In the 4th century BC, the Greeks conquered the world. And that is where their problems began.

When I was a child first getting interested in ancient history, the books I read followed a smooth narrative process. The story of the Greeks began with Athenian democracy and the victories at Marathon, Salamis, and Plataea that saved Western civilization from Persian conquest. Then there was the Athenian maritime empire, and its tremendous cultural achievements: the Parthenon, Socratic philosophy, the plays of Sophocles, Euripides, and Aristophanes. There was the Peloponnesian War and Thucydides’s chronicling of it. And then, in a tremendous climax, there were the awesome conquests of Alexander the Great, who destroyed the most powerful empire on Earth and conquered the known world by the age of 33, only to die young and have his empire swiftly broken up after his death.

… And then the story would promptly lurch 700 miles to the northwest and start over. Greeks? What Greeks? Now I was reading about the rise of a different city, Rome, and the achievements of its great republic. Instead of the Assembly and the ostracism, there was the Senate and the consuls. I would read about the Samnite Wars, the Punic Wars, the Gallic Wars, and finally the great civil wars that transformed Rome from a republic into the empire that men still think about a few times a week. In this story, the Greeks appear again, but only as enemies for Rome first to easily defeat, then be culturally influenced by. This fusion of Greek and Roman culture leads to European Christianity, the Renaissance, the cultural canon — in a word, the West itself.

Kid me didn’t think too much about it at the time. But as I grew, I and many others finally had a thought intrude: Wait a minute, what the heck was going on in Alexander’s old empire before the Romans got there?

And if you’re like me, asking that question is how you wind up reading Alexander to Actium.

Alexander to Actium is classicist Peter Green’s gargantuan tome covering the period historians now call the Hellenistic era, the 293-year span following the death of Alexander the Great during which his vast but short-lived empire was divided up and ruled by ethnically Macedonian and Greek elites who left the stamp of Hellenic culture all across the eastern Mediterranean. The era begins with Alexander’s generals (the Diadochi, “Successors”) waging an epic forty years of war as funeral games for their dead master before finally settling into a more stable system with three great kingdoms centered on Macedon, Egypt, and Syria (plus lesser monarchies like Pergamon and Bactria). These kingdoms battled one another and Rome for another quarter-millennium, gradually losing land and power before they were extinguished, one by one. The last Hellenistic kingdom, Ptolemaic Egypt, made it until 30 B.C., when the legendary Cleopatra¹ committed suicide and her realm became the personal possession of Octavian, the future Caesar Augustus. Long after their destruction, the Hellenistic legacy lingers most in religion: the Christian New Testament was written not in the Hebrew or Aramaic of Judea or the Latin of the Roman Empire, but in the koine Greek that had become the lingua franca of the educated eastern Mediterranean.

The ebb and flow of this 300-year historical epic is one that really deserves a trashy big-budget TV adaptation or three. The sordid acts of the Successors and their successors are so spectacular they could easily be made into a hybrid of HBO’s Rome and a popular show about dragons that shall remain nameless. I’m a little shocked one hasn’t been made already. To give just a small set of anecdotes from Green’s work:

• After an attempted army revolt following Alexander’s death, the general Perdiccas holds a “purification” ceremony for the army, which consists of rebel leaders being publicly trampled to death by elephants.
• Antigonus One-Eye, the man who came closest to reuniting Alexander’s empire, was very tall, very wide, very old, and had a very good nickname. Huge in size and huge in ambition, he dies fighting in battle at over 80 years old at Ipsus, a battle featuring 25,000 cavalry, 120 scythed chariots, and almost 600 elephants.
• Olympias, Alexander the Great’s mother, is so vindictive that when Philip II dies, she has a rival wife and her infant daughter roasted to death on a charcoal brazier even though they pose zero dynastic threat. When her own end comes during Macedon’s multiple civil wars, the soldiers of Cassander refuse to kill Alexander’s mother – so she is instead stoned to death by the families of those she had killed during past purges.
• Seleucus I, founder of the Syria-based Seleucid Empire, is happily married to his second wife Stratonice when he notices his son, Antiochus, is deeply enamored with her. No worry: Seleucus simply divorces Stratonice and has her marry Antiochus. This is actually a happy ending and works out for everyone, surprisingly.
• Lysimachus, king of Thrace, is happily married to his third wife, Arsinoe, when she tricks him into having his son by a first marriage executed so her own son can succeed. This sparks a war that kills Lysimachus and destroys his kingdom, somewhat botching the whole succession thing. But no worries: Arsinoe escapes to Egypt and makes out just fine by marrying its pharaoh – her brother.
• Cassander, king of Macedon, gets so irate at clever jabs from the wily Athenian politician Demades that he finally snaps and personally chops both Demades and his son to pieces while screaming insults at them.
• For about a decade during the various successor wars, Athens is ruled by a literal philosopher-king, the thirty-something Macedonian puppet Demetrius of Phaleron. One of his agenda items is building a gigantic mechanical snail to crawl through the streets of Athens leaving a realistic trail of slime behind; this is apparently some artful way of shaming the Athenians for being sluggish in standing up for Greek freedom.
• After Demetrius the Philosopher King is overthrown (by a different Demetrius, long story) the new tyrant takes advantage of divine honors granted to him to house his hoes in apartments at the back of the Parthenon. He tries to seduce a teenaged boy who instead commits suicide by jumping into a tub of boiling-hot water, and another time waives a fine against a prominent Athenian citizen in return for taking his son as a catamite. When you are legally a god, they let you do it.
• Aratus is a quite successful Greek general with the unfortunate problem of getting uncontrollable diarrhea before every battle.
• Escaped slave and rebel Drimakos defies authorities on Chios so successfully they simply reach a treaty with him: As long as he doesn’t steal too much and only accepts new slaves into his army who were severely abused by their masters (while sending the rest back), they’ll leave him alone. Drimakos lives to a ripe old age, then has his boy lover kill him and take his head in to claim a reward. Later, Drimakos’s spirit would supposedly appear to Chians in their dreams to warn of plots by their slaves.
• To show off their power, the Ptolemies commission a grand procession through Alexandria whose centerpiece is “a gaudily painted gold phallus, almost two hundred feet long … and tied up, like some exotic Christmas present, with gold ribbons and bows”. Green reasonably wonders how this mighty phallus was able to negotiate corners.
• The later Ptolemies could win some kind of ghastly award for their spectacular decadence. Ptolemy VIII Physcon (“the Obese”), who resembles a 2nd century BC Baron Harkonnen, seizes power after the death of his brother (also named Ptolemy) by marrying Cleopatra, who is also their sister. He then has her son, his nephew (also named Ptolemy), murdered during the wedding feast, then proceeds to seduce and marry his pubescent niece (also named Cleopatra). A decade later, riots forced Physcon and his niece-wife into exile, and his sister-wife proclaims her son by Physcon (another Ptolemy) as pharaoh, but the heir is apparently in Cyrene at the time, allowing Physcon to capture his unsuspecting son and send his dismembered corpse to the sister-wife as a birthday present. Meanwhile, the sister-wife’s daughter by her first brother (named Cleopatra, of course) gets married off to a Seleucid king and uses her sons as a series of puppets. The first puppet, Seleucus V, proves troublesome, so his mother murders him by using him for archery practice. The second puppet, Antiochus VIII, is more canny, and when his mother tries to murder him with a cup of poisoned wine, he notices something is up and forces her to drink the fatal cup herself. Antiochus VIII then fights a long civil war against his half-brother and cousin Antiochus IX, who is not a puppet but instead has the private hobby of playing with literal giant puppets. Got all that?

If learning the above is your idea of fun, then Alexander to Actium is a rich feast, enlivened throughout with Green’s flare for delicious details and legends that are possibly fanciful but too remarkable to leave out.

Blake Neff, “GUEST REVIEW: Alexander to Actium, by Peter Green”, Mr. and Mrs. Psmith’s Bookshelf, 2025-10-20.

---

1. The Seventh, it turns out.