Forgotten Weapons
Published 25 May 2026NOTE: I goofed the selector positions, and mistakenly described them backwards: from the top, it is safe, full, 2-round-burst, and then semi at the bottom. In addition, there is supposed to be a segmented cleaning rod stored inside the handguard, which is missing on this example. Sorry!
The AK-12 went through an extensive development program that attempted to substantially change the AK design, but failed. In 2015 the early design plans were scrapped, and the project reverted to simply making some changes to the AK-100 series. This resulted in the AK-12 being adopted as the new Russian standard infantry rifle in December 2017. Within a short time a number of shortcomings were found in the rifles, and an improved model was accepted in 2019, with deliveries beginning in 2020.
The rifle in today’s video is that improved 2019 pattern. It has a redesigned stock, a new style of rear sight, and new pistol grip. Many thanks to the IRCGN (Institut de Recherche Criminelle de la Gendarmerie Nationale) for allowing me access to film this very rare rifle for you!
Balanced-recoil AK-107:
• Balanced Recoil AK-107 / Kalashnikov SR-1:…
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September 29, 2026
AK-12: The Improved 2019 Model
QotD: Origins of modern Wicca
… the idea of witches cursing the moon has an ancient pedigree, dating all the way back to Greco-Roman antiquity and the literary trope of Thessalian witches who could pull the moon out of the heavens and down to earth. These ancient texts were part of the inspiration for Gerald Gardner’s mid-20th century creation of the “drawing down the moon” ritual, but where sources from the classical world implied that a witch could actually pluck the moon from the sky, in Gardner’s version a coven summons the divine personification of the moon to possess a priestess. Moreover, his creation of Wicca also drew extensively from freemasonry, the western ceremonial magic tradition, Crowleyian magic, Gardner’s own ethnographic observations in Southeast Asia — and, most important of all, the theories of James Frazer and Margaret Murray.
One thing that we can be confident that Wicca does not draw upon, however, is a goddess religion that survived the introduction of first the Indo-European *Dyḗus ph₂tḗr in the Bronze Age, and then the Semitic Jesus Christ in late antiquity, before being mostly suppressed in the “burning times” of the early modern era.1 Neo-pagans are not the (great-great-great …) granddaughters of the witches you didn’t burn in the 16th and 17th centuries; rather, they are the granddaughters of upper class romantics whose religious innovations in the early to mid-20th century are best characterized as “creative synthesis”.
Ronald Hutton’s Triumph of the Moon tells the story of the precursors, invention, and development of Wicca. Much of that history can be encapsulated in the mythic genealogy of “Black Annis”, an occasional pagan deity. There was a real medieval anchoress named Agnes Scott who served the church near Leicester and is buried at Swithland Church. She was venerated locally as a Christian saint, but following the Protestant Reformation was reconceptualized as an ogress. Then the 20th century crank archaeologist T.C. Lethbridge interpreted Black Annis as pagan survivalism of the “crone” aspect of the great mother goddess and a corruption of the Celtic goddess Anu. Finally, some modern neo-pagan communities were inspired by Lethbridge’s work to adopt veneration of Black Annis into their liturgy. As Hutton notes, “The gentle and pious Agnes seems therefore to have been turned first into a local saint, then into a local demon, next into a Celtic goddess, and finally into a witch goddess; and all the while her bones have rested in apparent peace at Swithland”.
The changing reputation of Agnes/Annis/Anu reflects a few processes that are common throughout much of the intellectual roots of neo-paganism. You start with the idiosyncratic cruftiness of medieval Catholicism, then Protestants derogate the cult of the saints, feast days, etc. as idolatrous — indeed, practically pagan. Fast forward to 1900, give or take a few decades, and an intellectual with dubious expertise projects pagan survivalism onto historical or ethnographic data. And then finally neo-pagans use the folklorist’s imagined version of the past as inspiration for a “revived” myth and liturgy.
Gabriel Rossman, “GUEST REVIEW: The Triumph of the Moon, by Ronald Hutton”, Mr. and Mrs. Psmith’s Bookshelf, 2025-12-01.
- The one aspect of this myth that might be true is a pre-Indo-European goddess religion. The idea that Stone Age female figurines like the Venus of Willendorf represent a goddess religion is plausible but unprovable, given that the figures predate writing by about 26,000 years and so we have no literary evidence to contextualize the archaeology. But even saying that the Neolithic goddess cult was possible but not settled fact, as archaeologist Peter Ucko did in the 1960s, was enough to upset Murray, who “sent Ucko a furious letter, informing him that he had no right to speak about the goddess, because he was, first, far too young, and, second, a man”. While there might have been widespread neolithic European goddess worship, all other aspects of the “Murray thesis” — the idea that witches executed circa the Protestant Reformation were practicing a pre-Christian goddess religion — are demonstrably false. Hutton notes the falsity of the Murray thesis incidentally in Triumph of the Moon and argues against it at length in his later book, The Witch.
