World War Two
Published 28 Apr 2020Haile Selassie was the Emperor of the Ethiopian Empire. He led the country against the Italians in the Second Italo-Ethiopian War after which he is exiled to Britain.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Isabel Wilson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Klimbim – https://klimbim2014.wordpress.com/Sources:
National Museum of the U.S. NavyMusic:
“Other Sides of Glory” – Fabien Tell
“The Unexplored” – Philip Ayers
“March Of The Brave 10” – Rannar Sillard
“Deviation In Time” – Johannes Bornlof
“Epic Adventure Theme 3” – Håkan Eriksson
“Heroes On Horses” – Gunnar Johnsén
“Deviation In Time” – Johannes BornlofArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
April 29, 2020
Haile Selassie – The New Messiah – WW2 Biography Special
Curator’s Tour of The Tank Museum | Blitzkrieg | WW2: Part 1
The Tank Museum
Published 25 Apr 2020Join Curator David Willey as he takes you on a tour of The Tank Museum’s Tank Story Hall, which houses over 30 key vehicles from Little Willie to Challenger 2. In this section he looks at early Second World War vehicles and gives you a potted history of the Blitzkrieg.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP & become a Friend: ► https://tankmuseumshop.org/Twitter: ► https://twitter.com/TankMuseum
Instagram: ► https://www.instagram.com/tankmuseum/
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/
#tankmuseum #tanks #MuseumFromHome
Feudalism: A Brief Explanation
Thersites the Historian
Published 26 Oct 2017In this video, I try to bring order to the chaos that is feudalism and render it comprehensible.
April 28, 2020
Robber Barons and the Battle of the Tunnel
The History Guy: History Deserves to Be Remembered
Published 1 Feb 2019During the gilded age ruthless businessmen fought for control of railway lines. The Albany and Susquehanna railroad was another battlefield in the “Railroad wars.” In this episode, The History Guy remembers “the Battle of the Tunnel”.
This is original content based on research by The History Guy. Images in the Public Domain are carefully selected and provide illustration. As images of actual events are sometimes not available, images of similar objects and events are used for illustration.
All events are portrayed in historical context and for educational purposes. No images or content are primarily intended to shock and disgust. Those who do not learn from history are doomed to repeat it. Non censuram.
Patreon: https://www.patreon.com/TheHistoryGuy
The History Guy: History Deserves to Be Remembered is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.
Awesome The History Guy merchandise is available at:
teespring.com/stores/the-history-guyScript by THG
#newyork #thehistoryguy #ushistory
Tank Chats #68 T-34 | The Tank Museum
The Tank Museum
Published 9 Mar 2019The T-34 is an iconic Soviet Second World War tank. It was the most produced tank of WW2 and remains a symbol of Russian sacrifice in the Great Patriotic War.
David Willey talks about both the T-34/76 and T-34/85 variants, used in World War Two.
Many thanks to RecoMonkey for providing many of the modern images of the T-34 https://www.recomonkey.com/
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats
April 27, 2020
Spoils of War for Britain and France – Redrawing the Map of the Middle East I THE GREAT WAR 1920
The Great War
Published 25 Apr 2020Sign up for Curiosity Stream and Nebula – and get 40% off annual plans right now: https://curiositystream.com/thegreatwar
100 years ago at the conference of San Remo, one thing became clear: Great Britain and France wanted control over the Middle East. Justified by the fighting in the previous years and painted as “liberators” of the Middle Eastern minorities, the new map of the Middle East emerged – under the cover of the League of Nations Mandate system.
» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar
Merchandise: https://shop.spreadshirt.de/thegreatwar/» SOURCES
Karsh, Efraim & Karsh, Inari, Empires of the Sand: The Struggle for Mastery in the Middle East 1789-1923, (Cambridge, MA : Harvard University Press, 1999)“Dans Le Levant” Le Temps, August 31, 1919 issue, https://gallica.bnf.fr/ark:/12148/bpt…
Lloyd George, David, Memoirs of the Peace Conference, (New Haven : Yale University Press, 1939) vol. 2
“Mounted Rifles Units” New Zealand History, https://nzhistory.govt.nz/war/aucklan…
Paris, Timothy J. Britain, The Hashemites and Arab Rule 1920-1925, (London : Frank Cass, 2003)
Provence, Michael, The Last Ottoman Generation and the Making of the Modern Middle East, (Cambridge : Cambridge University Press, 2017)
O’Neill, Robert, Official History of Australia in the War of 1914–1918, Volume VII – The Australian Imperial Force in Sinai and Palestine, 1914–1918, (Australian War Memorial, 1941)
“King-Crane Commission Digital Collection” Oberlin College Library. http://dcollections.oberlin.edu/cdm/s…
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Twitter: https://twitter.com/WW1_Series
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
The Economy of Ancient Rome
Economics Explained
Published 26 Apr 2020Ancient Rome was perhaps the most significant ancient civilisation to have existed throughout history, the empire lived for over 1000 years and in that time, it gave us the foundations for our modern society. Democracy, a court based legal system, Latin languages and alphabet, three course meals, and perhaps it was one of the first modern economies to move beyond a simple agrarian empire and develop things like modern banking, lending, taxation and yes even financial crisis as we know them today.
In the same way that scholars study a dead language like Latin to discerned the foundation of meaning in our modern dialects economists can study the histories of ancient civilisations like Rome to determine basic economic functions in a time before modern financial systems could skew results and Rome was perhaps the most developed case study we could look at.
#rome #economics #recession
Patreon – https://www.patreon.com/EconomicsExpl…
Discord – https://discord.gg/7kM7Tw9
Enquiries – loungejita@gmail.com
References –
Morley, N., 2002. Metropolis and hinterland: the city of Rome and the Italian economy, 200 BC-AD 200. Cambridge University Press.
Temin, P., 2006. “The economy of the early Roman Empire”. Journal of Economic Perspectives
Temin, P., 2017. The Roman market economy. Princeton University Press.
Garnsey, P., Hopkins, K. and Whittaker, C.R. eds., 1983. Trade in the ancient economy
Brown, P., 2012. Through the Eye of a Needle: Wealth, the Fall of Rome, and the Making of Christianity in the West, 350-550 AD. Princeton University Press.
Braund, D.C., 1983. Gabinius, Caesar, and the publicani of Judaea. Klio
Articles
http://penelope.uchicago.edu/Thayer/E…
Prehistory Summarized: Evolution
Overly Sarcastic Productions
Published 5 Dec 2015Third video in a week? Good lord, what have they been feeding us?
Anyway, Blue’s back, this time with more history! The exciting conclusion to the three-part video series! Our “Return Of The King”! Our “Return Of The Jedi”! Our… wow, a lot of “part three”s are the return of something or other, aren’t they? Let’s pretend this is “The Return Of Bruce”.
April 26, 2020
Another Last Stand at Thermopylae – The Battle of Greece – WW2 – 087 – April 25, 1941
World War Two
Published 25 Apr 2020The Battle of Greece continues as forces clash once more at the historic site of Thermopylae.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabiliaSources:
– Bundesarchiv, CC-BY-SA 3.0, Bild 101I-163-0318-09/Bauer, Bild 101I-163-0319-03A/Bauer
– Edo leitner from Wikimedia
– Imperial War Museum: E 3830, TR 1762, IWM ART LD 3355, E 676, E 3182, E 3187, E 3178, E 3183, E 2363
– Roll by rivercon from the Noun Project
– Grains by Gan Khoon Lay from the Noun ProjectArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
The war keeps on growing, and were doing our best to keep up with it. As you notice the episodes are often longer these days, but there are still many details we just can’t cover in the weekly episodes for time reasons. That’s why we do our specials and also why we have our Instagram and Facebook feed with headlines of the war day by day. For instance, while we cover the Allied retreat at Thermopylae, Indy just didn’t have space to go into the details about how Australian and New Zealand forces hold back the Wehrmacht while the others retreat. That will instead be the topic of our post on Instagram / Facebook on April 24 here: https://www.instagram.com/world_war_two_realtime/ and on the TimeGhost facebook page. We also dedicated the thumb to that event by featuring a soldier of the 28th (Māori) Battalion of the NZ forces, photographed in North Africa somewhat later in 1941 while doing the Haka. His unit was part of the rear guard at Thermopylae.And on that note we would like to acknowledge that we would never be able to do this massive endeavor without the TimeGhost Army and their financial contribution. Valantis who supported this episode by dedicating it to the Cypriots fighting for the Allies in the war is not only a member of the TG Army, he’s also a valuable contributor in our comment sections and volunteers his time to help us sift through and read every comment posted under any of our videos. So, in this place we would like to once again thank Valantis and the entire TimeGhost Army for keeping us in kit, supplies, and manpower to continue the good fight for remembrance and education, especially in these trying times. You can join our forces here https://www.patreon.com/TimeGhostHistory or here https://timeghost.tv
Spartacus on behalf of the entire TimeGhost team.
“Soldier of Three Armies” Pt. 1 – Winter War – Sabaton History 064 [Official]
Sabaton History
Published 25 Apr 2020Started out as a reserve, soon promoted well deserved, and the legend has begun. Lauri Allan Törni, the soldier of three armies. Born and raised in Viipuri in Finnish Karelia, Lauri Törni grew up into a world of tensions, of class-consciousness and conflicting ideologies. Boxed in between the Soviet Union and Germany, Finland was preparing for war of survival. The Winter War would be the first place for Lauri Törni to see battle and begin his legacy as a born soldier.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Soldier of Three Armies” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Lauri Törni Perinnekilta
– Helsinki City Museum
– Finnish Heritage Agency
– sa-kuva.fiAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
Hello everyone! We hope you all stay safe and healthy! Due to the current situation, the interview part had to be recorded via webcam and the quality is sadly not the best. We apologize for that. Still we try to keep to our weekly schedule and bring you exciting new episodes of Sabaton History!
Where have all the airships gone? | James May’s Q&A (Ep 8) | Head Squeeze
BBC Earth Lab
Published 21 Feb 2013James May talks us through the rise and fall of airships.
James May’s Q&A:
With his own unique spin, James May asks and answers the oddball questions we’ve all wondered about from “What Exactly Is One Second?” to “Is Invisibility Possible?”
April 25, 2020
History-Makers: Shakespeare
Overly Sarcastic Productions
Published 24 Apr 2020“The Bard” is not only an essential class in any D&D party, but a byword for England’s most famous writer. We’ve covered a bit of Shakespeare before on OSP — just a bit, really, nothing major, only a dozen — but today we’ll look at how William got to Bard-ing, and how he accidentally became England’s biggest Historian.
SOURCES and Further Reading: The Introduction and play-texts of the Folger Shakespeare Library (The best way to read Shakespeare), “Shakespeare: A Very Short Introduction” by Wells
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.PATREON: https://www.Patreon.com/OSP
DISCORD: https://discord.gg/h3AqJPe
MERCH LINKS: https://www.redbubble.com/people/OSPY…
OUR WEBSITE: https://www.OverlySarcasticProductions.com
Find us on Twitter https://www.Twitter.com/OSPYouTube
Find us on Reddit https://www.Reddit.com/r/OSP/
April 24, 2020
Field Rations, Foreign Legion, and French Anti-Semitism – WW2 – OOTF 010
World War Two
Published 23 Apr 2020What did soldiers eat on the frontlines? What happened to the French Foreign Legion? And how is the legacy of Alfred Dreyfus handled in the anti-semitic Vichy France? Find out in this exciting episode of Out of the Foxholes!
Submit your own question for Out of the Foxholes: https://community.timeghost.tv/c/Out-…
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Bundesarchiv
German soldiers eating (courtesy Josef Gierse)
Narodowe Archiwum Cyfrowe
IWM E 3799
From the Noun Project: Spam by Jay Adams, Biscuits by Xela Ub, can by Anniken & Andreas, Bread by Vallone Design, Jam by Vichanon Chaimsuk, honey by Marta Ambrosetti, Coffee by Larea, stew by Smalllike, Soup by Ben DavisSoundtracks from the Epidemic Sound:
Trabant 33 – “When in Bavaria”
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “Deviation In Time”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Prizes, patents, and the Society of the Encouragement of Arts, Manufactures and Commerce
In the most recent Age of Invention newsletter, Anton Howes explains why the Society of the Encouragement of Arts, Manufactures and Commerce (now the Royal Society of Arts) wasn’t a fan of the British patent system and preferred to award prizes in areas that were unlikely to generate monopoly situations:

The back of the Royal Society of Arts building in London, 25 August 2005.
Photo by C.G.P. Grey (www.CGPGrey.com) via Wikimedia Commons.
… the Society’s early members had an aversion to monopolies, and patents are, after all, temporary monopolies. But there was actually a more practical reason to not give rewards to patented inventions. In fact, quite a few active members of the Society were themselves patentees, and patents for inventions were not generally lumped together for condemnation with practices like forestalling and engrossing. The practical reason for banning patents was that there was no point giving a prize for something that people were already doing anyway. Patents were expensive in the eighteenth century — depending on how you account for inflation, it could cost about £300,000 in modern terms to obtain one — so the fact that there was a patent for a process was a clear indication that it might be profitable. The Society, by contrast, was supposed to encourage things that would not otherwise have been done.
Thus, when a patent had already been granted for a process the Society had been considering giving a premium for, it purposefully backed down — not because the prize would infringe on the patent, but because its encouragement was no longer necessary. And so the effect of the ban on patented inventions was that the Society received, even unsolicited, exactly the kinds of inventions that there was less monetary incentive to invent. Occasionally, this meant trivial improvements — minor tweaks, here and there, to existing processes. An engineer might patent one invention, but not see it worth their time patenting another — through the Society’s prizes, they might at least get a bit of cash for it, or some recognition. The improvement would also be promoted through the Society’s publications. Or, the Society received inventions that were far from trivial, like the scandiscope for cleaning chimneys [here], but which were not all that profitable: inventions that saved lives, or had other beneficial effects on the health and wellbeing of workers and consumers. And finally, the Society received innovations that could not be patented, such as agricultural practices and the opening of new import trades. In the early nineteenth century the Society awarded its prizes to a whole host of naval officers, including an admiral, who came up with flag-based signalling systems between ships — early forms of semaphore.
Another effect of the ban on patents was that the Society also attracted submissions from different demographics. Many of its submissions came from people who were too poor to afford patents, as well as from those who were too rich — wealthy aristocrats for whom commercial considerations might seem vulgar. The poor would generally go for the cash prizes, and the aristocrats for the honorary medals. And the prizes were used by people who might otherwise be socially excluded from invention. In 1758, for example, the Society instructed its members in the American colonies to accept submissions from Native Americans. It also allowed women to claim premiums (just as it allowed them to be members). My favourite example is Ann Williams, postmistress at Gravesend, in Kent, who won twenty guineas from the Society in 1778 for her observations on the feeding and rearing of silk-worms. She kept them in one of the post-office pigeon-holes, referring to them affectionately as “my little family” of “innocent reptiles”. Unlike other elements of society, the Society of Arts accepted, as she put it to them, that “curiosity is inherent to all the daughters of Eve.”
The Society thus encouraged the kinds of inventions that might not otherwise have been created, and catered to the kinds of inventors who might not otherwise have been recognised. Rather than competing with the patent system, it complemented it, filling in the gaps that it left. The Society operated at the margins, and only at the margins, to the better completion of the whole. It found its niche, to the benefit of innovation overall.
Mauser-Norris Prototype: Origins of the Mauser Legacy
Forgotten Weapons
Published 10 Jan 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
Today we are looking at one of the rarest and earliest rifles built by Paul and Wilhelm Mauser, a design which would set in motion all the events that led to the Mauser company becoming one of the great world leaders in small arms. The Mauser brothers were born in Oberndorf am Necker in the Kingdom of Württemberg, sons of a gunsmith. They would take up their father’s trade and were creative and intelligent boys, but opportunities were limited in the small, rural town of Oberndorf. In 1865 they presented a rifle to the Austrian Army in Vienna for trials, where it was rejected. However, it was noticed by an American sales rep for the Remington Company, a man named Samuel Norris. Norris saw the potential in the Mauser brothers’ design to convert needlefire rifles to metallic cartridges, and he signed a deal with the brothers to further develop the system.
The Mausers moved to Liege Belgium to do their work, and within just a few years they were making rifles for Norris. This example is based on a Chassepot, as Norris hoped to sell the conversion system to the French Army. That deal was rejected, however (the French were happy sticking with paper cartridges as of 1868), and Norris’ plans began to unravel when the Remington company discovered that he was making dealings in his own name instead of for them. The Mauser brothers ended up walking away from the deal with ownership of the patents they had filed with Norris, and when they submitted the design to the Prussians a process began which would result in the Mauser Model 1871 being adopted. From there, their talents would lead to the whole line of Mauser repeating rifles culminating in the Model 1898, arguably the pinnacle of the bolt action military rifle.
Thanks to the Liege Arms Museum for access to film this for you! If you are in Belgium, definitely plan to stop into the museum, part of the Grand Curtius. They have a very good selection of interesting and unusual arms on display. Further thanks to the Paul Mauser Archive for helping to arrange this filming!
http://www.paul-mauser-archive.com
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

















