The thing I always hated hearing from my grandfather was how modern music was terrible and not fit for civilized people. He was a man of his age and class, so he used colorful euphemisms to describe popular music. Even as a kid, I understood that every generation has their soundtrack. Maybe never having known anything but a world where pop culture dominated, this came naturally to me, while my grandfather still recalled an age before everyone had a radio and television. Maybe he knew things I couldn’t know.
Either way, I’ve always just assumed that once I passed my mid-20’s, pop music was no longer for me. Some stuff would be appealing, but most would be aimed at kids and strike me as simplistic and repetitive. There were some good bands in the 90’s that I liked, but most of it was not my thing. By the 2000’s, I was unable to name popular groups or the songs at the top of the charts. Today, I have not heard a single note from any song on the current top-40. On the other hand, I’m sure I’ve heard some version of all of it.
That may be why music sales have collapsed. A 15-year old can go on YouTube or Spotify and find fifty versions of the current pop hits, going back before their parents were born. They can also find stuff from previous eras that was remarkably well done and performed by people with real talent. Justin Timberlake may be very talented as a singer, but no one is confusing him with Frank Sinatra. It’s simply a lot easier for young people to see that pop music is just manufactured pap from Acme Global Corp.
“The Z Man”, “The Soundtrack Of This Age”, The Z Blog, 2018-03-15.
July 3, 2020
QotD: Pop music
July 2, 2020
Fixing Gettysburg: The First Day
Atun-Shei Films
Published 1 Jul 2020In this three-part series, I review a classic Ron Maxwell film about a little known historical event that no one talks about called the Battle of Gettysburg. I also present an abbreviated and oversimplified history of the battle, while simultaneously criticizing the movie for presenting an abbreviated and oversimplified history of the battle.
In this first episode, I discuss the first day of fighting on July 1, 1863 – including Buford’s cavalry, the Iron Brigade, the Railroad Cut, and John Burns.
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#Gettysburg #CivilWar #VideoEssay
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Merch ► https://atun-sheifilms.bandcamp.com~REFERENCES~
[1] “General John Buford’s Report of his Cavalry’s Action at Gettysburg” (2015). Iron Brigader https://ironbrigader.com/2015/06/22/g…
[2] W.C. Storrick: The Battle of Gettysburg (1931). J Horace McFarland Company, Page 11
[3] “The First Day at Gettysburg: Then and Now.” American Battlefield Trust https://www.battlefields.org/learn/ar…
[4] “Lt. Colonel Rufus Dawes Describes the Fighting of the 6th Wisconsin Infantry at Gettysburg” (2013). Iron Brigader https://ironbrigader.com/2013/06/13/l…
[5] “Civilian John Burns at the Battle of Gettysburg (2018)”. C-Span https://www.c-span.org/video/?447809-…
[5 1/2] Allen C. Redwood: “The Confederate in the Field”. Civil War Home https://www.civilwarhome.com/confeder…
[6] Codie Eash: “The Wounded Wisconsinite Who Witnessed Pickett’s Charge” (2018). National Museum of Civil War Medicine https://www.civilwarmed.org/reed/?fbc…
[7] Cooper Wingert: “The Confederate ‘Slave Hunt’ and the Gettysburg Campaign” (2020). Emerging Civil War https://emergingcivilwar.com/2020/05/…
July 1, 2020
June 29, 2020
Today on NeoNaziHuntingExpeditions, we track down Neo Nazi Bronies
In Quillette, Daniel Friedman examines the claims made in a recent Atlantic investigation into Nazis in the My Little Pony community (that is, adult fans of the show, not little girls … I think):

Image found by searching for “Neo Nazi Bronies”, listed URL – http://www.democraticunderground.com/1014960111
The evidence of this Nazi problem in the My Little Pony fandom is that, on a My Little Pony imageboard called Derpibooru, over 900 images were tagged as “racist,” and images mocking Black Lives Matter were upvoted by users while images supporting the movement were downvoted, even as the site’s administrators made a statement of support for the protests. After much controversy, the imageboard banned uploading images “created for no reason other than to incite controversy” and removed the 926 images tagged “racism” or “racist.” This move was extremely controversial within the Derpibooru community, many members of which oppose any moderation.
Atlantic reporter Kaitlyn Tiffany suggests that the strong free-speech norms of the Derpibooru boards stem from its origins on 4Chan, which Tiffany describes as “the largest den of chaos and toxic beliefs available on the Internet.” She describes the Brony community as being divided between those who “genuinely enjoy My Little Pony and the wholesome escapism it provides” and trolls who think it is “edgy and provocative to be an adult obsessed with cartoon ponies.” This frames the Derpibooru imageboard as a place where innocent cartoon fans are unknowingly subjected to subversive, racist memes and images that may send people down a rabbit hole of far-right content.
However, claims that a significant portion of the Brony community are Nazis, or that a significant amount of the content on Brony imageboards is right-wing propaganda or racist memes has to be put in the proper context. First of all, the 926 images tagged “racist” exist on a board that hosts over two million images. If you order all the site’s various tags by how many images fall within their categories, there are 12 full pages of other, more popular tags you have to scroll through to find the “racism” tag. One thousand two hundred and seventy-five images are tagged “politics” and include images both supporting and opposing Black Lives Matter. Discussion of these issues is a tiny fraction of one percent of the content on the My Little Pony imageboard.
By contrast, 315,867 images on the Derpibooru forum are tagged as sexually explicit, a further 127,414 images are tagged as sexually suggestive and 105,521 images are tagged as containing “questionable” sexual content. The truth is that Derpibooru’s lax moderation norms and anti-censorship culture don’t exist to protect objectionable political content; this imageboard is unmoderated because it is an enormous repository of fan-made My Little Pony pornography.
The Atlantic article fails to place the 926 racist images in the context of the larger scope of the two million images hosted by the Derpibooru board, because less than one-quarter of one percent of the site’s content is of a political nature. And the Atlantic article avoids mentioning the half-million pornographic images the site hosts, because doing so reveals that the community’s widespread opposition to content moderation on their imageboard is about protecting sexually explicit content rather than creating a space for hateful politics to flourish, and it further reveals that the Bronies are 500 times more interested in having sex with My Little Pony characters than they are in spreading racist pony memes.
The article creates an impression that the alt-Right is using seemingly-innocent cartoon fandoms as a Trojan horse to conceal and spread a sinister ideology, but the truth is that the only thing these guys are interested in hiding inside a horse is their dicks.
June 26, 2020
“Ghost Division” – Rommel’s 7th Panzer Division – Sabaton History 073 [Official]
Sabaton History
Published 25 Jun 2020In the night of 17 May 1940, confusing reports were reaching French High Command. They spoke of what was thought impossible: The German Army had broken through the Maginot Line in the north. Scattered and panicked soldiers spoke of a “Division Fantôme” – a Ghost Division! It was Generalmajor Erwin Rommel’s 7th Panzer Division that was wreaking havoc in the French rear. In an unauthorized push, Rommel had seized the opportunity to rush the French fortress garrisons by a surprise armor attack straight from the move. Now in open space and with the night sky illuminated by burning French tanks and trucks, it was crucial for the Ghost Division to exploit its tactical victory. Alone and cut off like an island in a sea of enemies, this was easier said than done.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Ghost Division” on the album The Art of War:
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlayWatch the Official Lyric Video of “Ghost Division” here:
https://www.youtube.com/watch?v=9FkYx…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Colorizations:
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– Bundesarchiv, CC-BY-SA 3.0: Bild 146-1977-018-13A/Otto, Bild 101I-124-0219-20/Hinz, Bild 146-1972-045-02
– Narodowe Archiwum Cyfrowe
– chieftanruncrush from Freesound.org
– Food vector created by freepik – www.freepik.comAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Progressive hate for nuclear power
In Quillette, Michael Shellenberger discusses the demands of some climate activists who also reject the best solutions to the problems they foresee:
For the last decade I have been obsessed with a question: Why are the people who are the most alarmist about environmental issues also opposed to all of the obvious solutions?
Those who raise the alarm about food shortages oppose expanding the use of chemical fertilizers, tractors, and GMOs. Those who raise the alarm about Amazon deforestation promote policies that fragment the forest. And those who raise the alarm about climate change oppose nuclear energy, the largest source of zero-emissions energy in developed nations. Why is that?
It is not an academic question for me. I have been a climate activist for 20 years and an energy expert for 10 of them. I was adamantly against nuclear energy until about a decade ago when it became clear renewables couldn’t replace fossil fuels. After educating myself about the facts, I came to support the technology.
Over the last five years, I have campaigned, as founder and president of my small and independent nonprofit research organization, Environmental Progress, to expand the use of nuclear energy. During that time our main opponents have not been climate skeptics or even the fossil fuel industry but rather other climate activists.
This is the case around the world. It is climate alarmist Democrats and Greens who are seeking to shut down nuclear plants in the US and Europe. Greta Thunberg last year condemned the technology as “extremely dangerous, expensive, & time-consuming,” which is false. And Green New Deal architect Rep. Alexandria Ocasio-Cortez (AOC) has advocated closing the Indian Point nuclear plant in New York, which is now being replaced with natural gas.
In nearly every situation around the world, support for nuclear energy from climate activists like Thunberg and AOC would make the difference between nuclear plants staying open or closing, and being built or not being built. Had Thunberg spoken out in defense of nuclear power she likely could have prevented two reactors in her home nation of Sweden from being closed. Had AOC advocated for Indian Point rather than condemned it as dangerous, it could likely keep operating, for at least 40 years longer.
That’s because the main problem facing nuclear energy is that it’s unpopular — and far more among progressives than conservatives, and far more among women than men. There are no good technical or economic reasons that nations from the US and Japan to Sweden and Germany are closing their nuclear plants. Center-left governments are closing them early in response to the demands of progressives and Greens — the very same people who are claiming climate change will kill billions of people.
Some prominent environmental groups have a pecuniary interest in replacing existing nuclear generating stations with natural gas and “renewable” energy sources, but money isn’t the only reason for the widespread opposition to nuclear power:
Sierra Club, NRDC, and EDF have worked to shut down nuclear plants and replace them with fossil fuels and a smattering of renewables since the 1970s. They have created detailed reports for policymakers, journalists, and the public purporting to show that neither nuclear plants nor fossil fuels are needed to meet electricity demand, thanks to energy efficiency and renewables. And yet, as we have seen, almost everywhere nuclear plants are closed, or not built, fossil fuels are burned instead.
But it’s not just about money. It’s also about ideology. Anti-nuclear groups have long had a deeply ideological motivation to kill off nuclear energy.
Policymakers, journalists, conservationists, and other educated elites in the ’50s and ’60s knew that nuclear was unlimited energy and that unlimited energy meant unlimited food and water.
We could use desalination to convert ocean water into freshwater. We could create fertilizer without fossil fuels, by harvesting nitrogen from the air, and hydrogen from water, and combining them. We could create transportation fuels without fossil fuels, by taking carbon dioxide out of the atmosphere to make artificial hydrocarbons, or by splitting water to make pure hydrogen gas.
Nuclear energy thus created a serious problem for Malthusians — followers of widely-debunked 18th-century economist, Thomas Robert Malthus — who argued that the world was on the brink of ecological collapse and resource scarcity. Nuclear energy not only meant infinite fertilizer, freshwater, and food but also zero pollution and a radically reduced environmental footprint.
In reaction, Malthusians attacked nuclear energy as dangerous, mostly by suggesting that it would lead to nuclear war, but also by spreading misinformation about nuclear “waste” — the tiny quantity of used fuel rods — and the rapidly decaying radiation that escapes from nuclear plants during their worst accidents.
There is a pattern: Malthusians raise the alarm about resource depletion or environmental problems and then attack the obvious technical solutions. In the late 1700s, Thomas Malthus had to reject birth control to predict overpopulation. In the 1960s, Malthusians had to claim fossil fuels were scarce to oppose the extension of fertilizers and industrial agriculture to poor nations and to raise the alarm over famine. And today, climate activists reject nuclear energy in order to declare a coming climate apocalypse.
June 25, 2020
June 21, 2020
June 19, 2020
“Hill 3234” – The Soviet-Afghan War – Sabaton History 072 [Official]
Sabaton History
Published 18 Jun 2020It happened during the last stage of the Soviet-Afghan War.
Already withdrawing its forces, Soviet High Command needed to display its might one last time by recapturing the vital Satukandav Pass. But to achieve that goal, the commanding heights surrounding the pass had to be held against continuous Mujahideen attacks.
In the Battle for Hill 3234, an outnumbered force of Soviet paratroopers held their own against relentless attacks from the Afghan rebels.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Hill 3234” on the album The Last Stand here:
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlayWatch the Official Lyric Video of “Hill 3234” here:
https://www.youtube.com/watch?v=K1Xkp…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Abramov Andrey, ALDOR46, Fdutil, P.Fisxo; from Wikimedia
– E.Kuvakin
– Erwin Franzen
– Archive of S.V. Rozhkova
– Photos of 350th airborne regiment, courtesy of the 5th airborne company trooper Sergey Novikov
– Archive of the 345th airborne parachute regiment
– Library of Congress, Geography and Map Division.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago
They were only 39
They were told to hold the line…I’m sure most of you know the rest of those lyrics. And after watching this episode of Sabaton History, you also know the real historical events behind those words.
What some of you might not know though, is the story of the guitar solo in Hill 3234. As usual when Joakim had written the song, he sent it out to the rest of the band. Much to his surprise though, this time Thobbe Englund – lead guitarist at the time – sent a file back within the hour. Thobbe had just plugged his guitar in and hit play. He was literally listening to Hill 3234 for the first time when the solo spontaneously popped into his head, and he recorded it on the spot. And to make this solo even more special: it is that very first recording Thobbe made that ended up on the album!
Not one single re-take.
Talk about a blessing from the Muses…
June 14, 2020
June 13, 2020
“1648” Pt. 2 – War and Disease – Sabaton History 071 [Official]
Sabaton History
Published 12 Jun 2020War and Plague. Just two horsemen of the apocalypse but never really far away from each other. Where armies march, disease usually follows. From the earliest records of time to modern day, epidemics and contagious diseases are the cause of uncountable deaths. Pandemics like the Spanish Flu or the Bubonic Plague killed millions of people around the world. To survive, mankind had resort to quarantines and plague houses, and put its trust to physicians and the evolution of modern medicine.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “1648” on the album Carolus Rex:
CD: http://bit.ly/CarolusRexStore
Spotify: http://bit.ly/CarolusRexSpotify
Apple Music: http://bit.ly/CarolusRexAppleMusic
iTunes: http://bit.ly/CarolusRexiTunes
Amazon: http://bit.ly/CarolusRexAmz
Google Play: http://bit.ly/CarolusRexGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Ryan Weatherby, Karolina DołęgaEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Welcome Images
– National Library of Scotland
– IMW: Q 10378,
– National Museum of Health and Medicine
– National Archives
– Icons from The Noun Project by: Muhamad Ulum & Adrien CoquetAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
QotD: The liberal media
As I have pointed out myself, the more one knows about a subject, the more conservative one becomes towards it. Conversely, the less one knows, the more liberal he becomes, and inclined to embrace “progress” and “reforms.” Even a Communist may prove a very conservative stamp collector, once he learns something about philately. It’s only economics he knows nothing about.
This is a universal principle. Everyone knows something about something, and is very backward on that which he knows. The one exception may be journalists, who know nothing about anything, and are therefore liberal all round.
David Warren, “I’ll be a Welshman”, Essays in Idleness, 2018-03-01.
June 12, 2020
An unwelcome return to the 1960s
David Warren reflects on how many parallels we’re seeing in the current year to the worst aspects of the 1960s:

Young “hippie” standing in front of a row of National Guard soldiers, across the street from the Hilton Hotel at Grant Park, at the Democratic National Convention in Chicago, August 26, 1968. Photo by Warren K. Leffler for US News & World Report via Wikimedia Commons.
As an old Cold Warrior, and once “science kid,” whose childhood developed through the 1960s, there is nothing that ought to surprise me. We have Antifa today; we had the Weather Underground then. We have parallels to every event I witnessed through the idiot box of adolescence, and vice versa. Even the destruction of American cities by riots and crime isn’t new; nor the supine response of our liberal leaders. The obvious left bias of news and entertainment was the same then as now, only less shrieking. The replacement of flatfoot journalists, with malicious ideological clowns from the universities, then a work in progress, was by the end of the last century, complete. The poison spread, through all media of information. We’ve reached an Age of Unreason to match Robespierre’s, and seem now to be waiting for a Napoleon.
Charlatans are the handmaids of paganry. That the charlatans slide into violent insurrection, even against the better pagan customs, is not something historically new.
The alternative is improbable: another Age of Faith. This would necessarily include a subsidiary restoration of faith in science — in the modest belief that if we follow the facts where they lead, as opposed to where we want them to go, a lost perception of cosmological order will also be, willy-nilly, restored. “Modern science” — an unambiguously Christian construct — depends entirely on one assumption. It is, that a universe God created will make sense. Logic, or the principle of non-contradiction, will hold up, and where it doesn’t seem to be doing so, it is not God, but we, who have got it wrong.
By the inversion of “values,” at the present day, the sane views are labelled as “psycho.” The truth is not the true, but what we (or our masters) want to call true. This “truth” is “settled,” from one moment to another; and is not to be discovered, but imposed.
















