Stumpy Nubs
Published 23 Dec 2015SUBSCRIBE TO STUMPY NUBS WOODWORKING JOURNAL► http://www.stumpynubs.com
June 22, 2020
How to date antique furniture – Shaker chest of drawers
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June 21, 2020
A Tale of Two Swords
Atun-Shei Films
Published 19 Jun 2020Myles Standish and Benjamin Church were military commanders in 17th century colonial Massachusetts who lived a generation apart. Standish came over on the Mayflower, and commanded the militia of the Plymouth Pilgrims in the 1620s; Church lived his whole life in the New World, and led the crack troops that tracked down Metacomet, sachem of the Pokanoket Wampanoag, during King Philip’s War in the 1670s. Standish carried an elegant German rapier, while Church used a simple naval cutlass. What changed? And what story can these two swords tell about the men who wielded them?
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#PlymouthPilgrims #KingPhilipsWar #AmericanHistory
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Merch ► https://atun-sheifilms.bandcamp.com~REFERENCES~
[1] Jeremy Dupertuis Bangs: “Myles Standish, Born Where? (2010).” Sail 1620 https://web.archive.org/web/201011301…
[2] Nathaniel Philbrick: Mayflower (2006). Penguin Books, Page 59-60
[3] “Short Men ‘Not More Aggressive'” (2007). BBC News http://news.bbc.co.uk/2/hi/uk_news/65…
[4] Charles Francis Adams: The New English Canaan of Thomas Morton (1883). The Prince Society, Page 284 https://archive.org/details/newenglis…
[5] Philbrick, Page 164
[6] Philbrick, Page 151-152
[7] Benjamin Church: Entertaining Passages Relating to King Philip’s War, Tercentenary Edition (1975). Pequot Press, Page 67-73
[8] Church, Page 75
[9] Church, Page 105-106
[10] Church, Page 108
[11] Church, Page 140
[12] Lisa Brooks: Our Beloved Kin (2018). Yale University Press, Page 322
[13] Church, Page 142
[14] Douglas Edward Leach: Flintlock and Tomahawk (1958). Parnassus Imprints, Page 231
[15] Philbrick, Page 338
[16] Church, Page 170
[17] Leach, Page 237
[18] Brooks, Page 337
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French Killing French in Syria – WW2 – 095 – June 20, 1941
World War Two
Published 20 Jun 2020The Allies continue advancing into Vichy French Syria, but they are halted and pushed back by Erwin Rommel at the Halfaya Pass in Libya. Meanwhile, the last preparations are being made for Operation Barbarossa. It will begin in two days.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvCheck out our TimeGhost History YouTube Channel: https://www.youtube.com/c/timeghost?s…
Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Adrien Fillon – https://www.instagram.com/adrien.colo…Sources:
– Imperial War Museum: E 6022, CM 923
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-443-1599-20
– Hawker Hurricane shape by Martin Čížek from Wikimedia
– Narodowe Archiwum Cyfrowe
– SA-Kuva
– Bundesarchiv, CC-BY-SA 3.0: Bild 101III-Wiegand-119-12 / WiegandArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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Burma Victory (1945)
PeriscopeFilm
Published 31 May 2016Support Our Channel: https://www.patreon.com/PeriscopeFilm
Made in 1945, BURMA VICTORY is a British documentary about the Burma Campaign during World War Two. It was directed by Roy Boulting. The introduction to the film outlines the geography and climate of Burma, and the extent of the Japanese conquests. The film then describes the establishment of the South East Asian Command (SEAC) under Mountbatten, “a born innovator and firm believer in the unorthodox”, and gives a comparatively detailed account of subsequent military events, including the Battle of Imphal-Kohima and Slim’s drive on Mandalay, Arakan landings, the northern offensive of the Americans and Chinese under Stilwell, and the roles played by Chindits and Merrill’s Marauders. The film ends with the capture of Rangoon and the Japanese surrender. The film focuses on the difficulties of climate, terrain, the endemic diseases of dysentery, malaria, etc., the vital role of air supplies, the shattering of the myth of Japanese invincibility and the secondary role of the Burma campaign in overall Allied strategy.
This film represents a British look at the campaign and was the pet project of Admiral Lord Louis Mountbatten, Supreme Allied Commander, South-East Asia, and he planned it as a joint Anglo-American production. But this scheme foundered over the inability of the U.S. leadership and British to agree on the main theme of the film. The British wanted it to concentrate on the drive southwards to liberate Burma. The Americans, anxious not to be seen to be participating in the restoration of the British Empire, wanted to emphasize the heroic building of the Ledo Road and the drive northwards to relieve the Chinese. In the end the two sides went their separate ways. The Americans produced the Ronald Reagan narrated film The Stilwell Road and the British made Burma Victory. It was the final production of the Army Film and Photographic Unit (AFPU) and was directed, like Desert Victory (1943), by Roy Boulting. Not released until after the war was over, it was hailed and promoted as “the real Burma film”.
The Burma Campaign in the South-East Asian theatre of World War II was fought primarily between the forces of the British Empire and China, with support from the United States, against the forces of the Empire of Japan, Thailand, and the Indian National Army. British Empire forces peaked at around 1,000,000 land, naval and air forces, and were drawn primarily from British India, with British Army forces (equivalent to 8 regular infantry divisions and 6 tank regiments), 100,000 East and West African colonial troops, and smaller numbers of land and air forces from several other Dominions and Colonies. The Burmese Independence Army was trained by the Japanese and spearheaded the initial attacks against British Empire forces.
The campaign had a number of notable features. The geographical characteristics of the region meant that factors like weather, disease and terrain had a major effect on operations. The lack of transport infrastructure placed an emphasis on military engineering and air transport to move and supply troops, and evacuate wounded. The campaign was also politically complex, with the British, the United States and the Chinese all having different strategic priorities.
South East Asia Command (SEAC) was the body set up to be in overall charge of Allied operations in the South-East Asian Theatre during World War II. Admiral Lord Louis Mountbatten served as Supreme Allied Commander of the South East Asia Command from October 1943 through the disbandment of SEAC in 1946.
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com
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June 20, 2020
History-Makers: Confucius
Overly Sarcastic Productions
Published 19 Jun 2020Welcome to the challenge run of History-Makers, where I attempt to give insightful historical context to someone whose backstory is almost entirely blank.
SOURCES & Further Reading: Confucius: A Very Short Introduction by Gardner, China: A History by Keay, The Analects of Confucius, The Mencius.
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.PATREON: https://www.Patreon.com/OSP
MERCH LINKS: https://www.redbubble.com/people/OSPY…
OUR WEBSITE: https://www.OverlySarcasticProductions.com
Find us on Twitter https://www.Twitter.com/OSPYouTube
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Soviet Gender Equality Was a Scam – WW2 – On the Homefront 004
World War Two
Published 19 Jun 2020The future looks bright for soviet women in the 1910s, they have the right to vote and they’re on track for social emancipation. Yet this doesn’t last long. Soon, the demands of the nation will rob them of these promises.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Anna Deinhard
Written by: Isabel Wilson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations by:
Klimbim
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Visual Sources:
Library of Congress
Adam Jones from Flickr: https://www.flickr.com/photos/adam_jo…Icons from The Noun Project: Sandhi Priyasmoro, Sarah Rudkin, Andrew Doane, Vectors Market, Adrien Coquet, ProSymbols, Luke Anthony Firth, Russia Woman & Gan Khoon Lay
Music:
“March Of The Brave 10” – Rannar Sillard
“Disciples of Sun Tzu” – Christian Andersen
“Deviation In Time” – Johannes Bornlof
“Other Sides of Glory” – Fabien Tell
“The Inspector 4” – Johannes Bornlöf
“Sailing for Gold” – Howard Harper-Barnes
“London” – Howard Harper-Barnes
“Split Decision” – Rannar SillarResearch sources:
– Lenin On the Emancipation of Women (1965), pp. 63–4. First Published July 1919, as a pamphlet
– Selected Writings of Alexandra Kollontai, Allison & Busby, 1977, First Published 1921, as a pamphlet, trans Alix Holt.
– Wendy Goldman, “Recasting the vision: The resurrection of the family”. In Women, the State and Revolution: Soviet Family Policy and Social Life, 1917–1936, (Cambridge Russian, Soviet, and Post-Soviet Studies, (1993) pp. 296-336), p.310Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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Two books on WW2 – which is the memoir and which the novel?
Lindybeige
Published 4 Mar 2018Two books I have read recently. When is a book a memoir and when is it a novel? WW2 from two different perspectives.
Support me on Patreon: https://www.patreon.com/Lindybeige
The books:
From the City, From the Plough by Alexander Baron (Bernstein)
The Last Panther by Wolfgang Faust (Chris Ziedler)Buy the music – the music played at the end of my videos is now available here: https://lindybeige.bandcamp.com/track…
Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.
▼ Follow me…
Twitter: https://twitter.com/Lindybeige I may have some drivel to contribute to the Twittersphere, plus you get notice of uploads.
website: http://www.LloydianAspects.co.uk
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June 19, 2020
What Actually Is Blitzkrieg? – WW2 Special
World War Two
Published 18 Jun 2020When the Nazi war machines tears through Poland, France, and the Soviet Union, people will call it Blitzkrieg. But what is Blitzkrieg and is it anything that unique?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Adam Adkins
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig… (edited)
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Dememorabilia – https://www.instagram.com/dememorabilia/
Musvage https://commons.wikimedia.org/wiki/Fi…
Klimbim https://www.flickr.com/photos/2215569…Sources:
Portrait of Basil Liddell-Hart, courtesy National Portrait Gallery
Portrait of Douglas McGarel Hogg, courtesy National Portrait Gallery
IWM H 20697, Q 6337, D 1966
Bundesarchiv
from the Noun Project: Target by RITASYA, documents by DinosoftLab, Tank by mbok sumirna, Armored Car by Martin, Plane by Graphic Enginer, transceiver by Eucalyp
Breaking A Wall Down (With A Hammer) by scampsie https://freesound.org/people/scampsie…Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Last Man Standing 3”
Reynard Seidel – “Deflection”
Fabien Tell – “Last Point of Safe Return”
Hakan Eriksson – “Epic Adventure Theme 4”
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Death And Glory”
Bonnie Grace – “The Dominion”
Bonnie Grace – “Imperious”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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“Hill 3234” – The Soviet-Afghan War – Sabaton History 072 [Official]
Sabaton History
Published 18 Jun 2020It happened during the last stage of the Soviet-Afghan War.
Already withdrawing its forces, Soviet High Command needed to display its might one last time by recapturing the vital Satukandav Pass. But to achieve that goal, the commanding heights surrounding the pass had to be held against continuous Mujahideen attacks.
In the Battle for Hill 3234, an outnumbered force of Soviet paratroopers held their own against relentless attacks from the Afghan rebels.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Hill 3234” on the album The Last Stand here:
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlayWatch the Official Lyric Video of “Hill 3234” here:
https://www.youtube.com/watch?v=K1Xkp…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Abramov Andrey, ALDOR46, Fdutil, P.Fisxo; from Wikimedia
– E.Kuvakin
– Erwin Franzen
– Archive of S.V. Rozhkova
– Photos of 350th airborne regiment, courtesy of the 5th airborne company trooper Sergey Novikov
– Archive of the 345th airborne parachute regiment
– Library of Congress, Geography and Map Division.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago
They were only 39
They were told to hold the line…I’m sure most of you know the rest of those lyrics. And after watching this episode of Sabaton History, you also know the real historical events behind those words.
What some of you might not know though, is the story of the guitar solo in Hill 3234. As usual when Joakim had written the song, he sent it out to the rest of the band. Much to his surprise though, this time Thobbe Englund – lead guitarist at the time – sent a file back within the hour. Thobbe had just plugged his guitar in and hit play. He was literally listening to Hill 3234 for the first time when the solo spontaneously popped into his head, and he recorded it on the spot. And to make this solo even more special: it is that very first recording Thobbe made that ended up on the album!
Not one single re-take.
Talk about a blessing from the Muses…
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Anglo-Dutch Wars | 3 Minute History
Jabzy
Published 25 Apr 2015First, Second and Third Anglo-Dutch Wars. I left out the Fourth War because it really wasn’t connected to the previous 3.
Also – I hope you don’t mind I used ‘Netherlands’ throughout the video despite the fact the term didn’t come until much later.
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QotD: We call it the Corded Ware culture, not the Battle Axe culture to make it less interesting to boys
India played a large role in the development of European conceptions of race. In 1786 British judge William Jones delivered a lecture in Calcutta suggesting that Sanskrit, Greek, and Latin were all descended from the same lost language, a ghost tongue now called Proto-Indo-European.
Jones went on to hypothesize that an ancient invasion of Dravidian-speaking India by Proto-Indo-European-speaking Aryans from Iran could help explain the curious distribution of language, skin color, and caste within the Hindu world today.
Jones’ ideas had unfortunate influence. Reich writes:
To the Nazis and others, the distribution of the Indo-European language family, linking Europe to India … spoke of an ancient conquest moving out of an ancestral homeland, displacing and subjugating the peoples of the conquered territories, an event they wished to emulate.
Hitler thus culturally appropriated the Hindu swastika.
Since 1945, the notion of Aryan invaders has been unsurprisingly unpopular.
In Europe, anthropologists have promoted the “pots not people” theory to argue that trade and changes in fashion must explain why Corded Ware pots suddenly showed up all over Europe about 4,900 years ago. (So did battle axes; indeed, early scientists called this the Battle Axe Culture. But that sounded too awesome. Hence, more recent academics renamed it after its pottery style to make these brutal barbarians sound dweebier and thus less interesting to boys.)
In India, the notion of Hindu culture as a giant conspiracy by Aryan invaders to enshrine their descendants at the top of the social order for the rest of eternity perhaps struck a little too close to home.
Steve Sailer, “Reich’s Laboratory”, Taki’s Magazine, 2018-03-28.
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June 18, 2020
The origins of Antifa
Kyle Shideler outlines the history of Antifa from the Weimar Republic to the streets of cities all over the western world:
“antifa 8973ag” by cantfightthetendies is licensed under CC BY 2.0
With riots and civil unrest metastasizing across the United States, the president declared he intends to designate Antifa as a terrorist group. Predictably, the talking heads rushed out to declare that Antifa doesn’t really exist, and even if it did the president couldn’t possibly target it using that legal designation. They argue Antifa is an amorphous blob of discontents, not a functioning organization, and certainly not one which could be designated and targeted for concentrated counterterrorism enforcement.
As usual, the Twitterati don’t know what they are talking about. Reality is both simpler and more complex.
To begin at the beginning: Antifa — real name: Antifaschisitsche Aktion — was born during the street-fights of the 1932 Weimar Republic. It was founded by the Stalinist Communist Party of Germany (KPD), although various Communist “anti-fascist defense” units were associated with the KPD much earlier.
Anti-fascist Action’s sole purpose was to help the KPD combat other political parties for control of the streets in the revolutionary politics of the rapidly failing Weimar Republic.
And yes, they fought the Nazis.
But they also fought liberal parties, conservative parties, and anyone and everyone who got in their way. While these early antecedents were short-lived, it is useful to view Antifa in this context. More than anything, Antifa exists to serve as a tool of revolutionary politics in a failed (or failing) state.
Antifa would reestablish itself in the early 1980s, also in Germany, out of Autonomism. Autonomism is an anti-authoritarian anarcho-Marxist ideology associated with the Communist urban guerilla organizations of 1970s and ’80s Europe like Red Army Faction and the Red Brigade. Autonomism would find a home among the young punks of Germany’s squatters’ rights movement. Around this time, Antifa tactics like the “black block,” where large numbers of rioters dress in black and move together in formation as part of a larger protest, were developed.
H/T to Rafe Champion for the link.
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Black Death and the Failure of Pandemic Lockdowns – Pandemic History 03
TimeGhost History
Published 17 Jun 2020Starting in 1347 and for three centuries, the second plague pandemic provides ample time to learn how to deal with the recurring outbreaks. And yet, fears of ruining the economy, political expediency, and refusal to accept reality leaves those trying to implement protection measure to fight an uphill battle. The result is even worse economic consequences, and unfathomable death.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell and Spartacus Olsson
Written by: Indy Neidell and Spartacus Olsson
Directed by: Astrid Deinhard
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson, Indy Neidell, and James Currie
Edited by: Karolina Dołęga
Sound Engineer: Marek Kamiński
Graphic Design: Ryan WeatherbyVisual Sources:
Wellcome Images
Patrick Gray on Flickr: https://www.flickr.com/photos/1360415…
Paul K on Flickr: https://www.flickr.com/photos/bibliod…
Quinto Tiberio Angelerio and New Measures for Controlling Plague in 16th-Century Alghero, Sardinia digitalized by Google, original from Universidad Complutense de MadridIcons from The Noun Project by: Ben Mullins, parkjisun, Muhamad Ulum & Adrien Coquet
Music:
“A Far Cry” – Flouw
“Fire Building Ext 3” – SFX Producer
“Last Point of Safe Return” – Fabien Tell
“London” – Howard Harper-Barnes.mp3
“Please Hear Me Out” – Philip Ayers
“Scream Female 3” – SFX Producer
“Scream Male 6” – SFX Producer
“Superior” – Silver Maple
“Symphony of the Cold-Blooded” – Christian Andersen
“Barrel” – Christian AndersenArchive by Screenocean/Reuters https://www.screenocean.com.
Research Sources:
Quinto Tiberio Angelerio and New Measures for Controlling Plague in 16th-Century Alghero, Sardinia Raffaella Bianucci, Ole Jørgen Benedictow, Gino Fornaciari, and Valentina Giuffra
“The Path to Pistoia: Urban Hygiene Before the Black Death”, G. Geltner, Past & Present, Volume 246, Issue 1, February 2020, Pages 3–33
Encyclopedia of the Black Death, Joseph Patrick Byrne
“Epidemiological characteristics of an urban plague epidemic in Madagascar, August–November, 2017: an outbreak report”, The Lancet, Rindra Randremanana, PhD, *Voahangy Andrianaivoarimanana, PhD, Birgit Nikolay, PhD, Beza Ramasindrazana, PhD, Juliette Paireau, PhD, Quirine Astrid ten Bosch, PhD, et al
Yersinia pestis, the cause of plague, is a recently emerged clone of Yersinia pseudotuberculosis, Mark Achtman, Kerstin Zurth, Giovanna Morelli, Gabriela Torrea, Annie Guiyoule, and Elisabeth Carniel
Insights into the evolution of Yersinia pestis through whole-genome comparison with Yersinia pseudotuberculosis, P.S.G. Chain, E. Carniel, F.W. Larimer, J. Lamerdin, P.O. Stoutland, W.M. Regala, A.M. Georgescu, L.M. Vergez, M.L. Land, V.L. Motin, R.R. Brubaker, J. Fowler, J. Hinnebusch, M. Marceau, C. Medigue, M. Simonet, V. Chenal-Francisque, B. Souza, D. Dacheux, J.M. Elliott, A. Derbise, L.J. Hauser, and E. Garcia
Distinct Clones of Yersinia pestis Caused the Black Death, Stephanie Haensch, Raffaella Bianucci, Michel Signoli, Minoarisoa Rajerison, Michael Schultz, Sacha Kacki, Marco Vermunt, Darlene A. Weston, Derek Hurst, Mark Achtman, Elisabeth Carniel, and Barbara BramantiA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago
As you have seen in this episode collective learning takes time. Some of you might infer one to one parallels between the situation during the second plague pandemic and our current pandemic in 2020. That would not be entirely correct and definitely not our intention. History doesn’t as much repeat itself as it echos into the present. While there are similarities between all pandemics, and we continue to struggle to find the correct response and countermeasures, our times are very different from the medieval and renaissance world. Science has developed further, society has evolved, and we have much more than one form of response to disease available. Moreover the pandemic that started in 1347 is in relative numbers (percentage of lethality) the worst pandemic to hit humanity in known history.In the end we are historians, not health professionals or epidemiologists. Our contribution can never be what to do about COVID 19, that is too complex an issue for us to digest. What we can contribute is a historical perspective on what went wrong back then, and how we developed from there. The main takeaway from the Black Death should from that long term historical perspective be positive. The response lay the foundation of modern health care in hospitals. It helped create the beginnings of professional, trained, and vetted doctors, it changed the view on sanitation, and it started to shift our collective view on disease from superstition and conspiracy myths to factual analysis and a scientific response.
And there in that very last point lies perhaps the one and only thing that we can say with certainty that we need to remember in 2020 — listen to the scientists, not the hacks and politicians on all sides that base their rhetoric on, self interest, political expediency, and populism.
Never forget!
Spartacus
PS apologies for the audio problems on my mic during the first half of the video — it was scratching against my jacket and no one noticed, sadly we can’t get it out in post.
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The fall of olde timey “liberalism”
David Warren on the way “liberalism” was dissected, consumed, digested, and excreted by progressivism:
From different angles, from Tocqueville to Schumpeter to a thousand reporters on the ground, it has been observed that liberalism defeats itself. I mean by this real liberalism, not the poison candy version that is offered to children by our academic Left. The real thing celebrates liberty as the central political good, and equality of opportunity versus equality of result. It frees up economies and societies, by cancelling hidebound rules and regulations. When much younger and under the influence of my father and his war-veteran generation (his was World War II), I considered myself a “liberal,” for views that activist mobs would now consider to be deeply “conservative,” or as they say, “fascist.”
Opposition to totalitarianism was a key to that generation. They weren’t shy about using arms. A true liberal was an enthusiast for the War in Vietnam, and other global initiatives. Liberals were “open society” in an explicitly anti-communist, 1950s way. They loved “civil rights,” and opposed the Nanny State, although incoherently. They wished to accommodate the women’s movement. Their instinctive suspicion of social programmes, and revulsion for “ideology,” were slipping away; or had already slipped, to a longer historical view.
To be tediously economic, they were intoxicated by the view that, “now we are rich we can afford to have some fun.” They had long been bored with the absolute moral judgements that their ancestors (to whom neither divorce nor contraception were thinkable) took for granted — based on a Protestant Christianity that had been abandoned by sophisticated intellectuals a century before. “Church versus State” was no longer an issue, and because it wasn’t, morality became a statist “construct,” even without action from the Marxists.
When Ross Douthat writes a book on “decadence,” he is treating it as a temporal trend: something that comes and goes through the decades. His arguments are themselves decadent: something for the chattering classes to play, in the spirit of badminton. It is a topic for upmarket wit; no horror lurks beneath it. The old Gibbonesque “decline and fall” narrative has evaporated with classical culture, and been replaced by a dry happyface from which the wrinkles of serious history are botoxed. The “whig view of history” survives, but only by cliché.
What isn’t defended, is soon killed off, in nature but also in metaphysics. Leftism flourishes today, not because it has won any argument, but by eating everything on the liberal side. Even the word, “liberal,” went down with a soft burp. It now represents the denial, or reversal, of everything that liberals once stood for. Gentle reader may prove this to himself, by reading old magazines.
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Shooting the Thompsons: Comparing the 1921, 21/28, and M1A1
Forgotten Weapons
Published 17 Oct 2018http://www.forgottenweapons.com/shoot…
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Having gone through the whole series of Thompson submachine guns, now it’s time to take them out to the range! I was quite curious to see how the different variations would handle side by side, since they have several significant differences. The Cutt’s Compensator and the changing rate of fire can both be expected to have a noticeable impact on the shootability of the guns.
I went in expecting to prefer the World War Two M1A1 pattern, and was rather surprised to find myself actually liking the 1921 model best. Its very high rate of fire actually worked very well, with less noticeable vibration and sight disruption than either of the other types. Its sights are close to useless, and it is both heavy and awkward to handle — but I can see why it developed the following it has!
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