Quotulatiousness

June 27, 2020

Tank Chats #74 Panzer I | The Tank Museum

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 10 May 2019

Panzer I was the first tank mass produced by Germany, as part of their drive to re-arm in the 1930’s before the Second World War.

The Tank Museum’s Panzer IB tank is the only known commander’s model of the Panzer I.
Cradit @10:25 Panzer I from The Arsenalen Museum, Sweden.

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June 26, 2020

The Holocaust Begins in Lithuania – War Against Humanity 013 – June 1941 Part 01

Filed under: Europe, Germany, History, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 25 Jun 2020

The German Fallschirmjäger target the Cretan civilian population as they take the island with big losses. But the War Against Humanity intensifies dramatically as Operation Barbarossa is launched on 22nd June, 1941.

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Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Valantis Athanasiou
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
https://www.flickr.com/photos/2215569…
Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
Detail of Mural Depicting 1919 Amritsar Massacre – Jallianwala Bagh – Amritsar – Punjab – India, courtesy Adam Jones https://flic.kr/p/kj6riR
RIA Novosti archive, image #965
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM E 3064E
Vilna Gaon State Jewish Museum
from the Noun Project: Policeman by karina, suit by Gabriel Ciccariello, manufacturer by priyanka, land investment by Gan Khoon Lay, soldier by Andi Nur Abdillah, classroom by Gan Khoon Lay, prisoner by carlotta zampini, interrogation by Gan Khoon Lay, Tortured Man by Gan Khoon Lay, sitting at desk by IYIKON

Bibliography:
“NKVD and Central Committee of the Soviet communication” as documented in: The great west Ukrainian prison massacre of 1941, a sourcebook – Ksenya Kiebuzinski, Alexander Motyl
Alexander Statiev, The Soviet Counterinsurgency in the Western Borderlands 167-168
“Lithuania in March 1941: An American Diplomat’s Report”, In: Journal of Baltic Studies 26:2 (1995) 161-158.
Herman Kruk, The Last Days of the Jerusalem of Lithuania: Chronicles from the Vilna Ghetto and the Camps, 1939-1944 (2002)
Stephan D. Yada-Mc Neal, Places of Shame – German and Bulgarian war crimes in Greece 1941-1945, Books on Demand, 2018
Antony Beevor, Crete 1941: The Battle and the Resistance, Greek edition, Athens, 2004.
Fleischer, Hagen, “Battle of Crete”, in Crete, History and Civilization, vol. 2 (Greek), Cretan TEDK, Heraklion, 1988.
Sanoudaki-Sanoudou Antonis, May 2011, German reprisals in the Battle of Crete (Greek), 70 Years from the Battle of Crete, pp. 89-112

Soundtracks from the Epidemic Sound:
Skrya – “First Responders”
Flouw – “Endlessness”
Jon Bjork – “For the Many”
Johannes Bornlof – “Deviation In Time”
Andreas Jamsheree – “Guilty Shadows 4”
Cobby Costa – “From the Past”
Farell Wooten – “Blunt Object”
Philip Ayers – “Trapped In A Maze”
Johannes Bornlof – “The Inspector 4”
Gunnar Johnsen – “Not Safe Yet”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 hours ago (edited)
We apologize deeply for the mess up with the listing of countries at the opening – somehow the errors in the list of invaders slipped through the fact check. To be clear: neither Bulgaria, nor Slovenia (obviously) invaded the USSR in June 1941. We’re working on fixing it in some way with YouTube’s help.

At the end of June 1941 the civilian population in what is today Poland, Romania, Ukraine, Belarus, Latvia, Lithuania, and Estonia are facing two lethal enemies. The political police of the USSR – the NKVD, and the invading German Army accompanied by the Nazi killing squads of the SS. That’s simply how it is. That it will get even worse than it is during the last week of June, especially through horrors committed by one of these sides does not change that fact. Because of the importance of these events to humanity, and the difficulty we all face to not equivocate who did what, we would like to remind you that we use a chronological format, that we do not make analytical commentary that looks to what will happen, but let you discover the events as they evolve.

“Ghost Division” – Rommel’s 7th Panzer Division – Sabaton History 073 [Official]

Filed under: France, Germany, History, Media, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Published 25 Jun 2020

In the night of 17 May 1940, confusing reports were reaching French High Command. They spoke of what was thought impossible: The German Army had broken through the Maginot Line in the north. Scattered and panicked soldiers spoke of a “Division Fantôme” – a Ghost Division! It was Generalmajor Erwin Rommel’s 7th Panzer Division that was wreaking havoc in the French rear. In an unauthorized push, Rommel had seized the opportunity to rush the French fortress garrisons by a surprise armor attack straight from the move. Now in open space and with the night sky illuminated by burning French tanks and trucks, it was crucial for the Ghost Division to exploit its tactical victory. Alone and cut off like an island in a sea of enemies, this was easier said than done.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Ghost Division” on the album The Art of War:
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlay

Watch the Official Lyric Video of “Ghost Division” here:
https://www.youtube.com/watch?v=9FkYx…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Colorizations:
– Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
– Bundesarchiv, CC-BY-SA 3.0: Bild 146-1977-018-13A/Otto, Bild 101I-124-0219-20/Hinz, Bild 146-1972-045-02
– Narodowe Archiwum Cyfrowe
– chieftanruncrush from Freesound.org
– Food vector created by freepik – www.freepik.com

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

The Italian Tank Meme

Filed under: Africa, Europe, History, Italy, Military, Weapons, WW2 — Tags: , — Nicholas @ 02:00

Potential History
Published 27 Jul 2018

Italian tanks and why they were what they were.

Tank illustrations: http://www.tanks-encyclopedia.com/

P.O.Box:
Potential History
P.O. Box
524 Beech Grove, IN,
46107

Patreon: https://www.patreon.com/potentialhistory

June 25, 2020

Capitalism and slavery

Filed under: Books, Britain, Economics, History, Liberty, USA — Tags: , , — Nicholas @ 05:00

In Quillette, Matthew Lesh explains why glib claims that slavery was somehow “essential” to early capitalism or that slavery was the cause of western wealth just don’t hold up to any historical scrutiny:

Auction at Richmond. (1834)
“Five hundred thousand strokes for freedom; a series of anti-slavery tracts, of which half a million are now first issued by the friends of the Negro” by Wilson Armistead and “Picture of slavery in the United States of America” by George Bourne.
New York Public Library via Wikimedia Commons.

It has become a common trope that slavery and the slave trade is responsible for the industrial revolution, if not our entire modern prosperity. Slavery is often called capitalism’s “dark side.” A recent column in the Guardian claimed the slave trade “heralded the age of capitalism” and Guardian columnist George Monbiot said on Twitter: “The more we discover about our own history, the less the ‘trade’ on which Britain built its wealth looks like exchange, and the more it looks like looting. It meant extracting stolen resources and the products of slavery, debt bondage and land theft from other nations.” The same line has been taken by London Mayor Sadiq Khan, who tweeted: “It’s a sad truth that much of our wealth was derived from the slave trade.”

But what did the “father of modern economics,” Adam Smith, actually think about slavery? And is it responsible for our modern prosperity?

Adam Smith argued not only that slavery was morally reprehensible, but that it causes economic self-harm. He provided economic and moral ammunition for the abolitionist movement that came to fruition after his death in 1790. Smith was pessimistic about the potential for full abolition, but he was on the side of the angels.

Smith’s The Wealth of Nations, published in 1776, contains perhaps the best known economic critique of slavery. Smith argued that free individuals work harder and invest in the improvement of land, motivated by their interest in earning a higher income, than slaves. Smith refers to ancient Italy, where the cultivation of corn degraded under slavery. The cost of slavery is “in the end the dearest of any,” Smith writes.

His thinking about slavery can be traced further back. In the Lectures on Justice, Police, Revenue and Arms, delivered in 1763 long before Britain’s abolitionist movement was formalised, Smith writes:

    Slaves cultivate only for themselves; the surplus goes to the master, and therefore they are careless about cultivating the ground to the best advantage. A free man keeps as his own whatever is above his rent, and therefore has a motive to industry.

Smith describes how serfs in Western Europe — in feudal relationships with lords — were progressively transformed into free tenants as they acquired cattle and tools. Harvests were more evenly divided between landlord and tenant to encourage better use of land, and tenants eventually progressed to simply giving the landlord a sum for lease. As government became more established, the influence of lords over the lives of tenants was also loosened.

Capitalism was, as Marx described, the next stage in human development after feudal slave relations. Smith’s commercial society is in direct opposition to a slave society. Smith, at his core, is an advocate for individuals being free to specialize and trade, including to trade their labor. Everyone acting with regard to their “own interest,” not because of coercion, creates general prosperity.

Smith’s case against slavery is proven by history: The huge uptick in human prosperity came largely after the end of feudal relations and the abolition of slavery and the slave trade. We are many magnitudes richer than when lords held slaves, or even chattel slavery proliferated in the Americas. The setting free of humanity led to extraordinary innovation and entrepreneurialism. This is only possible, as Smith argued, when individuals can benefit from the fruits of their own labor (slaves cannot hold property in their own name, and hence cannot trade or choose to specialise).

We didn’t become rich because a few hundred years ago people toiled on farms in awful conditions. In fact, the opposite. “It was precisely the replacement of human muscle power with that of steam and machines which did away with the vileness of chattel slavery and forced labor,” Tim Worstall has explained.

USA Starts the Atomic Arms Race | The Cuban Missile Crisis I Prelude 1

TimeGhost History
Published 24 Jun 2020

When WW2 ends the former Allies find themselves at odds with each other over ideological and economic world domination. In an atmosphere of increasing escalation, the US pulls ahead in the nuclear arms race. While the Soviet Union tries to catch up, they are far behind, and yet humanity soon faces potential destruction many times over.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek Kaminski

Colorizations:
– Daniel Weiss

Sources:
– Bundesarchiv_Bild_183-30562-0001,
– Color by Klimbim

Soundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Juvenile Delinquent” – Elliot Holmes
– “Nightclub Standoff” – Elliot Holmes
– “Scope” – Got Happy
– “Zoot Suit” – Elliot Holmes
– “Car Chase in Virginia” – White Bones
– “When They Fell” – Wendel Scherer
– “Kissed by Thunder” – Elliot Holmes

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
1 day ago
This is the first of two preludes before we will cover the Cuban Missile Crisis day-by-day in 13 episodes. Our hardcore fans might recognise this series, as these are a remake of the very first series that we ever did on this YouTube channel. Not only did we improve the set and the audio and video quality, also did we gain access to a lot more unique archive material. These episodes were also edited by dedicated editors (back then Spartacus had to edit them) and we have the help of Ryan who makes graphics and our coloriziation squad who bring history to life. We have come a long way since the old version of this was first published. We thank everyone for sticking around but especially those who joined the TimeGhost Army at www.patreon.com/timeghosthistory or https://timeghost.tv. We wouldn’t be here without them!
Cheers,
Joram

What is the purpose of public art?

Filed under: History, Media, Politics — Tags: , , , — Nicholas @ 03:00

In his latest Age of Invention newsletter, Anton Howes engages with a topic that is in the headlines today as we find ourselves in the midst of an unexpected outbreak of iconoclasm:

The John Cassidy (1860-1939) statue of Edward Colston, which stood in Bristol from 1895-2020 before being taken down and thrown into Bristol harbour during the protests after the death of George Floyd.
Photo by William Avery via Wikimedia Commons.

… public art in the eighteenth and nineteenth centuries used to be about inculcating virtue, which is something we seem to have forgotten. Public art was explicitly moralising, and not in the subversive way so often seen today, which leads us to question ourselves but rarely gives us answers. Back then, public art was instead meant to inspire. In painting, for example, the most prestigious and public-facing genre was history painting. History painting showed allegorical, mythological, and religious scenes, as well as those from actual history, in order to illustrate the exploits of the great and good, setting an example to us of integrity and public-spiritedness.

Importantly, the subjects of history paintings were taken from classical Greek or Roman history, or from mythology or religion, because such figures were generally uncontroversial — they could be upheld as paragons of virtue in a way that more recent and local historical figures could not. And the same went for statues, which became the main mediums of public art because the spaces available for history paintings were lacking. (The great room of the Society of Arts, by the way, has some of the few major history paintings in the country, all executed by the troubled self-proclaimed genius James Barry — the fastest riser in the Royal Academy’s history, and also, as far as I know, the only person to ever be expelled from it)

So, if some public statues have become controversial, that’s a clear sign of their failure. To the Victorians who put up the statue of slave trader Edward Colston in 1895, he must have seemed a distant and uncontroversial paragon of philanthropy. But today, he is mostly remembered for his murderous avarice. As such, he doesn’t deserve space on our streets or squares, for much the same reason that people in the eighteenth century avoided putting up statues of Oliver Cromwell — depending on your politics, he was either an ambitious and fanatical tyrant, or a selfless promoter of parliamentary liberties. Either way, it was the controversy itself that made him unsuitable: controversy got in the way of moral education. (Funnily enough, Cromwell seems to have got his public statues in the 1890s, too, just like Colston — maybe it was a low-point for the quality of history-teaching?)

I’m worried, however, that we’ve lost the self-confidence to replace them with statues that uncontroversially inculcate virtue (and in more than just a subversive or critical way). I suspect it take the delusions of grandeur of a James Barry to pull it off — someone who thought the history painter akin to a poet, like Shakespeare. But, as Tim Almond pointed out to me on twitter, perhaps we already do have such forms of virtue-promoting public art, and that all that has changed is the medium. Thus, rather than gazing upon statues or history paintings, we instead watch blockbuster superhero movies.

20mm Lahti L39 Antitank Rifle (Shooting & History)

Filed under: Europe, History, Military, Weapons, WW2 — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 12 Sep 2016

Sold for $10,350.

The Lahti L39 was the Finnish answer to the need for an anti-tank rifle, developed just before the Winter War. The rifle was created by noted Finnish designed Aimo Lahti, who had pressed for it to use a 13.2mm cartridge. However, arguments for using a 20x138B cartridge won out, based on hopes to use that cartridge in both antitank and antiaircraft roles, as well as testing that showed the 20mm projectile to have greater terminal effect.

The L39 was not available for use in the Winter War (having been adopted barely 2 months before the Russian attack), but was used extensively in the Continuation War. While improved tank armor quickly became thick enough to protect against the round, it was used for a variety of anti material roles, attacking machine gun positions, bunkers, light vehicles, and more. In 1944, an anti-aircraft version was also produced, firing in full auto and using 15-round magazines.

Today, ammunition is available from a few companies, typically using lathe-turned new cases and surplus 20mm Vulcan projectiles.

http://www.patreon.com/ForgottenWeapons

QotD: Cultural appropriation

Filed under: History, Politics, Quotations, USA — Tags: , — Nicholas @ 01:00

In the ever-widening gyre of what cannot be appropriated without causing offense, now even American heroes are off limits. Apparently, Caucasians are no longer allowed to quote Martin Luther King. While I almost sympathize with the view that too many people of all colors tend to only quote King’s more saccharine words, it is surreal that some African-Americans would be outraged that others quote such an admirable American: “MLK belongs to us. Do not dare to quote my MLK. My Martin Luther King Jr., was not here for white people. Keep his name out your thin-lipped mouth. Y’all banned forever.” Belongs? Like a possession? Is the bitter irony of talking about King as a possession — mere chattel, the private property of a particular group — lost on some members of the current generation of African Americans? I had thought that, at least since the passage of the 13th Amendment, people could not be owned.

Joseph Mussomeli, “Victim Privilege, Cultural Appropriation, & the New Enslavement”, The Imaginative Conservative, 2018-02-09.

June 24, 2020

Napoleon’s Great Blunder: Spain 1808

Filed under: Britain, Europe, France, History, Military — Tags: , , , — Nicholas @ 04:00

Epic History TV
Published 16 Jan 2019

In 1808, Napoleon’s rivalry with Britain led to an ill-fated intervention in Portugal and Spain, that sparked a nationalist revolt against the French. At Bailén Napoleon’s Empire suffered its first major defeat, and though Napoleon himself then arrived in Spain to reassert French military dominance, he could not prevent the escape of Sir John Moore’s small British army, after its defensive victory at Corunna on 16 January 1809. The British army would return, under new leadership, to play a major part in his downfall.

Get early access and a vote on future topics by supporting us on Patreon: https://www.patreon.com/epichistorytv

With thanks to HistoryMarche, check out his channel here: https://www.youtube.com/channel/UC8MX…

Find Osprey books on the Napoleonic Wars here:
https://ospreypublishing.com/

Great books about the Napoleonic Wars (as an Amazon Associate I earn from qualifying purchases):
The Napoleonic Wars http://geni.us/R5ZI9c
Corunna 1809 http://geni.us/IHLD
Peninsular War Atlas http://geni.us/S6Na84z
Napoleon the Great http://geni.us/NqMW

#EpicHistoryTV #NapoleonicWars #Napoleon

All music from Filmstro https://www.filmstro.com/
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Thanks to The 95th Rifles Battle Re-enactment and Living History Society: https://www.95thrifles.com/

BESAL: Britain’s Emergency Simplified Light Machine Gun

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 8 Aug 2017

Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:

http://armamentresearch.com/british-b…

The BESAL is a simplified redesign of the Bren light machine gun, developed by a BSA employee named Faulkner. The design of the gun was motivated by the disastrous retreat of the British Army from Dunkirk in 1940, where they abandoned a huge amount of weaponry and war material, including most of their Bren guns.

The Bren gun was in production only as the BSA factory, which was at great risk to German bombing — and the Bren included a number of complex parts that could not be effectively put into production elsewhere in the UK on short notice. It was with this in mind that Faulkner designed the BESAL, which used much simpler components which could be made in a great number of small shops. Decentralized production would have made it a much more resilient process in the case of invasion (similar to German small arms production late in the war).

By the time the BESAL prototypes were built, tested, and approved as being reliable and effective, however, the immediate threat of invasion had passed and the Bren was in production at the Inglis factory in Canada as well as at BSA. The BESAL design was shelved for use in case it became necessary again, but it never was.

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

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June 23, 2020

Defending Britain with a Bayonet | Hobart’s Pike | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 06:00

The Tank Museum
Published 24 May 2020

Director Richard Smith looks at Percy Hobart and the incredible weapon he was issued on joining the Home Guard at the start of WW2; a bayonet welded to a pole. Major General Percy Hobart commanded the 79th Armoured Division and gave the revolutionary, specialised tanks used on D-Day their nickname “Hobart’s Funnies”.

https://tankmuseumshop.org/
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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Tank 100 First World War Centenary Blog: ► http://tank100.com/

Operation Barbarossa – Biggest Land Invasion in History – WW2 – 096a – June 22 1941

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 22 Jun 2020

June 22 1941. The first day of Operation Barbarossa begins as Adolf Hitler’s German armies invade Joseph Stalin’s Soviet Union with the largest force on the longest front ever seen in human history…

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Links Indy mentioned:
Special episode on the tanks of Barbarossa – https://youtu.be/gh7mt2OS770
Special episode on trucks and Barbarossa logistics – https://youtu.be/4lSCnOltYdY
Special episode about Blitzkrieg tactics – https://youtu.be/qej9DX28-xw

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
– Mil.ru
– Bundesarchiv, CC-BY-SA 3.0: Bild_146II-277,
– RIA Novosti archive, CC-BY-SA 3.0: image 613694, Shagin
– F l a n k e r from Wikimedia
– The Al Goldstein collection in the Pandora Music repository at ibiblio.org.
– Les Préludes, Poema sinfonico n°, Franz List and Herbert von Karajan (dir), CC BY-NC-SA 4.0. Via Marco Calvo, http://www.marcocalvo.it/

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Legends Summarized: The Journey To The West (Part VII)

Filed under: Books, China, History, Humour, Religion — Tags: , , , , — Nicholas @ 02:00

Overly Sarcastic Productions
Published 27 Dec 2019

Journey to the West Kai, episode 4: Trouble in Taoist Town!

Thrills! Excitement! Pigsy takes a bath! Sandy fights an alligator! Monkey helps Tripitaka cheat on a high-stakes game show! And as always, everyone forgets about the horse!

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June 22, 2020

Mycenaean Greece and the Bronze Age Collapse ~ Dr. Eric Cline (Archaeologist / Historian / 1177 BC)

Filed under: Europe, Greece, History, Science — Tags: , , , — Nicholas @ 04:00

The Study of Antiquity and the Middle Ages
Published 20 Jun 2020

In this video we briefly discuss the Bronze Age Collapse and none other than Mycenaean Greece and what contributed to the Greek Dark Ages. Did the Sea Peoples invade? Was there an internal rebellion like a peasant revolt? Drought, Earthquakes and Famine? We cover a variety of topics which also includes debunking the Dorian Invasion. We also take a look at migrations and depopulations of major centers as populations moved elsewhere during this calamity.

Support Dr. Eric Cline at the links below!

Personal web page: https://ehcline.com

GW pages:
https://cnelc.columbian.gwu.edu/eric-…
https://anthropology.columbian.gwu.ed…
https://gwu.academia.edu/EricCline

Archaeology and the Iliad: The Trojan War in Homer and History
https://www.amazon.com/dp/B001EI3IVU?…

The History of Ancient Israel: From the Patriarchs Through the Romans
https://www.amazon.com/dp/B001JHT8CY?…

Image credits: Manna Nader, Gabana Studios Cairo

Hittite 3D City and intro footage credits: 3D reconstruction of Imperial Hittite Karkemish by Giampaolo Luglio, Turco-Italian Archaeological Expedition to Karkemish directed by Nicolò Marchetti (University of Boologna)

KARKEMISH (Carchemish) 1300 BC (3D) -The Southern Capital of the Empire Hittite

https://youtu.be/RsTdoY__F4U

Music Attribution: Herknungr – Megaliths | Dark Neolithic Meditive Shamanic Ambient Music https://youtu.be/oc8FQwNjPu0

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