Quotulatiousness

August 6, 2021

Shostakovich: Stalin’s Composer? – WW2 Biography Special

Filed under: Germany, History, Media, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 5 Aug 2021

Leningrad’s Dmitri Shostakovich has risen from a child prodigy to be one of the Soviet Union’s most celebrated composers, having rescued his career from Stalin’s interference along the way. Desperate to defend Russia after the German invasion, he fights back, not with a rifle, but with music.

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Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Director: Wieke Kapteijns
Creative Producer: Maria Kyhle
Written by: James Newman
Research by: James Newman
Edited by: Iryna Dulka
Map animations by: Daniel Weiss
Map research by: Markus Linke
Sound design by: Marek Kamiński
Colorizations by:
– Mikołaj Uchman
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Archive footage: Screenocean/Reuters – https://www.screenocean.com

Image sources:
– Huydang2910 from Wikimedia Commons
– Narodowe Archiwum Cyfrowe
– Dmitry Shostakovich Publishing House (DSCH)
– Rafail Mazelev / TASS photo chronicle
– Samara State Philharmonic
– St. Petersburg Academic Philharmonic named after D.D. Shostakovich

Soundtracks from the Epidemic Sound:
– “Ominous” – Philip Ayers
– “London” – Howard Harper-Barnes
– “The Twelve Spies” – Silver Maple
– “The Inspector 4” – Johannes Bornlöf
– “Spellbound” – Edward Karl Hanson
– “Symphony of the Cold-Blooded” – Christian Andersen
– “Dawn Of Civilization” – Jo Wandrini
– “Deviation In Time” – Johannes Bornlof

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 hours ago
Some might say that Shostakovich is a coward or a hypocrite for working for the very regime that had so brutally condemned him. But, this compromise saves him from artistic ruin, and perhaps even the horrors of the Gulag. More importantly, for Shostakovich, it means he can do his part in defending his beloved Russian homeland.

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