World War Two
Published 20 Feb 2020This video is sponsored by Paradox Interactive. Indy shares his thoughts on what he thinks would have happened if the Spanish Revolution would have happened differently.
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Watch our Between Two Wars episode on the Spanish Civil War here: https://youtu.be/ncUkPavahCU
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced by: Spartacus Olsson and Astrid Deinhard
Directed by: Wieke Kapteijns
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Guido Becker
Gameplay scenes by: Sietse Kenter
Sound mix: Marek KamińskiColorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Daniel WeissArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
February 21, 2020
What if the Spanish Fascists Lost the Civil War? – WW2 feat. Hearts of Iron IV
“Back in Control” – The Falklands War – Sabaton History 055 [Official]
Sabaton History
Published 20 Feb 20201982, on a group of islands far, far away from Great Britain. After the military junta of Argentinian Army General Leopoldo Galtieri had publicly declared that the Falkland Islands (Malvinas) were rightfully part of Argentinian territory, an invasion force succeeded in wrestling control away from their British owners. However Great Britain would not simply stand by and give the Falklands up. Instead a British task-force would make its way down to the Falklands, in an attempt to take back control of the islands by force. What followed was an undeclared war of 10 weeks, where British carriers and commandos fought against the entrenched Argentinian ground-forces for the ownership of the islands.
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Listen to “Back in Control” on the album Attero Dominatus:
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Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Casa Rosada (Argentina Presidency of the Nation)
– Gobierno de Argentina (Government of Argentina) – Argentina.gob.ar
– Ken Griffiths from Wikimedia Commons
– Armada Argentina on Flickr
– HMS Invincible in 1980, HMS Hermes in 1977, credit: Hugh Llewelyn on Flickr
– IWM: FKD 186, FKD 357, FKD 677, IWM FKD 138, FKD 185, FKD 2743, FKD 168, FKD 435, FKD 182, FKD 319, FKD 2744, FKD 71, FKD 217, FKD 107, FKD 321, FKD 349, FKD 345, FKD 2755, FKD 108, FKD 2028, FKD 2750, FKD 2051, FKD 2040, FKD 176, FKD 314, FKD 427
– IWM ART: 15530 33, 15530 56, 15530 10, 15530 10
– National Army Museum: 164752, 107649An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Classics Summarized: Dante’s Purgatorio
Overly Sarcastic Productions
Published 24 Apr 2015Funny story: That half-second-long scream? Took me about four hours to record. I’m really bad at screaming and/or laughing on demand, so I sat down with some videos of the Game Grumps playing horror games and recorded my reactions to use whenever I need them. I now have a fifteen-second sound file of laughter and screams with varying degrees of shameful girliness.
Part 2 of the centuries-old trilogy has finally been summarized! Surely you’ve awaited this moment with bated breath. As always, I am happy to oblige.
February 20, 2020
Why the Nazis Weren’t Socialists – ‘The Good Hitler Years’ | BETWEEN 2 WARS I 1937 Part 2 of 2
TimeGhost History
Published 19 Feb 2020The Nazi economy appears to do well during the 1930s. But this is largely myth, as the German economy under Hitler is based on a self destructive, ideologically or selfishly fuelled irrationality driven by conquest and criminal practice.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiSources:
Bundesarchiv_Bild:
192-269, 183-T0706-503, 183-S68029, 183-S68014,
183-S38324, 183-S33516, 183-S07227, 183-R98364,
183-H29131, 183-H25824, 183-H01704, 183-H13192,
183-H06734, 183-H00455, 183-C12671, 183-86686-0008,
183-2008-0826-506, 183-2008-0826-502, 183-2006-1128-504,
183-2004-0729-507, 183-1989-0630-504, 183-1988-0113-500,
146-2005-0191, 146-1990-048-29A, 146-1990-023-06A,
146-1984-040-26, 146-1981-124-32A, 146-1972-025-10,
102-13533, 102-12733, 102-11649, 102-06795, 102-04640,
145_Bild-P046280, 145_Bild-020683,Colorizations by:
Daniel WeissSoundtracks from Epidemic Sound:
– “Document This 1” – Peter Sandberg
– “March Of The Brave 10” – Rannar Sillard – Test
– “Ominous” – Philip Ayers
– “The Inspector 4” – Johannes Bornlöf
– “Disciples of Sun Tzu” – Christian Andersen
– “Guilty Shadows 4” – Andreas Jamsheree
– “Last Point of Safe Return” – Fabien Tell
– “Death And Glory 1” – Johannes Bornlöf
– “Easy Target” – Rannar Sillard
– “Split Decision” – Rannar Sillard
– “First Responders” – Skrya
– “The Charleston 3” – Håkan ErikssonA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
Spartacus Olsson
1 day ago
From an intellectual viewpoint, this is perhaps the most challenging episode I have written in this series. First of all it’s hard to make economic policy interesting, even when it’s about the Nazis. It tends to get, well … grey. Second of all it’s not that easy to simplify things without completely losing the essence of what was going on. Third of all, I’m fighting an uphill battle against a post truth, political talking point based on … let’s just call it less than ingenious purposes.Obviously that’s the idea that the Nazis were Socialists. And perhaps that is not so far fetched when you think of the name of their party, the way they framed their anti-semitic rhetoric in a way that it would sound friendly to the working class, and their absolute disregard for telling the truth about anything, and everything. But although we have painstakingly showed you the facts, I am painfully aware that it won’t make a difference to stop the nonsense out there and in here — some pundits will religiously stick to their ideas, because if they don’t, they might have to face that some of the ideas they have are mutual with the people they so desperately want to distance themselves from. The same happened with the far left between the 1930s and 1970s, when they tried with cramped desperation to frame Stalinism as a right wing, Fascist movement — Red Fascism was the term — obviously as much nonsense as the alt-right idea that Naziism is Socialism.
And is it important? Well yes and no — the dumbos will probably get worn out at some point, it’s after all quite challenging to look for ways to distort the record over, and over again. I don’t really care if the extremists try to push their mutual garbage in each other’s lap — as a supporter of democracy and humanism, I have no regard for either end. I do however have an incredible amount of respect for conservatives, liberals, and progressives who are equally dedicated to democracy and human rights — and there is where it matters.
When the far left tries to frame Stalinism as right wing, and the far-right tries to frame Naziism is left-wing, they are trying to co-opt a position of less extremism. It’s an invasive attempt for Communists and (real) Socialists to just look like regular Progressives, and Fascists and Nazis to just look like regular Conservatives. And that my friends is dangerous, to all of us, regardless of our nationality, creed, political affiliation, or opinion — because it is specifically our individual rights and democracy that is at stake in this game. That’s what they want to take away, or in some places stop from developing.
So that’s why John Cabot got hired!
Anton Howes explains something that I’d wondered about in the latest edition of his Age of Invention newsletter:

Route of John Cabot’s 1497 voyage on the Matthew of Bristol posited by Jones and Condon: Evan T. Jones and Margaret M. Condon, Cabot and Bristol’s Age of Discovery: The Bristol Discovery Voyages 1480-1508 (University of Bristol, Nov. 2016), fig. 8, p. 43.
Wikimedia Commons.
… in 1550 the English were still struggling with latitude. Their inability to find it, unlike their Spanish and Portuguese rivals, was one of the main things holding them back from voyages of exploration.
The replica of John Cabot’s ship Matthew in Bristol harbour, adjacent to the SS Great Britain.
Photo by Chris McKenna via Wikimedia Commons.The traditional method of navigation for English pilots was to simply learn the age-old routes. They were trained through repetition and accrued experience, learning to recognise particular landmarks and using a lead and line – just a thin rope weighted with some lead – to determine their location from the depth of the water. Cover the lead with something sticky, and you might bring up some sediment from the sea floor to double-check: a pilot would learn the kinds of sand and pebbles from to expect from different areas. And when they travelled out to sea, away from the coastline, they used a basic system of dead reckoning, taking their compass bearings from a known location, estimating their speed, and keeping in a particular direction for long enough. Or at least hoping to. They might keep track of their progress on a wooden traverse table, inserting pegs to indicate how far they had sailed, but it was ultimately a matter of rough estimation. Should they make any mistake — in terms of their speed, heading, or point of departure — they might easily get lost. But it was still a matter of trying to follow an already-known route. And English mariners of the 1550s did not even know that many routes.
For a voyage of exploration, by contrast, landmarks and sediment from the sea floor would be seen for the first time rather than recalled. By definition, there was no route to follow. So to launch their own voyages of discovery, the English needed to learn a new skill. They needed to look to the heavens.
Celestial navigation — measuring the altitude of heavenly bodies and then using geometry to determine one’s latitude on the earth’s surface — was by the 1550s already hundreds of years old. It had primarily been used to cross the deserts of North Africa and the Middle East — seas of sand, in which there might also be no landmarks from which to take bearings — and to navigate the Indian Ocean. Thus, while pilots in the Atlantic and the Mediterranean stuck to dead reckoning and soundings, Islamic navigators had for centuries used quadrants and astrolabes to take their bearings at sea. By the mid-fifteenth century, these instruments and techniques had found their way to Europe, where they were put to use especially by Portuguese, Spanish, and Italian explorers, along with additional instruments such as the cross-staff.
[…]
So for decades, English explorations relied on foreigners who either knew the routes that the English pilots didn’t, or who at least possessed the skill of mathematical, celestial navigation. The Italian explorer John Cabot (Zuan Chabotto), when he sailed to Newfoundland from Bristol in the late 1490s, was able to take latitude readings (he may even have been familiar with the older Islamic navigational practices, as he claimed to have visited Mecca). When Cabot died, the English expeditions that set out from Bristol in 1501-3 relied on Portuguese pilots from the mid-Atlantic islands of the Azores. And John Cabot’s son, Sebastian Cabot, who was involved in a few English expeditions, was so expert in mathematical navigation that he was eventually appointed pilot major for the entire Spanish Empire, making him responsible for the training and licensing of all its pilots — a position he held for three decades. When he led a voyage of exploration on behalf of Spain in 1526-30, a few English merchants became investors so that they could justify sending with him an English mariner, Roger Barlow, to secretly learn the Spanish routes across the Atlantic and have immediate knowledge if an onward route to Asia was discovered (as it turned out, South America got in the way).
An American .30-06 MG-42, and GPMGs after WWII
Forgotten Weapons
Published 31 Oct 2019http://www.patreon.com/ForgottenWeapons
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The perk for $100 Patrons is choosing a gun they would like me to find and film, and one such Patron (Mark) expressed a curiosity about US testing and lack of adoption of an MG-42 in .30-06 caliber. So, today we will discuss that (the trials gun was designated the T24) as well as why it took so long for the FN MAG to be developed and adopted.
For the full T24 trials report and photos, go here:
https://www.forgottenweapons.com/ligh…Resources for this video included:
MG34-MG42: German Universal Machine Guns (https://amzn.to/2VtY314)
German Universal Machine Guns, Vol II: MG08-MG3 (https://amzn.to/2M2f67t)
Rock in a Hard Place: The Browning Automatic Rifle (https://amzn.to/315Dbi2)
The Browning Machine Gun, Vol I (https://amzn.to/2M4KgeA)
Ars Mechanica (https://amzn.to/324JT9h)
The Machine Gun, Vol I (https://www.ibiblio.org/hyperwar/USN/…)Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704
February 19, 2020
Great Blunders of WWII: The Scattering of Convoy PQ17
Anthony Coleman
Published 4 Nov 2016From the History Channel DVD series Great Blunders of WWII.
This is of interest for many reasons, but particularly because my late father-in-law served in the Royal Navy on the Arctic convoys and spent a full winter in the Soviet Union when his convoy couldn’t return before the ice closed the convoy route.
Classics Summarized: Dante’s Inferno
Overly Sarcastic Productions
Published 21 Mar 2015I’m back, baby!
For this week’s venture into literature, we take a broad look at The Inferno. Hold onto your butts.
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QotD: Myths the Greatest Generation believed
In addition to inflating our confidence in overseas interventions, the war era fueled belief that government could be a major force for good at home, capable of solving every domestic problem. Franklin Roosevelt’s superb wartime management boosted the popular opinion of government and encouraged Americans to adopt war as a metaphor for government action in general. The war seemed to fulfill Teddy Roosevelt’s and Woodrow Wilson’s earlier progressive dreams that big government, acting in concert with big business and big labor, could solve any problem that it chose to tackle. Just as warfare was re-envisioned to fit the total-war model of World War II, governing became understood as a matter of trained professionals applying management methods to public policy.
This belief in the military-like efficiency of government inspired the ambitious welfare-state policies of the postwar era, especially Johnson’s War on Poverty. When, in 1972, Richard Nixon declared a War on Drugs, and when, in 1977, Jimmy Carter described the energy crisis as the “moral equivalent of war,” the model they had in mind was, again, World War II. Today, newspapers and scientific journals still proclaim the need for ambitious government action to fix enormously complex problems — for example, calling repeatedly for a “new Manhattan Project” to solve the problem of climate change.
War, as conservatives figured out early on, is a poor metaphor for government doing socially useful things. We can’t fight and win a “war” on poverty, or drugs, or cancer, because these things are nothing like war. The last heroic big-government project run along World War II lines was the Apollo program, which put Americans on the moon. This was a tremendous achievement, but here a military mindset was directly relevant: like the design of war machines a quarter-century earlier, the Saturn rockets were a discrete engineering challenge, one whose basic parameters were well understood.
E. M. Oblomov, “The Greatest Generation and the Greatest Illusion: Success in World War II led Americans to put too much faith in government — and we still do.”, City Journal, 2017-12-28.
February 18, 2020
Royal Resistance in Benelux and Scandinavia 1940 – WW2 – War Against Humanity 008
World War Two
Published 17 Feb 2020When the Racism of Naziism hits the Nationalism of Monarchism, it doesn’t quite go like Hitler would have imagined.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Spartacus Olsson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Sources:
National Museum of Denmark https://natmus.dk/museer-og-slotte/fr…
Archive of I.M. Bondarenko
Regionaal Archief Nijmegen
CegeSoma, n°34706
NationalSocialistMovementintheNetherlands (1).png by Ec1801011 from wikimedia commons https://commons.wikimedia.org/wiki/Fi…
Resistance_15_December_1940 by SiefkinDR from wikimedia commons https://en.wikipedia.org/wiki/File:Re…
IWM (FL 24877, HU 66187)
The Dubbo Liberal and Macquarie Advocate (NSW : 1894 – 1954), p. 3 http://nla.gov.au/nla.news-article132…
Yousuf Karsh, National Archives of the Netherlands / Fotocollectie Anefo
Narodowe Archiwum Cyfrowe
Delphin, Rigmor Dahl, Oslo MuseumSoundtracks from the Epidemic Sound:
Johannes Bornlof – “Deviation in Time”
Farrell Wooten – “Blunt Object”
Wendel Scherer – “Reunion”
Fabien Tell – “Last Point of Safe Return”
Howard Harper-Barnes – “London”
Hakan Eriksson – “The End of The World 2”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
Spartacus Olsson
3 days ago
You’d think that the Nazis would know how nationalism works … well, it turns out that when Hitler’s fantasies of race meet the very real nationalism of the old European monarchies, race doesn’t have the trump. Now, in 1940 nationalism isn’t that old, but it’s anchored in old traditions that the monarchies now occupied by the Nazis have managed to reconcile with modernity rather successfully. And here’s an important point: nationalism is often decried as the root of all of these conflicts, and perhaps it is, but in some places it’s also proved to be fertile ground for modern democracy. Perhaps there’s a lesson to be learnt somewhere in there, and maybe that’s that in the end it’s not what, but how that makes a difference. What’s particularly interesting, in for instance the Netherlands with the February Strike or in the Germany resistance rings, is that when faced with a common enemy to the nation, patriotism unites people across the political spectrum, well except those obsessed with the idea of race.
FN Grand Browning: The European 1911 that Never Happened
Forgotten Weapons
Published 17 Feb 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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When John Browning licensed his handgun patents, the North American rights were granted to Colt, and the Western European rights to FN in Belgium. Browning provided the patents and patent model guns to the companies, and they were then free to interpret the design however they thought best. In the case of the shrouded-hammer blowback system, the Colt interpretation (the Pocket Hammerless) was a civilian concealed pistol in .32ACP, while the FN interpretation (Model 1903) was a substantially larger gun in 9×20 Browning Long intended for military service.
The locked-breech patent was the same. Colt developed it into the Model 1911 adopted by the US military, and FN built a slightly smaller version in 9.65x23mm intended for European military service. However, while the Colt pistol became tremendously popular, FN’s development was disrupted by World War One, and never completed in its aftermath. Only a couple dozen examples of the Grand Browning, as it was called, were made before the war, and just a few survive today. We will never know how European militaries would have responded to a Browning locked-breech pistol at the time…
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704
Viking Invasion of England | 3 Minute History
Jabzy
Published 18 Oct 2016Thanks to Xios, Alan Haskayne, Lachlan Lindenmayer, Victor Yau, William Crabb, Derpvic, Seth Reeves and all my other Patrons.
February 17, 2020
Sieges and Siege-craft
Lindybeige
Published 2 Jun 2016Sieges in the ancient and medieval worlds were on quite different scales. 10,000 men can do things differently from 500.
Support me on Patreon: https://www.patreon.com/Lindybeige
This video’s subject was chosen by Jack Sargeant, the winner of the DeepArt art competition a couple of weeks ago. The topic is a large one, but I hope I gave it a decent enough shot.
Castle illustration by Mathew Nielsen.
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Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.
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