Overly Sarcastic Productions
Published 19 Jun 2020Welcome to the challenge run of History-Makers, where I attempt to give insightful historical context to someone whose backstory is almost entirely blank.
SOURCES & Further Reading: Confucius: A Very Short Introduction by Gardner, China: A History by Keay, The Analects of Confucius, The Mencius.
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
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June 20, 2020
History-Makers: Confucius
June 17, 2020
June 16, 2020
Legends Summarized: The Journey To The West (Part VI)
Overly Sarcastic Productions
Published 14 Dec 2018JOURNEY TO THE WEST KAI, EPISODE 3: FAMILY FEUD!
Action! Excitement! Faces from the past! Kuan Yin discovers an exciting new acupuncture technique! Pigsy is unexpectedly skilled at CPR!
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June 9, 2020
Legends Summarized: The Journey To The West (Part V)
Overly Sarcastic Productions
Published 9 Feb 2018JOURNEY TO THE WEST KAI, EPISODE 2: LOS DEMONIOS HERMANOS!
It’s yet another episode almost a year in the making! (sorry again π) Today our heroes face off against a deadly duo of conveniently color-coordinated scoundrels, equipped with an impressive array of sacred treasures! Will Monkey be able to prioritize the well-being of his friends over his love of shiny things? Probably not, but find out now!
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June 3, 2020
Inglis High Power: How a Chinese Whim Became A British Service Pistol
Forgotten Weapons
Published 25 Jan 2018Sold for $3,163.
During World War Two, the Canadian government set up a loan program to help Chinese companies provide all manner of material aid to Canada’s allies. Among many others, one recipient of this aid was the Nationalist Chinese government under Chiang Kai Shek. Chinese representatives asked the John Inglis company to manufacture no less than 180,000 Browning High Power pistols, and the company agreed.
After some wrangling, Inglis acquired a license from FN representatives to make the guns, got a complete technical package through the British government and FN’s representatives in exile, and the direct personal aid of Laloux and Saive from FN. Delivery proved difficult, though, with only about 4000 guns being shipped to Karachi and then needing to be flown over The Hump in cargo planes, along with massive amounts of other aid — and a few pistols didn’t get a lot of priority there.
By the fall of 1944, the contract was cancelled under concerns that it was not really contributing to any progress in the war against the Japanese, along with insistence from American General Stilwell that the Chinese forces be armed with weapons that could be supplied more easily through the American logistic network. Production restarted after the defeat of Germany, with another 40,000 or so being made and delivered before it was cancelled again when the Nationalist Chinese forces were seen to be clearly losing to their Communist opponents.
Each of these pistols was supplied with a combination shoulder stock and holster. In the US, attaching a stock to a pistol would normally subject it to registration as a Short Barreled Rifle, but the Inglis High Powers are among the guns exempted from this requirement. They are, in fact, among the least expensive and most modern guns to be exempted in this way.
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June 2, 2020
Legends Summarized: The Journey To The West (Part IV)
Overly Sarcastic Productions
Published 19 Mar 2017JOURNEY TO THE WEST KAI, EPISODE 1: SKELE-FUN!
It’s the episode almost a year in the making! (sorry π) The saga of the monk Tripitaka, his bodyguard the Monkey King, and the rest of his merry band of pilgrims continues in this dramatic episode! Friendships are tested! Unlikely heroes rise to the occasion! Somebody throws a punch!
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May 31, 2020
Sink the Bismarck! – The Pride of the Kriegsmarine‘s Demise – WW2 – 092 – May 30 1941
World War Two
Published 30 May 2020This week, the Battle of Crete continues as the Bismarck and Prinz Eugen set sail to the Atlantic, starting one of the most dramatic episodes in the histories of the Royal Navy and the Kriegsmarine.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: NN
Edited by: Iryna Dulka
Sound design: Marek KamiΕski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Daniel Weiss
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Imperial War Museum: A 6152, A 6155, A 3898, IWM A4057, HU 50190, HU 374, FL 2120, E 3464, E 450
– U.S. Naval History and Heritage Command Photograph
– Narodowe Archiwum Cyfrowe
– Drawing of Churchill from Museon
– Battlecruiser Renown shape by Emoscopes from WikimediaArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 26, 2020
Legends Summarized: The Journey To The West (Part III)
Overly Sarcastic Productions
Published 13 Apr 2016At last! The saga continues, as our troupe of compadres grows from three to five and the story can REALLY get started!
In case you were wondering, this ISN’T the only origin of the five-man-band archetype, although it certainly accounts for a lot of the associated tropes. The Mahabharata is another classic example, with the five Pandava brothers filling out the classic roles very well.
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May 24, 2020
Invasion of Crete: a Bloody Mess – WW2 – 091 – May 23 1941
World War Two
Published 23 May 2020Operation Mercury commences as fallschirmjΓ€ger airborne troops land on the Greek island of Crete. A bloody and messy battle follows as it turns out to be costly in more ways than one.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek KamiΕski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius JÀÀskelΓ€inen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Imperial War Museum: A 28473, E 3064E, A 4154, A 4153, A 4149, A 4144, E 3066E, E 3023E, A 4156, E 6066
– Archives municipales de Brest
– Museums Victoria
– Bundesarchiv, CC-BY-SA 3.0: Bild_141-0816, Bild_183-L04232, Bild_101I-166-0527-10A, Bild 101I-166-0527-22 / Weixler, Franz Peter, Bild_183-L19019, Bild 146-1977-115-04, Bild 141-0823, Bild_101I-166-0512-39, Bild_146-1981-159-22, Bild_146-1980-090-34, E 3022EArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 19, 2020
Legends Summarized: The Journey To The West (Part II)
Overly Sarcastic Productions
Published 14 Jan 2016The eponymous Journey actually begins! Sure hope this doesn’t take another eighty-three chapters. OH WAIT
Sun Wukong is back, and better than ever! Or … well, or worse, depending on your point of view. He’s getting up to shenanigans again, which is generally pretty problematic — but you know what, he’s doing stuff, and that’s the important thing.
May 17, 2020
China sees their public image damaged in the wake of the Wuhan Coronavirus
Arthur Chrenkoff on the ways other countries regard China after the epidemic spread beyond their borders and the Chinese Communist Party’s antics on the world stage:
Welcome to the political chaos theory β or, should we say, fact: a bat flapping its wings in China produces a hurricaneβ¦ pretty much everywhere around the world. It seems likely that three decades’ worth of good PR painstakingly build up by the Chinese authorities after the downer of the Tiananmien Massacre have all been undone in a few short months of domestic and international missteps, from initially covering up the truth about COVID, through gifting or selling faulty personal safety and medical goods around the world, to now retaliating against countries like Australia which are asking some uncomfortable questions about the origins of the virus.
Earlier today, Australia’s Lowy Institute has released the results of its COVID poll on public attitudes about the Corona pandemic. Of particular interest, the perception of Chinaβs rulers:
At the same time, 37 per cent of Australians think that China will emerge more powerful after the dust (or the viral load) settles, while 36 per cent believe in no change, and only 27 per cent think China will be weaker in the aftermath. By contrast, a majority of 53 per cent and a plurality of 48 per cent believe that the United States and Europe respectively will be less powerful in the post-pandemic future. Reading the two sets of figures together it seems that the prospect of China’s rebound to international power is viewed more with apprehension rather than enthusiasm.
As Lowy’s Natasha Kassam observed, the public trust in China has been already declining, falling dramatically from 52 to 32 per cent in just one year between 2018 and 2019. It will be interesting to see the figure for this year. It’s unlikely that the behaviour of the communist government so far in 2020 would have improved the perception.
Such findings mirror similar public opinion research elsewhere. Pew Research Center’s polling last month showed that the negative view of China in the United States has risen from 47 per cent in 2017 to 66 per cent this year. Seventy-one per cent have no confidence in China’s President for Life Xi and 61 per cent view China’s power and influence as a major threat.
May 12, 2020
Legends Summarized: The Monkey King (Journey To The West Part 1)
Overly Sarcastic Productions
Published 1 Oct 2015Meet the progenitor of all brash, impulsive, superpowerful anime characters! Sun Wukong, the Monkey King and Great Sage, was the most impulsive of them all!
“Wreaking havoc in heaven is so much fun it should be illegal!” -Monkey, probably
I might cover something else before continuing with part two of The Journey To The West. It’s kind of a doozy, and I’m having a lot of trouble convincing myself to cut some parts out. Watch out for Don Quixote in the meantime.
May 10, 2020
Enigma Captured! – WW2 – 089 – May 9, 1941
World War Two
Published 9 May 2020An Enigma encode is captured in the Atlantic Ocean as the Germans make plans for a new offensive in Crete. Britain is heavily bombed by the Luftwaffe and fighting continues in Iraq, China and East-Africa.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek KamiΕski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius JÀÀskelΓ€inen – https://www.facebook.com/JJcolorization/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild 101I-769-0229-10A / Borchert, Erich (Eric), Bild 101I-317-0053-18 / Amphlett, Eduard, Bild_101I-567-1523-38, Bild 141-0853, Bild_146-2006-0188
– Micheal HΓΆrenberg, Uferstr. 29, D-78343 Hemmenhofen
– Imperial War Museum: E 6822, AUS 897, E 4791, E 3040E, E 3042E, E446, E 3025E, E 1164, E 1172, E 3020E, E 2182,
– Ju 52 graphic by TSRL from Wikimedia
– DFS 230 and Ju 87 graphics by Kaboldy from WikimediaArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 2, 2020
Drawing some conclusions from our Wuhan Coronavirus experiences
At Catallaxy Files, Justinian the Great provides an expanded list of nine lessons we should learn from our still ongoing Wuhan Coronavirus (aka “Chinese Batflu”, “Kung Flu”, “Bat-biter Bronchitis” and other names our betters insist we not use):
1. Models are not infallible.
When dealing with complex subject matter involving lots of uncertainties, unknowns and data gaps, modelling will almost certainly be wrong. That doesn’t make them worthless but nor does it mean they should be elevated to infallible status and acted upon as though they constitute proof of something.
If we can’t get epidemiological models right involving trajectories of months what is the chance of climate models being correct considering they involve substantially greater uncertainty, unknowns and data problems involving trajectories of decades to centuries?
[…]
2. Experts can get it wrong.
The pandemic has shown that epidemiologists and health experts the world over have got COVID-19 wrong at one stage or another.
The most famous example is the Imperial College model that forecast 2.2m deaths in the United States and over 500,000 deaths in the UK. Critics have argued this was never plausible but it was the catalyst for UK lockdown policy.
[…]
3. Experts can disagree
Experts can disagree and this is normal in science (and policy making).
During the pandemic, health experts across the world have disagreed over epidemiology models (e.g. R0) ranging from thousands of deaths to millions, over treatments (i.e. the efficacy of anti-virals and anti-malarials), over who and how to test (targeted (symptomatic) versus broad based (even antibody testing), how to record cases and fatalities (e.g. Italy counting deaths with COVID the same as due to COVID, Belgium recording deaths suspected to be COVID related but not verified), the origin and nature of the virus (laboratory/synthetic or wet market/natural), over what the public health response should be (full lockdowns, targeted lockdowns, Sweden (minimal) or something in-between), and the susceptibility of children to the virus, leading to divergence on school closures.
[…]
4. The Precautionary Principle β No such thing as a free lunch
The COVID-19 crisis is a classic case of the precautionary principle in action. The policy measures put in place have been justified by the worse case scenarios of epidemic models forecasting mass deaths and hospital systems in collapse. These scenarios have been hyped up by an alarmist media presenting such scenarios / predictions as established fact.
Part of the problem stems from politicians abdicating responsibility for decision-making and hiding behind health experts as human shields. These experts have nothing to gain and everything to lose from underestimating the epidemic. No-one wants to be blamed for hundreds of thousands of preventable deaths.
[…]
5. If you can’t trust the WHO in a pandemic why would you trust the IPCC on climate change?
The neo-liberal (in international relations terms) notion that the UN (and other international institutions) are independent actors working altruistically for the global good has been blown to bits during the COVID-19 pandemic.
The conduct of the WHO and its complicity with China throughout the pandemic has demonstrated what realists have always known, i.e. international institutions are not independent actors, but instead reflect the interests of great powers in the international system.
[…]
6. If you canβt trust the Chinese in a pandemic how can you trust them on climate?
The COVID crisis also demonstrates why should not trust a communist dictatorship to act truthfully, transparently or ethically, much less put global interests above national interests even in times of an international crisis.
If we can’t believe China about infection rates, how can we believe their carbon accounting? If we can’t trust China to reduce the spread of a virus, how can we trust China to reduce the growth in CO2 emissions? If we believe China has captured/corrupted the WHO how do we know it hasn’t captured/corrupted the IPCC? If China will prioritise national interest in a health crisis, why won’t China prioritise national interest in a climate crisis? If we don’t believe China action/excuses in a pandemic why would we believe China action/excuses on climate change? If we can acknowledge China is trying to exploit the health crisis geo-strategically (i.e. South China Sea military manoeuvres) and geo-economically (belt and road and coercive threats), why will it not exploit climate change in the exact same way?
April 18, 2020
Chairman Xi, the Wuhan Coronavirus, and the “Mandate of Heaven”
It is a little-known fact that no government can do anything, without the cooperation of its victims. Of course that cooperation may be obtained by force and falsehood, but there will always be a few people who won’t play along. This creates a “technical problem” for the tyrant, which can also be solved by violence and deceit, but in the heart of every dictatorship there must be calculations. At what point do so many people want us dead, that they will actually kill us?
This is a political calculation, and it can turn even a genocidal maniac into a thoughtful politician. A monstrously evil country, such as Red China, can be moderated in this way. Superficially, it may sometimes come to resemble a bourgeois, Westernized, rule-of-law state, like Japan, Taiwan, South Korea. It may, indeed must in its own interest, pretend to be benign. But under sufficient pressure it has only two choices. One is to be openly monstrous, with all the risks that entails; and the other is to disintegrate.
My interest has been piqued as a China-watcher. Recent events have been bringing that kettle back to the boil. That the Peking politburo has been making serious mistakes, we may observe. It could not possibly have intended the Batflu crisis, which its own malign incompetence brought about. But as it tries to manage the crisis, for its own purposes, the mistakes multiply. Even the people it had diligently bought β such as our progressive journalists, politicians, and businessmen β are turning against it.
Within China itself, the unthinking default loyalty of the masses, has been disturbed. “Narratives” which conflict with the official ones are circulating, along with the virus β and even among those who “test negative,” as it were. These are people who would never rebel, but they become sympathetic to rebels. Moreover, the state’s image of invincibility β the Mao/Xi portrait, a hundred feet tall β is cracking. Imagined lines of contempt appear in the plaster. Chairman Mao, of course, is dead, but Chairman Xi must be sensing his mortality.
As the Soviet Union was collapsing from within, progressive Westerners tried to ignore it. This wasn’t something they wanted to look at, which is why they were all taken by surprise. The fall of the Berlin Wall inwardly distressed everyone on the Left. For a few years their confidence was shaken, slowing their efforts to regroup around “environmentalism,” or some alternative leftwing cause, that wasn’t in shambles like socialism. But eventually their smugness recovered, and those revealed to have been absolutely wrong about everything they had ever told us, were able to resume their status as “experts.”
From Wikipedia‘s entry on the Mandate of Heaven:
The Mandate of Heaven (Chinese: 倩ε½; pinyin: TiΔnmΓ¬ng; WadeβGiles: T’ien-ming, literally “Heaven’s will”) is a Chinese political and religious teaching used since ancient times to justify the rule of the King or Emperor of China. According to this belief, Heaven (倩, Tian) β which embodies the natural order and will of the universe β bestows the mandate on a just ruler of China, the “Son of Heaven” of the “Celestial Empire”. If a ruler was overthrown, this was interpreted as an indication that the ruler was unworthy, and had lost the mandate. It was also a common belief that natural disasters such as famine and flood were divine retributions bearing signs of Heaven’s displeasure with the ruler, so there would often be revolts following major disasters as the people saw these calamities as signs that the Mandate of Heaven had been withdrawn.
[…] The Mandate of Heaven was often invoked by philosophers and scholars in China as a way to curtail the abuse of power by the ruler, in a system that had few other checks. Chinese historians interpreted a successful revolt as evidence that Heaven had withdrawn its mandate from the ruler. Throughout Chinese history, times of poverty and natural disasters were often taken as signs that heaven considered the incumbent ruler unjust and thus in need of replacement.

















