In this episode of Out of the Foxholes, we answer some community questions on what August von Mackensen did in World War Two, if there was a shortage on French wines and what the Axis’ perception of the Monroe Doctrine was.
Sources:
Narodowe Archiwum Cyfrowe
IWM F 3551
Library of Congress
Wine Bottles by Ivan from the Noun Project
Spider by Sneha from the Noun Project
Spider Web by Valerie Lamm from the Noun Project
Soundtracks from the Epidemic Sound:
Trabant 33 – “When in Bavaria”
Philip Ayers – “Trapped in Maze”
Johannes Bornlof – “The Inspector”
Bullets break the silent air, a wasted battleplan! It was a long and harsh march through the lands in the east, where the Swedish army of Charles XII sought to bring the Russian Empire to its knees. The Swedish king had the vision of a great victory, in which he captured Moscow and destroyed Tsar Peter I’s ambitions once and for all. However, as in late June 1709, the exhausted and hungry Swedish troops finally met the Tsar in open battle near the fortress of Poltava, it all seemed impossible. A relentless and fateful battle would commence. A battle after which only one empire would continue to rise while the other would fall.
Sabaton History
2 hours ago
Just a quick correction: St. Petersburg was not named after Peter I himself, but after his patron saint St. Peter. Although the Russian Tsar made sure that he himself would be immortalized by founding St. Petersburg, Russia’s window to Europe.
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The Bren Ten is an interesting story of handgun development and business failure. The gun was first developed by Dornaus & Dixon, with the consulting help of the iconic Col. Jeff Cooper. It was intended to be a handgun to improve upon the venerable 1911 in every way.
To satisfy the adherents to the theory of large-caliber handgun cartridges, the gun was designed around a new 10mm cartridge designed by Norma. This cartridge would propel a 200 grain bullet at 1200 fps from a 5 inch barrel, making it the most powerful service handgun cartridge in production. It would use a 10-round magazine, and also be convertible to .45ACP.
The gun itself was based on the excellent Czech CZ-75 (made at Brno, which is where the “Bren” portion of the pistol’s name came from). It had full length slide rails, a DA/SA trigger that could be carried cocked and locked, and nice big sights.
Unfortunately, a combination of production quality problems, inadequate magazine design, preorders, and other issues led to the company quickly falling into tough financial straits. The guns were only manufactured for about 2 years before bankruptcy ended production. Some had been shipped without magazines, and Bren Ten magazines remain a sought-after commodity today.
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The “mercantile system” is […] what we today commonly call “protectionism” or “economic nationalism.” By duping the general public into believing that the artificially promoted and protected profits and wages reaped by a handful of highly visible and politically powerful firms and workers are the same as — or are evidence of — a high standard of living for ordinary people nationwide, mercantilists convince members of the general public to accept government-imposed restrictions on their freedom to trade with foreigners. More succinctly, protectionists pull off the rather amazing feat of convincing ordinary people that their standard of living rises when government artificially increases the scarcity of the goods and services that they wish to consume.
Under the yoke of economic depression and more and more authoritarian rulers, Western women face renewed misogyny, patriarchy, and decreasing independence. But not all women think this is such a bad thing.
Soundtracks from Epidemic Sound:
– “Sophisticated Gentlemen” – Golden Age Radio
– “The Inspector 4” – Johannes Bornlöf
– “Magnificent March 3” – Johannes Bornlöf
– “Last Point of Safe Return” – Fabien Tell
– “Step On It 5” – Magnus Ringblom
– “First Responders” – Skrya
– “Step Lightly” – Farrell Wooten
– “Try and Catch Us Now” – David Celeste
– “Not Safe Yet” – Gunnar Johnsen
– “The Dominion” – Bonnie Grace
– “The Charleston 3” – Håkan Eriksson
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
So, we take a little break from the geopolitical developments in 1938 to look at the situation of women in the Western World in 1938. We’ve received a lot of requests on the WW2 channel to cover the situation on the home fronts. While we do mention it in the weekly episodes, and War Against Humanity covers the horrid parts of it, WWII was so much more. It literally changed the world’s culture in just six years. To do that subject justice we have asked Anna to join us as host for a new monthly WW2 series: On the Homefront.
A few years back Anna was a regular feature on German YouTube on her own channel and some of the bigger YouTube entertainment channels. She left YouTube to finish her studies, and because she was searching for more depth than YT entertainment content was offering her. As Astrid’s and my daughter, and having grown up with Indy around all the time, she has a passion for human history form childhood, especially cultural history.
She also has a personal relationship to this time through her grandparents, Herbert and Renate, Astrid’s parents who served in Germany during the war, on the front and at home. Herbert, a career administrator and later NCO in the Wehrmacht engineer corps, went on after the war to work for the British as translator, and then as a public servant supporting the creation of the Bundeswehr, the German defense forces, and eventually Germany’s contribution as NATO member.
Renate’s father, a bank director, died under mysterious circumstance in 1936 after repeatedly refusing to pay out money belonging to Jewish families to the Nazis. Her mother and sisters soldiered on under the Nazis as best they could, When the war broke out they first suffered under the Allied bombing, losing their home three times. When the bombing became a daily occurrence, Renate was drafted to the German flak and only barely survived the war.
Several years after the war Herbert and Renate met and started a family together. They both passed away only a few years ago, late enough so that Anna had a chance to spend countless hours over 23 years listening to their war stories, and what they took away from it: hope for a better world, and the knowledge that what happened in Germany between 1933 and 1945, must never happen again. Please join us to welcome Anna, our daughter to TimeGhost.
Spartacus
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This month’s fallen flag article in Classic Trains magazine recounts the story of the Carolina, Clinchfield & Ohio, later known as the Clinchfield Railroad:
Clinchfield Railroad SD40 locomotive number 3002 at Spartanburg, SC in February 1968. Roger Puta photo via Wikimedia Commons.
The Clinchfield was different. It was conceived by men who had the vision and resources to do things right. It was built to the highest engineering standards of the early 20th century. It never went through a financial failure or reorganization. Indeed, the Carolina, Clinchfield & Ohio Railway was the antithesis of traditional railroad evolution.
In 1902, a wealthy regional businessman, George L. Carter, began stitching together an integrated industrial enterprise to develop vast coal deposits in the Clinch (River) Fields of southwest Virginia and to deliver the coal across the southern Appalachian mountains to markets in the Carolinas and to ships calling at Wilmington, Charleston, Savannah, and Jacksonville. Carter, from whom Howard Hughes could have learned a thing to two about secrecy, operated using the South & Western Railway banner. The name said everything … and nothing. The S&W was chartered from any point on the Atlantic Ocean to any point on the Great Lakes. Carter agents seized by legal means and/or physical occupation key terrain features through the mountains in competition with the Chesapeake & Ohio and the Southern Railway.
Clinchfield Railroad map. The Clinchfield’s 277-mile, 5-state line stretched from Elkhorn City, Kentucky, to Spartanburg, South Carolina. Map via Classic Trains.
Within that generous charter was the idea of building a railroad to haul coal south and merchandise in both directions between the Midwest and the Southeast. The plans also incorporated development of several on-line cities to consume coal and make products from regional resources to diversify and grow the freight business. Finally, a steamship line was organized to move coal beyond the ports to customers in the Caribbean.
By 1905, Carter realized he needed far more capital than he could personally provide. Reluctantly, he managed to convince Blair & Co., a big Wall Street investment house, to finance the project. M. J. Caples, an engineer with mining and railroad experience, laid out and then built a magnificent low-grade, high-capacity railroad. Tunnels, steel viaducts, generous fills, and rocky cuts appeared as needed. More than 4 percent (almost 10 miles) of the line was underground in 55 tunnels. With construction of the 277-mile railroad well advanced, its name was changed to Carolina, Clinchfield & Ohio Railway in 1908.
Coal began flowing across the 242 miles from Dante, Va., to Spartanburg, South Carolina, in 1909 while the owners and engineers debated how to cross the Cumberland mountains into the Ohio River valley. Between 1912 and 1915, a 35-mile extension including what was then the 10th-longest tunnel in the U.S. created a through route connecting Chesapeake & Ohio at Elkhorn City, Kentucky, with the three major southeastern carriers (Seaboard at Bostic, North Carolina; Atlantic Coast Line and Southern at Spartanburg). In constant-value dollars, the five-state CC&O was the most expensive railroad ever built in the U.S.
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The war in China already started in 1931 when Japan invaded Manchuria. Early resistance was small and was met by heavy Japanese retaliations. But throughout the 30’s, the movement started to grow.
Hosted by: Spartacus Olsson
Written by: Francis van Berkel
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Library of Congress
Narodowe Archiwum Cyfrowe
Chinese anti-Japanese posters, courtesy of pictoright
SHANGHAI, CHINA-1921
Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Yi Nantiro – “Watchmen”
Yi Nantiro – “A Single Grain of Rice”
Reynard Seidel – “Deflection”
Fabien Tell – “Last Point of Safe Return”
Andreas Jamsheree – “Guilty Shadows 4”
Rannar Sillard – “Split Decision”
If you happen to like our videos and have a few bucks to spare to support our efforts, check out our Patreon page where we’ve got a variety of perks for our Patrons, including Simon’s voice on your GPS and the ever requested Simon Whistler whistling package: https://www.patreon.com/TodayIFoundOut
This video is sponsored by World of Warships
In this video:
Britain was taking a beating from the German ships and submarines and were looking for something to build a ship out of that couldn’t be destroyed by torpedoes, or at least could take a major pounding without incurring a fatal amount of damage. With steel and aluminum in short supply, Allied scientists and engineers were encouraged to come up with alternative materials and weapons.
Antony Beevor’s book Arnhem is good — but it contains a flawed argument. So flawed, that there’s a ton of counter evidence that shows it doesn’t work. Here, I will explain the events of the Nijmegen battle, what Beevor’s incorrect statement is, why he has to say it like he did, and how he could have done things differently.
Check out the pinned comment below for more information, notes, links, and sources.
Don’t forget to subscribe if you like history or gaming! And hit the little bell icon to be notified when videos like this are uploaded.
Brereton, L. The Brereton Diaries: The War in the Air in the Pacific, Middle East and Europe, 3 October 1941-8 May 1945. Kindle, 2014.
Frost, J. A Drop Too Many. Kindle, 2009.
Hastings, M. Armageddon. Pan Books, 2004.
Robert J. Kershaw, It Never Snows in September. Ian Allan Publishing, 2007.
Mead, R. General Boy: The Life of Lieutenant General Sir Frederick Browning. Kindle, 2010.
Middlebrook, M. Arnhem 1944: The Airborne Battle, 17-29 September. 2009.
Neillands, R. The Battle for the Rhine 1944. Kindle, 2014.
Poulussen, R.G. Lost at Nijmegen. Kindle, 2011.
Ryan, C. A Bridge Too Far. Kindle, 1974
Urquhart, R. Arnhem. Kindle, 1958.
Sosabowski, S. Freely I Served. Kindle, 1982.
The Type 89 grenade discharger, commonly known as the “knee mortar” was a Japanese light infantry weapon introduced in 1929 which blurs the lines between grenade launcher and mortar. Like a mortar, it fires propelled explosive bombs in a high-angle indirect fire role, but it has a rifled barrel and uses a range adjustment mechanism very different from most mortars.
The knee mortar proved to be a very capable and effective weapon in WWII against US forces. It was accurate, effective, and perhaps most importantly, light and very fast to put into action. The closest comparable US weapon was the 60mm light mortar, which had a more effective projectile but was significantly slower to use.
Of course, the “knee mortar” nickname was based on the theoretical belief that one was supposed to rest the curved baseplate of the weapon on a leg while firing, which would actually have resulted in a broken leg. The baseplate was curved to allow it to dig into soft soil and be used against objects like logs and roots.
Bob Kunz, Steven Snow, John Buchan, Nevin Spoljaric, Donal Botkin, Phil Gardner, Chris Chapin, Richard Jenkins, Martin, Steven Grimm, سليمان العقل, Colin Millions, Michael Mrozek, Saki Comandao, Jason Lewandowski, Andrea Di Biagio, David F Watson, rictic, Ben Schwab, Marco Arment, Elliot Lepley, Shantanu Raj, emptymachine, Bobby, Chris Amaris, George Lin, Mikko, Derek Bonner, Derek Jackson, Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Henry Ng, Jordan Earls, Joshua Jamison, Nick Fish, Nick Gibson, Robert Webb, Jeffrey Podis, Thunda Plum, Awoo, David Tyler, Fuesu, iulus, Kevin Costello, Michael Reilly, Tyler Bryant, Kermit Norlund, chrysilis, David Palomares, Erik Parasiuk, ken mcfarlane, Leon, Tristan Watts-Willis, Veronica Peshterianu, Bear, Emi, Esteban Santana Santana, Freddi Hørlyck, John Rogers, Maarten van der Blij, Peter Lomax, Rhys Parry, ShiroiYami, Dag Viggo Lokøen, John Lee, Maxime Zielony, Elizabeth Keathley, Frederick The Great, Luxe Gifts, Rebecca Wortham, Bryan McLemore
A tumbleweed is a structural part of the above-ground anatomy of a number of species of plants, a diaspore that, once it is mature and dry, detaches from its root or stem, and rolls due to the force of the wind. In most such species, the tumbleweed is in effect the entire plant apart from the root system, but in other plants, a hollow fruit or an inflorescence might serve the function. Tumbleweed species occur most commonly in steppe and arid ecosystems, where frequent wind and the open environment permit rolling without prohibitive obstruction.
Apart from its primary vascular system and roots, the tissues of the tumbleweed structure are dead; their death is functional because it is necessary for the structure to degrade gradually and fall apart so that its seeds or spores can escape during the tumbling, or germinate after the tumbleweed has come to rest in a wet location. In the latter case, many species of tumbleweed open mechanically, releasing their seeds as they swell when they absorb water.
The tumbleweed diaspore disperses seeds, but the tumbleweed strategy is not limited to the seed plants; some species of spore-bearing cryptogams — such as Selaginella — form tumbleweeds, and some fungi that resemble puffballs dry out, break free of their attachments and are similarly tumbled by the wind, dispersing spores as they go.
[…]
In the family Amaranthaceae (i.e. broadly defined to include Chenopodiaceae), several annual species of the genus Kali are tumbleweeds. They are thought to be native to Eurasia, but when their seeds entered North America in shipments of agricultural seeds, they became naturalized in large areas. In the cinema genre of Westerns, they have long been symbols of frontier areas. Kali tragus is the so-called “Russian thistle”. It is an annual plant that breaks off at the stem base when it dies, and forms a tumbleweed, dispersing its seeds as the wind rolls it along. It is said to have arrived in the United States in shipments of flax seeds to South Dakota, perhaps about 1870. It now is a noxious weed throughout North America, dominating disturbed habitats such as roadsides, cultivated fields, eroded slopes, and arid regions with sparse vegetation. Though it is a troublesome weed, Kali tragus also provides useful livestock forage on arid rangelands.
Overly Sarcastic Productions
Published 28 Feb 2020
She’s a Princess! She’s a Poet! She’s a Historian! She’s Anna Komnena — the COOLEST writer in the Byzantine Empire! On this episode of History-Makers, jump into the reign of Alexios Komnenos from the perspective of his daughter Anna, and learn about the emperor who saved the Byzantines from certain doom, as well as the traits that make Anna’s Alexiad a masterpiece.
This video was edited by Sophia Ricciardi, AKA “Indigo”.
Our content is intended for teenage audiences and up.
Sources & Further Reading: The Alexiad — obviously, what are you waiting for? (Also Norwich’s Byzantium)
With the dynasties of the Ming and the Qing came social security and flourishing international trade. The White Lotus Movement advocated progressive thinking in the time of the conservative Ming dynasty. In 1616 the Qing dynasty came to power. Also known as the Manchu dynasty, the Qing refused to open their borders to limitless trade which led to frustrated European merchants. This caused hostility and mistrust of the “barbaric Chinese”. Shortly thereafter China’s economy lost its race against European Colonialism and would lose military influence after gunpowder reached Europe. All about the fall of the former Chinese superpower in this episode on IT’S HISTORY!
» SOURCES
Videos: British Pathé (https://www.youtube.com/user/britishp…)
Pictures: mainly Picture Alliance
Content:
Twitchett, Denis and Loewe, Michael. The Cambridge History of China. Cambridge University Press.
Wilkinson, Endymion, Chinese History: A New Manual. Harvard University, Asia Center
Loewe, Michael; Shaughnessy, Edward L. The Cambridge History of Ancient China. Cambridge University Press
John M. Roberts A Short History of the World. Oxford University Press
Xu, Pingfang The Formation of Chinese Civilization: An Archaeological Perspective. Yale University Press.
Fairbank, J. K.; Goldman, M. China: A New History. Harvard University Press. ”
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Presented by: Guy Kiddey
Script by: Guy Kiddey
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There is no more evocative phrase to emerge from World War II than Afrika Korps. The name conjures up a unique theater of war, a hauntingly beautiful empty quarter where armies could roam free, liberated from towns and hills, choke points and blocking positions, and especially those pesky civilians. It calls forth a war of near-absolute mobility, where tanks could operate very much like ships at sea, “sailing” where they wished, setting out on bold voyages hundreds of miles into the deep desert, then looping around the enemy flank and emerging like pirates of old to deal devastating blows to an unsuspecting foe. Finally, it implies a bold hero, in this case Field Marshal Erwin Rommel, a noble commander who fought the good fight, who hated Hitler and everything he stood for, and who couldn’t have been farther away from our stereotyped image of the Nazi fanatic. Everything about him attracts us — the manly poses, the out-of-central-casting good looks, even the goggles perched just so. Placing Rommel and his elite Afrika Korps to the fore allows us to view the desert war as a clean fight against a morally worthy opponent. It was war, yes, but almost uniquely in World War II, it was a “war without hate.”
It’s an attractive image all around, and it is unfortunate that practically all of it is false. The desert was hardly a haven of beauty or romance. It was a pain, and fighting in it was a nightmare for both sides. Far from letting the respective tank fleets roam free, the desert chained them irresistibly to their supply lines, and a single failed supply convoy or a lost column of trucks could stop an entire offensive dead in its tracks. Contrary to the alleged mobility of desert warfare, both sides would spend far more time in static defensive positions, often quite elaborate, then they would launching tank charges.
That leaves us with Rommel. Here, too, we should challenge the mythology. He was hardly apolitical. His entire career had been based on Hitler’s favor, and we might reasonably describe his attitude toward the Führer as worshipful. He was Hitler’s fair-haired boy, a young officer repeatedly promoted over more senior candidates. He was a media creation. Nazi propaganda painted him not only as a garden-variety hero, but as a model National Socialist and Aryan, a man who could overcome stronger enemies through the sheer force of his will. He was not merely a passive bystander to the hype; he was an active accomplice. He loved nothing better than having a camera crew along with him on campaign, and he would regularly order scenes to be reshot if his posture was insufficiently heroic or the lighting had not shown him to best advantage. As is often the case, his relationship to the media was both self-serving and self-destructive. During the years of victory, the German propaganda machine used him as an example to the nation. When things went sour, he became a diversion from the increasingly bad news on other fronts. Finally, when he was no longer useful for any purpose at all, the regime dropped him altogether and eventually killed him.
