Sabaton History
Published on 27 Jun 2019The Sabaton Song “Gott Mit Uns” is about the Battle of Breitenfeld, fought between the Swedish under command of King Gustavus Adolphus and the Holy Roman Empire under Count Tilly. This battle was hugely influential in the Thirty Years War and the religious wars that were plaguing Europe in the 17th century.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Carolus Rex (where “Gott Mit Uns” is featured):
CD: http://bit.ly/CarolusRexStore
Spotify: http://bit.ly/CarolusRexSpotify
Apple Music: http://bit.ly/CarolusRexAppleMusic
iTunes: http://bit.ly/CarolusRexiTunes
Amazon: http://bit.ly/CarolusRexAmz
Google Play: http://bit.ly/CarolusRexGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– National museum
– National Portrait GalleryAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
June 28, 2019
“Gott Mit Uns” – The Thirty Years War – Sabaton History 021 [Official]
June 22, 2019
QotD: Militant Islam and the arts
What I’ve learned since 9/11 is that the small pleasures — music, theatre, film — have to be earned. In the Muslim world, there is no music. In Libya they destroyed all the musical instruments — music was considered an abomination. When the demography changes, there will be no concert halls. Artists who take a multicultural view should be aware of this. Count the number of covered women in London’s West End. In Birmingham, where I went to high school, you have a provincial symphony orchestra in a Muslim city — I’m not sure it will survive. All art, all popular culture, is endangered by Islam, because there’s no room for it. It’s considered libertinism. And I’m not even talking about Miley Cyrus twerking at the music awards. What turned Sayyid Qutb against the morality of the West is that he attended a church dance in Greeley, Colorado, which was a dry town in 1948, and he heard the song “Baby, It’s Cold Outside”. He thought it was evil. And now things are getting a lot worse. Ugly things are happening.
Mark Steyn, interviewed by John Bloom, “Mark Steyn, Cole Porter and Free Speech”, Quadrant, 2017-05-11.
June 21, 2019
“Rise of Evil” – Adolf Hitler and the Nazi Party – Sabaton History 020 [Official]
Sabaton History
Published on 20 Jun 2019After the Great War, many different movements and parties tried to replace the by many despised Weimar Republic. One of them was the NSDAP, the National Socialist German Workers Party. Headed by Adolf Hitler, the NSDAP transformed Germany into a country that would once again bring war and destruction to Europe. The Sabaton Song “Rise of Evil” (on the Attero Dominatus album) is about Hitlers rise to power, and in this video we dive into the historical context behind the song.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Watch more videos on the Sabaton YouTube channel: https://www.youtube.com/user/Sabaton?…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Graphic: Liambaker98
– Jüdisches Museum Berlin
– United States Holocaust Memorial Museum
– Colorization of Goebbels: Marina AmaralAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago (edited)
In hindsight, we can clearly see the path to power and war that Germany and many of its people chose to walk in the 1930s. In practice, history is never as deterministic as it later seems. Nothing what happened was “meant” to happen. With that in mind, let us walk you through the process of the Nazi rise to power. From a revolutionary movement in the ’20s to a political party in a democratic system.We encourage debate and discussion about this in the comment section. However, we don’t allow for any extreme, racist, anti-semitic, revisionist or apologist theories down here. These comments will be moderated by historians and, while keeping your freedom of speech in mind, we will enforce our rules with a ban if necessary. Please keep it civil.
Thats it for today!
Cheers!
June 14, 2019
“Great War” – World War One – Sabaton History 019 [Official]
Sabaton History
Published on 13 Jun 2019The title track of the upcoming Sabaton Album The Great War is about the conflict in general. The horrors, modern techniques and tactics and the differences with other conflicts.
Support Sabaton History on Patreon (and possibly get a History Channel special edition): https://www.patreon.com/sabatonhistory
Pre-order The Great War here: https://www.sabaton.net/pre-order-of-…
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– IWM: Q 57096, Q 24285, IWM 1053, Art.IWM ART 1921, Art.IWM ART 4028, Art.IWM ART 876, Art.IWM ART 2660, IWM 1062-02a, Q 23760, IWM 59, IWM 1043a, Q 2891, Q 5733, Q 2902, CO 2246, Q 2712, Q 5937, Q 2735, Q 5714, Q 3117, Q 3002
– National Library of Scotland
-Colorization: KlimbimAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago
This episode is somewhat different from what we normally do. Usually, the episodes are about battles, confrontations or individuals in war. This time, it is about an ENTIRE WAR. The title track of the upcoming Sabaton Album The Great War is about the horror and overall experience of the Great War. We have showcased a number of songs now, so if you’re certain that it is to your liking, make sure to go over to our Patreon site to check out the exclusive “History Edition” of The Great War album! -> https://www.patreon.com/sabatonhistoryCheers!
June 7, 2019
“A Ghost in the Trenches” – Francis Pegahmagabow – Sabaton History 018 [Official]
Sabaton History
Published on 6 Jun 2019As a ghost he roamed the trenches, effectively taking out his enemies one by one. He was the deadliest sniper of The Great War, with over 300 confirmed kills on his name. He is Canadian soldier Francis Pegahmagabow, born in an indigenous First Nations family, and the The Sabaton Song “A Ghost in the Trenches” is about his life and adventures.
Support Sabaton History on Patreon (and possibly get a History Channel special edition): https://www.patreon.com/sabatonhistory
Pre-order The Great War here: https://www.sabaton.net/pre-order-of-…
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Watch more videos on the Sabaton YouTube channel: https://www.youtube.com/user/Sabaton?…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– IWM: Q 454, Q 17730, Q 50690, IWM 255, IWM 778, Q 17780, Q 745, IWM 466, IWM 208, Q 53538, E(AUS) 1497, E (AUS) 4677, E(AUS) 2078, Q 70213, Q 5977, Q 108213, Q 50553, Q 53637, Q 2638, Q 65444, Q 11668, Q 79508, Q 23706, Q 88121, Q 50638, IWM 207, Q 4135, Q 80267, Q 29027
– National Library of Scotland (NLS)
– Library and Archives Canada: Canadians advancing east of Arras.
– Auckland War Memorial Museum: AM 2016.26.1-3
– Canadian War Museum: George Metcalf Archival Collection, CWM 19940003-459, CWM 19920085-006, CWM 19920085-595, CWM 19920085-018, CWM 19940003-370, CWM 20040035-006An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago
Many of you have been analysing the tracklist for the upcoming Sabaton Album The Great War. While the subjects of some of the songs are quite easy to guess, the exact topic of “A Ghost in the Trenches” was a mystery for many – although some did predict it correctly. The song is about the Canadian (and indigenous First Nations) soldier Francis Pegahmagabow, the deadliest sniper of the First World War. Indy – having researched and hosted the The Great War YouTube channel for the duration of the war, knows as much as there is to know about the subject, and is the most suitable person to tell you the story behind the song.Enjoy and Cheers!
June 6, 2019
iTunes is dead – “There will be no funeral, because it had no friends”
I use iTunes because I have to, not because I particularly want to. Apparently that’s not uncommon among iPhone users:
iTunes, Apple’s Frankenstein’s monster of an MP3-player-cum-record store-cum-video-store-cum-iPhone-updater-cum-random-task-performer, a piece of software which opens on your computer whenever it wants and which seems to require you to download an updated version every eight hours, was pronounced dead on Monday. It was 19 years old. There will be no funeral, because it had no friends.
Apple CEO Tim Cook announced that in its future operating systems, iTunes will be replaced by three separate programs: One for music (Apple Music), one for podcasts (Apple Podcasts) and one for video (Apple TV). Updating your phone — which never had anything to do with music, podcasts or video — will now be a function of the operating system. This sounds promising. It sounds normal.
But the mystery remains how Apple, of all companies, found itself sullying its machines for so long with iTunes’ wretched presence. By the end iTunes wasn’t just bad, it was fascinatingly bad — a “toxic hellstew,” as programmer Marco Arment put it in 2015. It was a master class in bad user experience from a company whose brand is excellent user experience: Put your trust in Apple’s machines and its native apps and everything will just work. There are no viruses, no blue screens of death, no pre-installed junkware popping up all over your brand-new desktop. Things just show up where they’re supposed to be. Mac’s user interface is so vastly superior to Windows’ that it seems ridiculous even to compare them. They’re both operating systems in the sense that the stick-shift on a Yugo and the flappy paddles on a Ferrari are both transmissions. Yet by 2015 one of Apple’s essential apps wasn’t just horrid to look at and baffling to use — it couldn’t even store and play people’s MP3s properly.
I never experienced the horror stories myself; [lucky bastard!] the idea of buying music from Apple and, because of its aggressive digital rights management, not even getting an MP3 file with which I could do what I liked always struck me as daft. But the Internet is full of tales of woe from people who entrusted their music collections to Apple and got royally screwed. iTunes would make curatorial decisions all by itself: If you bought Neil Young’s 1977 compilation album Decade, but already had On the Beach in your library, it might just decide not to include Walk On and Tired Eyes on your version of Decade. Or it might delete them from On the Beach, depending on its mood.
This was presumptuous and annoying, but at least somewhat explicable: iTunes consumers were far more singles-focused than album-focused. (Indeed the app is widely credited with ending the “age of the album.”) Less explicable were reports of Apple Music replacing people’s legacy music collections — songs they had ripped from CDs and entrusted to iTunes — with new downloads. People spoke of entire collections being corrupted or lost overnight. People reported that their libraries looked nothing alike on their various Apple devices. At one point, apparently under the impression that not many people loathe U2, Apple famously went ahead and beamed one of the band’s new snorefests onto everyone’s iTunes without asking.
My experiences with iTunes have been mostly of the minor irritant variety: disappearing songs, paid-for tracks that refused to play on certain devices, and songs showing up in playlists that they don’t belong to, for example. But at least — most of the time — the non-Apple songs were not randomly deleted from my library. Not too often, anyway.
June 3, 2019
Rant: music lessons should be FUN
Lindybeige
Published on 30 Apr 2019Thanks to several very bad music teachers, I do not play an instrument. Somehow they managed to annihilate all the potential fun.
Support me on Patreon: https://www.patreon.com/Lindybeige
Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.
▼ Follow me…
Twitter: https://twitter.com/Lindybeige I may have some drivel to contribute to the Twittersphere, plus you get notice of uploads.
website: http://www.LloydianAspects.co.uk
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May 31, 2019
“Hearts of Iron” – The Battle of Berlin – Sabaton History 017 [Official]
Sabaton History
Published on 30 May 2019The Sabaton song “Hearts of Iron” (on the Heroes album) tells the story of a German commander who is ordered to relieve Berlin in face of an overwhelming attack from the east and the west. Berlin is almost fully surrounded, but instead of following orders from his superiors who have clearly lost touch with reality, he decides to use his men to get as many civilians as possible out of Berlin.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Source:
– Colorization by Ruffneck88, Phot-colorizationAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago
This episode is one of the few which shows the humanity in the German army. As with all conflicts, this was not a binary where it was the “good guys” versus “the bad guys”. And before anyone else says it – some people will probably complain how we frame the Soviets as the bad guys. We chose to tell this story from a neutral perspective, but fact is that many German civilians feared what the Soviets would do to them, and preferred to live under American occupation. This might be considered anti-Soviet, but it simply is how many Germans viewed the Soviet army and one of the reasons why Wenck and his 12th created a corridor for the civilian refugees to escape into American occupied territories. We’re happy to have a reasonable and research-based discussion in the comments, but we won’t tolerate any extremism or revisionism.Another note: while this episode is about a moment where the German army thought for humanity instead of against it, it nowhere near proves any sort of clean-Wehrmacht myth – and we won’t tolerate any comments of that sort either.
And with that, I will leave you. Enjoy the video!
Cheers!
May 24, 2019
“No Bullets Fly” – Charlie Brown and Franz Stigler – Sabaton History 016
Sabaton History
Published on 23 May 2019Heroism isn’t always measured in blood or danger. Sometimes, to spare your foe is the honourable thing to do. A dramatic example comes in the shape of the American Charlie Brown and German Franz Stigler. Brown was flying his heavily damaged B17 “Flying Fortress” bomber home after a demanding bombing run on Bremen when Franz Stigler in his fighter plane caught sight of its tail. This story is about the encounter between the two enemies and the song that Sabaton wrote about it, called “No Bullets Fly” (on the Heroes album).
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Find A Higher Call, the book that inspired “No Bullets Fly” here: https://www.valorstudios.com/a-higher…
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
IWM: CL 3395
Plane drawing by EmoscopesAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
May 17, 2019
The Red Baron – The Great War – Sabaton History 015
Sabaton History
Published on 16 May 2019The Red Baron is one of the, if not THE MOST iconic heroes of The Great War. He simultaneously embodies the mechanisation of modern war and a romanticised version of war with his individual skill and heroism. Indy goes beyond the legend to tell the history of Manfred von Richthofen, a.k.a The Red Baron, the latter of which also is the name of a Sabaton song that will feature on their upcoming album The Great War.
You can find the eight points of the Dicta Boelcke in the pinned comment.
Support Sabaton History on Patreon (and possibly get a History Channel special edition): https://www.patreon.com/sabatonhistory
Pre-order The Great War here: https://www.sabaton.net/pre-order-of-…
Check out the trailer for Sabaton’s new album ‘The Great War’ right here: https://www.youtube.com/watch?v=HCZP1…
Watch more videos on the Sabaton YouTube channel: https://www.youtube.com/user/Sabaton?…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– © IWM: Q 66959, Q 105717, Q 73533, Q 67598, Q 50329, Q 50328, Q 42284, Q 111872, Q 54397, Q 63148, Q 63122, Q 3140, Q 57513 Q 58028, Q 52781, Q 63822, Q 50673, Q 72919, Q 12044, IWM 187, EPH 9001, Q 67832, IWM 1004, Q 63162, Q 67780, Q 58034, Q 63137, Q 63160
– © IWM Art: IWM ART 517, 1488, 517, 3071, 2659, 2660, 3199, 2754, 654
– Bendigo Soldiers Memorial Institute Military Museum: 2075P
– Klimbim Colorization
– James Miller ColorizationAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
This is the second episode of Sabaton History about one of the songs of the upcoming Sabaton album The Great War. By supporting us on Patreon, you can help us continue making these YouTube videos. You will also get some exclusive content – like a full version of Indy and Joakim talking about The Red Baron, which is live on our Patreon site right here: https://www.patreon.com/posts/full-length-red-26854763Indy mentions the Dicta Boelcke in the video. These are the eight points that Boelcke and von Richthofen used in the skies (source: Werner, Johannes von, 1932):
1. Try to secure advantages before attacking. If possible, keep the sun behind you.
2. Always carry through an attack when you have started it.
3. Fire only at close range, and only when your opponent is properly in your sights.
4. Always keep your eye on your opponent, and never let yourself be deceived by ruses.
5. In any form of attack it is essential to assail your enemy from behind.
6. If your opponent dives on you, do not try to evade his onslaught, but fly to meet it.
7. When over the enemy’s lines never forget your own line of retreat.
8. For the Staffel (squadron): Attack on principle in groups of four or six. When the fight breaks up into a series of single combats, take care that several do not go for the same opponent.
May 16, 2019
QotD: Reacting appropriately to criticism
Ich sitze in dem kleinsten Zimmer in meinem Hause. Ich habe Ihre Kritik vor mir. Im nächsten Augenblick wird sie hinter mir sein! (“I am sitting in the smallest room of my house. I have your review before me. In a moment it will be behind me!”).
Max Reger, responding to a review of his work by Rudolf Louis in the Münchener Neueste Nachrichten, 1906-02-07, as reported by Nicolas Slonimsky, Lexicon of Musical Invective, 1965.
May 13, 2019
“[T]he most famous Zulu word on the planet was invented by a New York socialist in 1951”
I had no idea there was so much back-story to the song “The Lion Sleeps Tonight” aka “Wimoweh” aka “Mbube”, which had managed to be a hit for groups as diverse as Tight Fit, Robert John, the Tokens, the Weavers, Ilonka David-Biluska, Henri Salvador, and others:
Those words about “the jungle, the mighty jungle” sit so perfectly and indivisibly on those notes they sound like they’ve belonged to each other for all time. We know the lyric is George Weiss’, but where did the tune come from?
Well, it’s obvious, isn’t it? It was a “Zulu chant” — ie, “traditional – ie, “anonymous” — ie, out of copyright. Which meant someone else could put it back in copyright. In the Fifties and early Sixties, public demand for “authentic” “traditional” music created a huge windfall for savvy Tin Pan Alleymen. You take some half-forgotten folk dirge, tweak it here and there, and then copyright your version as a full-blown composition in its own right. Everyone was doing it: in the Fifties, “Frankie And Johnny”, “Auld Lang Syne”, “Greensleeves” and a bunch of other things that had been around forever were being copyrighted as brand new songs. Huge and Luge had done it with “Can’t Help Falling In Love”, né “Plaisir d’Amour“. So the first thing they wondered, when the Tokens showed up and began doing their Zulu impressions, was where did this “Wimoweh” thing come from anyway? They looked at the song credits: “Paul Campbell” and “Albert Stanton”.
Bingo! There was no such “Paul” and no such “Albert”. Mr “Campbell” was the name Pete Seeger and the Weavers would put on the sheet music when they’d recorded a folk tune and decided they’d like to cut themselves a piece of the songwriting action. And Mr “Stanton” was the name Al Brackman at the Richmond publishing house put on the music when he wanted to do the same for his bank account. Messrs “Campbell” and “Stanton” thus became successful mid-20th century songwriters who apparently hadn’t written anything since the mid-19th century. So the minute Huge and Luge saw those names on “Wimoweh” they knew it was a plum just ripe for a second picking. If it ever came to court, Huge, Luge and George Weiss’ defense would be yes, they’d plagiarized it not from Campbell & Stanton but from the same 19th century Zulu natives Campbell & Stanton had plagiarized it from. And, because Pete Seeger, the Weavers and the Richmond organization well understood that, they never did bring it to court. So there are two entirely separate mid-20th century pop songs by two entirely separate writing teams, one called “The Lion Sleeps Tonight”, the other called “Wimoweh“.
[…]
In South Africa, it was huge. “Mbube” became not just the name of a hit record but of an entire vocal style — a high-voiced lead over four-part bass-heavy harmony. That, in turn, evolved into “isicathamiya“, a smoother vocal style that descended to Ladysmith Black Mambazo and others, taking its cue from the injunction “Cothoza, bafana” — or “tread carefully, boys”. That’s to say, Zulu stomping is fine in the bush, but when you’re singing in dancehalls and restaurants in you’ve got to be a little more choreographically restrained, if only for the sake of the floorboards.
“Tread carefully, boys” is good advice for anyone in the music business. A few years after Solomon Linda and the Evening Birds made their hit record, it came to the notice of Pete Seeger, on the prowl for yet more “authentic” “traditional” “vernacular” “folk music” for the Weavers to make a killing with. He misheard “Mbube” and transcribed it as “Wimoweh“. That’s a great insight into the “authenticity” of the folk boom: the most famous Zulu word on the planet was invented by a New York socialist in 1951
May 12, 2019
May 10, 2019
“Counterstrike” – The Six-Day War – Sabaton History 014
Sabaton History
Published on 9 May 2019When Egyptian president Nasser closes an important sea route for their neighbouring state of Israel in May 1967, Israel argues that a military attack on Egypt is justified. During the following six days in June 1967, Israel embarks on a war against Egypt, Syria and Jordan. The Sabaton song “Counterstrike” (on the Primo Victoria album) describes this short but influential and controversial conflict.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Watch more videos on the Sabaton YouTube channel: https://www.youtube.com/user/Sabaton?…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
National Photo Collection of Israel
D326-011
Israel Defence Forces Archives, Ministry of Defence Archives
Goverment Press Office of Israel (Also for Thumbnail)An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
This might be the most controversial topic we have tackled to this date. We are aware of the many controversies and debate surrounding the Six-Day War, including debates surrounding the justification of the Israeli “preemptive strike”, the role that foreign/western nations played in the conflict and warcrimes that might have been committed by both sides. We decided to stay away from these debates in this video, and stick to the historical narrative. While we highly value (academic) debate and discussion, we don’t allow for racism, xenophobia, anti-semitism and partisan revisionism. Also, please try to stay away from modern partisan politics as far as possible.Thanks for reading!
Cheers!
May 3, 2019
“The Lost Battalion” – The Meuse-Argonne Offensive – Sabaton History 013
Sabaton History
Published on 2 May 2019In the last months of the Great War, the Americans join the fighting on the Western Front in an effort to break through the German Lines for once and for all. The Americans launch their Meuse-Argonne Offensive in the fall of 1918. As part of the offensive, nine companies of the United States 77th Division under command of Major Charles White Whittlesey pushes through the German lines with remarkable ease. Little did they know that the German lines were not abandoned, but that they simply found a hole. The Lost Battalion was surrounded and the men had to fight for days, awaiting their rescue.
Support Sabaton History on Patreon (and possibly get a special edition of The Great War): https://www.patreon.com/sabatonhistory
Watch the Official Lyric Video of “The Lost Battalion” here: https://www.youtube.com/watch?v=oSZtV…
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
© IWM (Q 8986), IWM (Q 10317), IWM (Q 8842), IWM (Q 9080), IWM (Q 87923), IWM (Q 61038), IWM (Q 53524), © IWM (Q 45553), IWM (Q 81616), IWM (Q 9078), IWM (Q 9079), IWM (Q 8844), IWM (Q 56607), IWM (Q 55559), IWM (Q 55558), IWM (Q 87940), IWM (Q 85383), IWM (Q 23719), IWM (Q 23709), IWM (Q 42057), IWM (Q 115198), IWM (Q 8161), IWM (Q 10316), IWM (Q 7928) IWM (Q 61481), IWM (Q 57695), IWM (Q 9088), IWM (Q 9083), IWM (Q 47997), IWM (Q 79595)
USMC Archives through Flickr: https://www.flickr.com/photos/6086806…An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago
We met up with Indy in the Argonne to film Sabaton History’s episode for “The Lost Battalion”. As it happens, our new album is about the First World War as well. We have published a video earlier today presenting the “History Channel Edition” for the upcoming Sabaton Album The Great War. This is a special edition of the new album that is an exclusive reward for people who generously support us on Patreon as a Hussar or higher. If you want to check out the video in which Joakim and Indy explain the contents of the special edition, click here: https://youtu.be/Nk-VN_PjZyg If you want to support this channel on Patreon, go here: https://www.patreon.com/sabatonhistoryThanks for your time and cheers! 🤘









