Quotulatiousness

September 25, 2021

“Steel Commanders” – Tanks and Panzer! – Sabaton History 106 [Official]

Filed under: Britain, Europe, Germany, History, Media, Military, Russia, USA, WW1, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 24 Sep 2021

From the first landships of the Great War to the massive armor-battles of Prokhorovka and El-Alamein — the introduction of the tank to the battlefield had changed warfare forever. Impregnable to small-arms fire, they crushed barbed-wire and field fortifications underneath their tracks, paving the way for the infantry’s advance. In independent formations they surged forward at the head of the offensive, outmaneuvering the enemy’s defenses and wreaking havoc in their lines. From the Mark V to the T-34, from the Tiger to the Centurion — the evolution of armor is the history of Steel Commanders.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Watch the Official Music Video of “Steel Commanders” here: https://www.youtube.com/watch?v=peTCe…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.com
Sources:
– IWM E 18376, IWM 357, Q 9249, IWM 1198, IWM 130-09+10, Q 107828, IWM 508-70, KID 109, UKY 502, E 7070, H 37169, MH4107
– wall by mara julieta G., Tree by Joni Ramadhan; from the Noun Project
All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

September 23, 2021

QotD: The problem with “free” tech stuff

Filed under: Business, Media, Quotations, Technology — Tags: , , , , — Nicholas @ 01:00

… I’m baffled by this idea — seemingly everywhere in modern marketing — that they can somehow annoy you into buying their products. Music streaming services like Spotify are all but unlistenable because of it — not only do you get four ads every three songs, but three of the four ads ask “Want a break from the ads? Join premium!!” Or … you know … I could just go back to listening to tunes the old fashioned way. Humanity’s Greatest Genius, when he lays off that shtick for a minute, actually has some good riffs on this. We all must learn to deprogram ourselves from the Cult of Free. If they’re giving away the product, then you are the product. Much like a college degree, “free” tech is actually negative equity — you’re actually worse off for doing it.

It has gotten so bad lately that they don’t just barrage you with ads, they’re now starting to force-feed you content. I used to have Amazon Music — the free one, of course — because it was a good way to listen to The Z Man’s podcasts and my classical library during my commute. I’d download albums to my phone, switch to “offline” mode, and listen that way. Which Amazon obviously considers no good, because they pushed out some “car mode” bullshit that now automatically turns your wifi on, then starts blasting hip hop at you. And that’s not all! A few weeks back, while trying to figure out a way to turn the damn thing off, I noticed that it now has a “your playlist” feature, based on “your” music … which is, of course, the same force-fed rap shit I’ve been trying so desperately to avoid. It has decided that not only shall I listen to Young Jeezy, Big Weezy, and MC Funetik Spelyn, I will also like it, to such a degree that they will start force-feeding me other shit based on my “likes”.

Yeah. Uninstalled. Fuck you, Bezos. I’ve got a CD player. And when Microsoft decides that I’m not listening to the right music on that, and uninstalls the driver, I’ve got a tape deck. And when that breaks, I will sing to myself as I go down the highway. 99 bottles of beer on the wall, motherfucker, just like bus trips back in Boy Scouts. Enough is enough.

Severian, “Mailbag / Grab Bag”, Rotten Chestnuts, 2021-06-18.

September 22, 2021

QotD: Urban bohemians

Filed under: Books, Economics, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

[C]onsider the inchoate American gang identified as “Bohemian” in New York Times rock critic Ann Powers’ new book, Weird Like Me: My Bohemian America. Powers casually links rock music with her version of bohemia, that world of young and not-so-young hipsters living and behaving in nontraditional ways. Rock, she writes, “inspires fans to dye their hair green and wear thigh-high leather boots; to defy their parents, skip school, and tell off the boss; or even, sometimes, to take a new turn and change their lives completely.” Her bohemia is inexorably linked with progressive politics, not holding down a decent job, being kind to gays and minorities, and all else that’s “cool.”

Powers fails to recognize that her bohemia is predicated upon a market liberalism that throws off so much wealth that you can live like a Pharaoh just by scavenging what other people throw out — as she and her slacker buddies did in San Francisco in the ’80s and early ’90s. Her bohemian lifestyle is part of the same system that underwrites free markets, consumerism, and tolerance for all sorts of offensive speech and alternative lifestyles. In other words, the liberty to be bohemian is a glorious result of the very capitalist reality that Powers says a real bohemian must be against.

Brian Doherty, “Rage On: The strange politics of millionaire rock stars”, Reason Online, 2000-10.

Update: Broken link fixed, thanks to “somercet1” for the heads-up.

August 27, 2021

QotD: Music corporations, musicians, and hypocrisy

Filed under: Business, Media, Politics, Quotations — Tags: , , , , — Nicholas @ 01:00

“A good song should make you wanna tap your feet and get with your girl. A great song should destroy cops and set fire to the suburbs. I’m only interested in writing great songs.”

So says Tom Morello, guitarist for the Los Angeles-based band Rage Against the Machine. He and his bandmates are not simply against cops and the suburbs, of course. They also stand for the Zapatistas and the Shining Path, for freeing Mumia Abu-Jamal and Leonard Peltier, for giving California back to Mexico, and for destroying stores where rich people like themselves shop.

That’s pretty strong stuff coming from work-for-hire employees of one of the great cogs in the global capitalist machine, the megaconglomerate Sony, which wholly owns and distributes Rage’s music and even is a co-owner of the group’s publishing. Since 1992, Rage has sold nearly 7 million records, and it’s safe to say that nobody has benefitted more from that commerce than the band’s unabashedly capitalist paymaster.

Brian Doherty, “Rage On: The strange politics of millionaire rock stars”, Reason, 2000-10.

August 11, 2021

The Symphony That Defeated the Wehrmacht – WAH 040 – August 1942, Pt .1

Filed under: China, Europe, Germany, History, Japan, Military, Russia, USA, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Pubished 10 Aug 2021

The Big Action at the Warsaw Ghetto continues, while The Japanese carry out retaliations against the Chinese for aiding American airmen. Dmitri Shostakovich’s “Symphony no. 7” premieres in the besieged city of Leningrad.
(more…)

August 6, 2021

Shostakovich: Stalin’s Composer? – WW2 Biography Special

Filed under: Germany, History, Media, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 5 Aug 2021

Leningrad’s Dmitri Shostakovich has risen from a child prodigy to be one of the Soviet Union’s most celebrated composers, having rescued his career from Stalin’s interference along the way. Desperate to defend Russia after the German invasion, he fights back, not with a rifle, but with music.
(more…)

July 29, 2021

QotD: An opera called Margaret

Filed under: Americas, Britain, History, Media, Quotations — Tags: , , , — Nicholas @ 01:00

Margaret Thatcher had a great deal of time for Andrew Lloyd Webber. In August 1978, while she was still Leader of the Opposition, her speechwriter Ronnie Millar took her to see Evita. “It was a strangely wondrous evening yesterday leaving so much to think about,” she wrote to Millar the next day. “I still find myself rather disturbed by it. But if they [the Peronists] can do that without any ideals, then if we apply the same perfection and creativeness to our message, we should provide quite good historic material for an opera called Margaret in thirty years’ time!”

Dominic Sandbrook, The Great British Dream Factory, 2015.

July 15, 2021

Goodbye Lenin, Hello Jazz! | B2W:ZEITGEIST! I E.22 Winter 1924

Filed under: History, Media, Religion, Russia, USA — Tags: , , , , , , , — Nicholas @ 04:00

TimeGhost History
Published 14 Jul 2021

The winter of 1924 sees the death of not only Vladimir Lenin but also the Ottoman Caliphate. However, it also sees something fresh and completely unique enter the American mainstream. George Gershwin has given the Jazz Age a soundtrack.
(more…)

July 12, 2021

“The Royal Guard” – Livgardet and the Kalabalik at Bender – Sabaton History 104 [Official]

Filed under: Europe, History, Media, Military — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published 10 Jul 2021

From the devastated battlefield of Poltava to the long exile in the Ottoman Empire, Livgardet never abandoned their King. Even when King Karl XII found himself surrounded by thousands of foes, the remaining four men of his Royal Guard stood by his side. Pistols raised and sabers drawn, the Swedes fought through smoke and fire in the Kalabalik at Bender, protecting their King’s life with their own.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Royal Guard” on the album: https://music.sabaton.net/TheRoyalGuard

Watch the Official Music Video of “The Royal Guard” here: https://www.youtube.com/watch?v=kZN5b…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.com

Sources:
– Photo of Axel Rose courtesy of andres fernando allain https://commons.wikimedia.org/wiki/Fi…
– Nationalmuseum
– Painting of King Charles XII in Turkey courtesy of Allan Egnell https://commons.wikimedia.org/wiki/Fi…

All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

July 1, 2021

Woodrow Wilson, Isolationism, and the Birth of the Charleston | B2W:ZEITGEIST! I E.20 Harvest 1923

Filed under: History, Media, USA — Tags: , , , , , , , — Nicholas @ 04:00

TimeGhost History
Published 30 Jun 2021

Wilson won the Nobel Peace Prize for crafting the League of Nations at Versailles, but even he couldn’t bring America out of its isolationism. This season he pours out his disappointment in his first-ever radio address. Optimism still reigns in the world of popular culture though, this season the Charleston is born.
(more…)

June 19, 2021

“Defence of Moscow” – Autumn 1941- Sabaton History 103

Filed under: Germany, History, Media, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 17 Jun 2021

While it is legendary, there is a lot of confusion and a lot of myths about Operation Typhoon, the German drive on Moscow in the fall of 1941, and Operation Barbarossa, the invasion of the Soviet Union that summer. Today I talk about the first 5.5 months of Barbarossa, and then Joakim and I discuss covers and covers of covers.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Defence Of Moscow”: https://music.sabaton.net/DefenceOfMo…

Watch the Official Music Video of “Defence Of Moscow” here: https://www.youtube.com/watch?v=i7K4v…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com

Colorizations by:
– Mikołaj Uchmann
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/

Sources:
– National Archives Nara
– Narodowe Archiwum Cyfrowe NARA
– Bundesarchiv
– New York Public Library
– Train tracks icon by Danishicon from the Noun Project
– Picture of singer Loona courtesy of Sandstein https://commons.wikimedia.org/wiki/Ca…
– Imperial War Museums: HU 75543, PST 4712
– Australian War Memorial

All music by: Sabaton
RADIO TAPOK – Битва за Москву (В стиле Sabaton / ИзиРок / – Defence Of Moscow)

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2021 – all rights reserved.

May 24, 2021

“The revolution will be defeated when people stop being scared”

Sean Gabb discusses some outrageous elements of the ongoing cultural revolution against freedom of speech in Britain, the United States and many other western nations:

David Hume Tower at the University of Edinburgh (listed building number 50189).
Photo by Enric via Wikimedia Commons.

If I am a self-employed plumber or electrician, I can speak my mind and laugh at the complaints. If, like the great majority in this country, I am a salaried employee — whether in the state or private sectors is unimportant: the pressures to conformity are the same in both sectors — I must be careful what I say. I am scared of the sack. I am scared of sudden redundancy. I am scared of missing out on promotions. I am scared of generally unfair treatment because of my opinions. I therefore hide my opinions. The Peter Tatchells among us then look round complacently, telling themselves and each other that silence equals agreement, and that the few squeaks of opposition are from “disreputable extremists.”

This explains the present unbalanced debates over slavery and colonialism. Take these examples:

  • First, in September 2020, the David Hume Tower at Edinburgh University was “denamed”. Someone had bothered to read the 1748 essay “Of National Characters”, and found in one of its footnotes an unfashionable statement about race. It was at once set aside that Hume was a philosopher of at least considerable note. More important was the “non-overt disrespect, offence, and racism that Black students have to go through at the University of Edinburgh”.
  • Second, the Music Department at Oxford is presently worried that its curriculum “structurally centres white European music”, and that this causes “students of colour great distress”. It therefore wants to change its focus from the European classical tradition to things like “Artists Demanding Trump Stop Using Their Songs”. It also wants to discourage students from studying musical notation, as this is a “colonialist representational system”.

I could give a third illustration, and a fourth. I could fill a pamphlet with more. Some would be more alarming, though few less absurd. But these two can stand well enough for all the others. What makes these debates so irritating is that they are not debates. One side can put its case just as it pleases. The other is reduced to accepting all the main charges and begging for mitigation: “What Hume said was evil and unpardonable — but he was important for other things.” Or: “I feel your pain, but Mozart owned no slaves, and everyone knows that Beethoven was really black.” Because it has been so humbly begged, full mitigation will, in both cases, be granted. Hume will continue to be studied in the universities. Music students at Oxford will continue to use the standard notation and to analyse the usual classics. But preventing these things was never part of the agenda. The agenda was and is to transform what were honoured or unquestioned parts of our civilisation into things useful but more or less suspect, things subject to a toleration that may be varied or withdrawn at any time without notice.

It should be plain that we are, in both England and America, living through a revolution. This is not a normal revolution as these things are considered. Unlike in France or Russia, there has been no overthrow of an established order, no burst of state violence, no establishment after that of an overtly new order. There are no secret police. There are no labour camps. No one is beaten to death in a police cell. All the same, we are living through a revolution. It is a revolution that has involved the gradual capture of education, the media, the administration, the charities and the more permeable religious institutions, and the recent aligning of the larger or more glamorous business concerns. I see no point in discussing its ultimate objects. I am not sure if these are wholly agreed. But its provisional object is the destruction of our traditional identity, and of our liberty so far as this stands in the way of that provisional object.

These two elements of the provisional object are equally important. Our civilisation is being pulled apart because doing so strips away the mass of associations that, left in place, might hold up the more alarming parts of the transformation. Opposition is so feeble not only because that is all that will be tolerated: feeble opposition is all that can be tolerated. This is a revolution in which opponents are not murdered, but only scared into silence. They are scared into silence chiefly by fear of destroyed or blighted careers. The revolution will be defeated when people stop being scared. Then, there will be vicious and unrelenting public mockery, and commercial boycotts, and shareholder rebellions, and lost elections, and the general feeling of solidarity and impunity still sometimes found in a football stadium.

May 11, 2021

QotD: The (disappointing) sex lives of the rich and famous

Filed under: Media, Quotations, USA — Tags: , , , , , , — Nicholas @ 01:00

I suspect […] one of the main reasons rock stars, who really can have the super hot model, always end up cheating on her — because it’s not really her. In their minds, they became rock stars specifically to get that kind of girl … but that’s the thing: That kind of girl doesn’t exist. She’s a 2D image, heavily photoshopped. Oh, I’m sure Supermodel X really IS hot in real life, but she’s also just a person, which means she farts and snores and wakes up with bed head and all that. Plus, rock stars really do live with the equivalent of their own personal Photoshop, in the form of a small army of flunkies who make all of life’s routine frustrations go away. So it must be even more maddening to find out that the Cover Girl really does have myriad small blemishes, because, you know, she’s a real person, and not the fantasy you signed up for when you signed that big record deal.

Severian, “Junkies”, Rotten Chestnuts, 2021-01-18.

May 2, 2021

“Stairway To Heaven” – Medieval Style

Filed under: Media — Tags: , , , — Nicholas @ 02:00

Early Style
Published 29 Aug 2020

Original theme from Led Zeppelin (1971) in medieval – renaissance instruments

#StairwayToHeaven #MedievalStyle #Bardcore

From the comments:

Christopher Merlot
2 months ago
Led Zeppelin did a really good cover of this.

April 27, 2021

“I Love Rock ‘n Roll” [Bardcore]

Filed under: Media — Tags: , — Nicholas @ 02:00

Graywyck
Published 6 Jun 2020

Original: Arrows/Joan Jett & the Blackhearts – “I Love Rock ‘n Roll”

From the comments:

1Ring 42
6 months ago

Behold him merry by the musicians booth
I couldst see he was but a youth
The rhythm made me swoon
For they played my fav’rite tune
An I knew twould nay be long
Til he was wi’ me, aye me
An I knew twould nay be long
Til he was wi’ me, aye me, singing

I crave bardic lute
Toss another coin to yon bard milady
I crave bardic lute
Come spend th’eventide and make merry

He grinn’d thus I approached to ask his name
‘It matters not’ he quipped,
“For tis all the same”
Asked “Couldst I take thee home, whither we shalt be alone?”
An lo we traveled on,
He was wi me aye me
An lo we traveled on
He was with me aye me singing
An I knew twould nay be long
Til he was wi’ me, aye me, singing

I crave bardic lute
Toss another coin to yon bard milady
I crave bardic lute
Come spend th’eventide and make merry

Asked “Couldst I take thee home, whither we shalt be alone?”
An lo we traveled on,
He was wi me aye me
An lo we traveled on
He was with me aye me singing
An I knew twould nay be long
Til he was wi’ me, aye me, singing

(Repeat Chorus 5x)

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