a man named Epizelos experiencing what is generally understood as “conversion disorder” (which used to be badly labeled “hysterical blindness”) in combat. Without being wounded he went blind at a sudden terror in battle and never recovered his sight. Herodotus terms it a θῶμα – a “wonder” or “marvel”, a word that explicitly implies the strange uncommonness of the tale. Herodotus is concerned enough about how exceptional this sounds that he is quick not to vouch for its veracity – he brackets the story (beginning and end) noting that it was what he was told (by someone else) that Epizelos used to say happened to him. In short, this was uncommon enough that Herodotus distances himself from it, so as not to be thought as a teller of tall-tales (though Herodotus is, in fact, a teller of tall tales).
This one example – cited endlessly and breathlessly in internet articles – is remarkable not because it is typical, but because it is apparently very unusual (also, it is my understanding – with the necessary caveat that I am not an expert – that while conversion disorder is a consequence of emotional trauma, it is not clear that it is associated with PTSD more generally). Meanwhile, in the war literature of the Romans, in their poetry (including that by folks like Horace, who fought in quite terrible battles), in the military literature of the Greeks, in the reflections of Xenophon (both on his campaigns and his commands), in the body of Greek lyric poetry … all of it – nothing. It is simply not there – not as a concern that such a condition might befall someone, nor a report that it had done so. Nothing. The lacuna baffled me for years.
My impression is that the medieval literature looks much the same: a few scattered passages that, if you squint hard enough, might be PTSD set against a vast backdrop of nothing in a society where literature was dominated by the war-fighting class. More examples than in the classical corpus (but then the medieval corpus is much larger; oddly, the examples I’ve seen all seem to concern crusading particularly), but nothing close to what we would expect given a literary tradition absolutely dominated by military aristocrats and their (often clerical) families. I call this my impression, because the medieval corpus is both much larger and I have read much less of it; but if there is a hidden reservoir of accounts showing clear symptoms of PTSD, I have not found it yet. I was always struck that – despite the fact that monastic life was often a destination for medieval military aristocrats troubled by their life of violence – none of the monastic rules I have read (admittedly, not all of them), which often have guidelines for abbots to deal with difficult monks, have had anything about how to deal with the symptoms of PTSD.
Now that’s not to say there isn’t grief at loss, mind you! The lamentations of defeat, the sorrow of losing a loved one (even in victory), the misery of war – that you find in the ancient texts in abundance. It occupies literary topoi, it is depicted in artwork, it gets entire tragedies to stretch out in, it is addressed by great big political speeches, it sits at the cornerstone of the Iliad‘s narrative (one reason, no doubt, that the Iliad remains a useful text for soldiers working through their experiences). But the persistent symptoms of PTSD, no. I haven’t been able to find one “flashback” or combat-memory related dissociative episode in ancient literature. You might argue that they simply weren’t recorded, but that strikes me as unlikely in societies where other forms of war-damage were so fiercely valorized and which would have often seen – as with Epizalos – such symptoms as divine omens. There should be dozens and dozens of them. These are societies with active medical literature, after all!
I think the evidence strongly suggests that ancient combatants did not experience PTSD as we do now. The problem is that the evidence of silence leads us with few tools with which to answer why. One answer might be that it existed and they do not tell us – because it was considered shameful or cowardly, perhaps. Except that they do tell us about other cowardly or shameful things. And the loss and damage of war – death, captivity, refugees, wounds, the lot of it – are prominent motifs in Greek, Roman and European Medieval literature. War is not uniformly white-washed in these texts – not every medieval writer is Bertran. We can’t rule out some lacuna in the tradition, but given just how many wails and moans of grief and loss there are in the corpus it seems profoundly unlikely. I think we have to assume that it isn’t in the sources because they did not experience it or at least did not recognize the experience of it.
Bret Devereaux, “Fireside Friday”, A Collection of Unmitigated Pedantry, 2020-04-24.
October 21, 2021
Tank Chats #129 | Marmon-Herrington Mk. IV | The Tank Museum
The Tank Museum
Published 11 Jun 2021David Fletcher examines the Marmon-Herrington Mk IV, an armoured car produced by South Africa and used by the British, among others, during the Second World War.
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October 20, 2021
Praise the Lord and Pass the Ammunition – Music of World War Two – WW2 – On the Homefront 011
World War Two
Published 19 Oct 2021With the ascent of the radio, popular music became an important cultural phenomenon for the masses throughout the world. Therefore, it is the perfect mouthpiece for Allied war propaganda during the Second World War.
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Chocolate | British Pathé
British Pathé
Published 22 Sep 2016BON APPETIT – FOOD MONTH ON BRITISH PATHÉ (SEPTEMBER 2016): Chocolate.
We all love a bit of chocolate, so have a watch of these vintage films which show different chocolates being made, as well as the celebrations when sweet rationing came to an end.
(Film Ids: 1601.11, 313.13, 1108.14, 1401.17)
Music:
The Show Must Be Go (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/b…A NEW THEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you’d like to see by leaving us a comment or connecting with us on social media.BRITISH PATHÉ’S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
ALL RIGHTS RESERVED
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT’S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
QotD: The English
National characteristics are not easy to pin down, and when pinned down they often turn out to be trivialities or seem to have no connection with one another. Spaniards are cruel to animals, Italians can do nothing without making a deafening noise, the Chinese are addicted to gambling. Obviously such things don’t matter in themselves. Nevertheless, nothing is causeless, and even the fact that Englishmen have bad teeth can tell something about the realities of English life.
Here are a couple of generalizations about England that would be accepted by almost all observers. One is that the English are not gifted artistically. They are not as musical as the Germans or Italians, painting and sculpture have never flourished in England as they have in France. Another is that, as Europeans go, the English are not intellectual. They have a horror of abstract thought, they feel no need for any philosophy or systematic “world-view”. Nor is this because they are “practical”, as they are so fond of claiming for themselves. One has only to look at their methods of town-planning and water-supply, their obstinate clinging to everything that is out of date and a nuisance, a spelling system that defies analysis, and a system of weights and measures that is intelligible only to the compilers of arithmetic books, to see how little they care about mere efficiency. But they have a certain power of acting without taking thought. Their world-famed hypocrisy – their double-faced attitude towards the Empire, for instance – is bound up with this. Also, in moments of supreme crisis the whole nation can suddenly draw together and act upon a species of instinct, really a code of conduct which is understood by almost everyone, though never formulated. The phrase that Hitler coined for the Germans, “a sleep-walking people”, would have been better applied to the English. Not that there is anything to be proud of in being called a sleep-walker.
George Orwell, “The Lion And The Unicorn: Socialism and the English Genius”, 1941-02-19.
October 19, 2021
Places – Lost in Time: The Crystal Palace
Ruairidh MacVeigh
Published 1 Jun 2020This is a reupload of my original Crystal Palace video, which I had to take down and do some amendments to in order to fix some technical issues.
Hello! 😀
Not to change the format so early in it’s conception, but here I present an idea I’ve had for several years now, but am proud to finally bring to fruition.
For as long as I can remember I have been fascinated by places that have either been abandoned or destroyed, not so much out of interest for how they were lost, but more the microcosm of society that revolved around them — how people interacted with them and made them more human. Specifically, places which existed in living memory or photographic record are the ones that have captured my imagination the most, as you can see how people did interact with these wondrous locations and almost put yourself in their shoes.
Therefore, without further ado, I present Episode 1 of Places — Lost in Time, with my first feature being the lavish and opulent Crystal Palace in London. This video follows the history of the two structures to share this iconic name, and how both were created through Victorian engineering feats, how they became icons of British culture, and how they eventually met their end.
All video content and images in this production have been provided with permission wherever possible. While I endeavour to ensure that all accreditations properly name the original creator, some of my sources do not list them as they are usually provided by other, unrelated YouTubers. Therefore, if I have mistakenly put the accreditation of “Unknown”, and you are aware of the original creator, please send me a personal message at my Gmail (this is more effective than comments as I am often unable to read all of them): rorymacveigh@gmail.com
The views and opinions expressed in this video are my personal appraisal and are not the views and opinions of any of these individuals or bodies who have kindly supplied me with footage and images.
If you enjoyed this video, why not leave a like, and consider subscribing for more great content coming soon.
Thanks again, everyone, and enjoy! 😀
References:
– British Library (and their respective references)
– Victoria and Albert Museum (and their respective references)
– Wikipedia (and its respective references)Music – YouTube Audio Library
Semiauto FAMAS F1 Rifle
Forgotten Weapons
Published 9 Aug 2016http://www.patreon.com/ForgottenWeapons
The French FAMAS was one of the first bullpup rifles to be adopted and built in large numbers by a military power. It was adopted by France in 1978 at right about the same time as the Steyr AUG was being adopted by the Austrian military. Bullpup rifles offered a short overall length without sacrificing barrel length, an advantage that seemed quite valuable for troops who were to spend significant amounts of time in vehicles, where space is at a premium. In French service, the FAMAS was also made the formal replacement for both the MAS-49/56 rifle and the MAT-49 submachine gun, thanks to its compact nature.
The FAMAS is interesting mechanically, as it is one of very few production delayed-blowback rifle designs (the other common one being the CETME/HK series). The FAMAS uses a lever-delaying system, which allows a very simple bolt and action mechanism. The F1 model (adopted by the French Army and still in use today, making up the bulk of FAMAS production) has a 1:12″ twist to its rifling, effectively limiting it to 55 grain projectiles — and it also requires steel-cased ammunition to run reliably. The G2 variant (adopted in 1995 by the French Navy) changed to a 1:9″ twist, introduced a full-hand trigger guard, and also uses NATO standard AR15 magazines instead of the proprietary 25-round magazine of the F1.
In the late 1980s a small number of semiauto FAMAS rifles were made by St Etienne and imported into the US by Century. Most people say 100-125 rifles, although serial number suggest this may have actually been 225-250 rifles. Regardless, they are quite scarce and expensive today.
QotD: Slaves and indentured servants in early Virginia
I saw from the start that some of Nikole [Hannah-Jones]’s 1619 rubbish merely exposed her utter ignorance of her subject. The blacks whom the Virginians bought from a Portuguese slave trader in 1619 were treated like whites – that is, they were treated as indentured servants who after 10 years were freed, given some farm tools, pointed at a plot of land and left to get on with it. (Some of them got on so well that before mid-century they were buying white and black indentured servants themselves to work their expanding acreages.)
One could justly say these early-arriving blacks were not treated exactly like poor English whites who – unless convicted of a crime – had always chosen to sign their ten-year indenture, to pay for transport across the Atlantic and survival while they found their feet. The closer analogy is to some Scottish whites. More than one clan chief sold some clansmen on indentures across the Atlantic when funds were low, and in 1707 a leading Scottish parliamentarian informed his peers that there was no need for them to fix the disastrous financial situation by accepting the English payment and voting their own abolition – Scotland’s elite could keep their separate parliament and avoid national bankruptcy by selling enough poor Scots to the Americas instead.
When the Portuguese offered to sell black slaves, those 1619 Virginians could only buy them as ten-year-indentured servants. They were still wholly under English common law and Lord Mansfield’s 1770s ruling merely echoed a two-centuries earlier ruling of Elizabethan judges that English common law knew no such state as slavery. It took the Virginians decades to start even questioning this and almost a century to unlearn it fully. As late as the 1690s, a black man who petitioned the Virginia council that his white master had made him serve not for ten years but for twelve “contrarie to all right and justice“, was freed by their order. If Nikole had called it the 1705 project, I’d have thought she at least knew something about the actual faults of the country whose history she was travestying. Only positive statute law can override English common law’s aversion to slavery, said Lord Mansfield – and 1705 was the year the Virginia legislature completed providing it. I knew from the start that Nikole was not just lying about all that, not just indifferent to the truth of all that – she was also pretty clueless about it.
Niall Kilmartin, “Critical Race Theorist literally knows nothing”, Samizdata, 2021-07-16.
October 18, 2021
“If Extinction Rebellion had brains, they’d be blockading building sites rather than airports”
In The Critic, Andrew Hunt runs through the invisible environmental costs of the building industry and points out that despite the eye-opening amount of carbon emissions, the buildings we’re putting up everywhere are just not built to stand the test of time:

The Centre national de la danse in Pantin (Seine-Saint-Denis), designed in 1965 by Jacques Kalisz.
Photo by Cinerama14 via Wikimedia Commons.
In the run up to COP26, you can be sure we won’t be spared the preaching about windmills, electric cars and heat pumps, along with pious admonishments against any form of human pleasure, from taking holidays to eating a steak. As always, those in charge will ignore the elephant in the room. The world’s biggest polluter by far is the construction industry. According to the UN, it produces 38 per cent of global emissions. By comparison, airlines produce just 2 per cent. If Extinction Rebellion had brains, they’d be blockading building sites rather than airports.
Politicians seem equally blind. They fetishise house-building, but fail to notice that building even a two-bed house creates 80 tonnes of carbon and uses 150 tonnes of materials – the same amount of landfill as an average household creates over 300 years! By comparison, powering your house produces about 2 tonnes of CO2 per year. Even if you could build a truly net zero home tomorrow (which you can’t), it would take forty years to break even.
A big part of the problem is modern construction materials. Producing concrete (180kg of CO2/tonne) and steel (1.85 tonnes of CO2/tonne!) are two of the most ubiquitous and environmentally destructive industries on the planet. By contrast, sandstone has a carbon footprint of just 77kg/tonne, and wood can be CO2 negative as it locks in carbon. Those old materials last longer as well. There are stone buildings that have been knocking around for more than a millennium — Rome’s Pantheon is 1900 years old. If treated properly, wooden buildings can last almost as long. The world’s oldest inhabited house in the Faroe Islands is 900 years old and built from wood. China’s ornately carved Nanchang Temple has been welcoming Buddhists since the 8th century.
Pre-stressed concrete meanwhile has a lifespan of 50-100 years, meaning many of the first concrete structures have already crumbled into carcinogenic dust.
It’s not just the materials. For buildings to last, we must love them enough to preserve them.
In a little-known study, “Sustainable Build Heritage“, a group of Danish academics looked at why some buildings stand for centuries while others are demolished in as little as a generation. Their conclusion was that buildings that last are made of good materials, are functional and, above all, are beautiful. They acknowledged the timelessness of traditional notions of beauty: how some buildings give us the same gut reactions as they did our ancestors. Copenhagen is of course full of examples — not least her colourful townhouses that have been standing for over two centuries. They have had to be adapted, but they have always been popular places to live.
Closer to home, badly built eyesores are being torn down barely a generation after their construction: tower blocks from the 60s, council offices from the 70s and shopping centres from the 90s. That’s billions of tonnes of fossil fuels and mining degradation ending up as landfill.
Has anything been learnt? The Prime minister’s “Build Back Better” plan is in no way green. Construction can never be green. Is it possible to conceive of a crueller thing to do to future generations than a debt-fuelled frenzy of brutalist carbuncles that will be theirs to demolish? When Greta Thunberg described Build Back Better as “blah-blah-blah”, she was being generous. It’s an environmental catastrophe.
Look at Life — The Rocket Age Lancers (1961)
QotD: Harold Macmillan’s “Gold Pass” on British Railways
One of my worst and most embarrassing failures as a journalist was my attempt to interview Harold Macmillan, the former British prime minister. It happened on a train near Cambridge. He was 83. I was 26. He physically fought me off, declaring in a quavering voice, “I don’t want to be interviewed; I’m much too old for that sort of thing,” as he jabbed fiercely (and quite painfully) at me with his gnarled walking stick.
Too old? Just a few years later that same wily showman drove a memorable stiletto into Margaret Thatcher’s ribs, using the same falsely quavering voice to attack her policy of selling off national assets. But I remember the humiliating occasion of my failed interview for another reason. Macmillan was able to drive me away partly because he was occupying an entire first-class compartment, reserved for him personally, on the London express. Compartments — oh, how I miss them — had sliding doors, which cut them off from the rest of the train. You could even pull the blinds down between you and the corridor. They could be marvelous private spaces for all kinds of purposes on long journeys. But you had to be lucky to get one to yourself. Once the ex-premier had driven me out, he was safe.
But Macmillan (who in those days had not given into vanity and accepted a peerage) did not have to be lucky. He had once been a director of the Great Western Railway, which had been taken into state ownership in the 1940s. So to the end of his life (in compensation for his lost power) he possessed a magical shiny token called a Gold Pass. This entitled him to free first-class travel, without limit, on any train in Great Britain. It was even rumored that it gave him the power to have trains stopped for him at stations where they did not normally halt. I often thought I would rather have such a pass than be prime minister.
Peter Hitchens, “Why I Love Trains”, First Things, 2020-07-16.










